Tag: February

Posted in Monthly Wrap-Ups

February 2023 Wrap-Up ⛷

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I’m running out of winter emojis for these wrap-ups…what else am I supposed to do when this month has been so consistently cold and miserable? Totally can’t tell how ready for spring and summer I am, can you? Nuh uh, no way…

The snow has made for some pretty beautiful scenery, though. I will say that.

GENERAL THOUGHTS:

February’s been a quiet month for the most part (although the high winds last week made me feel like I was in The Wizard of Oz, and not in a good way), which I alway appreciate. The great thing about taking mainly humanities classes is that midterms are a lot less stressful—most of my classes just have papers, so they’re far less daunting. And it’s been great to have comics and sci-fi as my reading material—even though my science fiction class has had its ups and downs, I loved re-reading All Systems Red and re-watching Blade Runner 2049 for homework.

I felt like my reading slowed down, but looking at the numbers, it really didn’t. School reading has started to make up a significant portion of what I read now that I’m in more English classes, but I’ve read a lot of interesting novels and graphic novels—Bitch Planet, Monstress, and now re-reading Kindred, to name a few. But I did read a bunch of great novels for Black History Month in my free time, and I’ve discovered so many wonderful books! I just finished The Fifth Season, and I’m kind of invested in the series now…

Other than that, I’ve been watching Only Murders in the Building (✨fabulous✨), Our Flag Means Death (not as funny as people made it out to be, but the last two episodes HURT), and Flight of the Conchords (THEY CALL ME THE HIPHOPOPOTAMOUS, MY LYRICS ARE BOTTOMLESS…[cough]), drawing, playing guitar, skiing for the first time in over a year (so much fun, but also so much soreness), and listening to new music from Black Belt Eagle Scout and Gorillaz. So much new music out (that’s on my radar) already…

READING AND BLOGGING:

I read 20 books this month! I feel like school reading has taken up a good chunk of what I’ve read this month, even if it’s been re-reads, but what I’m loving about college is that I’m reading more novels that I’m interested in (with the exception of Do Androids Dream of Electric Sheep?…ew), so that’s a plus.

2 – 2.75 stars:

Do Androids Dream of Electric Sheep?

3 – 3.75 stars:

Ms. Marvel: Fists of Justice

4 – 4.75 stars:

The Fifth Season

FAVORITE BOOK OF THE MONTH (NOT COUNTING RE-READS): Nothing Burns as Bright as You – 4.5 stars

POSTS I’M PROUD OF:

POSTS FROM OTHER WONDERFUL PEOPLE THAT I ENJOYED:

SONGS/ALBUMS THAT I ENJOYED:

the first half of this month was nothing but Super Furry Animals, and that’s not a complaint at all
and when the dust settled after said Super Furry Animals, all that was left but two older St. Vincent singles that I put on repeat
“Panopticom” was pretty good, but THIS has me really excited for i/o
GUESS WHO’S BACK
such a lovely album!!!
you thought you could escape Blur on this blog? fools

Since I’ve already posted once today, check out this week’s Book Review Tuesday for today’s song.

That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!

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Posted in Music, Sunday Songs

Sunday Songs: 2/26/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! Hope this week has treated you all well.

Here we are at the end of the shortest month of the year, and we’ve got a bit of a…chaotic mishmash of songs for the occasion this week. I suppose it always is, but even though the album covers are somewhat coordinated, the songs were strung together like angry children reluctantly getting shoved into a family photo. I like them all, though, and I hope you do too. Climb aboard the (emotional) rollercoaster, you never know what’ll hit you. Hopefully not whiplash.

Enjoy this week’s songs!

SUNDAY SONGS: 2/26/23

“The Court (Dark-Side Mix)” – Peter Gabriel

“Justice is a luxury for the rich” HERE KING YOU DROPPED THIS 👑

I end up sacrificing color schemes for chronology in these posts more than not, but in the end, it’s more about talking about the music I’m generally liking, so I’ve abandoned the guilt at this point, even though we’re closer to the next full moon to when “The Court” actually came out. Anyway.

I talked a bit about “Panopticom” last month, and I liked it, but it felt like there was something missing. Turns out that this song was what was missing—I was already excited for i/o, but “The Court” is getting my hopes up. From the barely audible, slowed-down laughter hidden in the intro, there’s a creeping, sinister feel to the whole song; you can almost feel a shadow being cast across your body when the chorus echoes with “And the court/Will rise/While the pillars all fall.” It’s a slow build, but unlike “Panopticom,” which left a sort of void that I was waiting for the entire time, “The Court” weaves into an ominous spectacle, that, regardless of the Dark-Side or Bright-Side mix, wraps you up in a cloud of smoke. A bit of theatricality, almost reminiscent of some of Gabriel’s orchestral reimaginings of his earlier songs, creeps into the bridge as his voice (still just as rich even when he’s in his 70’s…oh, happy belated birthday, by the way!), making for a song that functions as an individual piece, but has the feeling of a great album opener. I’m not even sure. I think it would be a good opening, but we won’t have any semblance of order for i/o until the end of the year, so we’ll see…

