Lesbian – The Bookish Mutant

the record – boygenius album review

Posted on April 10, 2023 by madeline @ The Bookish Mutant

Happy Monday, bibliophiles!

It’s finally here! The moment that I’ve been patiently waiting for…

After I discovered Phoebe Bridgers back in early 2020 (before it all went wrong), my boygenius revelation came soon after (right around when it really all went wrong). Not only was it my gateway to Julien Baker and Lucy Dacus, but it stood out as a representation of so many things—a critique of the pedestals we tend to reserve only for male artists, the way the music industry often lumps together “women in indie rock” simply because of their gender, and the magic that happens when three incredibly talented queer women get together and make music. Their self-titled EP, released in 2018, seemed to be the beginning and end of their relationship, but they secretly reformed and came together to release their first full-length album this March. And the results are simply magical, full of different highs and lows, but emotional and heartrending all the way through—in the best way.

boygenius’ *Rolling Stone* cover, an homage to Nirvana

Enjoy this album review!

THE RECORD – BOYGENIUS (album review)

Release date: March 31, 2023 (Interscope records)

TRACK 1: “Without You Without Them” – 8.5/10

never underestimate the power of an intro 🥲

If the record encapsulates the friendship of Baker, Bridgers, and Dacus, then this song is the perfect summation of that thesis. boygenius have made me so emotional over a cappella, somehow—their harmonies, pioneered in this case by Lucy Dacus, rise in perfect tandem, as each one thanks their parents, and their parents before them (“who would I be/without you, without them?”)—for the opportunities that brought them together as friends, by a cosmic miracle, and relishing in the quiet moments opening up to one another. Already a hard-hitter, and we’re barely even a minute into the album…

TRACK 2: “$20” – 9/10

Mama told me that it don’t run on wishes, but that I should have fun,

Pushing the flowers that come up

Into the front of a shotgun…
boygenius, “$20”

Rocketing from the quiet moments to a supersonic pace, “$20” remains one of my favorite songs on the album, even after everything else came out. Every lyric is delivered like a punch while grinning, each member’s voice coalescing and pulling apart at just the right moments, fading in and out of sync in perfect deliberation. Everything erupts with Phoebe Bridgers’ final scream, which remains one of the highlights of this album, where all of the pent up energy in this song bubbles to the top and fades out just as quickly. HAAAAAAAGH I STILL CAN’T STOP LISTENING IT’S BEEN LIKE 2 MONTHS

TRACK 3: “Emily I’m Sorry” – 8/10

This was my least favorite of the singles, but it’s still a beautiful heartbreaker of a song—like much of Phoebe Bridgers’ work, the instrumentation (which I still love, especially when everything seems to dissolve at 1:46) takes a backseat to her air-light, heartstring-tugging voice, and lets her shine. It just feels less cohesive as a supergroup—I get that all of the members had their songs that they wrote on their own, but this feels more like a Phoebe Bridgers single that just happens to feature Baker and Dacus than a boygenius song. It’s worked with some of the other songs in that style, but I feel like this would’ve worked better as just Phoebe Bridgers.

TRACK 4: “True Blue” – 8.5/10

sidenote—the shots of them sleeping in the film remind me so much of Blur’s “No Distance Left to Run” music video…

And it feels good to be known so well

I can’t hide from you like I hide from myself…
boygenius, “True Blue”

Hooooooooowhee, we’re back to Lucy Dacus throwing her whole fist into my chest and tugging at the heartstrings, huh? Is that what we’re doing?

Although (almost) nothing compares to the meteoric ecstasy of “$20,” “True Blue” is still a steadfast favorite of mine on this album. It’s a case study of how perfect the harmonies of these three are for each other. The way that Baker and Bridgers chime in on the bridge always makes my heart sing, as though they were somehow predestined to have this pairing of differently gorgeous voices, all joining hands in another ode to their mutual friendship.

TRACK 5: “Cool About It” – 9.5/10

But we don’t have to talk about it,

I can walk you home and practice method acting,

I’ll pretend that being with you doesn’t feel like drowning…
boygenius, “Cool About It”

This one rapidly rose to become my favorite on the album, and I’ve had it on repeat ever since. boygenius is versatile in the way that they organize songs together—sometimes it works with all of them singing at once, as in “$20,” but neatly-sectioned songs like this one, where each of the members gets their time in the spotlight, works just as well as the other. And this one’s the shining highlight of the album, a Simon & Garfunkel-inspired, introspective reflection on the complicated feelings of confronting people who were once prominent in your life—not being able to deny their toxicity, but grappling with not being able to outwardly show it. Each facet of their lyricism shines—Baker’s ability to dig directly into the emotional core of these feelings and making it look easy, Dacus’ dry but solemn display of wit, and Bridgers’ vulnerable confessions steeped in glistening stars. I have nothing but love for this song.

TRACK 6: “Not Strong Enough” – 7/10

Strangely, this was one of my least favorites of the album—the lyrics remain incredible (and the music video is so sweet 🥲), but there’s a country-pop twang to this one that doesn’t quite hook me all the way. There’s no denying how wonderful the ending is as Lucy Dacus builds up the bridge—”always an angel/never a god,” which all comes crashing together as we get another fantastic Phoebe scream.

