Tag: feminist

Posted in Books

The Bookish Mutant’s Feminist Books for Women’s History Month 🚺 (2025 Edition)

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

Here in the U.S., March is Women’s History Month! Every year, I find myself repeating the same horrors about the attacks on women’s rights in the past five years. This year is no different, save for the fact that with Trump’s presidency, so many men have felt emboldened to let their misogyny run rampant—and our society seems to encourage it, time after time. Every year, we fight to make sure that misogyny, sexism, and rape culture become impermissible again. Though it seems like an uphill climb with no discernible light at the end of the tunnel, there will always be a constant: we will keep fighting for all women. For women of color, for immigrant women, for queer and trans women (especially trans women, because feminism wouldn’t be possible without them), for disabled women, for survivors. They keep pushing against them, so we’ll keep fighting—and keep reading. The good news is that literature is rife with heroines fighting against the system, and as long as these stories are told and spread, someone will be inspired to fight. So as with all the other year, I’ve compiled even more books of women fighting against oppression from a variety of perspectives, age ranges, and genres.

NOTE: once again, I’ve switched these posts to books for several age ranges, too lazy to change the header, etc. etc.

For my previous lists, click below: 

2021

2022

2023

2024

Let’s begin, shall we?

🚺THE BOOKISH MUTANT’S BOOKS FOR WOMEN’S HISTORY MONTH🚺

SCIENCE FICTION:

FANTASY:

REALISTIC FICTION:

NONFICTION:

TELL ME WHAT YOU THINK! Have you read any of these books, and if so, what did you think of them? What are your favorite feminist books? Let me know in the comments!

Today’s song:

How Women Made Music brought me here…

That’s it for this year’s Women’s History Month list! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

The Bookish Mutant’s Feminist Books for Women’s History Month (2024 Edition)

Posted on by madeline @ The Bookish Mutant

Happy Friday, bibliophiles, and more importantly, Happy International Women’s Day!

Here in the U.S., March is Women’s History Month! In the years since I’ve started making these posts, the amount of attacks on women—in terms of laws attacking our bodily autonomy (as well as the bodily autonomy of trans and nonbinary people) and worldwide violence—has only increased. And amidst all of this turmoil, all I can take from this is that now, more than ever, we need feminism. We need to educate people, we need to help people to become less ignorant about the litany of issues plaguing marginalized groups here in the states and elsewhere. That, to me, is the most insidious consequence of the book bans spreading across the country: you take away a child’s ability to learn about perspectives outside of their own, and you produce an ignorant generation that does not question authority. In the absence of sound authority figures, books, more than ever, are our most valuable teachers.

Another change from my lists in previous years is that since my reading tastes have expanded, I’ve added adult and nonfiction books to this list—all of which I believe are just as valuable to feminism as any other book I’ve included. Enjoy!

For my previous lists, click below:

Let’s begin, shall we?

THE BOOKISH MUTANT’S FEMINIST BOOKS FOR WOMEN’S HISTORY MONTH (2024 EDITION)

SCIENCE FICTION:

FANTASY:

*NOTE: The Siren, The Song, and the Spy is book 2 in a series, but I feel it should be included on this list for the feminist themes included in this book in particular.

REALISTIC FICTION:

NONFICTION:

TELL ME WHAT YOU THINK! Have you read any of these books, and if so, what did you think of them? What are your favorite feminist books? Let me know in the comments!

Today’s song:

never thought I’d go through this whole album bc I was so Kate Bush’d out in 2022 but this one’s fantastic almost all the way through

That’s it for this list! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (8/15/23) – Nightbirds

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I’ve seen this novel around a fair bit ever since it came out, both in the blogosphere and from our queen Amie Kaufman, who co-hosted the podcast Pub Dates with Kate J. Armstrong. It seemed like a more unique YA fantasy concept, and the 20’s-inspired setting intrigued me, and…okay, who wasn’t looking at that gorgeous cover? Now that I’ve read it, I can say that I enjoyed it, but I came away with mixed feelings—Nightbirds was a well-crafted fantasy in terms of worldbuilding, but its characters and general fence-sitting about what it wanted to say slightly put me off.

Enjoy this week’s review!

Nightbirds (Nightbirds, #1) – Kate J. Armstrong

In Simta, no one is more sought after than the Nightbirds. Long ago, these girls from the Great Houses were bestowed with the magic of witches, and with a kiss, they can grant that power to anyone who wishes to wield it. Matilde, Sayer, and Æsa are this season’s Nightbirds, but they have already learned that they will only ever be seen and treated as disposable. Yearning for something more to life, they stumble upon an underground networks of witches—witches whose powers come fro outside of the Great Houses, and are hidden from sight from the government. With the knowledge that their power will not be suppressed, the three Nightbirds set out to make things right.

