Posted in Music

A (Possibly Mutable) List of my Top 10 Favorite Albums

Happy Thursday, bibliophiles!

I’ve been meaning to semi-solidify this list (for now) for quite a while, but I think it was looking back through Hundreds & Thousands of Books’ post about her top 10 albums that sparked the idea in me to make a post about it, so thank you!

Even though this blog is primarily about books, I’d be remiss if I didn’t acknowledge that music has had an equally profound effect on my life. Raised by two music nerds, I grew up listening to tons of Beatles and Bowie, and as I grew older, I began to mark periods of my life by the music I listened to. But there are always certain albums that leave an unmistakable mark on our lives. Some of mine have been steadfast favorites, and others I’ve only discovered in the past few months. All of them, however, have had a profound effect on me, whether it’s just been the experiencing something that’s just so, so good or marking a specific period in my life. So here are, right now, my 10 favorite albums.

Let’s begin, shall we?

🎵THE BOOKISH MUTANT’S TOP 10 FAVORITE ALBUMS🎵

10. Snail Mail – Lush (2018)

The summer of 2018 was a strange one for me—the summer before high school, and the summer I started seriously questioning my sexuality. I have Lush to thank for getting me through a lot of it, with Lindsey Jordan’s soaring guitar riffs and searingly vulnerable lyrics shining through in a debut like no other. Snail Mail is partially what inspired me to pick up the guitar—and I definitely think meeting her at a show that summer when I was a wee bisexual did something to my pubescent brain that I wouldn’t recover from…💀

Favorite Track: “Heat Wave”

9. Super Furry Animals – Rings Around the World (2001)

I remember hearing tracks like “Sidewalk Serfer Girl” and “(Drawing) Rings Around the World” from when I was about 5, but it wasn’t until this March that I appreciated this masterpiece of an album in its entirety. Something that makes me love a piece of media—be it a book, a movie, an album, or anything else—that much more is that if there’s clear evidence of how much love and care was put into it. And it’s blatantly evident here—Rings Around the World is brimming with creativity, and through all of the genres of music they explore, there isn’t a single miss. There’s something so fully-formed about it, like it just came into the world like Athena bursting forth from the skull of Zeus.

Favorite track: “No Sympathy”

8. Wilco – Yankee Hotel Foxtrot (2001)

This album’s one that’s been a constant in my life; Wilco is one of my dad’s favorite bands, and I’ve been hearing them for so long that they’ve become inextricably linked to my personal history. (Wilco was my first concert, at the age of 8!) But this album in particular is the most special of theirs to me; like Rings Around the World, I’ve been listening to isolated songs from it for years, but the whole album is a true work of art, sonically and lyrically immersive and always emotionally moving and potent.

Favorite track(s): oh, man, this is hard…

I’ve settled on a three-way tie between “I Am Trying to Break Your Heart,” “Ashes of American Flags,” and “Reservations.”

7. Car Seat Headrest – Teens of Denial (2016)

Another gem from the summer of 2018, this one always brings to mind dozens of fond memories—seeing Car Seat Headrest live (and subsequently tainting all of my concert videos from my off-key scream-singing), repainting my room, going on vacation in Chicago. Car Seat Headrest have been a favorite of mine since around 8th grade, but the more I think about it, the more Teens of Denial in particular stands out as my favorite album—clever, vulnerable, raw, and perfect for 14-year-old me to scream along to.

Favorite track: “Cosmic Hero”

6. The Beatles – The White Album (1968)

I guess I’ve got a theme going with the red and white album covers? I don’t think it holds up later in the list…

As I said earlier, I was undoubtably raised on the Beatles; some of my earliest memories are of hearing songs like “Good Day Sunshine” and “Yellow Submarine” in the car, and I’ve adored them ever since. I’ve flip-flopped between albums for a favorite Beatles album for years, and it feels like it changes with my mood; some days, it was Revolver, other times it was Sgt. Pepper’s Lonely Hearts Club Band. But between having some of my favorite Beatles songs of all time and the solace it gave me in the early days of quarantine, The White Album takes the top spot for me—I think “I’m So Tired” is my most played song on my whole iTunes library. (somehow I’ve played it over 2,500 times?? didn’t even know I was capable of such a thing 💀)

