Posted in TV

Shadow and Bone, season 2 – Netflix review ๐Ÿ‰

they really just hand the Mal reveal to you right there, huh

Happy Friday, bibliophiles!

Season 2 of Shadow and Bone has finally come out, and with it came so much potentialโ€”new and beloved characters were finally being introduced, and with the melding of the original Shadow and Bone and Six of Crows storylines, we were finally getting material that was actually from the latter books. But although it was entertaining overall, it’s clear that a few things have started to get lost in translation in this new season. Still a fun watch, for the most part, but I have more gripes than I did than for season 1.

Now, tread lightly! This review contains spoilers for seasons 1 & 2 of Shadow and Bone, so if you haven’t yet watched it, read this at your own risk!

for my review of season 1, click here!

Enjoy this review!

SHADOW AND BONE, SEASON 2 – NETFLIX REVIEW

THE GREAT:

what’s with Tolya’s expression there ๐Ÿ’€

Most of what I liked from season 1 ended up carrying over (CGI, casting, etc.), so, again: see my original review for most of that. But here’s what I liked about season 1 in particular:

  • Nikolai and Wylan: Nikolai and Wylan were my favorite characters from Shadow and Bone and Six of Crows respectively, so I was nervous going into this season. Nothing lives up to how we picture characters in our imaginations, but I’d say that Patrick Gibson and Jack Wolfe both did a good job at bringing these characters to life! Gibson definitely captured Nikolai’s lovably over-the-top swagger and charm, and his outfits were stellar as well. Similarly, Wolfe played Wylan’s shy and sensitive personality wonderfully, and as in the books, he had some solid chemistry with Jesper (Kit Young).
  • We’re actually getting some of the Six of Crows plot now? It had to happen eventually, given that the showrunners were combining both series and the fact that the audience largely liked the Crows more than the Shadow and Bone plot (understandable). Even with the tweaks that happened to make it work into the main storyline, it was still super fun (and also harrowingโ€”the Jordie flashbacks, anyone?) to see some of the more iconic events from the book come to life. And the band’s finally all together! Almost…
  • More screen time for David!! DAVID! MY BOY! He was one of my favorite side characters in the books, and I’m so glad that he got to have more attention in this season. Luke Pasqualino played his gentle, awkward personality so well, and his newfound chemistry with Genya…getting all of the old Shadow and Bone feels from back in the day…๐Ÿฅฒ love those two
  • We don’t have to deal with the Darkling anymore…for the time being: The decision to smush the plots of Siege and Storm and Ruin and Rising was certainly interesting one; again, it’s easy to see that it happened after the overwhelming audience preference for the Crows, and it definitely expedited some of the less interesting parts from those novels. Unlike the new Six of Crows stuff from seasons 1 and 2, this felt a bit more seamless, and even though I’m sad that we won’t quite get everything, it still makes sense. It’s messy, but it…kind of worked. And, as the title suggests, I’m glad that we won’t have to put up with hipster Darkling for a while. I say “for a while” because from the “”twist”” ending, it looks like they might be going the King of Scars route if they continue the Shadow and Bone plot…I wouldn’t be surprised if they brought him back. Ugh. They handled him super uncomfortably (see my s1 post for my issues), so I hope they keep him dead in the Netflix series. I can dream.
  • The Hummingbird: HUEHDKSJHSHJKDKHFSHSJKDLFHDJDFHF FANTASY FLYING SHIP GO BRRRRRRRRRRRRR
YEAAAAAAAAAAAAAAAAH BABEYYYYYYY

THE NOT-SO-GREAT:

Again, most of my gripes from season 1 carry over. I’m staying mad about Nina not being plus-sized. Do better, Netflix.

