For those of you who didn’t know, in the U.S., May is Asian American & Pacific Islander Heritage month! I made a list of YA reads for the occasion last year (click here if you’d like to parse through), but since I’ve read so many more incredible books by AAPI authors since last May, I figured I would make another list. These are books from all genres, but all of them are from authors of AAPI heritage. And with all of these kinds of posts, I always want to impress the following: reading diversely should never be confined to one part of the year. That being said, it’s always important to uplift marginalized voices—AAPI in this case—and reading is a key way to do so.
Let’s begin, shall we?
THE BOOKISH MUTANT’S YA BOOKS FOR AAPI HERITAGE MONTH (2022 EDITION)
Disability representation—especially in YA—is few and far between, and even when I do find it, a lot of disability rep is still written by abled authors. (That isn’t always necessarily a bad thing, but it’s easy to fall into harmful tropes and misrepresent disability that way.) So when I heard about One for All, I was so excited—a feminist, historical fiction novel about a girl with a chronic illness! And beyond that—a girl with a chronic illness WHO SWORDFIGHTS. Doesn’t get much better than that, am I right? My copy finally came from the library last week, and although it wasn’t the perfect book, I enjoyed a lot of it!
Tania de Batz is determined for the world to see her as more than just a “sick girl.” As the daughter of a former musketeer, her passion is swordfighting, and with the help of her father, she’s become a skilled fighter. But when her father is brutally murdered, she discovers his dying request to send her to a finishing school.
But what she finds at L’Academie des Marieés is no finishing school—it’s a secretive school that trains young women as musketeers. Tania is soon swept into a world of swords and secrecy, and soon, she and her fellow students have an assassination plot to uncover. The only clue to the plot—and maybe even her father’s murder—lies in a boy named Étienne, but his charms may be Tania’s undoing.
TW/CW: ableism, blood, murder, loss of a loved one, past mention of sexual assault
Good disability representation—especially in YA—seems to only happen once in a blue moon. So I was so happy to find this book—a feminist historical fiction book written by a disabled author, no less! And while I did have a few problems with the story overall, One for All was no doubt a fantastic debut!
First things first—disability rep! While I can’t speak to the accuracy, Lillie Lainoff (the author) has the same chronic illness as Tania—Postural Orthostatic Tachycardia Syndrome (POTS)! Disabled representation from disabled voices always makes my heart so happy! For me, it’s even better that One for All is a historical fiction piece; most books with disabled characters only exist in contemporary/realistic fiction books, and I adamantly believe that disability rep in genres like historical fiction, fantasy, and science fiction is just as important, if not more important; it’s crucial for disabled readers to know that they don’t only exist in modern realistic fiction realities—they have always existed in history, and they can exist in fantasy and sci-fi worlds as well. One for All did a fantastic job at detailing all the aspects of Tania’s POTS and how it affected her daily life, from her routine to her social interactions and childhood. So many chronically ill readers will be able to see themselves in Tania, and that, to me, is immensely impactful.
Beyond that, One for All is fiercely feminist! It’s set in France in the 1600’s, and the themes of empowerment and sisterhood ran deeply through it. Throughout most of the book, Tania struggles with her place in the world as a disabled woman in a time where both are frowned upon, but her journey for self-empowerment is one that is sure to resonate with so many readers. Although some of the other students don’t treat Tania with the respect she deserves at first, there are themes of recognizing and correcting your previous ableism. The friendship that Tania eventually shares with the rest of the fellow L’Academie des Marieés students is wonderfully tender and strong, and it makes for an incredibly empowering novel overall.
As much as I loved the aforementioned aspects, however, there were a few aspects of One for All that I didn’t like as much. For the most part, I liked the writing style well enough; Lainoff’s prose flowed well and was appropriately descriptive when the time called for it. However, Lainoff’s style tended to fall towards the over-the-top side of the spectrum. I could let it slide in most instances—it fit with the mood and tone of the book in general—but in some cases, it felt overly purple and theatrical. It had a dramatic feel to it, and while it fit the classic retelling tone at times, it felt superfluous in other cases.
