Posted in Uncategorized

2017

Before I get on with this post, I’d like to mention a few things.

  1. Happy Holidays, guys! I hope you all are enjoying your Holiday season!
  2. Oops. Sorry about the absence of the BRT this Tuesday. I had just gotten off the high that was Christmas Day and the thought of doing the book review never crossed my mind. I won’t be able to do a BRT 2-year anniversary post (that would have been tomorrow) nor a first BRT of 2017 for I will be in Florida once again. Sorry, guys.

 

Alright, I take back what I said about 2016 being the best and worst year of my life. It’s now probably just the worst. 2017 was…well…like 2016, but a little less horrible. Like last year, lots of people died, humans did a bunch of terrible things, there’s been a bunch of horrible natural disasters, and one of the best singers of all time came out with an underwhelming fifth album. (Sorry, Annie…) What I’m saying is that it’s been one heck of a ride this year. I’m glad we’ve gotten through it…well, technically, we’ve got a couple more days, but you know what I mean.

But as with 2016, there have been some truly great things that happened this year. We’ve gotten a truckload of fantastic books (Nightfall, Darkness of Dragons, Warcross, Whichwood etc.), movies (The Last Jedi, Wonder Woman, Justice League, and even though I haven’t seen it, I know this one’s going to be awesome, The Shape of Water), albums (Everything Now, Heartworms) and TV shows (Stranger Things 2). Of course, we’ve gotten meh material from all of those categories (Thor Ragnarok, MASSEDUCTION, etc.), but man, as far as some of those things go, we’ve gotten pretty lucky. Pretty lucky to have all of these amazing things, and lucky to be alive in the first place.

And this year has been a big year for me personally as well. I’ve conquered some fears, visited some astounding and eye-opening new places (the Grand Canyon and New York City), honed my drawing skills, and realized my writing potential. Also, meeting Millie Bobby Brown at Denver Comic Con was most definitely a highlight. She was such a nice person. It was such an honor to meet her. If you’re reading this, Millie, thank you so much. 

Now, 2018 is just around the bend. I’ve got hopes that we’ll further rise from the ashes of years previously, strive to be brave, strong, and kind. We can try and make the world a bit of a better place. Also, we can try and hold in our excitement for Avengers: Infinity War until May. OH MY GOD, THAT TRAILER LOOKED AWESOME!

 

Let’s make 2018 a great year, everyone. Together. *holds out lightsaber for no apparent reason*

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Posted in Music

MASSEDUCTION (St. Vincent) Album Review

PLOT TWIST! This is NOT a book review!

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*BOOM*

Yep.

 

As I’ve told you on various occasions, St. Vincent has been my favorite singer for a while. And I’ve been waiting for new material from her for 3 years. And finally, last Friday, MASSEDUCTION was finally released! But, after listening to the album, my feelings were a bit mixed.

Just a note beforehand, I’m going to use the same method I use for rating books (1-WORST SONG EVER, 5-okay, I guess, 10-OMGOMGOMGOMG LOVE) Also, I’m not going to review “New York” because I already talked about it a bit in a previous post. So yeah, here goes!

 

TRACK 1: “Hang On Me” RATING: 7/10

A nice balance of melancholy and hope, a little reminiscent of St. Vincent’s earlier work. Kind of poignant and endearing in way. Not her best, but certainly not her worst. A lot better than some of her other stuff on this album…(prepare for more saltiness later in the review…)

 

TRACK 2: “Pills” RATING: 8/10

When I first heard about this song, my mom told me that she had read an article that said that Cara Delevigne* was going to sing a little bit in this song. I basically wanted to puke in my mouth, and thus, my expectations were pretty low for this song. But as you can assume from my rating, this is actually one of my favorite songs on the album! Very catchy. My favorite part is the ending, which sounds like a cross between something off her last album (St. Vincent), and something off David Bowie’s Blackstar. 

 

TRACK 3: “Masseduction” RATING: 4/10

This is really where it started going downhill.