TW/CW: misogyny, fantasy violence, murder, death, past mentions of torture, near-death situations

I came to this book mainly from the word of Amie Kaufman, who also happened to release a 1920’s-inspired YA fantasy this year. And while I did enjoy Nightbirds as a whole, the more I thought about it, the more drawbacks I found. If you’re torn between the two, stick with The Isles of the Gods.

Let’s start with the best part of the novel, though: the worldbuilding at the atmosphere! The Jazz Age inspiration was heavy, but it was executed incredibly; the worldbuilding, from the hidden magic to the forces trying to suppress it, was impeccably-crafted, with not a single stone unturned in terms of the intricacies of Simta and Armstrong’s world as a whole. It was a world that felt genuinely fun to be in—there was so much to explore along with the three main characters, and I enjoyed every minute of it.

All that wouldn’t have been possible with Armstrong’s atmospheric writing. There were other markers about Nightbirds that signaled it as a debut novel (more on that later), but for a first novel, the writing in this novel was fantastic! It’s the kind of writing that doesn’t just immerse you in the world, but dunks you headfirst into it with its vivid, vibrant imagery. Armstrong’s writing was so clear that I could visualize the world of Nightbirds almost cinematically, every scene played out like it already had a screen adaptation. The steady pacing added to that effect as well—it had a great balance of political intrigue, action, and down time to keep me intrigued for most of the novel.

However, the multiple POVs were an issue for me for most of the novel. The worst crimes that a multi-POV book can commit is not marking which POV the chapter is from, and switching POVs without warning in the middle of a chapter. Nightbirds was guilty of both. With these kinds of books, it’s often a struggle to pick out one character’s voice from another, but the third-person POV remedied that slightly. Even so, it was maddening trying to feel my way through the chapter and remember whose POV was being focused on. And speaking of the characters, they were in some serious need of being fleshed-out. Other than Matilde, whose personality was being entitled and stubborn, I could barely get a read on both Sayer and Æsa beyond what the synopsis said about them. Aside from Matilde, they had hardly any distinctive features, personalities, or traits, which made the whole multiple-POV mess all the more maddening. All of it could have been prevented with some chapter headers and giving the characters more life—it really wouldn’t have been all that hard of a fix.

And for a book that was advertised as being a feminist fantasy, Nightbirds really didn’t seem to know what it wanted to say. For a plot centered around an archaic system built on exploiting teenage girls, you would think that there would at least be some commentary on it. All we really got was a hollow, vague sense of taking back power, but there was no real call to action to do just that; aside from the revelation of the underground network of witches whose magic hasn’t been suppressed by the fantasy patriarchy, there’s hardly any real questioning of the system or realizing that there is a way to reform it and break away from it entirely. It’s like the book equivalent of thinking that you’re a feminist just because you post some instagram infographics on your story every once in a while and do nothing else. It’s saying “smash the patriarchy!” and then sitting comfortably and doing nothing. That’s basically what Matilde’s “character arc” ended up being, honestly. I know there’s probably better words to describe it, but the one that comes to mind is just…white woman-y. I guess I missed the queer rep (WHERE??? I saw no indication of any queerness 😭), but except for that and the conveniently described token side character of color, there was no hint of intersectionality. And no, I’m not saying that every book has to have an impeccably diverse cast, but for a book that billed itself as feminist and supposedly centered around tearing down oppressive systems, I feel like intersectionality should be taken far more into consideration. Nightbirds just came off as more white feminism than actual feminism.

All in all, a fantasy debut with stunning worldbuilding, but that was dragged down by its lack of fleshed-out characters and hardly any hint of the feminist messaging that it advertised. 3.5 stars.

Nightbirds is the first in the Nightbirds duology, which continues with the forthcoming sequel Fyrebirds. Nightbirds is Kate J. Armstrong’s debut novel.

Today’s song:

this is just such a GROOVE

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (5/9/23) – Not Here to Be Liked

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I put this one on my TBR years ago, and I only fished it out of the void a few days ago, after looking for some books to read for AAPI heritage month. I’d read mixed reviews, so I went in with low expectations, but I came out with a fantastic and nuanced story of feminism in a high school setting!

Enjoy this week’s review!

Not Here to Be Liked – Michelle Quach

Eliza Quan knows that she’s qualified for the position of editor-in-chief at her high school newspaper. She’s been with them since the beginning of her high school career, and sure, she may not be the warmest person 24/7, but she has what it takes to bring the newspaper to new heights. The problem? Her classmates don’t seem to think so.

When she loses the editor-in-chief election to Len DiMartile, who only joined the newspaper after an injury prevented him from playing baseball and decided to run against her on a whim, she feels as though all of her hard work has come to nothing. And she knows she’s qualified—so why does this sexist activity keep running amok in her school? After pouring out her thoughts in a manifesto, Eliza thinks it’s all over. But after the manifesto is posted to the paper’s website without her permission, it causes a ripple effect of protest and accusations. Among the sides being taken, can Eliza transform this drama into genuine change at her school?