Additionally, I wasn’t quite as invested in the assassination part of the plot as I was in the rest of the book. Seeing as that (after Tania’s father’s murder) was the main driving force to the plot, it didn’t come through all the way; it was overshadowed by more mundane character interactions (which I did like), and as a result, felt rushed and oversimplified. For something that was supposed to be the primary inciting incident of the second half of the book or so, it felt more like a subplot than anything. As a result, I felt my mind wandering a bit during these parts, but it didn’t take me out of the book entirely.
All in all, a feminist retelling with a disabled heroine who all readers will want to cheer on. 3.75 stars, rounded up to 4!
One for All is a standalone and Lillie Lainoff’s debut novel.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Women’s History Month is here again in the U.S., and I figured I’d gather some more books to celebrate! Literature has always been an act of resistance, and it’s so important for readers—especially young girls—to see characters and narratives like their own to inspire change in our world. And as always, these books aren’t just for March—they’re for all year round; feminism doesn’t start and stop in March. My goal here is to uplift marginalized voices, and now is the perfect time to uplift those of women.
If you’d like to see my list from last year, click here!
Told in intersecting timelines between the present day and 19th-century. Paris, Mad, Bad & Dangerous to Know is a love letter to all the women whose stories have been overshadowed and lost to history. Samira Ahmed is such a wonderful author!
Iron Widow is a fierce, fast-paced sci-fi tale that deftly explores themes of rape culture, institutionalized misogyny, and society’s treatment of women through the eyes of a spitfire pilot determined to tear down an empire. (DESTROY THE PATRIARCHY WITH ROBOTS! I said what I said.)
Squad presents a timely theme—when holding rapists accountable, where is the line between accountability and pure vengeance?—and puts a paranormal spin on it. If the premise of werewolf girls hunting down rapists doesn’t entice you, I don’t know what will.
Though this isn’t my favorite of Brittney Morris’ books that I’ve read (that title would go to The Cost of Knowing as of now), Slay was a wonderfully proud and feminist novel about gaming and Black pride.
Anna-Marie McLemore never misses a beat with their books, and The Mirror Season was no exception! All at once raw and beautiful, it presents a searing tale of love after trauma and the fight to hold rapists accountable.
Through a blend of several different genres, Charlotte Nicole Davis presents the stories of five girls, bonded through sisterhood and trauma, who take control of their own fates and fight their fair share of patriarchy—and demons.
Juliet Takes a Breath is a fantastic, queer coming-of-age novel about sexuality, self-discovery, identity, and being a feminist. There’s an especially important discussion of the harm of “white feminism,” which, for a YA novel, is crucial to discuss.
There’s not a single bad short story in A Phoenix Must First Burn! Through several different genres, all of these stories center around the experience of growing up as a Black woman, and include everything from aliens to sorcery to the American west.
TELL ME WHAT YOU THINK! What are your favorite feminist YA books? Have you read any of these books, and if you have, what did you think of them? What have you been reading for Women’s History Month? Tell me in the comments!
That’s it for this list! Have a wonderful rest of your day, and take care of yourselves!
After finishing and loving The Mermaid, the Witch, and the Sea, Squad immediately came on my radar—with the details of the Mermaid sequel being hazy at best, I needed more of Maggie Tokuda-Hall’s writing in my life. I found it in Squad, a punchy and timely graphic novel with bright colors and inner darkness.
In her junior year, Becca moves to a new high school, thinking that she’ll have to settle with not fitting in. To her surprise, she’s taken under the wings of the three most popular girls in school, and soon, she is swept up into a world of new clothes and rowdy parties. But these three girls have a secret—they’re werewolves, and their prey are the predatory boys they find at their parties. But as the police investigate their most recent killing, Becca must decide if she still wants to be a part of their werewolf Squad.
With its juxtaposition of a bright color palette and the darkness of werewolves out for blood, Squad is the perfect graphic novel for this day and age, and presents a timely theme—when does justice become purely revenge?