TRACK 7: “Revolution 0” – 7/10

Though this one doesn’t hit me as hard as some of the others, Phoebe’s soft introspection truly shines on this song. The barely audible strings and the fluttering, dissolving synths make for an atmospheric song that feels like the musical equivalent of watching the sunrise on a crisp, winter morning. I can practically feel my breath fogging out before me, just as all three of their voices seem to gently drift into the air.

TRACK 8: “Leonard Cohen” – 6.5/10

Though Lucy Dacus’ lyrics are still funny and tender at the same time, this song feels oddly disjointed to me. Dacus’ voice comes in at a sudden, weirdly-placed time, and it doesn’t seem like it’s no purpose. Again: lovely lyrics, but the song never quite picks itself up from that initial, rocky start. I hate to say it, but maybe it’s for the best that it’s so short.

TRACK 9: “Satanist” – 8.5/10

(do I get something for being the 666th like on the lyric video for a song called “Satanist”?)

(STOP TRYING TO AUTOCORRECT CRED TO CREDIT SHUT UP SHUT UP)

One of my favorites after the singles, “Satanist” is proof that the neatly-sectioned format of letting each member sing a verse is a perfect way to let them all shine through! With Julien Baker’s witty lyrics and punchy guitars all the way through, it’s just a lovely chunk of indie rock all the way through. The ending, though drastically different, is just as wonderful, with all of their harmonies rising up like bonfire smoke into the night sky.

TRACK 10: “We’re In Love” – 8.5/10

If you rewrite your life,

May I still play a part?
boygenius, “We’re In Love”

Ow, did Lucy Dacus just get saddled with all dealing all of the emotional damage on this album? Does she just have a huge paddle that she’s just musically whapping us with? If that’s the case, “We’re In Love” was what knocked me off my feet for good…ouchie

Nearly 5 minutes long, “We’re In Love” presents Lucy Dacus and company ruminating on the nature of their shared friendship once more, reflecting on inside jokes and quiet moments spent together, and loving every inch of each other despite their flaws. Even outside of their cosmically aligned harmonies, it’s clear that boygenius have struck something truly special with their friendship, a connection that has allowed them to grow and produce no shortage of beautiful, creative works, and get to know each other better through it. It’s gorgeous…get out the tissues.

TRACK 11: “Anti-Curse” – 8/10

Turning back to the more fast-paced side of “Satanist,” “Anti-Curse” has Julien Baker letting loose once more. Though I enjoyed some of Baker’s other tracks more, it still has that raw vulnerability that endeared her to me when I first became a fan, but with the expansion of her more vast, Little Oblivions sound that gives everything even more weight. It feels like the whole song is painted in the same colors as the album color, with sunsets, breaking waves, and the taste of salt in your mouth.

TRACK 12: “Letter To An Old Poet” – 8.5/10

I wanna be happy, I’m ready

To walk into my room without looking for you,

I’ll go up to the top of our building,

And I’ll think of my dog when I see the full moon.

I can’t feel it yet,

But I am waiting…
boygenius, “Letter To An Old Poet”

Oh, so I see they let Phoebe Bridgers have this one tearjerker, and she took the opportunity and RAN with it? YOW.

I can’t think of a more fitting closer for the record. The whole song acts as a sister song to “Me & My Dog,” off of their self-titled EP, a reconciliation not only with the complications of a past relationship, but of a desire to heal oneself, move on, grow, and confront the truth. It’s clearly personal to Phoebe, but it feels like a collective healing call for all of them, a promise that the past is the past, but that we are all different people than who we once were. Every re-worked lyric acts as proof of change, a renewed mindset, and of hope that the future will be better while stargazing. Gah. Beautiful end to a beautiful album…

THIS PHOTOSHOOT HAD NO BUSINESS BEING THIS FUNNY 💀 I CAN’T GET OVER JULIEN IN THAT FRILLY DRESS HAHAHAEHJKEFKFDKJ

I averaged out all of the ratings for each track, and it came out to about an 8.1! I’m so glad that they decided to make a whole album—through all of the highs and lows, it displays their talents as individual musicians and as a collective creative force, and I’ll never get sick of their heavenly harmonies. And above all, it stands as a tribute to queer friendship, and every kind of love that we share, no matter the feelings that we associate with it. I’m sure it’ll be one of my favorite records of this year, without contest.

Since this is an album review, consider the entirety of the record to be today’s song.

That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!

Book Review Tuesday

Book Review Tuesday (2/28/23) – Nothing Burns as Bright as You

Posted on February 28, 2023February 28, 2023 by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles! I refuse to believe that February is almost over…

I didn’t know that Ashley Woodfolk had come out with a new book until very recently, and I ended up picking it up more on a whim than anything. But Nothing Burns as Bright as You quickly became my favorite read of this month, and easily the best of Woodfolk’s work that I’ve read. Raw, visceral, and consistently powerful, Woodfolk’s prose is great, but her poetry is something else entirely.

Enjoy this week’s review!

Nothing Burns as Bright as You – Ashley Woodfolk

Written in verse, Nothing Burns follows two unnamed girls, best friends who slowly but surely realize that they’ve become something more. But when one’s actions begin to toe the line of their relationship, their love—and their lives—fall in jeopardy. The foundation that once sustained their relationship has begun to crumble, but whether it can be glued back together will be decided in the blink of an eye.