Favorite track(s): tie between “While My Guitar Gently Weeps” and “I’m So Tired”

5. Spiritualized – Ladies and Gentlemen We Are Floating in Space (1997)

I fell in love with Spiritualized, as a lot of people seemed to do, after hearing the title track, “Ladies And Gentlemen We Are Floating in Space.” Ever since then, they’ve held a truly special place in my heart; I rediscovered them in quarantine, and this album in particular has held a top spot for me ever since. Despite all the abject heartbreak, addiction, and general melancholy present through this album (and all of J. Spaceman’s music), there’s a cosmic, immersive quality to his music that swallows me like a wave with every song. Listening to Spiritualized is more than just music—it’s an experience in and of itself.

Favorite track: “Ladies And Gentlemen We Are Floating in Space”

4. Blur – 13 (1999)

another heartbreak album comin’ atcha…

Like Super Furry Animals, I’ve been hearing scattered Blur songs throughout my childhood, “Song 2,” “Coffee & TV,” and “Charmless Man” being standouts. But it wasn’t until last summer that I got back into Blur—really into Blur. (You all witnessed the Blurification of this blog last year…) There’s something instantly hooking about their songs—the clever lyrics, the punchy guitars that seem to burst out of your headphones. But 13 is uniquely special to me; it was my musical companion in a strange, transitionary period of my life (the beginning of senior year and being a legal adult…somehow?). Beyond that, it’s so clear that so much time and love went into this record—through every high and low, there’s a consistent resonance that you can feel in your chest. It’s a masterpiece. It’s an album that I’ve come back to ever since when I’ve felt low—there’s a healing quality to it.

Favorite track: “Tender”—also my favorite song of all time, at the moment

3. St. Vincent – St. Vincent (2014)

adding another white album cover to the mix, I guess?

St. Vincent, without a doubt, is responsible for shaping some of my most formative years. Middle school was a weird time for me—I was struggling with friendships, forming my identity, and getting teased for the things I loved so passionately. And here was St. Vincent, this confident, ridiculously talented musician who wielded her guitar like a sword into battle. So you can imagine how I got attached to her. Even if MASSEDUCTION made me lose a little faith in her for a few years, she’ll always remain as a hero of mine, and St. Vincent in particular will always be a daring, fierce masterpiece that sweeps me off my feet every time—and the album that got me through 6th grade.

Favorite track: “Bad Believer” (on the deluxe edition), “Severed Crossed Fingers” (on the original edition)

2. Radiohead – OK Computer (1997)

and another white album cover? sort of?

Yeah, okay. I fully admit that my toxic trait is genuinely enjoying certain kinds of male manipulator music. But Radiohead will always be an immensely special band to me. “The Daily Mail” was my first exposure to them (thanks, Legion!), but OK Computer opened my eyes to something I’d never experienced before—or, something that I’d overlooked before, but now fully appreciate. Like Spiritualized, every Radiohead song is a fleshed-out landscape, an experience that lifts you off your feet, even when the lyrics are unbearably heartbreaking. OK Computer is an album that I wish I could listen to for the first time again—it’s an unforgettable, dystopian masterpiece, and it’s proved itself to stand the test of time.

Favorite track: “Paranoid Android”

  1. David Bowie – Hunky Dory (1971)
I guess there’s a slight pattern on here with tan album covers too?

And here it is: my favorite album of all time.

David Bowie has been a constant companion in my life; one of my earliest memories that I can think of is hearing “Kooks” in the car. He’s been another hero of mine for years—again, he came to me in middle school, at a time when I was an outsider and unsure of myself, and stood as a glaring reminder to be myself—no matter what. This album in particular is, in my opinion, a perfect album; there isn’t a single bad song, and each one is a world of its own, spinning lyrical tales that span from the cosmic to the tender and everything in between. It’s an album I always come back to, and one that I’ll always hold close. Some of the other albums lower on the list may change or switch orders over the course of my life, but I doubt I’ll ever come across something quite as stellar as this.

