As some of you may know, April is Autism Acceptance Month here in the U.S.! I don’t think I’ve highlighted a book list for the occasion, but in my ongoing quest for disability rep in general, I’ve come across many great books with Autistic protagonists and stories. If you’re looking to diversify your reading, it’s always important to uplift every kind of marginalized voice, and disability rep in general often gets left in the dust. So I’ve compiled a list of books by Autistic (with one exception—the author is still neurodivergent, just not Autistic) for this month.
NOTE: some of the older books on this list may still use the term Asperger’s, but in recent years, the term has since been renamed to Autism Spectrum Disorder (ASD) in the DSM-5, in part because of its association with Hans Asperger, who was involved with Nazism. Some people still use the term, but it is still important to acknowledge the history behind the term.
Enjoy these book recs!
THE BOOKISH MUTANT’S BOOKS FOR AUTISM ACCEPTANCE MONTH
On the Edge of Gone – Corinne Duyvis: (YA, Sci-fi) a harrowing, dystopian vision of the world moments after a comet’s blast changes a girl’s life forever. | ⭐️⭐️⭐️.5
Queens of Geek – Jen Wilde: (YA, Fiction) a fun love letter to comic cons, fandom, and geek culture! | ⭐️⭐️⭐️⭐️
An Unkindness of Ghosts – Rivers Solomon: (Adult, Sci-fi) the raw, unforgettable story of a colony ship structured like the Antebellum South, and one woman’s quest to change things for the better. | ⭐️⭐️⭐️⭐️
Afrotistic – Kala Allen Omeiza:(YA, Fiction) I love that this novel centers a young Black Autistic girl—it’s so refreshing to see disability rep that isn’t just white!
Peta Lyre’s Rating Normal – Anna Whateley: (YA, Fiction) I’m a woman of simple tastes. I see queer and neurodivergent rep, and I click “want to read” without a second thought.
Ellen Outside the Lines – A.J. Sass:(MG, Fiction) I don’t read much MG these days, but I’m excited about the queer and Autistic rep in this one!
Social Queue – Kay Kerr:(YA, Fiction) I just started reading this one—I’m excited to see how it explores autism and dating!
TELL ME WHAT YOU THINK! Have you read any of these books, and if so, did you like them? What are your favorite books with Autistic rep? Let me know in the comments!
Today’s song:
That’s it for this list of recommendations! Have a wonderful rest of your day, and take care of yourselves!
I was in a fantasy mood recently, so I decided to pick up The Spear Cuts Through Water after hearing some rave reviews from other bloggers. The gorgeous cover only added to the sell. But in the end, this novel ended up being a major disappointment—a murky, 500+ page slog that was only enjoyable for fleeting moments. I really need to stop setting myself up for disappointment with all these overly long high fantasy books…
The Emperor of the Moon Throne has terrorized the land of the Strangled Throat for centuries, aided by his three reckless sons, aptly dubbed The Terrors. But like everything else that he has seized, the Emperor’s power comes from an age-old moon god who has been locked under the palace against her will. But a god is not meant to be kept in captivity.
So she escapes. Aided by Jun, a disgraced palace guard, and Keema, a warrior from a distant, mysterious land, she sets off on a journey to find her freedom. But the Moon Throne will not let go of her so easily…
TW/CW: ableism, cannibalism, child abuse, murder, body horror, substance abuse, mentions of sexual assault (off-page), torture, loss of loved ones
This is one of those instances where I feel like I’ve read a completely different book than all of the 5-star reviewers. I really wanted to like it—and there were a few things that I did like—but ultimately, it felt like a 20-minute prog-rock song in book form: well-written, but so unneccesarily convoluted and full of itself that it became insufferable.
Before I go on my tirade, I will acknowledge that there were some wonderful, very bold and skilled parts of this novel. Jimenez’s writing had moments of being both beautiful and insightful—there were a few anchors to pull me through the slog, and his prose had moments of being incredible. 2nd person is always a bold choice, but unlike other aspects of this novel, it was executed very well, succeeding at being both immersive and fresh without feeling like it was bold just for the sake of being so.