TW/CW: sexism/misogyny (external & internalized), racism, bullying, slut-shaming, substance abuse (alcohol)

Don’t you just love it when you’ve forgotten about a book existing, so you go in with low expectations, and you end up dazzled? Top 10 feelings, for sure.

I’ve read my fair share of feminist, realistic-fiction YA in my day, and sadly, it’s easy for them to miss the mark, whether it’s introducing diverse characters for the sake of intersectionality and doing nothing with them (Six Angry Girls) or having a protagonist who only focuses on very surface-level aspects of feminism without getting any more nuanced (half of Watch Us Rise). But Not Here to Be Liked delivered the nuance, heart, and punch that it was supposed to, making for a powerful story of systemic misogyny and leadership.

I think some of the reviews seemed to miss the point when talking about Eliza—she’s a great character, but she’s not intended to be entirely likable. It’s in the title, after all! Sure—she’s determined to make the school paper as good as possible, and sometimes, that comes off as abrasive or strict. But that’s the point—were she a man, these traits would be praised: she’s “too harsh,” but he’s “willing to take charge” or “a fearless leader.” See the double standard? That’s what this book was trying to say all along. And Quach did an excellent job of having a flawed but incredibly root-able protagonist: every position that she takes is a laudable one that’s backed up more often than not. Eliza was robbed of her position, simply because a man’s charisma meant more than a woman’s experience and talent.

Not Here to Be Liked also portrayed how we think of feminism so well! As soon as Eliza’s manifesto is leaked and both support and vitriol begin to flow towards her, many of her classmates stand behind her, but their support is often half-baked; it’s a great commentary on that shallow, hollow white feminism that’s so prevalent among people who aren’t willing to do anything politically uncomfortable: slapping an “I am a feminist” pin on your shirt, saying “smash the patriarchy!” a few times because it’s briefly profitable, and being done with it. This novel does an incredible job of dissecting the true nuance of feminism and teaching others that making genuine change isn’t simple or easy—there are always more layers than you think there are. It’s never just about gender—it’s about race, sexuality, class, and so many other facets of our national (and international) identity. And even though this book doesn’t necessarily cover every bit of it—it’s a big ask for a single book to cover every single component that falls under feminism—it didn’t need to: misogyny and racism were the main focuses, and they were dealt with in a nuanced way. Apart from a misunderstanding of the Bechdel test (the book seemed to interpret a lot of it as how much real women think about men, when Bechdel’s focus was more about how female characters are written, especially in male-dominated Hollywood), it’s a great view of feminism in a YA setting.

Plus, with all of my gripes, Not Here to Be Liked did something of an enemies-to-lovers romance pretty well! Going into this novel, that part was what I was most suspicious about, but Quach, unlike many romances with “enemies-to-lovers” slapped onto them as a buzzword, actually handled in a way that felt authentic. The stages of Eliza and Len’s relationship didn’t feel like it was cut into neat, digestible slices—they had their ups and downs, and the result wasn’t entirely black and white, either. That’s what love is. It’s not quantifiable by any of the labels we put on it, and that’s how it’s supposed to be. Personally, I didn’t think that they had a whole lot of chemistry together, but their relationship was well-written enough that I could push some of that to the side.

All in all, an incredible story of one young woman’s fight for justice in her high school that scores high on its protagonist and depictions of feminism. 4 stars!

Not Here to Be Liked is a standalone, but Michelle Quach is also the author of The Boy You Always Wanted, which is slated for release on August 1, 2023.

Today’s song:

almost finished with Kindred on FX, and I have mixed feelings about it, but for now, at least I got this eery Beatles cover out of it

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

Feminist YA Books for Women’s History Month (2023 Edition)

Posted on by madeline @ The Bookish Mutant

Happy Wednesday, bibliophiles, and more importantly, Happy International Women’s Day!

Aside from that, the month of March in the U.S. is Women’s History Month! These past few years have been tumultuous for women here in the U.S. and elsewhere, with the attacks on bodily autonomy being some of the most violent in recent years. But despite it all, we cannot lose hope—by lifting each other up, we can foster an environment that respects women as equals. And as I’ve always said, literature is resistance: it isn’t just real-life heroes that can inspire us to incite change—fictional heroines can have just the same effect. So for the occasion, I’ve gathered even more feminist YA book recommendations.

For my previous lists, click below:

Enjoy these book recommendations!

FEMINIST YA BOOKS FOR WOMEN’S HISTORY MONTH (2023 EDITION)

Most Likely, Sarah Watson

GENRES: Contemporary, realistic fiction, romance, LGBTQ+

MY RATING: ⭐️⭐️⭐️.5

An intersectional story that weaves together the lives of four girls in their senior year of high school—one of which will become the president of the United States.

Extasia, Claire Legrand

GENRES: Dystopia, paranormal, horror, romance, LGBTQ+

MY RATING: ⭐️⭐️⭐️⭐️.5

Claire Legrand has made another gem of a feminist novel—this time, a chilling tale of unseen beasts and hidden power.