  • Tamar and Tolya: Other than Nikolai and Wylan, a lot of the newly introduced characters in this season felt especially gimmicky, and these two fell right into that. I remember thinking that they were mildly interesting in the book, but they were sort of forgettable in my experience. And Netflix somehow made them…worse? Had it not been for the “teehee Tolya will take any opportunity to recite poetry, silly goofy man,” and their genders, these two would’ve been indistinguishable. And both of them ended up being annoyingโ€”again, Tolya just had the poetry gag, and Tamar was just there to deliver slick one-liners and look cool. Not really a highlight. Eh.
  • Why are they making some of the characters so gimmicky all of the sudden? I know. This is a show based off of a YA book, and a lot of these characters are meant to be over-the-top. In the case of Kaz Brekker, for instance, it still works. But it feels like they’ve just taken qualities of existing characters and amped them up for no reason? I saw it most prominently with Jesper; there’s so much more nuance to his character than just being a charming gunslinger, but that’s…the only thing season 2 ever did with him. They just reduced him to being the comic relief character and erased all of his other characters, which is a massive disservice to him and Six of Crows as a whole. And don’t even get me started on that ridiculous attempt to break the fourth wall and then cut away. WHY.
my boy deserves better
  • The New Six of Crows plotline. Again. The initial Six of Crows plot in season 1 was somewhat entertaining, but it was pretty obvious that it was shoehorned in just so that they could try and fix up the timeline. And somehow, by some horrific miracle, they managed to make another new plot that was EVEN WORSE. WHAT WAS THAT. They weren’t even trying to hide the fact that they needed some time to stall before getting to the more climactic parts of the series. They just went on a sloppily-written heist and then got trapped in a room with a poisonous gas that somehow made them all relive their tragic backstories? How much more hackneyed can you get? Some of the laziest writing I’ve seen in ages…
  • The Darkling’s henchmen: Again: gimmicks. Ridiculous. No wonder they were so disposable.
  • THIS ONCAT ERASURE WILL NOT STAND: self-explanatory. You thought you could tide us over by throwing a goat in season 1 for comic relief? THE PEOPLE HAVE SPOKEN, AND WE WANT THE CAT.

(it’s me, I want the cat)

NOT NECESSARILY GOOD OR BAD, BUT JUST KIND OF FUNNY:

  • Why is Freddie Carter constantly making that face? You know the one. Does the role of Kaz Brekker somehow have a prerequisite for being in a constant state of sucking in your cheeks?

Inej: I will have you without armor, or I will not have youโ€”

Kaz:

Overall, I have much more mixed feelings about this season; a lot of the issues I had initially were exacerbated much more this time around, but it was still entertaining to watch and somewhat well-acted. As a longtime fan of the books, it’s been interesting to see how they’ve been adapting these two series, and although they were less faithful this season, I’ve still been compelled to see how it all plays out. So I’d give it a solid 3.5 stars since it was still fun, if not frustrating.

TW/CW: graphic violence, war themes, animal death, depictions of illness, child death, loss of loved ones, body horror, blood

Today’s song:

what a great album

That’s it for this TV review! Have a wonderful rest of your day, and take care of yourselves!

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Posted in TV

Shadow and Bone – Netflix review ๐Ÿ

Shadow and Bone (TV Series 2021โ€“ ) - IMDb
all images credit to Netflix

Happy Saturday, bibliophiles!

I’ve always preferred sci-fi to fantasy, but all of the series in the Grishaverse (Shadow and Bone trilogy, Six of Crows duology, Nikolai duology) have consistently been some of my favorite YA fantasy novels. Packed with lush prose and complex worldbuilding that can’t be matched by much else, it truly stood out amongst the vast field of YA fantasy.

So naturally I was excited, but more than a little nervous that Netflix was developing a show based off of Shadow and Bone and Six of Crows. I haven’t enjoyed much of Netflix’s original shows other than Stranger Things and The Umbrella Academy, and I hadn’t heard of any of the actors. But the more they revealed, the more excited I got. And now that I’ve watched it, I think it restored some of my faith in Netflix. Shadow and Bone is, for the most part, every bookworm’s dream: an adaptation where the love for the source material shines through in every line and episode.

So let’s get into it, shall we? Bc I’ve got some THOUGHTS

But be warned! This review contains some spoilers for both the show and the books, so tread lightly!

Shadow and Bone: fans saying same thing about Netflix's new show | HELLO!
T H E M

THE GREAT:

  • The casting: As I said earlier, I hadn’t heard of any of the actors in the show prior to watching this. (Not even Ben Barnes…apparently he was in one of the Narnia movies? I wouldn’t know, I think the only one of the movies that I watched was The Lion, the Witch, and the Wardrobe…) (EDIT: no wait apparently Baghra was also Madam Hooch??? I knew I recognized her from somewhere) But the vast majority of them were INCREDIBLE. Not only did quite a few of them stay true to the characters, but they felt like the perfect actors for these characters. Some of my favorites in particular were Freddy Carter as Kaz Brekker, Jessie Mei Li as Alina Starkov, Amita Suman as Inej Ghafa, Daisy Head as Genya Safin, and Kit Young as Jesper Fahey. (Also, David was precious. I forgot how wonderful he was. And HELNIK. HELNIIIIIK.)
Shadow and Bone' Trailer: Can Alina Bring the Light to Save Everyone?  (VIDEO)
The perfect Alina. Gaaaaaaah