Ugh. The guitar is kinda cool for a few brief seconds, but that’s pretty much all I like. Verging onto the horrendous, modern pop terrritory. It is just not St. Vincent. Nope. Nope. Nope.

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TRACK 4: “Sugarboy” RATING: 3/10

BLEARGH. This is literally the worst song on the entire  MASSEDUCTION album. I swear, if you took out all of the vocals, it would probably fit right in as the soundtrack to a MarioKart game or something and nobody would notice that it’s St. Vincent.

But I did notice that at one point, they snuck and sped up the baseline for “Los Ageless” in there. That was kinda funny.

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TRACK 5: “Los Ageless” RATING: 8/10

Luuuuuurve! Now THIS is more like her old stuff! The chorus is a little annoying and modern-pop-y, but still a wonderful song. Plus, there’s a crazy video to go with it. I liked it even better than the one for “New York”.

PLEASE DON’T EAT THAT ANEMONE THING, ANNIE…

 

TRACK 6: “Happy Birthday, Johnny” RATING: 6.5/10

This is where this album starts to get really depressing.

I’d say that it’s “short and sweet”, but it’s more like “short and makes me want to cry a little”. It makes me want to give Annie Clark a little hug. *lip quivers slightly”

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TRACK 7: “Savior” RATING: 4.5/10

Meh. It’s not as pop-y as “Masseduction” and “Sugarboy”, but still kind of fits that general pop mold. It just doesn’t really grab me, and eventually kind of melts into background noise. Tolerable, but not great.

 

TRACK 9: “Fear the Future” RATING: 7.5/10

YASS! Finally some relief after that bout of depression and pop! Like I said with “Hang On Me” earlier, it’s not her best, but it’s GREAT. The guitar is super cool. This sounds like something that would be really fun to see live.

 

TRACK 10: “Young Lover” RATING: 7/10

This song seems to be wearing an odd mask. The rhythm is happy and upbeat, but the lyrics are really sad. Wonderful, wonderful, wonderful song, though. I’d probably give it a higher rating, but I hate the ending when St. Vincent’s voice goes up to a ridiculously high octave, bringing to mind the scene in Harry Potter and the Chamber of Secrets when the Fat Lady is trying to sing opera and smashes the wine glass against the wall.

 

TRACK 11/12: “Dancing With a Ghost” and “Slow Disco” RATING: 4.5/10

“Dancing With A Ghost” is kind of cool, but doesn’t really have much substance. I’m not saying that because it’s instrumental, but there’s just not much to it. Now, “Slow Disco” is sad, but like “Savior”, it just doesn’t seem to grab me at all. Also, the probably-male-but-sort-of-androgynous voice at the end annoys the heck out of me.

 

TRACK 13: “Smoking Section” RATING: 7.5/10

OH.

MY.

GOD.

MY HEART.

Every time I hear this song, my heart feels as though somebody chucked it off the top of the Empire State Building, and then it splattered on the road. And then got run over by a car. No scratch that, a truck. Wait, no…a steam roller. Yeah. That’s more accurate. What I’m saying is that if you ever find me sobbing in the corner with headphones on, it’s because I’ve listened to this song too many times. It’s beautiful and cinematic, but MY GOD, THIS IS THE MOST DEPRESSING SONG I’VE HEARD IN MY ENTIRE LIFE. If “Happy Birthday, Johnny” made me want to give Annie Clark a hug, this one makes me want to give her a near-strangulation level bear hug.

 

 

Alright, I’ve averaged out the ratings for this album (I added “New York”, an 8), and the final number turned out to be about a 6. Sigh…

I waited three years, THREE YEARS, and I must say, I’m rather underwhelmed. Not St. Vincent’s best work. I don’t mean to say that there’s nothing good about this album. It’s just disappointing. Sigh…

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So anyway, I hope you enjoyed my semi-salty album review. I promise, there’s an actual BOOK review coming tomorrow. So, bye for now!

 

 

 

 

 

 

 

*GOD, I HATE THAT WOMAN…