“MFSOTSOTR” – Sidney Gish

As of now, it’s been a few weeks since the actual announcement, but Sidney Gish is back!! She’s been teasing a new album that was originally set to be released in January, but as of now, is still being worked on. But for now, she’s released two singles as part of the Sub Pop Singles Club—this song and “Filming School,” which is just as great. On the process of writing “MFSOTSOTR,” Gish said that “the lyrics were freestyled while staring at a meme of a buff man wearing high-waisted jeans. No edits were ever made to ‘MFSOTSOTR.’ It has haunted my hard drive for three years.” And if that doesn’t sum up the wonderfully oddball spirit of Sidney Gish both in her songwriting and personality, then I don’t know what does. Even though it’s barely a minute long, this song is packed with everything that endeared Gish to me back in 2019—it’s the definition of carefree, building off of freestyle riffing without any worry about meaning. From the deliberate mispronunciation of “question” to the delicate layering of Gish’s harmonies, it’s made me so excited for what the future has in store for her—let’s hope that album comes out soon (whenever she feels like it’s ready, of course), but for now, we have some bite-sized, joyful weirdness to enjoy for the time being.

“Enter One” – Sol Seppy

And now we’re at the polar opposite of the spectrum of sadness. Whoops. Apologies for the emotional whiplash.

I can thank my mom for this one after she found it in the soundtrack of Dark (which I still haven’t seen, oops), and all I can say is that it’s heartbreakingly beautiful. This is my first exposure to Sol Seppy (a stage name for Sophie Michalitsianos), but knowing that she was part of Sparklehorse’s backing band for several years (most notably on their 2001 album It’s a Wonderful Life) makes the sound of this song make even more sense. It has the same bare, melancholic sparseness, with a delicate piano as the only instrumentation for most of the song. That should be enough to signal how rough of a ride this song is, but I digress. Seppy’s voice does no small amount of heavy lifting as its layered over each other, rising like an impending tidal wave that casts a long, creeping shadow over the beach. And given that, from what I can sort of glean from the lyrics, it seems to be about letting go and welcoming/coming to terms with death (“Fear not this light/We are on this light divine/Welcome/Enter one”), the atmosphere is palpable—it’s a painfully beautiful song, and it’s difficult to listen to, but nonetheless a gorgeously written piece of music. I guess that’s why at least 3 different death (or somehow emotional) scenes from several different movies or TV shows came up when I searched it on YouTube…

“Rotten Ol’ me” – Shakey Graves

Alright, here we go. Back to happy times again. The dark clouds have parted, and in the sunshine comes Shakey Graves.

I haven’t had the time to listen to Deadstock – A Shakey Graves Day Anthology in its entirety, but I decided that I’d listen to the iTunes previews of the songs that sounded promising to me. I sifted a handful out of that initial listen, but “Rotten Ol’ me” has quickly risen to my favorite of the bunch. The opening riff perfectly captures the feel of this song—darkly mischievous and playful, with the feeling of a tiny devil with a pointy goatee sitting on your shoulder with a guitar. (Or maybe the giant, hovering skull on the album cover instead? Either one fits the vibe, really.) Alejandro Rose-Garcia is, without a doubt, one of the more innovative alternative/folk musicians to come out of the past few decades, and that’s not even talking about some of his drum techniques, but “Rotten Ol’ me” is proof of his sheer guitar prowess. With its multilayered melodies and a rapid plucking style that makes my fingers hurt just think about it, each note feels like a thread in a giant tapestry, each one knotted to the other to create a lively folk song full of hooks.

“D.I.Y.” – Peter Gabriel

I thought I was done doubling up after two weeks ago, but Peter Gabriel will always be just that good. This one’s worlds away from the feel of “The Court,” and it comes off of his second album, Peter Gabriel 2: Scratch (you know, the one where he’s got the frighteningly long acrylics—oh, those are scratches, you say?). My first thought upon listening to this was that it reeked of Berlin Trilogy-era David Bowie (Low, “Heroes,” and Lodger, for reference). Scratch was released just a year after both Low and “Heroes,” so there’s no doubt that this guy was leaning over Bowie’s shoulder and taking notes and hoping that he wouldn’t notice. Robert Fripp produced this album and worked with Bowie around the same time as well, so I guess there weren’t any hard feelings. Still a few years fresh off of Genesis, “D.I.Y.” is full of art-rock defiance, jangling and bright but ready to spit in the face with it’s pre-chorus: “Come up to me with your ‘What did you say?’/And I’ll tell you, straight in the eye, hey!/D.I.Y.” With its climbing instrumentation and Gabriel’s simultaneously bright and rich vocals, it’s instantly catchy, proof of his versatility even that early on in his career.

Since today’s post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music, Sunday Songs

Sunday Songs: 2/19/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles!

Another week, another snow, and another wish for just a little bit warmer weather. Just because I’m used to it doesn’t mean I’m a fan of snow until May…but I think these songs are more fit for spring or summer. At least the colors are.

Enjoy this week’s songs!