And on that subject…

  • Mal is actually likable now? I just found him…so bland in the books, and Archie Renaux’s portrayal seemed to flesh him out a little more. Still not my favorite, but I get more classic hopelessly-romantic-idiot vibes from him now. What a guy.
Shadow and Bone | Netflix Official Site
d’awwwwww

  • Faithfulness to the source material: I didn’t take the time to re-read everything before binging all this, but even then, there were so many iconic lines that made their way into the show that I noticed. The show’s character’s were so wonderfully true to the novel’s, and all the details about the world made the show radiate such love and respect for the original Grishaverse novels. I mean, part of that’s definitely because Leigh Bardugo had a fairly prominent role in the show, but still.

  • Sets and costumes: EVERYTHING LOOKED SO. SO. BEAUTIFUL. The decor and keftas (can we talk about THE DETAILS IN THE KEFTAS???) in the Little Palace were especially gorgeous, and I loved all the landscapes that we got to see, especially in Ravka. Ketterdam was definitely a favorite of mine as well.

  • CGI: For the most part, the special effects were great! The Fold must have been such a pain to animate, but it was 100% worth it: just as terrifying as I imagined it! (And, by extension, the volcra. Guuuuuuh.) All of the Grisha magic looked amazing too.

  • Diversity: One thing I will say in Netflix’s favor: a lot of their original shows do a good job of having a variety of characters of different races, sexualities, and gender identities, and this one was no exception! Most of the characters who were POC/LGBTQ+ in the books were rightfully so here, and the decision to make Alina mixed-race and Mal POC was great! Say what you want about Chosen Ones, but isn’t it pretty cool that we have a mixed-race Asian character as our chosen one here? I think so.

  • Milo the goat: self-explanatory.
Why Milo the Goat Is the Best 'Shadow and Bone' Character - Thrillist
the look of love
  • The Leigh Bardugo cameo: tears. TEARS.

But, of course, the show wasn’t *entirely* without its flaws, which I’ve been itching to discuss…

THE NOT-SO-GREAT:

  • The Darkling: okay, unpopular opinion time. Ben Barnes’ acting was fine, yeah, but he just…was not a good fit for the Darkling. His voice is great and he’s clearly a talented actor, but he was barely menacing. He just looked like a pretentious hipster in a big furry cape. I guess that made him easier to hate (because, y’know, the Darkling is a nasty manipulator), but…nah. I loved him as the villain in the original novels, so that was a major letdown.
Which of Leigh Bardugo's Books is The Netflix Show Based On? -
nope

And on that subject:

  • WHY, WHY WHY DID THEY BRING IN THE ALEKSANDR REVEAL IN SO EARLY? I’M STILL SO MAD ABOUT THIS. UGH. We got the information that he’s Baghra’s son/the Black Heretic/all that jazz in book 1, but we didn’t get his name until the end of Ruin and Rising, and it was an appropriate bombshell of a reveal. I suppose they wanted to “humanize” him and all (please S T O P ), but if you already have the Black Heretic/Baghra reveals at the ready, then what’s the point? To whoever’s idea this was, I just wanna talk…

  • Nina not being plus-sized: for the most part, like I said, the show stayed pretty close to the characters, but not Nina? COME ON. Danielle Galligan was fine, but there’s plenty of plus-sized actors they could’ve chosen for the part. It just doesn’t sit right with me that they erased that part of her character. Ugh.

  • The new Six of Crows subplot felt a little rushed: okay, I’ll admit that it was probably hard to incorporate SoC into the Shadow and Bone timeline when the original books happened after all this. But even though I thoroughly enjoyed seeing Kaz, Inej, Jesper, and the rest of Ketterdam, their new subplot just felt…flimsy. Shoehorned in. I did like the bit with the Conductor, but it just didn’t have the care and weight put into it that the other parts of the show did.
Shadow and Bone' Fans Debate Who Will Be the 'Star' of the Netflix Original  Series

All in all though, this made my stupid little Grisha bookworm heart so happy. This is the kind of love that should be put into every novel to TV/film adaptation: respect for the source material, but adding in some fresh twists, but not enough to make it unrecognizable. I was a little scared for this one, admittedly, but I’m so glad that none of my fears came to pass.

Except for the Darkling, of course. :/

MY RATING: โ˜…โ˜…โ˜…โ˜…โ˜†

TW/CW: racism, sexism, graphic violence, blood, body horror, animal death

Today’s song:

this just came on shuffle and I had to listen to it on repeat again…I FORGOT HOW MUCH I LOVED THIS SONG

That’s it for this TV review! Have a wonderful rest of your day, and take care of yourselves!