One for All, Lillie Lainoff

GENRES: Historical fiction, retellings

MY RATING: ⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️

A genderbent retelling of The Three Musketeers with a disabled, swordfighting protagonist—actually by a disabled author too!

Hollow Fires, Samira Ahmed

GENRES: Contemporary, realistic fiction, mystery

MY RATING: ⭐️⭐️⭐️⭐️

Samira Ahmed always ends up showing up on these lists, and for good reason—she’s never missed with any of her raw and fiercely feminist novels, and Hollow Fires is no exception.

The Most Dazzling Girl in Berlin, Kip Wilson

GENRES: Historical fiction, romance, LGBTQ+

MY RATING: ⭐️⭐️⭐️⭐️.25

A beautiful novel in verse about two queer girls who perform in a cabaret in 1930’s Berlin.

The Lesbiana’s Guide to Catholic School, Sonora Reyes

GENRES: Contemporary, realistic fiction, romance, LGBTQ+

MY RATING: ⭐️⭐️⭐️⭐️

A fantastic novel about a lesbian Mexican-American girl navigating a Catholic high school—and her budding feelings for a classmate.

Last Night at the Telegraph Club – Malinda Lo

GENRES: Historical fiction, LGBTQ+, romance

MY RATING: ⭐️⭐️⭐️.5

A raw but tender love story of two queer, Chinese-American girls in 1950’s Chinatown.

Cool. Awkward. Black. – Edited by Karen Strong (anthology)

GENRES: Fiction, fantasy, science fiction, paranormal, LGBTQ+, romance

MY RATING: ⭐️⭐️⭐️.5

An anthology of Black stories of all genres, but with a particular focus on geek culture!

The Reckless Kind, Carly Heath

GENRES: Historical fiction, LGBTQ+, romance

MY RATING: ⭐️⭐️⭐️⭐️⭐️

I’ve described this one enough times, but I promise that I will NEVER shut up about how meaningful this book is. Just go read it. TRUST ME.

Follow Your Arrow, Jessica Verdi

GENRES: Contemporary, realistic fiction, LGBTQ+, romance

MY RATING: ⭐️⭐️⭐️

Though this book was far from perfect, I think it’s still worth it to put on this list; the writing and romance weren’t great, but Follow Your Arrow has plenty of timely discussions around bisexuality and how we treat queer women.

HONORABLE MENTION:

The Trouble With White Women: A Counterhistory of Feminism, Kyla Schuller

GENRES: nonfiction

MY RATING: ⭐️⭐️⭐️⭐️.5

Although this list was intended to be just for YA and fiction, I’d be remiss if I made a post about feminism and didn’t include this book. The Trouble With White Women presents a view on feminism that is necessary for moving past simply white feminism, and presents the feminist movement through those on the margins, such as Frances Harper, Pauli Murray, and Alexandria Ocasio Cortez. It’s seriously one of the best nonfiction books I’ve read in ages—on any subject matter.

TELL ME WHAT YOU THINK! What did you think of the books on this list? What are your favorite feminist YA books? Let me know in the comments!

Today’s song:

Most of the Warpaint I’ve heard hasn’t done much for me (aside from their great cover of “Ashes to Ashes”), but I love the quietness of this one!

That’s it for this list of recommendations! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

YA Books for AAPI Heritage Month (2022 Edition)

Posted on by madeline @ The Bookish Mutant

Happy Monday, bibliophiles!

For those of you who didn’t know, in the U.S., May is Asian American & Pacific Islander Heritage month! I made a list of YA reads for the occasion last year (click here if you’d like to parse through), but since I’ve read so many more incredible books by AAPI authors since last May, I figured I would make another list. These are books from all genres, but all of them are from authors of AAPI heritage. And with all of these kinds of posts, I always want to impress the following: reading diversely should never be confined to one part of the year. That being said, it’s always important to uplift marginalized voices—AAPI in this case—and reading is a key way to do so.

Let’s begin, shall we?

THE BOOKISH MUTANT’S YA BOOKS FOR AAPI HERITAGE MONTH (2022 EDITION)

The Mermaid, the Witch, and the Sea – Maggie Tokuda Hall

GENRES: Fantasy, romance, LGBTQ+

MY RATING: ⭐️⭐️⭐️⭐️.5

One of my favorite reads of last year, The Mermaid, the Witch, and the Sea was a raw and tender read filled with pirates, mermaids, and resonant love. Highly recommended!

The Weight of Our Sky – Hanna Alkaf

GENRES: Historical fiction, fiction, mental illness/disability

MY RATING: ⭐️⭐️⭐️⭐️

A searing and powerful read that follows the story of a sixteen-year-old girl with OCD in the midst of the Malaysian race riots in the late sixties.

Gearbreakers – Zoe Hana Mikuta

GENRES: Science fiction, dystopia, romance, LGBTQ+

MY RATING: ⭐️⭐️⭐️⭐️.5

Gearbreakers is no ordinary YA dystopia—filled with mechs, found family, and fierce feminism and queerness, this is a must-read!