TW/CW: racism, homophobia (some religious homophobia), substance abuse, sexual harassment

I kind of love the feeling when a book you just picked up on a whim hits you harder than you ever could have anticipated. I just thought “oh, it’s Ashley Woodfolk, I liked her last book, what could go wrong,” and the next thing I know, I’m highlighting every other line on my Kindle. Nothing Burns as Bright as You is just that powerful, a poignant story of the complexities of a toxic relationship.

Woodfolk’s prose is already excellent, as evidenced in When You Were Everything and several of her short stories, but her poetry hits a note so resonant that I couldn’t stop thinking about it. Every line is nothing short of genius—clever and observant, but nothing short of raw and painful. Nothing Burns as Bright as You is a heart laid bare for all to see, unflinching in the complicated, nuanced realities it depicts.

It would be easy to romanticize the events of Nothing Burns as Bright as You, but Woodfolk knew exactly how to avoid it; it’s a story about falling so hard in love that you lose yourself, but it’s also about coming to terms with loving somebody who drags you through the mud, who breaks you down even when they promise to love you. Setting fire to a dumpster outside of a high school is the perfect set-up for a coming-of-age romance, but a coming-of-age romance this isn’t…and is. The emphasis should be on the coming-of-age part; it’s about learning to heal from somebody that you thought loved you, and grappling with the fact that love isn’t black and white, and like a fire, it can give you warmth, but also consume you to the point of no return.

Even when both of the protagonists went unnamed, their personalities and stories shone through in every page. Despite the fact that it made writing my summary here a little tricky, the character study is vibrant enough that you don’t need names to tell each character apart—their clashing personalities come through in every relentlessly beautiful line. It’s so important to tell more inclusive love stories, but the reality is that not everything is quite so neat and simple—sapphic love isn’t always sunshine and roses. We need our stories of queer Black girls falling in love, but we need our stories of queer Black girls growing from complicated, toxic relationships almost just as much.

All in all, a startlingly raw and beautiful story of the complexities of queer love and being with somebody to the point of danger. 4.5 stars!

Nothing Burns as Bright as You is a standalone, but Ashley Woodfolk is also the author of When You Were Everything and The Beauty That Remains, and has also contributed short stories to collections such as Blackout, A Phoenix Must First Burn, and several others.

Today’s song:

WAAAAAAAAAAAAAAAGH THIS IS SO GOOD I LIKE IT EVEN MORE THAN MOST OF CRACKER ISLAND????

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Book Review Tuesday

Book Review Tuesday (11/15/22) – She Gets the Girl

Posted on November 15, 2022November 15, 2022 by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles! Even more snow today…

I initially put She Gets the Girl on my TBR because of so much buzz from my fellow bloggers, and I like to go for a queer romance every once in a while. I read it recently and I liked that it was from the perspective of a freshman in college (hey, it’s me!), but beyond that, it felt more like a mess of unlikeable characters and uncomfortable peer pressure instead of feel-good romance.

Enjoy this week’s review!

She Gets the Girl – Rachael Lippincott and Alyson Derrick

Alex Blackwood is entering college on the heels of a nasty breakup. Molly Parker is looking for love, and she’s in luck—her longtime crush, Cora Myers, is attending the same college as her. Problem is, Molly’s hopelessly awkward, especially around people she likes. When she and Alex have a chance encounter, they hatch a plan for Alex to polish up Molly’s flirting skills so that she can get the girl. But when Molly starts falling for Alex instead of Cora, the end goal becomes hazy…

TW/CW: alcoholism, toxic relationships, internalized racism, substance abuse

It’s all fun and games until the romance you picked up because you wanted it to be somewhat “feel-good” turns out to be…more uncomfortable than feel-good. It’s even harder when you hate one of the characters, and harder still when the two main characters seem to have hardly any chemistry. That’s the story of She Gets the Girl—a romance with an easy enough concept that was dragged down by forced and unlikable elements.

I’m sorry, I just have to get it out of the way: I hated Alex Blackwood. Hated her. It was clear that the authors were trying to make her a rough-around-the-edges character that would a) contrast Molly’s uptight and awkward personality and b) push her out of her comfort zone, which was a good enough pairing in concept. Key words here are “in concept.” What Alex ended up being was a total hypocrite—she’s so intent on being the opposite of her toxic ex, but turns around and manages to be just as toxic, just in a different way. And the whole concept of pushing Molly out of her comfort zone so that she can get with Cora? Most of it just ended up being Alex forcing Molly to do things that she was deeply uncomfortable with.

Thus, Molly and Alex had almost zero chemistry. Their entire relationship was built on the shaky foundation of knowing that they would end up together by the end of the book, and not much else. Everything was just…so forced. It’s heavily implied that Cora wasn’t a good option either since, yes, it as forced, but…I really don’t think dating Alex would’ve been a great option either, seeing as how much of a manipulative jerk she was to Molly. Proposed third option: Molly just takes off and finds better friends/lovers that…y’know, aren’t toxic?