SUNDAY SONGS: 2/19/23

“Fancy Dance” – Black Belt Eagle Scout

I talked about The Land, The Water, The Sky more in depth in my album review a few days ago, but out of the newest songs, “Fancy Dance” was an immediate standout. As short as it was—one of the shortest tracks on the album, in fact—it immediately snagged my by the shirt collar on the first listen, so much so that I didn’t notice that my water bottle that I’d been filling had started to overflow. This song is what I’ve been wanting from Black Belt Eagle Scout for so long—Katherine Paul letting loose, unleashing a bite-sized package of driving, alternative rock joy. Paul’s air-light voice juxtaposes with their lightly-fuzzed guitars, making for a summery, upbeat, and carefree hit that instantly makes me want to get up on my feet. The whole album was fantastic, but this was one of the best songs I’ve seen her do in recent years.

“Meet the Parents” – Jim Noir

Back with another lovely, upbeat tune, here’s one from an artist who I’ll never stop describing as criminally underrated. “Meet the Parents” comes from Jim Noir’s debut EP, A Bird Sings in Wool, and man, all I can think is that if I publish something as good as this right off the bat, I could honestly die happy. The whole EP is nothing short of brilliant, but this song always pops back out at me. “Delightful” really is the best word to describe it—as I hear the lines “If I had to meet your parents/I would probably lose my head/And my legs would fall off/And my eyes would fall out,” “delightful” isn’t exactly the word I’d use right off the bat, but the whimsical, Britpop delivery of it gives me a more cartoonish image of little googly eyes tumbling out of flat, 2-D sockets and bouncing around like rubber balls. There’s a consistently lighthearted feel to it all; A Bird Sings in Wool is the musical equivalent of a light spring rain—not the kind that ruins your day and makes you gloomy, but the kind that makes you want to run out on the lawn and spin around in the dewy grass.

+ if you have the means, I’d highly recommend supporting the wonderful Jim Noir on Patreon! He’s been putting out several EPs over the past few months which will eventually grow into an album, so if you want to hear new music from him firsthand, look no further!

“Sing” – Blur

The fates (read: that list randomizer website) picked Blur’s debut album, Leisure, for my listen this week, and for the most part, it was a good album; I wouldn’t say that there are any bad songs on it, but it did tend to err on the side of repetitiveness (they even had a song called “Repetition,” funnily enough). It’s the clear product of a monumental band first trying to find their feet and create a signature sound, but only dipping their toes in the pool water where the album cover’s swim cap lady is resting beside. I’d only heard “She’s So High” and “There’s No Other Way” before listening, and now I can add “Bang” and “Wear Me Down” to some of my album favorites, but musically, “Sing” is the most unique of them all. Clocking in at just over six minutes long, “Sing” is like drifting through a haze, windmilling your arms around as you try and fan away the fog. Over the droning melodies, the harmonies of Damon Albarn and Graham Coxon create a dizzying, proto-shoegaze atmosphere that envelops you until the final grinding of the last 10 seconds. It’s so radically different than anything else on the album, and even here, at the very start of their career, you can already hear the forebears of some of the more experimental tracks on Blur, 13, or even Think Tank, a magnifying-glass glimpse into what Blur would eventually become. It’s comforting to know that they were always a little weird from the start.

“Shy” – Hether

A chance encounter on an old friend’s Instagram story led me to this bright and summery song, and it’s been on repeat ever since. It has all of the sweet simplicity of a 50’s love song, translated into modern terms with punctuated record scratches and woozy vocals. Everything about “Shy” seems bright—the tones of the barely-faded electric guitars, the hazy cloud of electronic background noise, and the acoustic guitar strums—the clearest thing to come through in this song, like a lighthouse beacon in the middle of a misty sea. The bright, lime green of the cover of the Hether Who? EP only increases the feeling of carefree summertime that this song emanates in waves. Right down to the last distorted notes, it’s a perfect example of the persistence of a simple, 3-minute pop song, just barely translated into indie. It’s a time-tested formula. If it ain’t broke, don’t fix it.

“Fate Is…” – Wednesday

After hearing about Wednesday on NPR and listening to “Cody’s Only,” I ended up snagging a few other songs of theirs from Apple Music on a whim. “Fate Is…” immediately stood out, coming in strong like a punch in the face with a tidal wave of grungy guitars and percussion and Karly Hartzman’s relentless, persistent voice. It’s a song that grabs you by the shirt collar and never lets go, especially when Hartzman’s voice rises past the point of cracking along with the edges of the instrumentation. Even when the momentum dips down in the chorus, it’s brought back up screaming, never letting go until every instrument seems to vanish into thin air in the last seconds in the song, winking out of existence in a smoky cloud, leaving only remnants of the fuzz behind. This is only one of my first few Wednesday songs, but I hope they don’t lose their guitar-heavy sound. Maybe I need to give I Was Trying to Describe You to Someone a listen too.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music, Sunday Songs

Sunday Songs: 2/12/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles!

It appears that my way of telling the world that I’m very done with winter, thank you very much, is by making brighter and brighter color schemes for these posts. The songs aren’t *all* necessarily happy, but hopefully a handful will bring some warmth to you into these chilly times. Bring on Spring already, huh?