Posted in Geeky Stuff, TV

“If I don’t come back, I’m dead or in jail.” (Fargo: Year 4 review)

FXNOW - Watch Full Episodes of FX Shows & Movies
All images in this post credit to FX Networks

Happy Friday, bibliophiles! I suppose that the bibliophile greeting doesn’t *quite* fit for this post, but hey, you probably followed this blog for books, right? Today, we’ve got something a little bit different–but at least I kept my promise, didn’t I? I hinted at doing a review for at least a week prior to today…

At the beginning of quarantine, my brother and my parents had just started binging Fargo. So like so many of us have done with different shows in the last 6 months, I starting doing some serious binge-watching. I’d already been exposed to Noah Hawley’s masterful storytelling through Legion, but Fargo never ceased to wow me. I forgot about it for a few months after finishing up season 3, and then the trailer for season 4 came out in September. I didn’t see it coming, but little did I know that this newest season would be my favorite yet!

Chris Rock Leads the Future in New Fargo Season 4 Teaser

Here’s the special thing about Fargo: each season follows a plot that, chances are, you’ve seen before: murder mysteries in small towns, sibling rivalries escalated to astronomical proportions, dysfunctional crime families; this season, in particular, centers around the politics of rivaling Italian and African-American gangs in 1950s Kansas City, and a mortician’s family who unwillingly gets caught up in the action. But every season, without fail, Noah Hawley spins it into something that you’ve never seen before, be it with the characters, the cinematography, and the plot twists (and there’s a LOT of plot twists). Fargo is all about the unexpected, and season 4 brings the factor of the unknown and unseen up to levels that I haven’t seen since…well, I guess that season 3 ending…(no spoilers.)

And maybe I’m biased for this one. October was one of the hardest months I’ve had in quite a while, and Fargo was, without a doubt, one of the things that kept me going through it. As the season came out, my days started to revolve around the Monday nights that would inevitably bring another episode to fuel me with enough dopamine to keep me going through the rest of the week. But I genuinely believe that this show embodies what storytelling should be–what good TV should be, really. And this season has truly cemented Fargo as my favorite show. (And considering that I don’t readily jump for murder mysteries/historical fiction, that’s definitely saying something. That’s just the power of Noah Hawley, folks…)

Now, TREAD LIGHTLY! This review may contain some minor spoilers, but for your benefit, I’ll try to keep it light on them. But even so, be warned…

Fargo" season 4 has spun a complex, compelling American fable of race and  crime | Salon.com

I…can’t really find anything major that I didn’t like about this season, so consider this review a breakdown of most everything that I loved.

THE GREAT:

  • Characters/casting/acting: With every Fargo season, there’s no shortage of complex characters and masterful actors (for previous seasons, see: Martin Freeman, Bokeem Woodbine, Jean Smart, Ewan McGregor, David Thewlis, Mary Elizabeth Winstead, etc.), but season 4 in particular had them in no short supply. I loved all of the (HUGE) main cast and many of the supporting characters, but for one reason or another, this is the first season where I’ve gotten really attached to more than one character. And considering that Fargo is one of those shows that 75%-80% of the main cast is killed off by the time the finale rolls around, it…didn’t go over well with my emotions. But in all seriousness, THESE CHARACTERS!

Let me just digress to talk about my three favorites in this season:

Fargo Season 4 Episode 5 Review: The Birthplace of Civilization | Den of  Geek
  • Doctor Senator (Glynn Turman): let’s be honest, what’s not to like? He consistently has some of the best lines/general dialogue in this season, he’s strategic, he’s clever, and he’s instantly likable. I’ll get more in depth on the morally gray theme of the whole season later on in the review, but leave it to Fargo to make us AGGRESSIVELY sympathize with all manner of mobsters and criminals…anyways, this guy’s the best.
In 'Fargo' Season 4, All the Cops are Bad โ€” Noah Hawley Explains Why |  IndieWire
“I am Ethelrida Pearl Smutny. And I am one of a kind.”
  • Ethelrida Smutny (E’myri Crutchfield): LOVE HER! She’s one of the few characters in this season who’s morally right and seeks to do the right thing, and she is such a lovable character in every way. She’s frequently underestimated by most of the adults in this season, but she shows herself to not only be smart–smarter than them, in some cases–, but compassionate and determined to do the right thing. The world needs more people like Ethelrida.