I’ve been a fan of Tokuda-Hall’s since The Mermaid, the Witch, and the Sea, but I hadn’t seen anything of Lisa Sterle’s before this. Now, I can definitively say that they make a fantastic graphic novel team! The combination of Tokuda-Hall’s dark and witty writing and Sterle’s bright colors and distinctive faces (both human and wolf) meshed so well together, making the storytelling all the more cohesive. Sterle’s art style is one that I really liked, and it’s the perfect style for this story. I’d like to see something else from this team—their respective writing and art styles were perfect for the aesthetic of Squad!
Right off the bat, I loved the concept of this novel and the implications it had. The idea of a clique of werewolves preying on rapists at parties already had my attention, and this part was executed so well! But beyond this, Squad asks us the question that’s become so prevalent with #MeToo and the growing movement to hold rapists accountable: when does getting back at the perpetrator become pure revenge and not accountability? Seeing all of this through the eyes of Becca—the newest in what we find out is a long line of werewolves—is a perfect way to show these themes from the perspective of a newcomer.
Becca’s perspective also serves as a wonderful way to show how dangerous trying to fit in can be. Over the course of Squad, a rift begins to form between these four girls, especially with Arianna, who has begun to break all the rules set by their previous “alpha,” and Amanda, who seems to be the only one willing to stick to their original plans. All of this threatens to tear Becca apart, even when her own mother pushes her to continue climbing the social ladder. It presents a great dilemma for Becca—is it worth it to go against what she feels is right for a chance at power?
However, there were a few things that I didn’t quite like about Squad. First off, the ending felt very abrupt and unresolved. It went from point A to point B with no real correlation, and it simply…ended. From reading two of her works now, I’d say that endings aren’t Tokuda-Hall’s strong suit; I didn’t mind the ending of The Mermaid, the Witch, and the Sea as much as I did this one (although my friends in book club would probably say otherwise lol), but it still felt rushed. Squad’s ending was still sweet, but it lacked a cohesive resolution.
In addition, while I loved the idea of a sapphic werewolf romance, the relationship between Becca and Marley was very rushed. Like the ending, I loved what little I saw of it (especially that last scene!), but it felt crammed into the last third of the story and bordered on insta-love. Plus, I have mixed feelings about Becca being paired with Marley; it made sense in concept, since they were both caught up in the conflict of the rest of the squad, but given some of the offhand comments that Marley makes about Becca in the beginning, it didn’t make sense that Becca would immediately tolerate all that and fall in love. Maybe if we’d seen if Marley had a change of heart or at least apologized about some of those comments, it might have made sense. But the romance ended up being sweet, but sloppily done. Almost an afterthought.
All in all, a biting (no pun intended) and important tale of the line between accountability and revenge. 4.25 stars!
Squad is a standalone, but Maggie Tokuda-Hall is also the author of The Mermaid, the Witch, and the Sea. Lisa Sterle is also the illustrator of Witchblood and the creator of the Modern Witch Tarot Deck.
That’s it for this week’s Book Review Tuesday, and the last Book Review Tuesday of 2021! Have a wonderful rest of your day, and take care of yourselves!
This novel came on my radar a few months ago, and I just had to put it on my TBR–what could go wrong with giant robots, aliens, and patriarchy-smashing? What more could a reader want, really? I preordered it, and I’m glad to say that it didn’t disappoint–and it got me out of a week-and-a-half-long reading slump too!
Hordes of aliens are invading Huaxia. Their last hope lies in the Chrysalises, supersized robots piloted by the best young boys that the country has to offer–and powered by girls, who inevitably die from the exertion.
It’s not a dream that most of the girls of Huaxia would entertain. But for 18-year-old Zetian, there’s more to the job than certain death. There’s a chance of revenge, specifically for her older sister, who was sacrificed by a Chrysalis pilot. Her murder successful murder plot garners her the rare title of Iron Widow, a role reversal where she pilots the Chrysalis and can only sacrifice boys. With her newfound title, Zetian has one more mission–tear the misogynist foundations of Huaxia’s army to shreds.