Enjoy this week’s songs!

SUNDAY SONGS: 2/12/23

“Bicycle” – St. Vincent

You know those movie/TV scenes where the protagonist sees somebody from across the bus/train station, and then the bus/train/insert vehicle of your choosing passes by, and the person mysteriously disappears by the time the protagonist looks back?

forgive the, ah…interesting editing, this is the only clip I could find 🥴

Yeah, that. Sort of. Maybe a bit artsier. Not to dunk on the Sam Raimi Spiderman movies, my beloveds (except for this one, I still haven’t seen it), but I can’t think of an artsier example. More in line with the feel of the song.

My roundabout point is that this is how “Bicycle” makes me feel—I could either be the mysterious person who disappears behind the train, or the onlooker watching them from across the tracks. I can practically feel the beret, peacoat, and plaid scarf descend upon me, walking through puddles in high-heeled boots as the mysterious person from across the station vanishes…

As much as I adore St. Vincent’s shreddier side, I always feel a little nostalgic for her earlier, art-pop days when I hear songs like this. I didn’t even know it existed until I saw it hidden in her earlier singles, apparently a b-side to “Actor Out of Work” that never made it onto Actor and sort of faded into the background of her catalogue. And even though it fits more of the impressionistic forays of Marry Me, it’s a crime that this song doesn’t get any attention. With a slow build from a collage of light woodwinds and pianos, it feels like a watercolor painting of a city in the rain. Annie Clark’s voice, which rocks like gentle waves as she muses about a stolen bicycle and a pair of tennis shoes, creates an atmospheric painting of a song. The point at about the 2:36 mark where the background steps into a different key, practically feels like levitation. It’s a beautiful song, and it’s a crime that it took me this long to find. Either way, what matters is that I have the chance to listen to it now, and I’m already starting to listen to it nonstop until I’m sick of it. I doubt I’ll get sick of it.

“Cody’s Only” – Wednesday

I found out about Wednesday completely on a whim while glancing at an article about NPR’S 2023 artists to watch. I came around to this song, and just like that, I’ve got another few albums added to my never-ending hydra of a list of albums I need to listen to. One song was all I needed to get hooked; Karly Hartzman’s vocals have a likably nasally quality to them, lingering in the quiet, guitar-plucked first minutes of the song, then soaring to the point of exhaustion as the guitars explode into fuzz once more. “Cody’s Only” is a song that keeps you on your toes: you think it’s just another quiet, sadgirl indie song for the first thirty seconds, but as soon as the heavy guitars and percussion kick in, you’re blown out of your seat. I’ve only listened to a handful of their songs now, but they remind me a little of Snail Mail, maybe with a bit of Horsegirl mixed in, but I’m sure that I’ll be hooked on at least a few more of their songs. I don’t want to get my hopes up too too high, but I might be a fan…

“Hello Sunshine” – Super Furry Animals

And you thought I was done with Super Furry Animals for the week? Gotta keep you on your toes somehow…

I already talked a bit about the Wendy & Bonnie sample at the beginning of this song last week, but I’d be remiss if I didn’t talk more about this song, especially with how much I’ve been listening to it lately. Despite how much said sample creeped me out, it’s a song I remember fondly from my childhood, and it still retains that signature joy to this day. Paired with the music video and its cheery, pseudo-pegasus creatures, it’s a song that brought sunshine into some of the freezing days of the past few weeks. After the distorted sample fades out, it launches into a perfect package of Britpop joy. It’s not as loud, explosive, or experimental as some of their other hits, but it’s pure comfort. Listening to it feels like you’re in the strange, animated world of the music video, bright, cartoony, and filled with…well, sunshine. It’s a song that’s begging for the hopeful end credits of a movie, and it’s a song that never fails to fill my heart with a little warmth in these cold months.

“These Days” (Nico/Jackson Browne cover) – St. Vincent

Another St. Vincent song that I had no idea existed until recently…I’ve given up all shame in doubling up on artists on these posts now. I am forcing you to listen to St. Vincent singles ca. 2008-2009.

You can’t deny how somber this song is (and Jackson Browne apparently wrote it at 16? never ceases to amaze me), but there’s some kind of intangible hope that Annie Clark’s take brings to it. This was one of the first singles she ever released as St. Vincent, a b-side of “Jesus Saves, I Spend,” and it’s hard to think of a better cover to go along with the art-pop sensibilities of Marry Me. The more delicate side of both Annie Clark’s airy voice and her intricate guitar playing suit this song; maybe it’s this that gives this version more hope: there’s a hidden brightness in her instrumentation, wistful, but not quite sunk in sadness. Clark might as well be a sort of musical, more positive King Midas—every cover she touches turns to gold, and even if it was already gold, she makes it shine even more.

(…except for that cover of “Funkytown.” We don’t talk about Funkytown.)

“Main Titles” (from Only Murders in the Building) – Siddhartha Khosla

We’re ending on a happy note, trust me. Short and sweet.