And last but most definitely not least…

Fargo' Season 4 Character Guide: Who's Who in the New Series
“If I don’t come back, I’m dead or in jail. Do your lessons.”
  • Patrick “Rabbi” Milligan (Ben Whishaw): [SCREAMS AND CRIES INTO THE VOID]

Out of the three I just mentioned, he’s absolutely my favorite. He’s endured so much tragedy and trauma over the course of his life, but all he wants is for Satchel to have a better life. Again, no shortage of clever and insightful lines, and objectively one of those characters that just needs a big hug and a mug of hot chocolate. Just…just trust me on that one. You’ll see.

FX Postpones Fargo Season 4 After Production Delays Due to Coronavirus |  Consequence of Sound
I hate myself for thinking about that “What do you have? A KNIFE! NO!” vine when I saw this scene…

But as far as characters, it doesn’t stop there. Everybody, from Chris Rock (Loy Cannon) to Jason Schwartzman (Josto Fadda) to Jessie Buckley (Oraetta Mayflower) truly shines in season 4. Each character is distinct, complex, and it was an absolute joy to see all of their stories unfold. (Also, it’s worth it just to see Jason Schwartzman just SNAP…that scene of him just pretending to hold a gun and just go “HAGAGAGAGAGHGHAGSDHAGHGHGH” just lives rent-free in my mind now…)

(Plus…THE GAYS WON 2020, EVERYBODY! Can we just talk about how Zelmare and Swanee INVENTED “be gay, do crime?”)

Preview โ€” Fargo Season 4 Episode 8: The Nadir | Tell-Tale TV
[intense sapphic happiness ensues]

Whew, that went on for a while. BUT WAIT–THERE’S MORE, BECAUSE THIS SHOW IS VERY NEARLY FLAWLESS:

  • Score and soundtrack: At this point, I think it’s just impossible for Jeff Russo to ever make a bad score for a movie or a TV show. Besides all of the remixes of the music from previous seasons, I loved all of the new songs. I particularly liked Odis (Jack Huston)’s theme (somehow it almost sounds like a car alarm? But in a good way) and the Legion-y song with the shootout with Zelmare and Swanee at the train station. And I loved all of the other songs that were slipped in. No spoilers for the context of the Johnny Cash song in the finale, but when I tell you that I SOBBED…
  • Timely themes: One of the main complaints I’ve seen about this season is that it’s “too woke,” (๐Ÿ™„) which I think is utterly idiotic. This season’s set in 1950, but it’s more timely than ever–there’s discussions of race, police brutality, immigration, and what it means to be an American. And it’s all handled quite well, I think. One thing I’ve always appreciated about the show as a whole is how it depicts the American police system–for the first three seasons, there’s usually 1-2 cops that actually know what they’re doing, but they’re frequently dismissed by a largely unbelieving and sexist police force. This season is the first where we have both of our main cops as largely corrupt, but we still sympathize with one of them (PTSD relating to WWII). Most of the characters are morally gray as well (I mean, most of the main cast are members of separate gangs), and that contrast was also well-done.
  • That classic, Noah Hawley weirdness: in every season, there’s at least one episode or plot point that’s highly out of the ordinary, and lucky for us, we got that in the form of episode 9. Besides having a whole episode of Rabbi and Satchel after not seeing them for two episodes, there’s an amazing Wizard of Oz theme with the whole episode. I’ll shamelessly admit to thinking about it for a solid WEEK.
Fargo' Season 4, Episode 9 Recap: And a Little Dog, Too - The New York Times
  • All the Coen Brothers references, of course: Treehorn? The Raising Arizona screaming? Everything that I missed? LOADS OF FUN.
Chris Rock Says Irish Actress Got Best Part on 'Fargo,' Evil Nurse Oraetta
“Ya like pie?”

All in all, this was a masterful show from start to finish. My favorite season out of the four, by far, although I love them all. I’m already rewatching the whole season over again…

MY RATING: โ˜…โ˜…โ˜…โ˜…โ˜…

TW/CW: Graphic violence (mostly gunshot wounds, but there’s some parts that definitely made me queasy), racism, xenophobia, police brutality, some brief racist/homophobic/ablelist slurs, poisoning, loss of loved ones, alcoholism/substance abuse

EDIT: Whoooooooa, apparently this is my 500th post! Dang…๐Ÿ˜ณ

Today’s song:

I haven’t heard this song in so long…the memories…๐Ÿ˜ญ

That’s it for this TV review! Have a wonderful rest of your day, and take care of yourselves!