“Bold” is generally I word that I could ascribe to most of this book. A lot of it was written in a fresh, nontraditional way, and I appreciated its execution in some sections. But a lot of it just felt like showing off—having unconventional chapter breaks and an infuriating structure just for Jimenez to show that he was capable of doing so. Most of these ended up being to the novel’s detriment. The random “chapter” breaks (there really weren’t any chapters in this book?), which mostly just ended up being sized-up font that was, essentially, what should have just the first sentence of the paragraph. And since they were all just first sentences of the paragraph, there were 2-3 of these breaks per page. POVs got switched without warning and without explanation, making the reading experience overcomplicated where it could’ve been an easy fix. It just felt like it was biting itself in the foot in the name of art—it could have been a beautiful story, if it wasn’t so intent on showing off how “different” it was.
As a result, so much of this novel got lost. Even though I was fairly lost trying to discern whose POV is it this time, I did notice one thing while reading The Spear Cuts Through Water—where’d the worldbuilding go? Other than the vague notion of a fantasy world (gods and goddesses, some talking animals/spirits, etc.), I had no idea of the layout of the world, the regions of the world, any kind of cultural cues or conventions, any kind of magic system…it just wasn’t there. At all. The same goes for the characters—they were all but cardboard, moved around like pawns for seemingly no reason. (I get that they were under oath by the Moon God, but the point still stands. They didn’t need to be that stiff.) Other than the reveal about Keema, nothing compelled me about either of them, or any of the other passing side characters. This novel was just so intent on chasing itself in circles that it forgot the essential elements that a novel needs.
All in all, a fantasy with great potential, but that ended up losing itself under layers of attempts to be daring and new. 2 stars.
The Spear Cuts Through Water is a standalone, but Simon Jimenez is also the author of The Vanished Birds.
As some of you may know, last week (March 20-27) was when the #TransRightsReadathon was hosted in response to a dangerous increase in anti-trans legislation across the U.S. Created by Simi Kern, the goal of the readathon was to give the spotlight to as many trans books and authors as possible to bring them awareness and support in light of the rampant transphobia across the country and beyond. It’s been frightening and heartbreaking to see what’s happening in other states, and I want to support my trans siblings in any way possible. So I’ve decided to include shorter reviews of all of the trans books I read this week—all of which were good!
For as long as they can remember, Aaron and Oliver have only ever had each other. In a small town with few queer teenagers, let alone young trans men, they’ve shared milestones like coming out as trans, buying the right binders–and falling for each other.
But just as their relationship has started to blossom, Aaron moves away. Feeling adrift, separated from the one person who understands them, they seek solace in digging deep into the annals of America’s past. When they discover the story of two Revolutionary War soldiers who they believe to have been trans man in love, they’re inspired to pay tribute to these soldiers by adopting their names–Aaron and Oliver. As they learn, they delve further into unwritten queer stories, and they discover the transformative power of reclaiming one’s place in history.
TW/CW: transphobia, dysphoria, misgendering/deadnaming, homophobia, off-page sexual assault, religious bigotry
Novels in verse always get me when they’re done well, and A Million Quiet Revolutions was no exception. The story of Aaron and Oliver is one that was essential to be told, and it resulted in a beautifully poignant piece of verse!
The growing relationship between Oliver and Aaron felt so genuine, and the combination of pseudo-epistolary format (oh god, that sounded pretentious…) with verse emphasized the way that their relationship transcended barriers of both place and time. The interweaving of the past with the present gave me an insight into a queer part of history that I’m almost embarrassed that I didn’t consider until reading this—better late than never, I suppose. Their voices both leapt off the page, and the easy flow of Gow’s verse made the reading experience feel effortless, drifting like wind—good poetry, to me, doesn’t quite feel like poetry; the rhythm remains, but it doesn’t feel like going line by line in such a rote way.