I’ve recently started blowing through Only Murders in the Building (NO SPOILERS, I STILL HAVEN’T FINISHED SEASON 2), and it’s easily the most delightful show I’ve watched in ages. And given that the premise surrounds a true crime podcast and an actual murder, that’s saying something. But then you throw in two eccentric old guys and an equally eccentric Selena Gomez, an old apartment building in New York City, and some weird shenanigans involving a cat, and it’s instantly the most comforting murder show you will ever watch. And it’s almost enough for me to forgive Cara Delevigne for getting on my nerves so much, and that’s saying something.

Key word there is almost. The bar is in the Mariana Trench.

But one of my favorite parts of the whole show, the very thing that shouldn’t have a whole lot to do with the content of the story itself, is the opening credits:

I could go on for days about how wonderful the animation is, but half of what makes it shine is the background music. Even though it’s short enough for YouTube to constitute is as a Short™️ (and definitely not Trying To Capitalize Off Of The Success Of TikTok™️), it perfectly encapsulates the mood of the entire show; it’s all played in a minor key, giving it the slightest bit of a sinister air, but the combination of the strings, choir, brass, and the delightful little chime at the very end give it a strangely cozy, warm feel. It almost has the feel of some of the work Danny Elfman has done for Tim Burton (I know that doesn’t narrow it down at all, but hear me out); there’s an air of spooky around it, but there’s an undeniable whimsy that carries the entire song. A good theme song is hard to find in the days of the “skip intro” button (and anybody who skips this intro deserves jail time, I don’t make the rules), but this is an instantly memorable one.

Since this whole post consists of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves.

Posted in Music, Sunday Songs

Sunday Songs: 2/5/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, everyone!

It’s February now, and what better way to start the month off than with an excess of Super Furry Animals? I hereby claim no responsibility for any damages caused by any bipedal, masked, bear-like demon-creatures that may cross your path. They’re best deterred by repeated screaming, if you want my advice. And look out for the chupacabras while you’re at it.

Enjoy this week’s songs!

SUNDAY SONGS: 2/5/23

“The International Language of Screaming” – Super Furry Animals

I finally listened to all of Radiator (which I seriously think boasts one of my favorite album covers…ever, really. You really won with this one, Pete Fowler.) earlier in the week, and it just felt like pure fun all the way through. I know how vague of a description that is, but listening to almost every track (save for the downer “Download”) gives me the sense that Gruff Rhys and company had a blast recording every single song. Knowing that this comes an album or two before the masterpiece that is Rings Around the World, Radiator feels like the band keeping the cheerful, carefree spirit that they’ve always maintained, but just starting to get weird with it—they haven’t quite gotten into the flat-out experimental territory of Rings just yet, but you can see it peering through the cracks just as well. My only criticism that I can think of for Radiator is that some of the songs blend together a bit, but it’s not a complaint if they all sound almost as good as this one. “The International Language of Screaming” is a clear standout—it’s a concentrated shot of Britpop fun straight to the heart, pure and simple. Maybe it isn’t as weird as some of my other SFA favorites, but I can’t help but nodding my head to every “la la la la” and ecstatic “WOO!” every time it comes around on shuffle. It’s joy with a side of popping colors and punchy guitars.

“By the Sea” – Wendy & Bonnie

Apologies for the whiplash from going straight from “The International Language of Screaming” to this eeriness. But, as with far too much with this post, there’s an inevitable Super Furry Animals connection.

I first found out that this song existed because of “Hello Sunshine”; I distinctly remembered a part at the beginning that creeped me out as a kid, so, naturally, I set out to find it. Sure enough, it was a sample of this song (0:00-0:47 in the video), and the rest of the song is…just as creepy. Recorded when Wendy and Bonnie Flowers were 17 and 13, respectively, it’s a chilling, atmospheric song that feels just as gray as a cold, churning sea crashing against a rocky shore. Punctuated by seemingly random fills of soft drums and out-of-sync guitar strums, there’s a strange discordance about it. It’s clear that the vocals were intended to be the main attraction here, their lilting harmonies shining through the cloudy fog of the rest of the song. It’s a great listen, but at the same time, it’s strangely comforting to think that I’m still creeped out now by the same thing that I was creeped out at when I was 5. I still don’t get why I was freaked out by some random clip from Baby Einstein, but this is understandable. There’s really something about Wendy & Bonnie, huh?

“Everyday Sunshine” – Fishbone

“Everyday Sunshine” takes on a whole new meaning when you wake up on Monday morning and see that it’s -6° outside. Anybody else sick of winter? No? Just me?