The Ones We’re Meant to Find – Joan He

GENRES: Science fiction, dystopia, mystery

MY RATING: ⭐️⭐️⭐️⭐️.5

Mind-bending and endlessly thought-provoking, The Ones We’re Meant to Find is a unique and unforgettable tale of sisterhood in the darkest of times.

Rise of the Red Hand – Olivia Chadha

GENRES: Science fiction, dystopia, romance

MY RATING: ⭐️⭐️⭐️

Rise of the Red Hand certainly wasn’t perfect, but it’s best element was its representation; it’s one of the only dystopias that I’ve seen that’s set in South Asia!

Forest of Souls – Lori M. Lee

GENRES: Fantasy, high fantasy

MY RATING: ⭐️⭐️⭐️⭐️

A rich and spooky fantasy that’s perfect for readers who like their traditional fantasy with a dash of necromancy, vengeful souls, and spiders.

Iron Widow – Xiran Jay Zhao

GENRES: Dystopia, science fiction, LGBTQ+, romance

MY RATING: ⭐️⭐️⭐️⭐️

Raw, fierce, and relentless, Iron Widow is a searing ode to those who are unafraid to take down the status quo—no matter the stakes.

Mad, Bad & Dangerous to Know – Samira Ahmed

GENRES: Contemporary, fiction, historical fiction

MY RATING: ⭐️⭐️⭐️⭐️

A love letter to all of the women that history erases, Mad, Bad & Dangerous to Know is a sharply feminist story set in alternating timelines.

Summer Bird Blue – Akemi Dawn Bowman

GENRES: Contemporary, fiction, LGBTQ+

MY RATING: ⭐️⭐️⭐️⭐️

A powerful and unforgettable story of grief and starting over. Akemi Dawn Bowman’s writing never fails to stir up all kinds of emotions in me.

TELL ME WHAT YOU THINK! Have you read any of these books? If so, what did you think of them? What are your favorite YA books by AAPI authors? Let me know in the comments!

Today’s song:

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (4/26/22) – One for All

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

Disability representation—especially in YA—is few and far between, and even when I do find it, a lot of disability rep is still written by abled authors. (That isn’t always necessarily a bad thing, but it’s easy to fall into harmful tropes and misrepresent disability that way.) So when I heard about One for All, I was so excited—a feminist, historical fiction novel about a girl with a chronic illness! And beyond that—a girl with a chronic illness WHO SWORDFIGHTS. Doesn’t get much better than that, am I right? My copy finally came from the library last week, and although it wasn’t the perfect book, I enjoyed a lot of it!

Enjoy this week’s review!

One for All – Lillie Lainoff

Tania de Batz is determined for the world to see her as more than just a “sick girl.” As the daughter of a former musketeer, her passion is swordfighting, and with the help of her father, she’s become a skilled fighter. But when her father is brutally murdered, she discovers his dying request to send her to a finishing school.

But what she finds at L’Academie des Marieés is no finishing school—it’s a secretive school that trains young women as musketeers. Tania is soon swept into a world of swords and secrecy, and soon, she and her fellow students have an assassination plot to uncover. The only clue to the plot—and maybe even her father’s murder—lies in a boy named Étienne, but his charms may be Tania’s undoing.

TW/CW: ableism, blood, murder, loss of a loved one, past mention of sexual assault

Good disability representation—especially in YA—seems to only happen once in a blue moon. So I was so happy to find this book—a feminist historical fiction book written by a disabled author, no less! And while I did have a few problems with the story overall, One for All was no doubt a fantastic debut!

First things first—disability rep! While I can’t speak to the accuracy, Lillie Lainoff (the author) has the same chronic illness as Tania—Postural Orthostatic Tachycardia Syndrome (POTS)! Disabled representation from disabled voices always makes my heart so happy! For me, it’s even better that One for All is a historical fiction piece; most books with disabled characters only exist in contemporary/realistic fiction books, and I adamantly believe that disability rep in genres like historical fiction, fantasy, and science fiction is just as important, if not more important; it’s crucial for disabled readers to know that they don’t only exist in modern realistic fiction realities—they have always existed in history, and they can exist in fantasy and sci-fi worlds as well. One for All did a fantastic job at detailing all the aspects of Tania’s POTS and how it affected her daily life, from her routine to her social interactions and childhood. So many chronically ill readers will be able to see themselves in Tania, and that, to me, is immensely impactful.

Beyond that, One for All is fiercely feminist! It’s set in France in the 1600’s, and the themes of empowerment and sisterhood ran deeply through it. Throughout most of the book, Tania struggles with her place in the world as a disabled woman in a time where both are frowned upon, but her journey for self-empowerment is one that is sure to resonate with so many readers. Although some of the other students don’t treat Tania with the respect she deserves at first, there are themes of recognizing and correcting your previous ableism. The friendship that Tania eventually shares with the rest of the fellow L’Academie des Marieés students is wonderfully tender and strong, and it makes for an incredibly empowering novel overall.