Above all, the message of this novel in verse is one that’s so important, especially in a time where the narrative of LGBTQ+ people being trendy and new is being pushed so often—queer people have always been here, and we will always be here. Aaron and Oliver’s journey of researching their trans namesakes—cross-dressing soldiers in the Revolutionary War—was one that’s so necessary for understanding our own roots. The key to belonging is realizing that you have always been a part of history, no matter how many pains historians have taken to ignore or deliberately erase the queerness and transness that has always been there. For me, that’s why A Million Quiet Revolutions is such an important read.
Brimming with history and rich verse, A Million Quiet Revolutions is an ode to discovering your own roots, and finding solace in hidden histories. 4 stars!
In this queer contemporary YA mystery, a nonbinary teen with autism realizes they must not only solve a 30-year-old mystery but also face the demons lurking in their past in order to live a satisfying life.
Sam Sylvester’s not overly optimistic about their recent move to the small town of Astoria, Oregon after a traumatic experience in their last home in the rural Midwest.
Yet Sam’s life seems to be on the upswing after meeting several new friends and a potential love interest in Shep, the pretty neighbor. However, Sam can’t seem to let go of what might have been, and is drawn to investigate the death of a teenage boy in 1980s Astoria. Sam’s convinced he was murdered–especially since Sam’s investigation seems to resurrect some ghosts in the town.
Threatening notes and figures hidden in shadows begin to disrupt Sam’s life. Yet Sam continues to search for the truth. When Sam discovers that they may be closer to a killer than previously known, Sam has a difficult decision to make. Would they risk their new life for a half-lived one?
My ultimate hope was that this book would be as well-crafted as its cover, and for the most part, it lived up to my expectations! The Many Half-Lived Lives of Sam Sylvester deftly toes the line between a coming-of-age story and a decades-old mystery, buoyed by a diverse and lovable cast.
Sam Sylvester has a batch some of the most diverse representation I’ve seen in a realistic fiction/mystery novel in a while—aside from having a nonbinary, asexual, and Autistic protagonist (more neurodivergent protagonists, please!!), there were so many different characters that were incredibly intersectional—queer, POC, and disabled characters all across the board, and not just the teen characters too! All of these identities were woven so well into the story, and I loved the journey of self-acceptance and reckoning that Sam experiences throughout the novel as they unravel the mystery of the boy who died in their room 30 years ago.
That being said, although I liked most every aspect of this novel, this really feels like a novel that’s going to date itself. I enjoyed a handful of the references (always extra points for David Bowie), but a lot of the more recent ones—the references to Tumblr, Gen Z slang, internet culture, and a Steven Universe gag every other page, read as very hackneyed and stilted. As authentic as the rest of Sam Sylvester was, those parts dragged down what would have otherwise been powerful and realistic dialogue. Most of the writing did its job and did it well, but the attempt to ground it in the present day only ended up making a novel that’s going to date itself far quicker than it was probably intended to.
Despite that, I’d say that Sam Sylvester is still a must-read—for the excellent representation, for the mystery, and for the coming-of-age story. 3.75 stars, rounded up to 4!
The author of the “vivid and urgent…important and timely” (The New York Times BookReview) debut The Map of Salt and Stars returns with this remarkably moving and lyrical novel following three generations of Syrian Americans who are linked by a mysterious species of bird and the truths they carry close to their hearts.
Five years after a suspicious fire killed his ornithologist mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother’s ghost has begun to visit him each evening. As his grandmother’s sole caretaker, he spends his days cooped up in their apartment, avoiding his neighborhood masjid, his estranged sister, and even his best friend (who also happens to be his longtime crush). The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria.