TW/CW: misogyny, rape, graphic violence, death, past loss of loved one, alcoholism/substance abuse, withdrawal, torture
I’m ashamed that we didn’t think of this solution earlier…DESTROY THE PATRIARCHY WITH ROBOTS
After a long slump, Iron Widow was just what I needed. Even if I’d been on a string of amazing books beforehand, though, this book would have been just as much of a wild ride as it was when I read it. Unapologetically feminist and action-packed, Iron Widow is sure to please sci-fi fans and those new to the genre.
The feminist aspect of Iron Widow is what stood out the most for me. Throughout, there’s unapologetic commentary on the harshest treatment of women in society, from the constraints of the gender binary to rape and institutionalized misogyny. Sure, we have hordes of aliens attacking the country in droves, but the rampant sexism and misogynist violence is the real antagonist here. Xiran Jay Zhao did an excellent job of showing all the facets of misogyny–and then having a character like Zetian tear them down little by little.
Zetian was the perfect protagonist for Iron Widow, and she’s a near textbook-perfect example of a flawed but sympathizable character. She’s ruthless, she’s fierce, she’s fiery, but what’s more important than her traits is why she became the way she did. It’s a perfect example of how oppression can shape a person’s character–Zetian might not have been so blindsided by revenge and filled with self-doubt were it not for the ingrained misogyny of Huaxia’s culture. Her character was such a well-crafted exploration of this theme.
On top of that, Zetian’s character made for the perfect catalyst to drive the plot forward! There was no shortage of drama or action that she either caused or that came in her wake, rocketing an already action-packed novel at a fast but consistently entertaining pace. The combination of Zetian and military drama, robots, and aliens made for a novel that never slowed down–in the best way possible.
Another aspect that Zhao handled well was the balance of plot elements. There’s more than a few heavy topics discussed in this book (see the TW/CW at the top), but they depicted their realness while also reveling in the more fantastical plot elements. I hesitate to call the latter “levity,” but there wasn’t an imbalance of either of those sections of the novel.
Now, I’m a little torn on the worldbuilding. For the most part, I loved it, especially the Chrysalises. Each one was based off of a creature from Chinese-inspired mythology, and I was so excited to see all of them come to life. Zhao also did a great job explaining the whole qi system without info dumping–there were just the right amount of evenly-spaced tidbits of information that I wasn’t deluged with anything, but by the time that these elements came in, I was able to go “oh, right, I understand how that works.” I just wish the same care was put into the Hundun aliens! Although I can’t wait to see how the twist with them is resolved in the next book, all of the details about them were so vague that I could hardly picture them.
Also, a big selling point about Iron Widow was that there was a love triangle solved by polyamory. I was so excited to see it come into play, but…it never seemed to happen? Maybe I missed something (is it just going to be slow-burn?), but I swear there was only some romantic undertones with both Li Shimin and Yizhi and the three of them haven’t been together for a very long time. Again, maybe I missed something, but I was a little disappointed by that. Maybe it’ll appear in book 2…
All in all, a raw and unapologetically feminist piece of YA sci-fi. 4 stars!
Iron Widow is Xiran Jay Zhao’s debut novel and the first in the Iron Widow series. The series will be continued by an as-of-yet untitled sequel set for release in 2022.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
This week’s review was a fairly recent addition to my TBR. I found out about this series through a great post by Simone and her Books (thanks for putting it on my radar!), and I had a good feeling about it when I bought it with my birthday money the other day. I’m glad to say that I was right – my favorite out of all the books I bought that day!
Branded and trapped in a “welcome house” against their wills, the lives of the Good Luck Girls are filled with anything but good luck. Sisters Clementine and Aster have lived their lives in one such welcome house, waiting for the impossible day when they can go free. But when Clementine accidentally kills a wealthy man, she knows she’s put her life on the life. Along with her sister Aster, their friends Tansy and Mallow, and Violet, the prickly favorite of the welcome house, she risks a daring escape, meeting friend and foe alike as she flees into the wild.