Aaaaaaaand another whiplash-inducing left turn, but we’re back to happy songs, don’t worry! We’re back to what’s close to the epitome of happy songs, as a matter of fact. I found this one courtesy of my amazing mom, and I haven’t stopped nodding my head ever since. If Super Furry Animals tried to embody joy, this is inches away from the pinnacle of the feeling itself. Just like the colorful murals and fields of blue and orange wildflowers in the music video, “Everyday Sunshine” is a sunburst (no pun intended) of carefree ska happiness. Every note from the brass section and every drumbeat brings armfuls of hope, and you can’t help but look out at the cloudy skies and try and find that tiny sliver of sunshine poking through. It’s the perfect bandaid for every mood: happy? Play this song. Neutral? Play this song. Sad? Play it and dance by yourself until your troubles are but motes of pollen drifting away from the aforementioned field of wildflowers. Again, a big thank you to my mom for this one. ☀️

“True Blue” – boygenius

With that, we’re…back on the sadgirl train, but…this one’s at least not nearly as heartbreaking as “Emily I’m Sorry,” so…

The harmonies of Julien Baker, Phoebe Bridgers, and Lucy Dacus obviously fit together like it was written in the stars, but even so, you can see whose songs are whose—and this is Lucy’s song, without question, even if the handwritten in the lyric video didn’t give it away. It has their signature melancholy written all over it, but somehow, it feels more on the tender side, like learning to love somebody after you’ve only just started to heal yourself. Dacus’ voice is a soft but pushing force, gently letting the song form itself around her as it swirls into the night sky, while the higher harmonies of Baker and Bridgers seamlessly flow through to the chorus and the bridge—I particularly love how Baker’s high notes come through on the bridge—”Because it doesn’t matter anymore/Who won the fight?/I’m not keeping score.” Songs like this really display the two sides of boygenius—it’s a song where one member takes the lead, but they still come together as a single, cohesive force of nature.

“The Man Don’t Give a Fuck” – Super Furry Animals

“Out of focus ideology/Keep the masses from majority/Head space brainwashed, tumble dried/Left to bleed whilst vultures glide…”

…oh, so they just went and gave the GOP their own theme song, huh? On second thought…no. The GOP doesn’t deserve such a monumental banger.

I hate to double up here, but the Super Furry Animals train has left the station, and it’ll be an eternity before it reaches its destination. This song has quickly risen to become one of my favorites of theirs; it may not be as weird or experimental as some of my other favorites, but it’s a tight, four-minute burst of head-banging. From the deceptively slow build of the first minute, the music cascades into pure fuzz and drumbeats, and though the music drops out for short intervals, it never once loses its unstoppable momentum. It’s easy to see why this was one of their most popular songs: even though the chorus dominates almost the entire song, you can’t help but get up on your feet the minute the drums kick in. The slow creep of the vocals and jingle bells that starts at around the 2:30 mark builds suspense with a gradual layering of harmonies, building to a raucous screams that pushes right back into the ecstasy of the chorus. Almost 5 minutes of the same line (“you know they don’t give a fuck about anybody else”), and it never gets tiring—on the contrary, it’s already my second-most played song of the year, according to Apple Music. That’s an earworm for you.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: February 28 – March 6, 2022

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week’s been another sort-of-slog, what with even more quizzes to study for and homework to get out of the way. I’ve been whittling away at an eight-and-a-half page research paper for AP Lit, and I finished the rough draft, so at least I have that out of the way. We’ve also been training little Ringo, and the fact that I’ve already given him the nickname “menace to society” should say everything about how it’s going. He’s a good boy, though.

here’s another Ringo picture as a treat

I’ve had a string of great books this week, so I’ve got plenty of choices for my review next week! Incidentally, several of them were sequels, so it was nice to have closure for a handful of duologues that I’ve been enjoying. I’ve been going through my library books and some of the books I got from my English teacher’s decluttering, so that’s been lots of fun. I got some more books at the library yesterday; one of them was the first volume of Heartstopper, which I’ve had on hold for almost two years (yep, that’s how long the wait was), so it better be good…

Other than that, I’ve been drawing a little, enjoying the handful of warm days we had this week (of course, we just got dumped with snow again), playing guitar, and catching up on Raised by Wolves (hhHHHEHSAHASHD WHAT).

Also I’m almost to 500 followers?? HOW DID THAT HAPPEN

WHAT I READ THIS WEEK:

Devil in the Device (Goddess in the Machine, #2) – Lora Beth Johnson (⭐️⭐️⭐️⭐️)

The Man Suit – Zachary Schomburg (⭐️⭐️⭐️.5)

A Psalm of Storms and Silence (A Song of Wraiths and Ruin, #2) – Roseanne A. Brown (⭐️⭐️⭐️⭐️.25)

What We Don’t Talk About – Charlot Kristensen (⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️)

The Golden Apples of the Sun (anthology) – Ray Bradbury (⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️)

POSTS AND SUCH:

LITERALLY JUST THINK TANK SONGS:

CURRENTLY READING/TO READ NEXT WEEK:

Heartstopper: Volume 1 (Heartstopper, #1) – Alice Oseman

Passing – Nella Larsen

Daughter of the Burning City – Amanda Foody

Love in the Time of Global Warming – Francesca Lia Block

Today’s song:

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Monthly Wrap-Ups

February 2022 Wrap-Up 🐕

Posted on by madeline @ The Bookish Mutant

Happy Monday, bibliophiles!

February’s been a little chaotic, but again, in comparison to last year, it was a good month. I’m leaving it feeling a little tired, but I’m excited for spring!