One night, he enters the abandoned community house and finds the tattered journal of a Syrian American artist named Laila Z, who dedicated her career to painting the birds of North America. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that both his mother and Laila Z encountered the same rare bird before their deaths. In fact, Laila Z’s past is intimately tied to his mother’s—and his grandmother’s—in ways he never could have expected. Even more surprising, Laila Z’s story reveals the histories of queer and transgender people within his own community that he never knew. Realizing that he isn’t and has never been alone, he has the courage to officially claim a new name: Nadir, an Arabic name meaning rare.
As unprecedented numbers of birds are mysteriously drawn to the New York City skies, Nadir enlists the help of his family and friends to unravel what happened to Laila Z and the rare bird his mother died trying to save. Following his mother’s ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along.
TW/CW: transphobia, xenophobia, racism, Islamophobia, miscarriage, grief, sexual assault, animal death, loss of a parent
I didn’t go into The Thirty Names of Night with any expectations, but I was stunned by the writing! This novel is one of the best magical realism novels I’ve read in recent years, with writing as rich as a tapestry and a story that’s just as well-woven.
Joukhadar’s writing style was the star of Thirty Names; this is the first of his novels that I’ve read, but he has such a unique talent for finding unlikely comparisons and weaving them into the richest, most obvious but out-of-sight metaphors imaginable. I would never have compared the gray sky on a foggy day to the color of a kitchen knife, and somehow, it was right in front of me. His talent for metaphor suited the emotional depth of this story, as well as the almost fantastical element of the birds in New York—I will never claim to be the expert on him, but if there was any story that was suited for Joukhadar to tell, it’s this one.
That writing also made the emotional core of this story possible. There’s so much to Thirty Names: gender identity, grief, heritage, family, and the body itself, but all of it was handled with such grace and aplomb that made the story feel really, truly real. I might’ve even passed the aspect of the birds by as something that could feasibly happen with how this story was written. Every part of this novel is deeply moving, raw and beautiful, and the prose flows as smoothly as air over a bird’s wings.
All in all, a beautiful, literary tale of connections—to family, to gender, and to the world around us at large. 4.25 stars!
“If you control our sleep, then you can own our dreams…And from there, it’s easy to control our entire lives.”
From the brilliant mind of Charlie Jane Anders (“A master absurdist”—New York Times; “Virtuoso”—NPR) comes a new novel of Kafkaesque futurism. Set on a planet that has fully definitive, never-changing zones of day and night, with ensuing extreme climates of endless, frigid darkness and blinding, relentless light, humankind has somehow continued apace—though the perils outside the built cities are rife with danger as much as the streets below.
But in a world where time means only what the ruling government proclaims, and the levels of light available are artificially imposed to great consequence, lost souls and disappeared bodies are shadow-bound and savage, and as common as grains of sand. And one such pariah, sacrificed to the night, but borne up by time and a mysterious bond with an enigmatic beast, will rise to take on the entire planet–before it can crumble beneath the weight of human existence.
TW/CW: animal attack/animal death, police brutality, body horror
Alright, so the only explicitly stated Latinx characters, specifically of Mexican ancestry, are named…Carlos and Maria? So most everybody else gets semi-unique names, but not them? It’s like Cho Chang all over again…[LOUD INCORRECT BUZZER}
If I hadn’t read Victories Greater Than Death beforehand, I would’ve been more suspicious, but it seems like Anders has gotten a lot better with diversity on that front, but…still iffy. Just saying.
That aside, The City in the Middle of the Night was one of the more inventive dystopias that I’ve read recently, but it fell victim to very convoluted writing. It’s obvious from every page that Anders put so, so much work into creating a fleshed-out world with an equally fleshed-out history—that was a riotous success on her part. The premise of society being divided by a tidally-locked planet felt eerily feasible, and I absolutely ADORED all of the alien life forms on the night side of January—the Gelet were obviously my favorites, but I would’ve liked to have seen more creatures. ALWAYS MORE CREATURES.