Favorite track(s): Tie between “Quicksand” and “Life On Mars?”

TELL ME WHAT YOU THINK! Have you listened to any of these albums, and if so, did you like them? What are some of your favorite albums? Let me know in the comments!

Today’s song:

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!

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Posted in Music

Daddy’s Home – St. Vincent album review

St. Vincent - Daddy's Home Bronze Vinyl Edition - Vinyl LP - 2021 - EU -  Original | HHV

Happy Wednesday, everyone! I’m ELATED that school’s over. Junior year online was awful, good riddance. I’m eagerly anticipating chucking all my math homework into the recycling.

And here I am with one of these album reviews that I only do once in a blue moon!

Ever since elementary school, St. Vincent has been a personal music hero of mine. From falling in love from tracks off of Actor, Strange Mercy and the self-titled St. Vincent, her music was a sanctuary for me during a time when, more than ever, I felt like an outsider. Her music shaped me, and seeing a confident queer woman quickly becoming the 21st century’s answer to David Bowie (and having her own line of signature guitars!!) was nothing short of empowering.

I lost a little faith in her after how much MASSEDUCTION disappointed me – the music was well-played, for sure, but the direction she went in just didn’t feel natural for her.

But I’m excited to say that I’ve completely forgiven her for MASSEDUCTION. I didn’t think I ever could, but Daddy’s Home is some of her best work to date, drawing inspiration from the early 70’s as she shifts into a darker, Young Americans-esque persona.

So let’s begin, shall we?

(NOTE: I’ll probably leave out reviews for “Humming (Interludes 1-3)” just because they’re only about 30 seconds long each)

St Vincent – Daddy's Home | Album review – The Upcoming

ST. VINCENT – DADDY’S HOME (album review)

TRACK 1: “Pay Your Way in Pain” – 10/10

[JOYOUS SCREAMING]

The first track of the album and the first single released, this song was almost singlehandedly responsible for my regaining faith in St. Vincent. From the opening notes of the piano to Clark hitting the high notes, repeating “I wanna be loved,” this song is perfection, pure and simple. 100% a highlight of the album, but there’s never a dull moment with this one.

TRACK 2: “Down And Out Downtown” – 8/10

GAAAAH. This is just one of those songs where the music makes you feel like all soft and warm and melt-y, but in the best way possible. Clark’s voice truly soars with this one, and the tempo seems perfect for driving with the windows down. The drums are incredible too! What a perfect beat.

TRACK 3: “Daddy’s Home” – 9.5/10

Where can you run

When the outlaw’s inside you?

– St. Vincent, “Daddy’s Home”

VERY NEARLY FLAWLESS. What’s not to love about this song? Some of Clark’s best lyrics, in my opinion, and the most 70’s vibes concentrated into a song since…y’know, a song that’s actually from the 70’s. I’m almost convinced that she’s a time traveller. And I’m not normally very enthusiastic about saxophones, but the ones in this one SOUND SO COOL?? WHAT THE HECK

TRACK 4: “Live In The Dream” – 10/10

Next to “Pay Your Way in Pain,” this is, hands down, my favorite song on the album. It has a very Pink Floyd sensibility about it, like the music of “Us and Them” and the lyrics of “Comfortably Numb” got together, which, as you can probably guess, is appropriately depressing.

IT IS.

It’s hard to listen to, but somehow, I can’t seem to stop listening to it. This feels like what “Young Lover” could have been on MASSEDUCTION – a dark tragedy of near-death and overdoses, drifting in and out of consciousness. It’s harrowing and haunting, but god, it’s beautiful.

TRACK 5: “The Melting of the Sun” – 7/10

To quote somebody in the YouTube comments section: “I don’t remember this Schoolhouse Rock episode…”

Out of the three singles that were released before the whole album, this was my least favorite, but that doesn’t mean I didn’t adore it. (Definitely the best music video of the bunch, though.) It feels a little slower, but it’s no less catchy and immersive, speaking to a lifetime of comparing oneself to others.