As much as I loved the aforementioned aspects, however, there were a few aspects of One for All that I didn’t like as much. For the most part, I liked the writing style well enough; Lainoff’s prose flowed well and was appropriately descriptive when the time called for it. However, Lainoff’s style tended to fall towards the over-the-top side of the spectrum. I could let it slide in most instances—it fit with the mood and tone of the book in general—but in some cases, it felt overly purple and theatrical. It had a dramatic feel to it, and while it fit the classic retelling tone at times, it felt superfluous in other cases.

Additionally, I wasn’t quite as invested in the assassination part of the plot as I was in the rest of the book. Seeing as that (after Tania’s father’s murder) was the main driving force to the plot, it didn’t come through all the way; it was overshadowed by more mundane character interactions (which I did like), and as a result, felt rushed and oversimplified. For something that was supposed to be the primary inciting incident of the second half of the book or so, it felt more like a subplot than anything. As a result, I felt my mind wandering a bit during these parts, but it didn’t take me out of the book entirely.

All in all, a feminist retelling with a disabled heroine who all readers will want to cheer on. 3.75 stars, rounded up to 4!

One for All is a standalone and Lillie Lainoff’s debut novel.

Today’s song:

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

Feminist YA Books for Women’s History Month (2022 Edition)

Posted on by madeline @ The Bookish Mutant

Happy Thursday, bibliophiles!

Women’s History Month is here again in the U.S., and I figured I’d gather some more books to celebrate! Literature has always been an act of resistance, and it’s so important for readers—especially young girls—to see characters and narratives like their own to inspire change in our world. And as always, these books aren’t just for March—they’re for all year round; feminism doesn’t start and stop in March. My goal here is to uplift marginalized voices, and now is the perfect time to uplift those of women.

If you’d like to see my list from last year, click here!

Let’s begin, shall we?

FEMINIST YA BOOKS FOR WOMEN’S HISTORY MONTH

Mad, Bad & Dangerous to Know, Samira Ahmed

GENRES: contemporary, historical fiction, romance

MY RATING: ⭐️⭐️⭐️⭐️.25

Told in intersecting timelines between the present day and 19th-century. Paris, Mad, Bad & Dangerous to Know is a love letter to all the women whose stories have been overshadowed and lost to history. Samira Ahmed is such a wonderful author!

Iron Widow, Xiran Jay Zhao

GENRES: sci-fi, dystopia, romance, LGBTQ+, retellings

MY RATING: ⭐️⭐️⭐️⭐️

Iron Widow is a fierce, fast-paced sci-fi tale that deftly explores themes of rape culture, institutionalized misogyny, and society’s treatment of women through the eyes of a spitfire pilot determined to tear down an empire. (DESTROY THE PATRIARCHY WITH ROBOTS! I said what I said.)

Squad, Maggie Tokuda-Hall and Lisa Sterle

GENRES: graphic novels, contemporary, paranormal, LGBTQ+, romance

MY RATING: ⭐️⭐️⭐️⭐️.25

Squad presents a timely theme—when holding rapists accountable, where is the line between accountability and pure vengeance?—and puts a paranormal spin on it. If the premise of werewolf girls hunting down rapists doesn’t entice you, I don’t know what will.

Slay, Brittney Morris

GENRES: contemporary, fiction

MY RATING: ⭐️⭐️⭐️.5

Though this isn’t my favorite of Brittney Morris’ books that I’ve read (that title would go to The Cost of Knowing as of now), Slay was a wonderfully proud and feminist novel about gaming and Black pride.

The Mirror Season, Anna-Marie McLemore

GENRES: magical realism, fantasy, fiction, LGBTQ+, retellings, romance

MY RATING: ⭐️⭐️⭐️⭐️.25

Anna-Marie McLemore never misses a beat with their books, and The Mirror Season was no exception! All at once raw and beautiful, it presents a searing tale of love after trauma and the fight to hold rapists accountable.

The Good Luck Girls, Charlotte Nicole Davis

GENRES: alternate history, fantasy, paranormal, dystopia, LGBTQ+

MY RATING: ⭐️⭐️⭐️⭐️

Through a blend of several different genres, Charlotte Nicole Davis presents the stories of five girls, bonded through sisterhood and trauma, who take control of their own fates and fight their fair share of patriarchy—and demons.

Juliet Takes a Breath – Gabby Rivera

GENRES: fiction, contemporary, LGBTQ+, historical fiction

MY RATING: ⭐️⭐️⭐️⭐️

Juliet Takes a Breath is a fantastic, queer coming-of-age novel about sexuality, self-discovery, identity, and being a feminist. There’s an especially important discussion of the harm of “white feminism,” which, for a YA novel, is crucial to discuss.