However, Anders’ writing choices ended up making parts of The City in the Middle of the Night something of a struggle. The story itself ended up being rather convoluted and tangled, and I found myself getting lost and confused about wait, which side of the planet are we on again? Why are we here in the first place? The additions of a boatload of characters that ended up having very little consequence to the plot at large didn’t help either. This story had the potential to be incredible, but it ended up getting so lost in itself that it became an ordeal to figure out where I was.
All in all, an inventively-conceived dystopia that excelled in worldbuilding but floundered in its writing. 3.25 stars.
Tell me what you think! Did you participate in the #TransRightsReadathon, and if so, what books did you read? What do you think of these books?Let me know in the comments!
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I’m always up for diverse anthologies, and the fact that this one focused on both sci-fi/fantasy stories and geek/nerd culture from a Black lens was an instant sell for me! There were a few authors that I was familiar with and liked in here—Jordan Ifueko, Roseanne A. Brown, and Leah Johnson, to name a few—so that helped its case too. But as with any anthology, there were hits and misses, but there were still a fair amount of gems within Cool. Awkward. Black.
A multi-genre YA anthology of bestselling, critically acclaimed Black authors challenging the concept of the geek, featuring contributions from Amerie, Kalynn Bayron, Terry J. Benton-Walker, Roseanne A. Brown, Elise Bryant, Tracy Deonn, Desiree S. Evans, Isaac Fitzsimons, Lamar Giles, Jordan Ifueko, Leah Johnson, Amanda Joy, Kwame Mbalia, Tochi Onyebuchi, Shari B. Pennant, K. Arsenault Rivera, Julian Winters, and Ibi Zoboi.
A girl who believes in UFOs; a boy who might have finally found his Prince Charming; a hopeful performer who dreams of being cast in her school’s production of The Sound of Music; a misunderstood magician of sorts with a power she doesn’t quite understand.
These plotlines and many more compose the eclectic stories found within the pages of this dynamic, exciting, and expansive collection featuring exclusively Black characters. From contemporary to historical, fantasy to sci-fi, magical to realistic, and with contributions from a powerhouse list of self-proclaimed geeks and bestselling, award-winning authors, this life-affirming anthology celebrates and redefines the many facets of Blackness and geekiness–both in the real world and those imagined.
TW/CW: racism, misogyny, religion-based bigotry
Cool. Awkward. Black. was hit or miss as a whole, but above all, there were a few fantastic stories in the bunch, and I loved the spotlight on Black sci/fi fantasy, as well as geek culture. With all Black protagonists, many of which are queer and/or disabled, it’s a breath of fresh air, even if not every story was a hit for me.
Since this is an anthology, I’ll do shorter reviews of each story in chronological order.
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“Our Joy, Our Power” – Julian Winters (⭐️⭐️⭐️.5)
I was expecting to not be a fan of this one after not being a fan of Running With Lions, but this was a surprisingly sweet story! With a tender, queer romance at a comic con and some great commentary on the racism within cosplay culture, this was a great start to the anthology. I’m not sure if it’s enough for me to give Winters’ novels another chance, but I certainly enjoyed it.
“The Book Club” – Shari B. Pennant (⭐️⭐️.5)
I felt obligated to like this one as a former book club president, but this one was a letdown. The concept of this one was interesting enough—a girl finds a book that seems to speak to her when she picks it up, and is then invited to a secret society of magic wielders in the guise of a book club—but the prose veered onto the cheesy side more often than not. I wish we’d gotten a little bit more context around the Society (and…okay, maybe the name was vague on purpose, but I would’ve liked a name more interesting than just “The Society”) and more of what their magic entailed other than the Evil Magician™️ that Must Be Defeated.
“Nina Evans, In the Round” – Kalynn Bayron (⭐️⭐️⭐️⭐️)
This one was an unexpected highlight of the anthology! Again, my expectations were rather low after how much of a sore disappointment Cinderella is Dead was for me, but I loved this story of a Black girl determined to get the role of Maria in her high school’s production of The Sound of Music. Her story of determination was a powerful and timely one, and I loved the poignant themes of Nina breaking the mold and never surrendering.