That brings me to the weird message of this book. Throughout the book, all of the things that Alex pushes Molly to do to win Cora’s love involve changing herself in some way: changing her wardrobe into things she would normally be uncomfortable wearing, going to events that you have no experience in just to fit in with Cora, etc. It was sort of resolved by the relationship with Cora not working out, but Alex’s “advice” boiled down to Molly changing herself so that Cora would like her. I suppose they were trying to go with a “be true to yourself” message, which I really would’ve liked, but they resolved it by…pairing Molly with Alex, the one who was trying to force Molly to change in the first place. And Alex never apologizes for any of that—they just fall in love and then move on. Hence—no chemistry. No repercussions, save for the fling with Cora not working out. All that really happened was Alex’s manipulative actions being rewarded, which really rubbed me the wrong way. Even though Molly and Alex got into an argument about that, there was no sense of Alex taking responsibility for forcing Molly into all that uncomfortable stuff. I really wish Lippincott and Derrick had handled their relationship—and the message—better. She Gets the Girl had an easy way to send a good message, but it ended up bungling it all in the end.

There were a few aspects of She Gets the Girl that I did like. It’s always nice to have a mixed race character, and having Molly be mixed race really freshened things up, as well as some of the discussions about internalized racism. Even though I still despise Alex, the way they handled the situation with her mother was also respectfully handled—hard to read, but it seemed genuine to me. However, a lot of this ended up being overshadowed by how much of a mess the rest of the book was.

Overall, a romance that stumbled and fell when creating chemistry between the two characters, making for an uncomfortable book—and an uncomfortable message. 2 stars.

She Gets the Girl is a standalone, and the first and only book that Rachael Lippincott has written with her wife, Alyson Derrick. Lippincott is also the author of Five Feet Apart and All This Time (both co-written with Mikki Daughtry), as well as The Lucky List.

Today’s song:

listened to the whole album yesterday! it was one of those cases where I listened to all of the best songs beforehand so the rest of the album wasn’t *as* good (still good though), but it’s a great album

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Book Review Tuesday

Book Review Tuesday (11/8/22) – Huntress (Ash, #0.5)

Posted on November 8, 2022 by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

Huntress is one of those books that just sat on my TBR collecting dust for several years. I decided to read it after finishing Ash a few years back, and I finally was able to get my hands on a copy from the university library. After remembering liking Ash, my expectations were average, and I was rewarded with a solid, strong fairytale full of darkness in unexpected places.

Huntress is technically a prequel, but it doesn’t necessarily require reading Ash beforehand, as its set in the same world, but hundreds of years earlier (you should read it anyway, though!). If you’d like to read my review of Ash, click here!

Enjoy this week’s review!

Huntress (Ash, #0.5) – Malinda Lo

Kaede and Taisin have been chosen for an insurmountable task: restoring order to the human world. For years, the sun hasn’t shone, the crops have dried up, and strange creatures have begun to breach the boundaries of human and otherworldly. The only way for them to seek answers is through the mysterious Fairy Queen, but the journey there may be more dangerous than what lies at the end. But as members of their party begin to die off, Kaede and Taisin must grapple with their futures—the future of the human world, and of the feelings they’re having for each other.

TW/CW: blood, fantasy violence, death, descriptions of injuries/corpses

“I don’t want to marry the man you arranged for me to marry because I don’t know him and I want to have control over my life”: good, good

“I don’t want to marry the man you arranged for me to marry because I don’t know him, I want to have control over my life, and also I’m a lesbian”: EVEN BETTER

It’s been a few years since I’ve read Ash, but reading Huntress doesn’t necessarily require a whole lot of knowledge of Ash‘s world to understand it. What remains, however, is that you have to remember that it was some of the first of its kind. Nowadays, YA is dominated by fairytale-inspired and fairytale retellings, some of which are queer, but stories like Ash and this companion were some of the first ones to do so—and some of the first to be openly queer. If you remember that (and if you can get past the painfully dated cover), you’re in for a fun ride—a dark and atmospheric piece of high fantasy filled with all sorts of danger and strange creatures.

Lo’s world is pretty distinctly High Fantasy™️, which I’ve been jaded with as of late, but her unique spin on it was enough to create a captivating world. Although the magic system was a little hazy, Lo’s descriptions of the barren landscape and treacherous forests created a world that felt real enough to step into. Even more captivating were the creatures that inhabited this world—everything from unicorns to horrifying changelings; the mythology around them and the stakes they created propelled the story even more. Plus, it’s always refreshing to have non-European inspiration for a high fantasy novel; in the author’s note, Lo explains that most of the book was inspired by both Chinese and Japanese mythology.

What I remember about Ash was how much I loved the main couple, but with Huntress, that was a little bit less of the case. In fact, I found Kaede and Taisin to be almost interchangeable (accentuated by the sporadic POV changes), but still compelling enough to root for. Most of the other characters were rather underdeveloped and forgettable, but Lo has a grim solution for the problem—killing them off. For me, it was Con who stole the show; he was the only character with a distinct personality, and it was a very lovable one at that. He’s the kind of character who probably would’ve been lumped in as the love interest in any other YA book, but having him as a platonic friend was so much more endearing.

Even though I loved Lo’s worldbuilding, I still wish that more was explored; we only got tidbits of the creatures in the Fairy Queen’s kingdom, and especially since the main villain was introduced so late in the book, I wished that we’d spent less time on the road and more time near the destination. The journey was interesting, sure, but it would’ve been more interesting to explore the more alien, unfamiliar corners of the world Lo created.

All in all, a solid piece of fantasy that made good use of its dark, barren atmosphere, but could’ve pushed it even further. 3.5 stars!