TRACK 7: “The Laughing Man” – 7/10 (shhh didn’t skip a track there was just a humming interlude in between)

[quietly] ohhhh ok so these are the lyrics on the sleeves of my hoodie

Next to “Daddy’s Home,” “The Laughing Man” dives headfirst into the 70’s aesthetic, and hits the mark perfectly. Warm, sultry and slow, it feels like slipping in and out of a dream. I can’t put my finger on why I don’t like it quite as much as the others, but it’s lovely nonetheless.

TRACK 8: “Down” – 8/10

Now this was a welcome reward for finishing my AP World exam…

My second favorite of the pre-released singles! Rhythmic and catchy, this is almost as cinematic and raw as “Pay Your Way In Pain.” No doubt that I’ll be playing this one on repeat quite a lot. AND THE GUITAR SOLOS! THE CLASSIC ANNIE CLARK GUITAR SOLO!

TRACK 10: “Somebody Like Me” – 9/10 (shh no worries there was another humming interlude)

Does it make you an angel

Or some kind of freak

To believe enough

In somebody like me?

– St. Vincent, “Somebody Like Me”

For some reason, the combination of the drums and the sample of laughing children at about 0:08 always sticks with me…

Even though the 70’s influence is clear, this feels like it could’ve fit just as well on Actor, Strange Mercy or even something as early as Marry Me. Delving further into haunting self doubt, Clark’s ethereal voice, combined with dreamlike instrumentation, backing vocals, and a steady drumbeat, this song just makes me feel so strangely good inside. I feel myself smiling as I’m listening right now…

TRACK 11: “My Baby Wants A Baby” – 9/10

But I wanna play guitar all day

Make all my meals in microwaves

Only dress up if I get paid

How can it be wrong?

– St. Vincent, “My Baby Wants A Baby”

This has to be one of her most personal songs in recent years; as the song progresses, we not only see her grapple with not wanting children, tenuous relationships, and moving away from self-reliance, but with being remembered only as “a woman in music.” It’s a classic tragedy, the injustice that is having “no legacy/Won’t have no streets named after me…they’ll just look at me and say/’Where’s your baby?'” There’s not a single lyric that doesn’t stand out in this one. LOVE IT.

TRACK 12: “…At The Holiday Party” – 6.5/10

(Did anyone else think that the title was a continuation of “My Baby Wants A Baby” just because of the ellipse at first? Like “My Baby Wants A Baby…At The Holiday Party?” No? Just me?)

Kind of like “The Laughing Man,” I can’t quite put my finger on why I don’t like this one at much, but it just doesn’t feel quite as potent as most of the others. I like the backing vocals and the steady beat, though.

TRACK 13: “Candy Darling” – 9/10

The perfect closing track to the album. Too short, but I guess that could be said about all of the songs on this album…

It feels like a bittersweet goodbye, a final descent into the dreamlike realm that the album consistently slipped in and out of. The musical equivalent of a hug goodbye and a kiss on the forehead.

(shh there’s one more interlude but that’s ok)

St. Vincent Teases New Single 'Pay Your Way In Pain'

I added up my ratings for the 11 tracks I reviewed, and it averaged out to about an 8.5. Which…huh? That can’t be right…

Nah. This isn’t an official review, right? And nobody here cares about how I round things, right? So I’ll just bump it up to a solid 9. It’s only 2021, but I think I already have my favorite album of the decade. All at once haunting, cinematic, and warm, it’s everything that I missed from St. Vincent: fantastic guitar solos, a soaring voice, and dark and clever lyricism. I just wanna give this album a hug.

In conclusion, FIGHT ME, PITCHFORK.

St. Vincent gets a new signature guitar model ahead of new album release

Since there’s a whole album packed in here, consider this entire post today’s song.

That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!