“Earth is Ghetto” – Ibi Zoboi (⭐️⭐️⭐️⭐️)
Even without the fantastic title, “Earth is Ghetto” is undoubtedly one of the best stories in this anthology! It follows Ingrid, a Haitian immigrant, who witnesses First Contact, and upon speaking to the aliens and wishing to go to their planet, realizes that they harbor many of the same prejudices as humans back on Earth. It’s witty, it’s timely, and it’s unflinchingly questioning of the norms upon which both we and the aliens built our societies. I loved the hopeful ending as well; it’s hard to get this kind of ultimatum that Ingrid has to make across in such a short story, but Zoboi managed to do all that and subvert the usual tropes and endings that go along with it. Great stuff.
“Initiative Check” – K. Arsenault Rivera (⭐️⭐️⭐️)
This was the first time I’d ever heard of K. Arsenault Rivera, and this was a decent story, I’d say. The whole story comprises a group of friends and their Dungeons and Dragons campaign, and although I wasn’t as big of a fan of the campaign aspect of it, I loved the subtle, tender chemistry that Rivera created between her larger cast of characters. A nice, sweet story, but nothing that changed my life.
“Corner Booth” – Leah Johnson (⭐️⭐️⭐️⭐️)
Following in the footsteps of Johnson’s solid rom-coms, “Corner Booth” was the story of two teens meeting after competing with each other for years over a competitive, Scrabble-like spelling app. I loved the definitions scattered throughout, showing Rose’s knack for strategy and etymology, and I loved the buildup of the enemies/rivals-to-lovers romance blossoming between her and Wes. It’s an adorable addition to the anthology, and a standout without a doubt.
“Betty’s Best Craft” – Elise Bryant (⭐️⭐️⭐️.5)
Elise Bryant perfectly captures the chaos of a high school group project, but I find myself wishing that mine had the romance of this story. Another sweet enemies-to-friends/lovers, Bryant wonderfully weaves in the grudge that Betty’s had against Jhamir for years, and takes that buildup into a blossoming friendship—or maybe something more—on a final project for an African American History class. I’ve only read Bryant’s Happily Ever Afters, but “Betty’s Best Craft” felt the same way—a light, sweet, and artsy romance of second chances.
“The Panel Shows the Girl” – Amanda Joy (⭐️⭐️.5)
I really wanted to like this one, and there was one aspect that I really did like—the discussion around disability and accommodations. Amaya’s struggles with trying to get accommodations for her ADHD was one that I knew all too well, and I’m glad to see that perspective represented. That being said, the rest of the story felt clunky to me; the twist about the drawings coming to life felt shoehorned in and poorly executed, and most of the dialogue felt stilted and corny as well. Shame…
“Spirit-Filled” – Jordan Ifueko (⭐️⭐️⭐️⭐️)
I expected nothing less from the author of Raybearer, and “Spirit-Filled” delivered! I loved the discussions around Romilly questioning her faith and the role of women, as well as the suspense built by Romilly’s secret library book locked in the supply closet of her church. Like many of the other short stories in this story, I love how unapologetic it is about questioning authority and systems, and Romilly was a great vehicle for exploring misogyny in some parts of organized religion. Plus, the youth pastor character was appropriately cringey, so that was pretty funny.
“Cole’s Cruise Blues” – Isaac Fitzsimmons (⭐️⭐️⭐️.5)
Although I wasn’t as much of a fan of the writing in this one, it had a wonderful emotional core, and I loved that it featured a trans protagonist! Also, I definitely felt for poor Hailey…man, I feel that 10 year old feel of botching something in front of an audience 😭 I JUST WANNA GIVE THE POOR KID A HUG
“High Strangeness” – Desiree S. Evans (⭐️⭐️⭐️⭐️)
More than ever, this story made me yearn for the experience of stargazing in the middle of nowhere with a goth girlfriend…is that too much to ask?