Huntress is a prequel to Ash, and they are the only books set in that universe. Malinda Lo is also the author of Last Night at the Telegraph Club, the Adaptation duology (consisting of Adaptation and Inheritance), and several other books for teens and adults.

Today’s song:

found this and “Metal Mickey” in a video somebody made of a medley of Britpop riffs, and…maybe I should check them out now?

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Book Review Tuesday

Book Review Tuesday (7/5/22) – Among Thieves

Posted on July 5, 2022July 5, 2022 by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I forget when or how I came upon this book, but looking back, I sadly wish that I’d passed it by; I put it on hold at the library to have another queer fantasy book to read, but I ended up finishing it in about an hour feeling sorely disappointed. The reviews promised Six of Crows but gayer (of course you have my attention), but what I read ended up being a shameless Six of Crows ripoff.

Enjoy this week’s review!

Among Thieves (Thieves, #1) – M.J. Kuhn

Ryia Cautella is an infamous assassin, earning the name of The Butcher with her axe-wielding tactics. What she hides, however, is her past; after narrowly escaping the Guildmaster, the tyrant ruler of her kingdom, he and his lackeys have been searching all over the city of Callowwick for her. The only way out is to find her way into the Guildmaster’s highly fortified stronghold, and it’s a job she can’t do alone. With the help of Cal Clem, the head of a failing crime syndicate, and a band of criminals and misfits, Ryia may finally have a chance at freedom. But will her search for freedom cost Ryia her life?

TW/CW: slavery, violence, dismemberment, mentions of branding

I’ve noticed a trend over the past few years with YA; after the dystopian craze (mostly) blew over, fantasy heist books in the vein of Six of Crows started becoming far more popular. Unlike a lot of the dystopian books that came after books like The Hunger Games, however, the fantasy heist trend actually produced plenty of really fun, memorable books with a lot of originality. However, with every book trend, there come books that are obvious, blatant ripoffs of their inspiration. I hate to say it, but Among Thieves is one of them.

Now, I try to preface my negative reviews with this: I 100% understand how hard it is to put yourself out there into the book world. And there’s some slack I’m willing to give Among Thieves since it appears to be M.J. Kuhn’s debut novel.

That being said…all I can really say about Among Thieves is that it’s basically a Walmart version of Six of Crows.

Soon after the book started, I noticed all the pieces falling into place for a vague Six of Crows ripoff; apart from a little gender-swapping, most of the characters were nearly carbon copies of the iconic characters from Six of Crows; the only major difference I found was that there was a sapphic romance (sort of?) between Ryia (Inej, basically) and a gender-swapped version of Wylan (Evelyn), and that Cal (Kaz) just stood there on the sidelines. Otherwise, it was almost offensive how much these characters were almost carbon-copies of SoC characters—most notably Ivan, who was so, so similar to Matthias that it nearly gave me a headache. Same appearance, same vaguely-Northern/Western-European fantasy background, same personality…the only difference was that he was a forger. That was it. It’s always great if you take inspiration from certain books when you create your book—in fact, it’s impossible not to take some inspiration from something—but if it becomes as blatant as a ripoff as this, it’s just a steaming, unoriginal pile of garbage.

Nothing made much sense after Cal and Ryia assembled their crew. Granted, as soon as I saw how ripped-off the characters were, I started to lose faith in everything else. That being said, most of the heist made little to no sense, and the progression just felt like being tossed around to random places with seemingly no sense or purpose. They’re trying to break into this stronghold, and…now they’re in a prizefighting ring? Now they’re at sea again? It just felt like “now we’re in an airplane!” kind of nonsensical plot progression without any rhyme or reason.

As for what the reviews described as “Six of Crows but gayer,” I felt…more than a little let down. There was sapphic representation (sort of a will-they-won’t-they romance between Evelyn and Ryia), but they seemed to be the only queer characters. I would’ve liked it more if I was more invested in the characters, but it was…just alright. Nothing groundbreaking, and it wasn’t exactly “gayer” than SoC, since it had the exact same amount of queer rep that SoC did. I love sapphic fantasy any day, but it left me wanting a lot more. Most of the book did, really.

All in all, a half-baked ripoff of Six of Crows that seemed far too obvious for its own good. I slapped on a half star to my rating since Kuhn’s writing style had moments of being good, but that’s about all of the positives I can think of for this book. 1.5 stars.

Among Thieves is M.J. Kuhn’s debut novel, and the first novel in the Thieves series, followed by the forthcoming Thick as Thieves, slated to be published in 2023.

Today’s song:

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Book Tags

Queer Book Tag 🏳️‍🌈

Posted on June 27, 2022June 27, 2022 by madeline @ The Bookish Mutant

Happy Monday, bibliophiles!

I figured I’d do another book tag for pride month, and this one looked like so much fun! I found this one over at Laura @ The Corner of Laura, and the tag was originally created by Anja Xuan.

Let’s begin, shall we?

🏳️‍🌈QUEER BOOK TAG🏳️‍🌈

QUEER FAVES: What’s your favorite queer book that you’ve read this year?

I know I haven’t shut up about this one since I came back from California, but The Raven and the Reindeer is easily one of my favorite queer reads from this year so far.

LESBIAN: What’s your favorite f/f book?