TW/CW: rape, branding, sex slavery, murder, descriptions of illness, misogyny, torture, loss of loved ones/death, substance abuse
Have you ever finished a book and immediately thought something along the lines of “man, why has nobody gotten the rights to make this a TV show?” My thoughts exactly for The Good Luck Girls – its cinematic writing makes it the perfect fit for the small screen, and its effortless blending of paranormal, Western, and dystopian genres made it stand out from all the rest!
I’ve never really read or watched many Westerns or Western-inspired books, movies or TV shows (I’m counting The Mandalorian in there though), but I found myself latching onto the immersive and unique world that Charlotte Nicole Davis presents us with in The Good Luck Girls. It’s equal parts Western, paranormal fantasy, and dystopia, and all of them fit to make a fascinating world! There’s something for everybody. You want girls rising up and fighting the power? FIVE OF THEM! You want ghosts, demons, and other weird monsters? Plenty of those to go around. Magic? Lots of that too. Whatever genre you usually gravitate you, there’s something for everybody in this novel.
The feminism and themes of sisterhood also shone in this novel! We follow a diverse cast of characters (some of them are POC and there’s a wlw relationship between two of them) as they escape a life of sex slavery, encountering no shortage of horrors along the way but sticking together through it all. Especially regarding most of the scenes in the “welcome house,” there are plenty of heavy and hard-to-read topics, but Charlotte Nicole Davis handled them in a way that balanced realism and giving the slightest bit of hope. I’m always up for books with a gang of well-written women taking down the patriarchy (and in the case of this book, fighting against misogyny and rape culture in particular), and The Good Luck Girls delivered 100% in that respect.
As for the characters, I liked most of them a reasonable amount, but I didn’t get completely attached to all of them. For Violet in particular, I liked that even though she was the token “bad-natured one who refuses to get along with anybody else” character, Davis gave her just as much depth and backstory as characters like Clem and Aster. However, I do wish that Tansy and Mallow got more page time; they just seemed like footnotes in contrast to Aster, Clem, and Violet, and we didn’t get much of their backstory. The Good Luck Girls would have been more enjoyable with a multiple POV structure, in my opinion; we got inside Aster and Clem’s heads, but since there’s an ensemble cast, I would have liked to get some of the motivations and quirks of characters like Violet, Tansy, and Mallow from their perspectives.
All in all, an effortless blend of wildly different genres that results in a fiercely feminist and cinematic journey. 4 stars!
The Good Luck Girls is the first book in the Good Luck Girls series, followed by The Sisters of Reckoning. Charlotte Nicole Davis also contributed the short story All the Time in the World to A Phoenix Must First Burn, an anthology of sci-fi/fantasy stories by Black women and gender nonconforming people.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I meant to post this earlier in the month, but, alas, school. But hey – March isn’t over yet, is it? And here in the U.S., March is Women’s History Month! So for the occasion, I’ve compiled a list of some of my favorite YA novels with feminist themes not just for March, but for all year round, because we should all be uplifting the voices of women every day of every year.
I mean, how could the premise of an Arthurian retelling where the reincarnation of King Arthur is a POC, pansexual woman not hook you? Plus, lots of dismantling imperialism, sword fights, and an almost entirely queer cast.
Can I rant for a minute? I loved this book to death, but the Netflix adaptation of it looks AWFUL. I watched the trailer, and it looks like it COMPLETELY misconstrued the message of the book. The movie makes feminism look like a joke; in the book, Viv was already conscious of the toxic environment of her high school, but in the movie, they (unintentionally?) painted feminism as something that was “trendy” or “what the kids are into.” (In the beginning of the trailer, Viv magically has this feminist awakening from seeing her mom’s old Riot Grrl pictures…) Also in the trailer, she only starts to notice the rampant sexism in her high school AFTER SOMEBODY TELLS HER…
Okay, I know this has been shelved as both adult and YA, but…hey, Rory’s 15 for most of the book, so I think I can slip it in this post. Plus, what’s not to love about disobedient, patriarchy-smashing princesses in space?
As disappointing as the sequel was, Girls of Paper and Fire still remains a book that stunned me like no other. A powerful tale of rebelling against oppression and corruption – and some lovely forbidden romance!