Posted in Uncategorized

2017

Before I get on with this post, I’d like to mention a few things.

  1. Happy Holidays, guys! I hope you all are enjoying your Holiday season!
  2. Oops. Sorry about the absence of the BRT this Tuesday. I had just gotten off the high that was Christmas Day and the thought of doing the book review never crossed my mind. I won’t be able to do a BRT 2-year anniversary post (that would have been tomorrow) nor a first BRT of 2017 for I will be in Florida once again. Sorry, guys.

 

Alright, I take back what I said about 2016 being the best and worst year of my life. It’s now probably just the worst. 2017 was…well…like 2016, but a little less horrible. Like last year, lots of people died, humans did a bunch of terrible things, there’s been a bunch of horrible natural disasters, and one of the best singers of all time came out with an underwhelming fifth album. (Sorry, Annie…) What I’m saying is that it’s been one heck of a ride this year. I’m glad we’ve gotten through it…well, technically, we’ve got a couple more days, but you know what I mean.

But as with 2016, there have been some truly great things that happened this year. We’ve gotten a truckload of fantastic books (Nightfall, Darkness of Dragons, Warcross, Whichwood etc.), movies (The Last Jedi, Wonder Woman, Justice League, and even though I haven’t seen it, I know this one’s going to be awesome, The Shape of Water), albums (Everything Now, Heartworms) and TV shows (Stranger Things 2). Of course, we’ve gotten meh material from all of those categories (Thor Ragnarok, MASSEDUCTION, etc.), but man, as far as some of those things go, we’ve gotten pretty lucky. Pretty lucky to have all of these amazing things, and lucky to be alive in the first place.

And this year has been a big year for me personally as well. I’ve conquered some fears, visited some astounding and eye-opening new places (the Grand Canyon and New York City), honed my drawing skills, and realized my writing potential. Also, meeting Millie Bobby Brown at Denver Comic Con was most definitely a highlight. She was such a nice person. It was such an honor to meet her. If you’re reading this, Millie, thank you so much. 

Now, 2018 is just around the bend. I’ve got hopes that we’ll further rise from the ashes of years previously, strive to be brave, strong, and kind. We can try and make the world a bit of a better place. Also, we can try and hold in our excitement for Avengers: Infinity War until May. OH MY GOD, THAT TRAILER LOOKED AWESOME!

 

Let’s make 2018 a great year, everyone. Together. *holds out lightsaber for no apparent reason*

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Posted in Music

MASSEDUCTION (St. Vincent) Album Review

PLOT TWIST! This is NOT a book review!

tenor.gif

*BOOM*

Yep.

 

As I’ve told you on various occasions, St. Vincent has been my favorite singer for a while. And I’ve been waiting for new material from her for 3 years. And finally, last Friday, MASSEDUCTION was finally released! But, after listening to the album, my feelings were a bit mixed.

Just a note beforehand, I’m going to use the same method I use for rating books (1-WORST SONG EVER, 5-okay, I guess, 10-OMGOMGOMGOMG LOVE) Also, I’m not going to review “New York” because I already talked about it a bit in a previous post. So yeah, here goes!

 

TRACK 1: “Hang On Me” RATING: 7/10

A nice balance of melancholy and hope, a little reminiscent of St. Vincent’s earlier work. Kind of poignant and endearing in a way. Not her best, but certainly not her worst. A lot better than some of her other stuff on this album…(prepare for more saltiness later in the review…)

 

TRACK 2: “Pills” RATING: 8/10

When I first heard about this song, my mom told me that she had read an article that said that Cara Delevigne* was going to sing a little bit in this song. I basically wanted to puke in my mouth, and thus, my expectations were pretty low for this song. But as you can assume from my rating, this is actually one of my favorite songs on the album! Very catchy. My favorite part is the ending, which sounds like a cross between something off her last album (St. Vincent), and something off David Bowie’s Blackstar. 

 

TRACK 3: “Masseduction” RATING: 4/10

This is really where it started going downhill.