GENERAL THOUGHTS:

I’ve had a lot of studying to do this month…feels like I’ve had a quiz or a test every week to every other week. Yeesh. But at least I can say that I’ve done well on all of them, so I suppose there’s that going for me.

As far as reading goes, I started the month out with a week-long slump, but once I found some better books, the month improved so much! I read a lot of great books for Black History Month and discovered some new authors that I’d love to read more of. I ended up re-reading a little, and it felt lovely to immerse myself back into the Pioneer duology.

Writing-wise, I’m nearly done editing my second draft! I got in lots of good editing time and polished up a whole lot of my WIP. I haven’t been able to write much in the past few days, but we’re getting to short stories in my creative writing class, which I’m super excited about!

But by far, the highlight of the month was getting Ringo, our new corgi puppy! He’s 8 weeks old, and he’s just the SWEETEST LITTLE GUY 😭

WHO COULD RESIST THAT FACE

READING AND BLOGGING:

I read 21 books this month! More re-reads than I expected (I forgot to connect my Kindle to the wifi while I was away in Florida so I read some of my old books), but a good bunch for the most part. I read a lot of books for Black History Month as well and discovered some new authors!

2 – 2.75 stars:

Beasts of Prey

3 – 3.75 stars:

Home

4 – 4.75 stars:

The Pioneer

5 stars:

Memento

FAVORITE BOOK OF THE MONTH (NOT COUNTING RE-READS): Skin of the Sea – 4 stars

SOME POSTS I’M PROUD OF:

POSTS I ENJOYED FROM OTHER WONDERFUL PEOPLE:

SONGS/ALBUMS I’VE ENJOYED:

the queer joy this song gives me
I haven’t been able to stop listening to this for WEEKS
WHAT AN ALBUM!
what a haunting, absorbing song…obsessed
not my usual vibe, but I can’t get over how atmospheric this one is!
this album took a second listen to fully grow on me, but there’s no doubt there are some gems—like this one! it grew on me afterwards (I was in a weird mood when I listened to it the first time through). still not the same without Graham Coxon, though.

DID I FOLLOW THROUGH ON MY FEBRUARY GOALS?

  • Make another Black History month list—I’ve read so many amazing books by Black authors since last February!—did that! See “Some posts I’m proud of”
  • Review some of the albums that are coming out next month!! (So many!!) rip to Everything Was Beautiful getting pushed back, but both my album reviews from this month can be found under “Some posts I’m proud of”
  • Actually post some art here, if I get the time…it’s about time

well

uh

oops

GOALS FOR MARCH:

  • Read at least 20 books
  • Spend some time with Ringo (of course)

Today’s song:

That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: February 21-27, 2022

Posted on by madeline @ The Bookish Mutant

Happy Monday, bibliophiles! I hope this week has treated you well.

I’ve had a bit of a chaotic week; I visited family in Florida over the long weekend, and we got back home on Tuesday—2/22/22 (happy Twosday, everyone!) My routine was all thrown off for the rest of the week, but now I’m settling back down.

I forgot to connect my Kindle to the wifi while I was away, so most of my reading this week was re-reads—the Pioneer duology and Memento, all of which were just as good as they were when I first read them. I got some more books from the library, and I’m looking forward to reading them all! I also had an unexpected book haul because my English teacher was cleaning out his room and was giving out some of his extra books. Got some poetry and Ray Bradbury in there…

I did a lot of editing while I was in Florida, and I’m in the final stages of cleaning up my second draft! I wasn’t able to do much later in the week because of all the homework I had to make up from the week before, but I think I’m making good progress.

Other than that, I’ve just been bundling up for the freezing weather (nothing like coming from 87 degree weather to 0 degree weather amirite), listening to Think Tank (great stuff!), and eating leftover Valentine’s Day cookies. And we have a new addition to the family—meet our corgi puppy Ringo!

PRECIOUS BOY
BABY BOY

WHAT I READ THIS WEEK:

The Survivor (The Pioneer, #2) – Bridget Tyler (⭐️⭐️⭐️⭐️⭐️)

The Road – Cormac McCarthy (read for school) (⭐️⭐️⭐️)

Memento (The Illuminae Files, #0.5) – Amie Kaufman and Jay Kristoff (⭐️⭐️⭐️⭐️⭐️)

Blackout (anthology) – Dhonielle Clayton et. al. (⭐️⭐️⭐️)

Beasts of Prey – Ayana Gray (⭐️⭐️.75, rounded up to ⭐️⭐️⭐️)

Home (Binti, #2) – Nnedi Okorafor (⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️)

THE ONE, LONELY POST I MADE THIS WEEK:

CURRENTLY READING/TO READ NEXT WEEK:

Devil in the Device (Goddess in the Machine, #2) – Lora Beth Johnson

What We Don’t Talk About – Charlotte Kristensen

A Psalm of Storms and Silence (A Song of Wraiths and Ruin, #2) – Roseanne A. Brown

Today’s song:

a little presumptuous to name a song “Good Song” but nevertheless it is a good song

That’s it for this (short) week in blogging! Have a wonderful rest of your week, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: February 7-13, 2022

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week has generally been quiet; reading poetry in my English classes, studying for far too many quizzes and tests for my liking, and enjoying four relatively sunny days before we got snowed on again. Just low-key, and I like it that way.