A super twisty and inventive novel with plenty of morally grey characters and secret societies. Plus, it raises some great points about vigilante justice. And there’s nothing better than getting back at misogynists and rapists, right?
Every time I look back at this book, I think something along the lines of “man, I’m so glad I bought this.” Secret libraries, alien invasion, quality music references, cross-country road trips, and more than a little bit of resistance. Very nearly flawless!
A beautiful romance set against the backdrop of protest and resisting homophobia in 1977 San Francisco. There’s lovely representation for both lesbian and bisexual characters, and it’s such a tender and resonant read!
TELL ME WHAT YOU THINK! Have you read any of these novels, and if so, did you like them? What are your favorite feminist YA reads?
Hey there, bibliophiles! Happy Tuesday! I’m so glad I’m off school for a few weeks…
Jeez, try saying the title of this post three times fast…
Now [cracks knuckles]…today’s gonna be a special review day, because today, you’re getting not one, but two reviews in the same post! And that, if you’re wondering, is solely because I read both books in K. Eason’s Thorne Chronicles, and I’ve been itching to get my thoughts out.
I’d all but forgotten that I’d put book 1 on my TBR until the random number generator picked it for a recent Goodreads Monday. Luckily, it was available at the library, so I checked it out and proceeded to gobble it up in between studying for my finals. And man, I’m glad that I checked out both books in the duology–a sarcastic, wittily written space opera that pokes fun of every trope imaginable.
Rory Thorne was born into royalty, the first baby girl in the family line in two centuries. When she was a baby, she was blessed by the gifts of thirteen fairies, gifts that would help her grow into a woman well-loved by the court. But the most important of all was given to her by the thirteenth fairy–the gift of seeing behind people’s words and discovering their truth intentions.
After her father is assassinated, she’s swept off-world, only accompanied by her royal tutors, and is immediately arranged to marry a prince she’s never met. Rory isn’t happy about it in the least–but the situation grows dire when she discovers that this prince is at the heart of an attempt to usurp her family’s throne.
The Goodreads synopsis pegs this one as The Princess Bride meets Princess Leia, and I’m happy to say that it mostly lives up to both comparisons! How Rory Thorne Destroyed the Multiverse is basically the phrase “this princess saves herself” in book form, and it’s so much fun from start to finish!
What really stood out for me about Rory Thorne is the writing style. There’s an anecdotal, tongue-in-cheek quality about it, peppered with witty little tidbits about the universe. Not only does it poke fun at the tropes of fairytales, fantasy, and space opera, it presents a feminist rebuttal of all of them, particularly in the form of Rory herself. I loved following her across the galaxy, with all of her wit, sass and tenacity. She’s a wonderful heroine, and the perfect fit for this story.
And of course we have to talk about all of the supporting characters! I loved Grytt and Messer Rupert, and as Rory’s royal tutors and caretakers, they had the funniest chemistry, not only bouncing off of each other well, but presenting a hilarious contrast to the disobedient, willful Rory. Each character was distinct, making for the perfect gang of misfits to traverse the universe with.
The worldbuilding was definitely interesting, too; at worst, some of the politics got a little bit convoluted, but I liked all of the little anecdotes about the different philosophies of the universe. For all of the alien species that were mentioned, though, I wish we’d actually…y’know, seen some of them, but alas, mostly humans.
Overall, though, a sarcastic and feminist tale of resistance and disobedience. 4 stars!
After upending her royal life and sparking a revolution in the galaxy, Rory Thorne has taken up life as a space pirate, along with her former bodyguards and royal allies. When the crew finds a wrecked spacecraft, they discover something sinister within–an innocuous plant that not only might possess intelligence, but could have been manufactured as a biological weapon. Thrown into the beginnings of an intergalactic war, Rory and her crew must find their way out of harm’s way–and wrangle a killer rose, while they’re at it.