On a Sunbeam is one of my favorite queer books, and probably one of my favorite books, period. One of the most beautiful graphic novels I’ve ever read, and it’s super diverse as well!

MLM: What’s your favorite achillean/mlm book?

The Darkness Outside Us has stuck with me ever since I read it last August—it’s mind-boggling, it’s heartstring-tugging, and it’s a must-read.

BISEXUAL: What’s your favorite book with a bisexual main character?

Darcy from Perfect on Paper is bisexual, and this book had some of the best bisexual rep I’ve read in ages!

TRANSGENDER: What’s your favorite book with a trans main character?

Dreadnought is a fantastic book about a trans superhero!

QUEER: What’s your favorite #ownvoices queer book?

Once & Future is tons of fun and boasts tons of diversity and queer rep!

ARO-ACE: What’s your favorite book with an aro-ace main character?

Nathaniel from Tarnished are the Stars is aro-ace, and he has an incredibly sweet coming-out scene in this book!

PANSEXUAL: What’s your favorite book with a pansexual main character?

Ciela from The Mirror Season is pansexual, and this book is just another example of how Anna-Marie McLemore never misses the mark with their books!

QPOC: What’s your favorite book with a QPOC main character?

Both of the main characters from The Mermaid, the Witch, and the Sea are QPOC, and their romance is tender and absolutely lovely!

What queer books are you looking forward to for the rest of this year and/or the next year?

I just realized that Godslayers comes out TOMORROW (!!!!), and I’m so looking forward to it after how much I loved Gearbreakers!

I TAG:

Elli @ AceReader
Phoenix @ Books With Wings
Rachel @ A Bookworm’s Paradise
Becca @ Book It with Becca
+ anybody else who wants to participate! If you see this tag and want to do it, then I’d love to see your answers! If I tagged you and you’ve already done it/don’t want to do it, then my bad.

Today’s song:

That’s it for this book tag! Have a wonderful rest of your day, and take care of yourselves!

Books

🏳️‍🌈🏳️‍⚧️YA Pride Month Recs (2022 Edition) – Contemporary/Realistic Fiction🏳️‍⚧️🏳️‍🌈

Posted on June 22, 2022 by madeline @ The Bookish Mutant

Happy Wednesday, bibliophiles!

Here we have the last of my pride month recommendations for this year! This post is focused on contemporary and realistic fiction books, but romance and mystery are included in here as well. And as always with my recommendations: diversify your reading 24/7, but always take this time to uplift LGBTQ+ voices!

(click here for this year’s queer YA sci-fi and fantasy recs!)

So let’s begin, shall we?

🏳️‍🌈THE BOOKISH MUTANT’S 2022 YA PRIDE MONTH RECS: CONTEMPORARY/REALISTIC FICTION 🏳️‍🌈

Perfect on Paper, Sophie Gonzales

LGBTQ+ REP: Bisexual MC, lesbian, bi, pan/nonbinary, and gay side characters, straight-passing relationship

MY RATING: ⭐️⭐️⭐️⭐️

I’m saying this as a proud bisexual woman: Perfect on Paper is seriously some of the best bisexual rep I’ve ever read! There’s so many important discussions in this book, from internalized biphobia to how the queer community views straight-passing relationships, all with a sweet and messy romance!

Sick Kids in Love, Hannah Moskowitz

LGBTQ+ REP: Bisexual love interest, straight-passing relationship

MY RATING: ⭐️⭐️⭐️⭐️.5

Sick Kids in Love is such an important book for so many reasons (namely its groundbreaking disability rep), but this is what intersectionality looks like—both protagonists are disabled and Jewish, and the love interest is also bisexual! Always warms my heart to see disabled bisexual characters.

The Falling in Love Montage, Ciara Smyth

LGBTQ+ REP: Lesbian protagonist, lesbian love interest, wlw relationship

MY RATING: ⭐️⭐️⭐️⭐️

A tender and emotional piece of teen romance, complete with messy lesbian misadventures and plenty of rom-com references.

Loveless, Alice Oseman

LGBTQ+ REP: Aromantic/asexual MC, lesbian, aroace/nonbinary, pansexual side characters

MY RATING: ⭐️⭐️⭐️⭐️

I’m not ace myself, but I’m certain that Loveless’ coming-of-age asexuality story will resonate with so many ace readers!

Sasha Masha, Agnes Borinsky

LGBTQ+ REP: Trans woman MC

MY RATING: ⭐️⭐️⭐️⭐️

A beautiful coming of age story about a trans teenager discovering her identity!

Ace of Spades, Faridah Àbíké-Íyímídé

LGBTQ+ REP: Bisexual MC, Gay MC

MY RATING: ⭐️⭐️⭐️⭐️

A nail-biting thriller and a fierce and suspenseful manifesto for the takedown of institutionalized racism!

Heartstopper, Alice Oseman

LGBTQ+ REP: Gay MC, bisexual love interest, mlm relationship, trans woman, lesbian, and gay side characters, side wlw relationship

MY RATING: ⭐️⭐️⭐️⭐️

I’d be remiss if I didn’t include Heartstopper here—such a sweet and heartwarming LGBTQ+ romance comic! Plus, I can say with certainty that the bisexual rep is ON POINT. I adored the Netflix show too! (did anybody else full-on SOB during Nick’s coming out scene 😭)

TELL ME WHAT YOU THINK! What are your favorite queer YA contemporary/realistic fiction books? Have you read any of these books, and if so, what did you think of them? Tell me in the comments!

