Tag: American Werewolves

Happy Tuesday, bibliophiles!

On Earth As It Is on Television has been on my TBR for at least a few years, and I’ve nearly bought it at least twice at my local Barnes & Noble before settling on it last week. It seemed quirky and interesting, but this novel ended up blowing me away with how inventive, heartfelt, and downright funny it was. The best 5-star reads come out of nowhere, and On Earth As It Is on Television is one of them.

Enjoy this week’s review!

On Earth As It Is on Television – Emily Jane

Aliens have finally come to Earth. Without warning, dozens of spaceships appear over Earth, causing a worldwide panic. Days later, they leave without a word. As the world falls into chaos, the lives of three people intersect as the world struggles to reckon with this occurrence. Blaine struggles to wrangle his TV-addicted children, now convinced that they need to skin people to find the aliens within, and go along with the mercurial plans of his wife, Anne. Catatonic for 30 years, Oliver suddenly regains consciousness, only to be whisked away on a strange journey by a stray cat. Heather, always the outsider among her stepfamily, ponders if the aliens could finally mark the start in the next chapter of her mundane life. All of their journeys converge as the world reckons with their place in the universe—and what could be next for the human race.

TW/CW: car accident, death, imprisonment, suicidal ideation, substance abuse

I did not expect a book with such a massive volume of millennial cat meme-isms to nearly make me cry multiple times. One minute they’re going on about Mr. Meow-Mitts and “himb peets” or something, and 20 pages later I’m a puddle on the floor. What a book.

There’s not a ton I can compare to in terms of On Earth As It Is on Television, but if anything, it’s quite like No One Is Talking About This, a book that also deals with the chaos of 21st century life; there’s a lot of meme-speak, there’s a lot of mindless media consumption, and there’s a whole lot of absurdity. A lot of the humor takes cues from the oversaturation of memes in the 2010’s (cats, bacon, etc.), but it’s a lot funnier than that entails—it’s more about the ridiculousness of that microcosm than it is about the actual humor; for me, it fed into the whole side of the story that was about the ridiculousness of modern life, as we are oversaturated with…well, everything. Plastic, fatty foods, cat memes. (If you have minimal tolerance for phrases like “heckin chonker” and “floofy boi,” this might not be the book for you. It’s a lot, but stay with it, trust me.) Surprisingly, this ends up being very poignant by the end of the novel, but it was both an astute observation on our 21st century state of being in a perpetual deluge of mindless information and content. Jane cranks the absurdity up to its absolute maximum without it feeling overwhelming—it’s totally goofy at times, but it’s great satire as well.

Both of the sci-fi books that I’ve rated in the 4.75-5 star range this year have involved cats in some way. Coincidence? I think not. (Shoutout to The Last Gifts of the Universe and Pumpkin the cat.) The way that On Earth As It Is on Television uses cats was one of the funnier parts of the novel, setting aside the pervasion of cat meme-speak. As well as causing worldwide panic, the alien ships have an unexplained effect on the world’s cat population—they all come back telepathic, and the results are hilarious. It’s clear that Jane is a cat lover, and it came through in every page. It added another wonderful layer of silliness to an already absurd novel, and I thoroughly enjoyed it. And honestly, it seemed completely plausible for cats to be the ones to pick up on alien frequencies, out of all the creatures on Earth.

Usually for a 5-star novel, I get super attached to at least a few characters. On Earth As It Is on Television might honestly be an exception, but that’s not a slight against it in the least. I didn’t like all of the characters—in fact, I doubt it was the point for them to be likable—but they all felt real. Blaine didn’t have a distinct personality for the beginnings of the novel, but you come to realize that he’s been so swallowed up by trying to juggle everyone else that it’s become his personality. Avril and Jas are the most insufferable children you could ever dream up, but they feel like the terrible kids you’re stuck sitting next to at the DMV or on the plane. Heather came off dramatic and whiny more often than not, but I could easily see how much her life felt out of her control. All of this is to say that though they were not all likable in the traditional sense, they felt real, and that was what felt refreshing. For a novel that tracked the trajectories of ordinary people, they felt especially authentic. It’s a mass reckoning with the absurdity of life, and Jane makes every detour worth it.

If anything, it was the characters’ journeys that were the most compelling part of the novel. All of the interconnected characters throughout On Earth As It Is on Television were thrown into circumstances outside of their control, both physical and mental, and nowhere that any of them went ended up being predictable. The concrete trajectories ranged from the ordinary (Heather feeling forgotten amongst her stepfamily) to the outright bizarre (a catatonic man regaining consciousness after 20 years and going on the world’s weirdest road trip with a telepathic cat), but all of them presented such rich character development. They crisscrossed all over the country, at times laugh-out-loud funny and other times more grounded and solemn. Wacky as it was, Jane used them all to wring out so much emotional development from a worldwide crisis that affects everyone differently; grappling with the fallout of feeling important in the universe, but then being forgotten just as quickly.

I’m a sucker for fun alien designs, and I didn’t expect On Earth As It Is on Television to deliver as much as it did. The Malorts aren’t peak creature design, but with their three-handed meerkat-like appearances and affinities for plastic crap, they hammered home the themes of the novel excellently. I wasn’t looking for any kind of realism in this novel, which is why I’m so glad that Jane went so bonkers with the design and culture of the Malorts, from their dietary preferences to their fascination with cats. They were a perfect vehicle for the absurdity that this novel emphasizes, and they provided as many laughs as the humans. There was a moment where there was so much plastic involved in the novel that I thought that the wry commentary on consumerism was going to fall flat, but the Malorts ended up turning it into a solution for climate change in-universe: why not give the Great Pacific Garbage Patch to a bunch of aliens who really like plastic for some reason? It was totally wonderful and goofy, but it segued nicely into the novel’s themes of finding joy in unlikely and mundane places and things.

More on that…any book that makes observations of shiny, plastic souvenirs and children repeating meme-isms into something genuinely poignant and moving deserves some kind of praise. But by the end, I loved what it had to say about the nature of life, however absurd it may be: everything is messy and out of your control, but that’s okay. Life is worth living for all of the strange detours and tiny miracles that you can find in every day life—cats, children singing, good food, silly television, and unexpected forks in the road. No matter our place in the universe or what the government does, we can always look to the ordinary to find solace. And beyond that, we can look to each other—our family, our friends, and strangers—to anchor us in the face of upheaval. On Earth As It Is on Television is a novel about many things (cats, TV, road trips, aliens), but above all, it’s about the small miracles that make life worth living—and what better way to end such a strange, beautiful novel? When we are inundated with mindless consumption, what better resistance is there than to notice life’s small, organic miracles? Finding and reading this novel felt exactly how it was intended to be read—on a whim, and being unexpectedly moved by it in so many places.

All in all, a clever, quirky, and unexpectedly moving novel about the biggest and smallest things in our human—and alien—experiences. 4.75 stars, rounded up to 5!

On Earth As It Is on Television is a standalone, but Emily Jane is also the author of Here Beside the Rising Tide and the forthcoming American Werewolves.

Today’s song:

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!