How the Multiverse Got Its Revenge came out in early October of this year, and so far, it’s been getting fairly average reviews (the Goodreads rating for this one is currently 3.66, as opposed to book 1’s rating of 3.91). And…I just don’t understand why, because somehow, Multiverse was even better than book 1!
Okay, first off, SPACE PIRATES. I couldn’t think of a more fitting profession for Rory after abandoning her royal ways. I loved the chemistry and banter between her and her crew, and the whole plot line with the sinister rose managed to be both hilarious and tense. And even though they were separated from the rest of the gang, I loved seeing Grytt and Messer Rupert again, especially the latter. (I just…MESSER RUPERT MUST BE PROTECTED AT ALL COSTS, OKAY? 🥺)
Oh, and my whole complaint about not seeing many aliens in book 1? RESOLVED! We’ve got a whole host of interesting species in Multiverse, and I loved seeing some of them. Admittedly, Eason fell into the trap of the “aliens, but basically humans with slightly differing appearances” trope with one species, but they actually acknowledge that it’s unusual in the grand scheme of the galaxy, so at least there’s that. Plus, the other two alien species that were focused on made up for it.
The plot for this one was super fast-paced, and with the cast of characters, it meshed perfectly. Multiverse honestly just sucked me in to the point that I put off studying for my (godforsaken) AP Bio final just so I could see what happened. Again, the politics of the world(s) are still a tad convoluted, but it was still well-thought-out, and a whole lot of fun at that.
My only major complaint is the ending. It was just…unsatisfying? I wish we would have had a bit more certainty, and maybe…y’know, having some of the characters reunite? My space children deserved it, c’mon.
All in all, a heartstring-tugging and thrilling sequel that was more than worthy of its predecessor. 4.5 stars!
The Thorne Chronicles is a duology, consisting of How Rory Thorne Destroyed the Multiverse and How the Multiverse Got Its Revenge. K. Eason is also the author of the On the Bones of Gods trilogy, consisting of Enemy (book 1), Outlaw (book 2), and Ally (book 3).
That’s it for this week’s double Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
I put this one on my TBR at the very beginning of this year, and rediscovered it today after trawling through the middle reaches of my TBR shelf. I’m always down for a good space opera, and if all goes well, I’m hoping that Rory Thorne will deliver!
Let’s begin, shall we?
GOODREADS MONDAY (11/23/20)–HOW RORY THORNE DESTROYED THE MULTIVERSE by K. Eason
Rory Thorne is a princess with thirteen fairy blessings, the most important of which is to see through flattery and platitudes. As the eldest daughter, she always imagined she’d inherit her father’s throne and govern the interplanetary Thorne Consortium.
Then her father is assassinated, her mother gives birth to a son, and Rory is betrothed to the prince of a distant world.
When Rory arrives in her new home, she uncovers a treacherous plot to unseat her newly betrothed and usurp his throne. An unscrupulous minister has conspired to name himself Regent to the minor (and somewhat foolish) prince. With only her wits and a small team of allies, Rory must outmaneuver the Regent and rescue the prince.
How Rory Thorne Destroyed the Multiverse is a feminist reimagining of familiar fairytale tropes and a story of resistance and self-determination—how small acts of rebellion can lead a princess to not just save herself, but change the course of history.
So why do I want to read this?
Excuse me? “The Princess Bride meets Princess Leia?” Feminist fairytale retelling? SPACE OPERA? JUST SHUT UP AND TAKE MY LIBRARY CARD!
I’m loving all the fairytale allusions peppered into the synopsis, and I’m getting some major Heart of Iron vibes too. I’m not expecting anything deep or impactful, but man, How Rory Thorne Destroyed the Multiverse sounds like SO. MUCH. FUN. And why wouldn’t it be, with a memorable title like that? (Oh, and book 2 is How The Multiverse Got Its Revenge…[Magneto voice] “Perfection…”)
And how cute is this cover? The color scheme, the typeface, the little space-themed designs…🥺
In short: if everything gets well-executed, maybe I could get *that much* closer to filling up the Heart of Iron-shaped hole in my heart.
Bandcamp link–I can’t find any of the Jim Noir Club Collection on YouTube…