Today’s song:

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!

Book Review Tuesday

Book Review Tuesday (6/21/22) – A Lesson in Vengeance

Posted on June 21, 2022June 21, 2022 by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I really didn’t have much attachment to this book; I think I just put it on my TBR because I’d like Victoria Lee’s previous book, The Fever King, a decent amount, and I’d heard there was queer rep in it. I ended up fishing it out of my TBR to find specifically queer books for pride month, and it was available at my local library, so why not? To my dismay, A Lesson in Vengeance was one of the most frustrating books I’d read in a long time—it’s been a while since I’ve been this angry at a book.

Enjoy this week’s review!

A Lesson in Vengeance – Victoria Lee

Felicity Morrow carries a great burden: she may have been responsible for the untimely death of her girlfriend, Alex. After that fateful day, she took a semester off from the Dalloway School, a legendary—and perhaps haunted—boarding school deep in the mountains. But when she returns, a fascinating girl named Ellis has arrived, a teen author prodigy who came to the school to research for her next novel. Felicity and Ellis become entrenched in the history of occult and witchcraft tied to the Dalloway School, but the path they go down is one that could lead to death—or worse.

TW/CW: murder, gore, animal death, loss of loved ones, mental health issues (depression), grief, toxic relationships, descriptions of murder (hanging, burying alive, etc.)

I don’t think a book has made me this angry in ages. I should’ve DNF’d it, but I almost just finished it out of spite. I recognize that there’s so much work that goes into writing a book and putting it out into the world, so take this review as you will, but god. I have an absolute laundry list of gripes with this book, I’m sad to say.

A Lesson in Vengeance pretty clearly took inspiration from The Secret History, a book that I didn’t expect to enjoy as much as I did. But there’s a key aspect of The Secret History that A Lesson in Vengeance astronomically missed the mark on that could’ve made or broke it: it’s established early on that it’s a cautionary tale, and that these characters are either already horribly toxic people or that the book is their corruption arc. A Lesson in Vengeance misses that by miles, and these deeply flawed characters are romanticized. I’m not saying that I need “UNRELIABLE TOXIC NARRATOR” in skywriting, but the way that Lee romanticized Felicity deliberately going off her meds and dismissing her well-meaning therapists disgusted me. I’m all for “messy” queer characters, but this goes FAR beyond just “messy”—these are just straight-up horrible people, and it seemed like Lee didn’t recognize this or handle it properly.

Let’s talk more about the characters. Lee’s writing style is what earned the half-star from me, but their prose had a fatal flaw when it came to the characters; most of them are meant to be dangerous and alluring, but what was written as “mysterious writer girl with unorthodox methods” was more than anything just another toxic rich person added to the mix. All of the characters were clearly backstabbing, flawed people who solved their problems with drugs and alcohol, but again—it was all romanticized as part of the “dark academia aesthetic.” I’M SORRY, WHAT? How is rich people smoking indoors an “aesthetic?” More importantly, how is DELIBERATELY GOING OFF YOUR MEDS AN “AESTHETIC?” I’ve never been the biggest fan of dark academia, but I can’t deny that when it’s done well, it’s chilling; this, however, was just a mess of a book built off of an aesthetic that failed to realize its fatal shortcomings. I’m sorry, I don’t want to read about rich people smoking indoors for 370-odd pages.

Additionally, there wasn’t much keeping the plot together. I went in thinking that there would be a murder mystery hidden somewhere, along with witches, the occult, and a budding sapphic relationship. However, the book ended up being 60% rich people smoking and drinking themselves silly (uninteresting from the start) with a weak witchcraft sideplot that was sidelined for most of the book and was never really resolved. All of the diversity that this book promised, though well-intentioned, felt more like a checklist: Black character? Check. South-Asian character? Check. And the sapphic relationship that I was hinging on just ended up being a toxic mess of manipulation without any self-awareness of its nature: again, it was framed as an “alluring, mysterious” kind of thing, when in reality, it was just…borderline abusive and devoid of any emotional intelligence whatsoever.

All in all, a premise that had the potential to be mildly interesting, but did nothing more than romanticize its toxic characters and lend itself to a story centered more around a flimsy aesthetic than a plot. 1.5 angry little stars.

A Lesson in Vengeance is a standalone, but Victoria Lee is also the author of the Feverwake series (The Fever King and The Electric Heir, as well as the novellas The Traitor’s Crown and The Stars and Everything in Between) and the forthcoming The Girl That Time Forgot.

Today’s song:

That’s it for this week’s book review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Books

🏳️‍🌈🏳️‍⚧️YA Pride Months Recs (2022 Edition) – Fantasy🏳️‍⚧️🏳️‍🌈

Posted on June 18, 2022June 18, 2022 by madeline @ The Bookish Mutant

Happy Saturday, bibliophiles!

Continuing with this year’s pride month recs (click here for this year’s queer YA sci-fi recs), this post’s focus is on fantasy! Some of the different books that I’ve grouped here fall into magical realism and paranormal fantasy, but they all have one thing in common: they’re all LGBTQ+! And as you read through, it’s always important to remember: don’t just diversify your reading for a month: read and uplift queer voices 24/7!