I broke out of my brief reading slump, and I really liked most of what I read! I’ve been continuing to focus on books by Black authors this month for Black history month, and I’ve been finding lots of sequels to books that I’ve been eager to read (Redemptor, Adulthood Rites, etc.). I also got to stop by the comics shop, so I got some single-issues to read as well.

In the writing department, I’ve gotten more serious about the editing process; I’ve gotten into the weeds of re-reading and doing a more comprehensive edit, and I’ve been working on resurrecting a few brief scenes. I’m getting better at snipping out some of these continuity errors, but I got [ahem] sidetracked by deciding my one human character’s birthday, so 🥴

writing drawing gif | WiffleGif

Other than that, I’ve just been studying, listening to Portishead, Mitski, and the new Spoon album, and watching Raised by Wolves. We’re also getting a new puppy soon, and we got to visit the litter yesterday!! THEY WERE SO CUTE 😭 We’ll be taking one home in a few weeks, and I will most definitely post a picture when we get him!

WHAT I READ THIS WEEK:

Noor – Nnedi Okorafor (⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️)

Amazon.com: Noor: 9780756416096: Okorafor, Nnedi: Books

Redemptor (Raybearer, #2) – Jordan Ifueko (⭐️⭐️⭐️⭐️)

Amazon.com: Redemptor (Raybearer Book 2): 9781419739842: Ifueko, Jordan: Books

Cold the Night, Fast the Wolves – Meg Long (⭐️⭐️)

Amazon.com: Cold the Night, Fast the Wolves: A Novel: 9781250785060: Long, Meg: Books

White Smoke – Tiffany D. Jackson (⭐️⭐️⭐️.5)

White Smoke by Tiffany D. Jackson

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK

(fairly sparse this week since I wasn’t able to volunteer at the library, but here’s what’s on the agenda for now)

Adulthood Rites (Xenogenesis, #2) – Octavia E. Butler

Amazon.com: Adulthood Rites (The Xenogenesis Trilogy Book 2) eBook : Butler, Octavia E.: Kindle Store

The Road – Cormac McCarthy (for school)

The Road (Oprah's Book Club): Cormac McCarthy: 9780307387899: Amazon.com: Books

Today’s song:

SUCH A GOOD ALBUM DANG I’ll try to review it soon

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: January 31 – February 6, 2022

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

It’s been a bit of a long week for me—very cold, filled with studying, and topped off with a reading slump. But, miracle of miracles, our school district called a snow day on Wednesday AND a 2-hour delay the next day! Freezing as it was (and it got well below freezing in the middle of the week), it was so nice to sleep in.

As far as my reading, I’ve been in a bit of a slump. I ended up having three 2-star reads in a row, so most of the week was a bit of slog. Fortunately, The Grief Keeper seems to have temporarily broken me out, and I’m excited for the books I got at the library yesterday.

Writing-wise, I’ve been getting deep into the weeds of editing, with…varying degrees of success. I’m in the process of both cutting out and resurrecting scenes, which involves trawling through my almost 600-page first draft (OOPS), so that’s been a bit of a struggle. All in the name of making things more coherent.

Other than that, I’ve just been drawing a bit, practicing guitar, watching the new season of Raised By Wolves (interesting start??), listening to the new Lucy Dacus single (SO GOOD) and the new Mitski album (hit or miss…expect a review soon), and hovering around the fireplace to warm up.

hearts&magic

WHAT I READ THIS WEEK:

Binti (Binti, #1) – Nnedi Okorafor (⭐️⭐️⭐️.5)

Binti (Binti, 1): Okorafor, Nnedi: 9780765385253: Amazon.com: Books

Master of Poisons – Andrea Hairston (⭐️⭐️)

Master of Poisons by Andrea Hairston

This Is Our Story – Ashley Elston (⭐️⭐️)

Amazon.com: This is Our Story: 9781484730898: Elston, Ashley: Books

Odd One Out – Nic Stone (⭐️⭐️)

Amazon.com: Odd One Out: 9781101939536: Stone, Nic: Books

The Grief Keeper – Alexandra Villasante (⭐️⭐️⭐️⭐️)

Amazon.com: The Grief Keeper: 9780525514022: Villasante, Alexandra: Books

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK:

Redemptor (Raybearer, #2) – Jordan Ifueko

Amazon.com: Redemptor (Raybearer Book 2): 9781419739842: Ifueko, Jordan: Books

Noor – Nnedi Okorafor

Noor by Nnedi Okorafor: 9780756416096 | PenguinRandomHouse.com: Books

Cold the Night, Fast the Wolves – Meg Long

Amazon.com: Cold the Night, Fast the Wolves: A Novel: 9781250785060: Long, Meg: Books

White Smoke – Tiffany D. Jackson

Amazon.com: White Smoke: 9780063029095: Jackson, Tiffany D: Books

Today’s song:

I CAN’T STOP LISTENING TO THIS

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!