A Phoenix Must First Burn, Patrice Caldwell et. al. (anthology)

GENRES: short stories/anthologies, fantasy, contemporary, paranormal, science fiction, LGBTQ+, romance, historical fiction

MY RATING: ⭐️⭐️⭐️⭐️

There’s not a single bad short story in A Phoenix Must First Burn! Through several different genres, all of these stories center around the experience of growing up as a Black woman, and include everything from aliens to sorcery to the American west.

TELL ME WHAT YOU THINK! What are your favorite feminist YA books? Have you read any of these books, and if you have, what did you think of them? What have you been reading for Women’s History Month? Tell me in the comments!

Today’s song:

NEW SOCCER MOMMY IN JUNE?? I’m convinced that 2022 is the year of being blessed by the music gods

That’s it for this list! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (12/28/21) – Squad

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

After finishing and loving The Mermaid, the Witch, and the Sea, Squad immediately came on my radar—with the details of the Mermaid sequel being hazy at best, I needed more of Maggie Tokuda-Hall’s writing in my life. I found it in Squad, a punchy and timely graphic novel with bright colors and inner darkness.

Enjoy this week’s review!

Amazon.com: Squad: 9780062943149: Tokuda-Hall, Maggie, Sterle, Lisa: Books

Squad – Maggie Tokuda-Hall and Lisa Sterle

In her junior year, Becca moves to a new high school, thinking that she’ll have to settle with not fitting in. To her surprise, she’s taken under the wings of the three most popular girls in school, and soon, she is swept up into a world of new clothes and rowdy parties. But these three girls have a secret—they’re werewolves, and their prey are the predatory boys they find at their parties. But as the police investigate their most recent killing, Becca must decide if she still wants to be a part of their werewolf Squad.

Squad : Tokuda-Hall, Maggie, Sterle, Lisa: Amazon.ca: Books
art by Lisa Sterle

TW/CW: attempted rape, misogyny, racism, graphic violence, gore/blood

With its juxtaposition of a bright color palette and the darkness of werewolves out for blood, Squad is the perfect graphic novel for this day and age, and presents a timely theme—when does justice become purely revenge?

I’ve been a fan of Tokuda-Hall’s since The Mermaid, the Witch, and the Sea, but I hadn’t seen anything of Lisa Sterle’s before this. Now, I can definitively say that they make a fantastic graphic novel team! The combination of Tokuda-Hall’s dark and witty writing and Sterle’s bright colors and distinctive faces (both human and wolf) meshed so well together, making the storytelling all the more cohesive. Sterle’s art style is one that I really liked, and it’s the perfect style for this story. I’d like to see something else from this team—their respective writing and art styles were perfect for the aesthetic of Squad!

Right off the bat, I loved the concept of this novel and the implications it had. The idea of a clique of werewolves preying on rapists at parties already had my attention, and this part was executed so well! But beyond this, Squad asks us the question that’s become so prevalent with #MeToo and the growing movement to hold rapists accountable: when does getting back at the perpetrator become pure revenge and not accountability? Seeing all of this through the eyes of Becca—the newest in what we find out is a long line of werewolves—is a perfect way to show these themes from the perspective of a newcomer.

Becca’s perspective also serves as a wonderful way to show how dangerous trying to fit in can be. Over the course of Squad, a rift begins to form between these four girls, especially with Arianna, who has begun to break all the rules set by their previous “alpha,” and Amanda, who seems to be the only one willing to stick to their original plans. All of this threatens to tear Becca apart, even when her own mother pushes her to continue climbing the social ladder. It presents a great dilemma for Becca—is it worth it to go against what she feels is right for a chance at power?

However, there were a few things that I didn’t quite like about Squad. First off, the ending felt very abrupt and unresolved. It went from point A to point B with no real correlation, and it simply…ended. From reading two of her works now, I’d say that endings aren’t Tokuda-Hall’s strong suit; I didn’t mind the ending of The Mermaid, the Witch, and the Sea as much as I did this one (although my friends in book club would probably say otherwise lol), but it still felt rushed. Squad’s ending was still sweet, but it lacked a cohesive resolution.

In addition, while I loved the idea of a sapphic werewolf romance, the relationship between Becca and Marley was very rushed. Like the ending, I loved what little I saw of it (especially that last scene!), but it felt crammed into the last third of the story and bordered on insta-love. Plus, I have mixed feelings about Becca being paired with Marley; it made sense in concept, since they were both caught up in the conflict of the rest of the squad, but given some of the offhand comments that Marley makes about Becca in the beginning, it didn’t make sense that Becca would immediately tolerate all that and fall in love. Maybe if we’d seen if Marley had a change of heart or at least apologized about some of those comments, it might have made sense. But the romance ended up being sweet, but sloppily done. Almost an afterthought.

All in all, a biting (no pun intended) and important tale of the line between accountability and revenge. 4.25 stars!