Let’s begin, shall we?

🏳️‍🌈THE BOOKISH MUTANT’S 2022 YA PRIDE MONTH RECS: FANTASY 🏳️‍🌈

The Raven and the Reindeer, T. Kingfisher

LGBTQ+ REP: Queer (bi/pan?) MC, sapphic love interest, wlw relationship

MY RATING: ⭐️⭐️⭐️⭐️.5

A beautifully poignant retelling of “The Snow Queen” that doubles as a queer coming-of-age story. Highly recommended!

The Mermaid, the Witch, and the Sea, Maggie Tokuda-Hall

LGBTQ+ REP: Genderfluid MC, Bi/pan MC, queer relationship

MY RATING: ⭐️⭐️⭐️⭐️.5

This isn’t the first time you’ve seen me sing praises of this book and it won’t be the last—you truly don’t want to miss it!

The Mirror Season, Anna-Marie McLemore

LGBTQ+ REP: Pansexual MC, lesbian side character/past wlw relationship, side mlm relationship

MY RATING: ⭐️⭐️⭐️⭐️.25

A searingly beautiful tale of solidarity, accountability, and recovery from sexual assault.

Squad, Maggie Tokuda-Hall and Lisa Sterle

LGBTQ+ REP: Sapphic MC and love interest, wlw relationship

MY RATING: ⭐️⭐️⭐️⭐️.25

Another win from Maggie Tokuda-Hall with sapphic werewolves on the hunt for rapists who’ve gone scot-free!

A Snake Falls to Earth, Darcie Little Badger

LGBTQ+ REP: Asexual MC

MY RATING: ⭐️⭐️⭐️⭐️

A witty piece of magical realism that was a delight to read from start to finish! I haven’t read or seen a whole lot of LGBTQ+ characters that are also Native American, so books like this are always a breath of fresh air.

Extasia, Clare Legrand

LGBTQ+ REP: Sapphic MC, wlw relationship

MY RATING: ⭐️⭐️⭐️⭐️.5

(is it just me, or does the cover look sort of like young Winona Ryder?)

A haunting and gripping tale of post-apocalyptic witchcraft and mystery!

TELL ME WHAT YOU THINK! What are your favorite queer YA fantasy books? Any recommendations for me? Let me know in the comments!

Today’s song:

listened to this album (great all the way through) and forgot how much I love this song

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!

Books

🏳️‍🌈🏳️‍⚧️YA Pride Month Recs (2022 Edition) – Sci-fi🏳️‍⚧️🏳️‍🌈

Posted on June 17, 2022June 17, 2022 by madeline @ The Bookish Mutant

Happy Friday, bibliophiles!

Once again, happy pride month! I hope all my fellow queer folks are taking care of themselves this month (and all the time) and finding tons of wonderful queer stuff to read. If nobody’s told you this lately, you are loved, you are valid, you are beautiful, and nobody has any say in your identity except for YOU.

For the past few years, I’ve been compiling YA recommendations of LGBTQ+ books for pride month; back in 2020, I was able to go by genre (click the links for sci-fi, contemporary, fantasy, and historical fiction), but last year, I just compiled my favorites I’d read since then in one post (click here for 2021’s recs). I was planning on doing the same thing as 2021, but my list got so long that I’ve decided to stagger it by genre again. So first off, here are my recs for queer YA sci-fi!

Let’s begin, shall we?

🏳️‍🌈THE BOOKISH MUTANT’S 2022 YA PRIDE MONTH RECS: SCI-FI 🏳️‍🌈

Spellhacker, M.K. England

LGBTQ+ REP: queer MC, nonbinary LI, several wlw and mlm side relationships

MY RATING: ⭐️⭐️⭐️⭐️.5

This one technically could’ve gone in fantasy or sci-fi, but it leaned more to the latter for me, which is to say this is a fascinating mix of genres! Perfect for readers looking for a book like Six of Crows or The Gilded Wolves with a more futuristic twist.

Gearbreakers, Zoe Hana Mikuta

LGBTQ+ REP: Both MCs are sapphic, wlw relationship

MY RATING: ⭐️⭐️⭐️⭐️.5

Queer cyborg girls taking down a tyrannical empire and falling in love—what’s not to love? I can’t wait to read the sequel!!

The Darkness Outside Us, Eliot Schrefer

LGBTQ+ REP: Queer MC (doesn’t use labels), gay love interest, mlm relationship

MY RATING: ⭐️⭐️⭐️⭐️⭐️

One of my absolute favorite reads from last year—mind-bending, suspenseful, and above all, an infinitely potent testament to the power of love.

Iron Widow, Xiran Jay Zhao

LGBTQ+ REP: Queer MC and love interests, polyamorous relationship

MY RATING: ⭐️⭐️⭐️⭐️

I know I’ve gone on and on about this book ever since I read it, but if patriarchy-smashing via robots doesn’t entice you, then I’m not sure what will. Go read it!

The Grief Keeper, Alexandra Villasante

LGBTQ+ REP: Lesbian MC, sapphic love interest, wlw relationship

MY RATING: ⭐️⭐️⭐️⭐️

The Grief Keeper is so many things, and all of them are wonderfully well-written—a commentary on how the U.S. treats its immigrants, an exploration of grief, and a beautiful queer coming-of-age story.

The Kindred, Alechia Dow