Ugh. The guitar is kinda cool for a few brief seconds, but that’s pretty much all I like. Verging onto the horrendous, modern pop territory. It is just not St. Vincent. Nope. Nope. Nope.

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TRACK 4: “Sugarboy” RATING: 3/10

BLEARGH. This is literally the worst song on the entire  MASSEDUCTION album. I swear, if you took out all of the vocals, it would probably fit right in as the soundtrack to a MarioKart game or something and nobody would notice that it’s St. Vincent.

But I did notice that at one point, they snuck and sped up the baseline for “Los Ageless” in there. That was kinda funny.

I-See-What-You-Did-There-gif.gif

 

TRACK 5: “Los Ageless” RATING: 8/10

Luuuuuurve! Now THIS is more like her old stuff! The chorus is a little annoying and modern-pop-y, but still a wonderful song. Plus, there’s a crazy video to go with it. I liked it even better than the one for “New York”.

PLEASE DON’T EAT THAT ANEMONE THING, ANNIE…

 

TRACK 6: “Happy Birthday, Johnny” RATING: 6.5/10

This is where this album starts to get really depressing.

I’d say that it’s “short and sweet”, but it’s more like “short and makes me want to cry a little”. It makes me want to give Annie Clark a little hug. *lip quivers slightly”

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TRACK 7: “Savior” RATING: 4.5/10

Meh. It’s not as pop-y as “Masseduction” and “Sugarboy”, but still kind of fits that general pop mold. It just doesn’t really grab me, and eventually kind of melts into background noise. Tolerable, but not great.

 

TRACK 9: “Fear the Future” RATING: 7.5/10

YASS! Finally some relief after that bout of depression and pop! Like I said with “Hang On Me” earlier, it’s not her best, but it’s GREAT. The guitar is super cool. This sounds like something that would be really fun to see live.

 

TRACK 10: “Young Lover” RATING: 7/10

This song seems to be wearing an odd mask. The rhythm is happy and upbeat, but the lyrics are really sad. Wonderful, wonderful, wonderful song, though. I’d probably give it a higher rating, but I hate the ending when St. Vincent’s voice goes up to a ridiculously high octave, bringing to mind the scene in Harry Potter and the Chamber of Secrets when the Fat Lady is trying to sing opera and smashes the wine glass against the wall.

 

TRACK 11/12: “Dancing With a Ghost” and “Slow Disco” RATING: 4.5/10

“Dancing With A Ghost” is kind of cool, but doesn’t really have much substance. I’m not saying that because it’s instrumental, but there’s just not much to it. Now, “Slow Disco” is sad, but like “Savior”, it just doesn’t seem to grab me at all. Also, the probably-male-but-sort-of-androgynous voice at the end annoys the heck out of me.

 

TRACK 13: “Smoking Section” RATING: 7.5/10

OH.

MY.

GOD.

MY HEART.

Every time I hear this song, my heart feels as though somebody chucked it off the top of the Empire State Building, and then it splattered on the road. And then got run over by a car. No scratch that, a truck. Wait, no…a steam roller. Yeah. That’s more accurate. What I’m saying is that if you ever find me sobbing in the corner with headphones on, it’s because I’ve listened to this song too many times. It’s beautiful and cinematic, but MY GOD, THIS IS THE MOST DEPRESSING SONG I’VE HEARD IN MY ENTIRE LIFE. If “Happy Birthday, Johnny” made me want to give Annie Clark a hug, this one makes me want to give her a near-strangulation level bear hug.

 

 

Alright, I’ve averaged out the ratings for this album (I added “New York”, an 8), and the final number turned out to be about a 6. Sigh…

I waited three years, THREE YEARS, and I must say, I’m rather underwhelmed. Not St. Vincent’s best work. I don’t mean to say that there’s nothing good about this album. It’s just disappointing. Sigh…

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So anyway, I hope you enjoyed my semi-salty album review. I promise, there’s an actual BOOK review coming tomorrow. So, bye for now!

 

 

 

 

 

 

 

*GOD, I HATE THAT WOMAN…