Squad : Tokuda-Hall, Maggie, Sterle, Lisa: Amazon.ca: Books

Squad is a standalone, but Maggie Tokuda-Hall is also the author of The Mermaid, the Witch, and the Sea. Lisa Sterle is also the illustrator of Witchblood and the creator of the Modern Witch Tarot Deck.

Today’s song:

That’s it for this week’s Book Review Tuesday, and the last Book Review Tuesday of 2021! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (10/5/21) – Iron Widow

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

This novel came on my radar a few months ago, and I just had to put it on my TBR–what could go wrong with giant robots, aliens, and patriarchy-smashing? What more could a reader want, really? I preordered it, and I’m glad to say that it didn’t disappoint–and it got me out of a week-and-a-half-long reading slump too!

Enjoy this week’s review!

Iron Widow (Iron Widow, #1) by Xiran Jay Zhao

Iron Widow (Iron Widow, #1) – Xiran Jay Zhao

my copy ft. a nice filter and some more red and orange books

Hordes of aliens are invading Huaxia. Their last hope lies in the Chrysalises, supersized robots piloted by the best young boys that the country has to offer–and powered by girls, who inevitably die from the exertion.

It’s not a dream that most of the girls of Huaxia would entertain. But for 18-year-old Zetian, there’s more to the job than certain death. There’s a chance of revenge, specifically for her older sister, who was sacrificed by a Chrysalis pilot. Her murder successful murder plot garners her the rare title of Iron Widow, a role reversal where she pilots the Chrysalis and can only sacrifice boys. With her newfound title, Zetian has one more mission–tear the misogynist foundations of Huaxia’s army to shreds.

What Do You Want Jean Grey GIF - What Do You Want Jean Grey - Discover & Share GIFs

TW/CW: misogyny, rape, graphic violence, death, past loss of loved one, alcoholism/substance abuse, withdrawal, torture

I’m ashamed that we didn’t think of this solution earlier…DESTROY THE PATRIARCHY WITH ROBOTS

After a long slump, Iron Widow was just what I needed. Even if I’d been on a string of amazing books beforehand, though, this book would have been just as much of a wild ride as it was when I read it. Unapologetically feminist and action-packed, Iron Widow is sure to please sci-fi fans and those new to the genre.

The feminist aspect of Iron Widow is what stood out the most for me. Throughout, there’s unapologetic commentary on the harshest treatment of women in society, from the constraints of the gender binary to rape and institutionalized misogyny. Sure, we have hordes of aliens attacking the country in droves, but the rampant sexism and misogynist violence is the real antagonist here. Xiran Jay Zhao did an excellent job of showing all the facets of misogyny–and then having a character like Zetian tear them down little by little.

Zetian was the perfect protagonist for Iron Widow, and she’s a near textbook-perfect example of a flawed but sympathizable character. She’s ruthless, she’s fierce, she’s fiery, but what’s more important than her traits is why she became the way she did. It’s a perfect example of how oppression can shape a person’s character–Zetian might not have been so blindsided by revenge and filled with self-doubt were it not for the ingrained misogyny of Huaxia’s culture. Her character was such a well-crafted exploration of this theme.

On top of that, Zetian’s character made for the perfect catalyst to drive the plot forward! There was no shortage of drama or action that she either caused or that came in her wake, rocketing an already action-packed novel at a fast but consistently entertaining pace. The combination of Zetian and military drama, robots, and aliens made for a novel that never slowed down–in the best way possible.

Another aspect that Zhao handled well was the balance of plot elements. There’s more than a few heavy topics discussed in this book (see the TW/CW at the top), but they depicted their realness while also reveling in the more fantastical plot elements. I hesitate to call the latter “levity,” but there wasn’t an imbalance of either of those sections of the novel.

Now, I’m a little torn on the worldbuilding. For the most part, I loved it, especially the Chrysalises. Each one was based off of a creature from Chinese-inspired mythology, and I was so excited to see all of them come to life. Zhao also did a great job explaining the whole qi system without info dumping–there were just the right amount of evenly-spaced tidbits of information that I wasn’t deluged with anything, but by the time that these elements came in, I was able to go “oh, right, I understand how that works.” I just wish the same care was put into the Hundun aliens! Although I can’t wait to see how the twist with them is resolved in the next book, all of the details about them were so vague that I could hardly picture them.

Also, a big selling point about Iron Widow was that there was a love triangle solved by polyamory. I was so excited to see it come into play, but…it never seemed to happen? Maybe I missed something (is it just going to be slow-burn?), but I swear there was only some romantic undertones with both Li Shimin and Yizhi and the three of them haven’t been together for a very long time. Again, maybe I missed something, but I was a little disappointed by that. Maybe it’ll appear in book 2…

All in all, a raw and unapologetically feminist piece of YA sci-fi. 4 stars!

Iron Widow is Xiran Jay Zhao’s debut novel and the first in the Iron Widow series. The series will be continued by an as-of-yet untitled sequel set for release in 2022.

Today’s song:

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!