…please?
“Catalyst Rising” – Tracy Deonn (⭐️⭐️.5)
Unlike some of the other stories, I went into this story with low expectations, and the low expectations were…met. I wasn’t as blown away by Legendborn as everybody else seemed to be, and this story was more of the same. It felt like a very cliched setup for a fantasy chosen one in the real world, and although I liked the inclusion of Petra’s anxiety, the story as a whole just felt so overdone and exaggerated.
“Requiem of Souls” – Terry J. Benton-Walker (⭐️⭐️⭐️.5)
I LOVED the concept of this one, especially the trio of unique ghosts that follow Rocko around, and Rocko using them to get back at those who have wronged him. The musical aspect was a lot of fun as well, and it added some very Tim Burton-like, campy fun to this story. Plus, although being Gen Z has given me a permanent Minecraft association to the word “creeper,” I loved this story’s monstrous Creeper as well.
“Honor Code” – Kwame Mbalia (⭐️⭐️)
The dialogue felt very stilted for me on this one, and beyond that, it felt more like a comprehensive guide to LARPing and not an actual story. If “Honor Code” leaned more on the present day and not so heavily on the multiple flashbacks, it would’ve held so much more water. This one might be my least favorite story in the collection.
“Drive Time” – Lamar Giles (⭐️⭐️⭐️)
Although it wasn’t the most well-written of the collection, I loved the multiple POVs and the nonstop action of “Drive Time.” The writing was more than a little cheesy, but unlike some of the other stories, it felt cheesy for the right reasons—this story is essentially if a botched driver’s test turned into something like Fast & Furious, after all. I appreciate the art of well-placed cheese.
“Wolf Tracks” – Roseanne A. Brown (⭐️⭐️⭐️⭐️)
Nothing beats werewolves tearing a racist troll to shreds (literally, in this sense), does it? I was super excited to read Brown’s addition to the story, and she delivers every bit of it with humor, heart, and grounding emotion that balances levity with more grounded themes.
“The Hero’s Journey” – Tochi Onyebuchi (⭐️⭐️⭐️.5)
I wasn’t expecting to like this one as much after how disappointing Beasts Made of Night was, but “The Hero’s Journey” perfectly captured writer’s block in a way that I’ve never seen in a short story—or any novel that I can think of. I didn’t expect to be called out with the [INSERT CHARACTER NAME IN BRACKETS], but here we are. Happens to the best of us.
“Abyss” – Amerie (⭐️⭐️⭐️⭐️)
I was super impressed by Amerie’s short story in A Phoenix Must First Burn, and her story here was a perfect sendoff for Cool. Awkward. Black. Her character work and descriptions are once again fantastic, and for once, she can make a lack of quotation marks in dialogue an understandable stylistic choice that still makes the story flow. The latter is something that usually gets on my nerves, but Amerie used it greatly to her advantage in “Abyss.”
I averaged out my ratings for each story, and they came out to about a 3.5! I’d say that’s accurate—it was a mixed bag, but there were unexpected gems from both authors that I love and authors that I didn’t like as much previously. Not every one shone, but there were enough fantastic ones in there to make this a wonderful experience. And my ratings aside, I loved the diversity of both the characters and the genres of each story—it’s a very unique collection. 3.5 stars!
Cool. Awkward. Black. is an anthology, and if you click this Goodreads link, you can see all of the previous works of the many authors featured in this collection.
Today’s song:
GAH this has been stuck in my head for a week straight it’s so good
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I’ve been a fan of A.R. Capetta ever since I read the Once & Future duology, and when I was looking for a sweet rom-com to read the other day, the opportunity presented itself in this book. I’m glad to say that this is proof that Capetta almost never misses—a tender and sweet (no pun. intended) celebration of queerness and baking!
Syd loves nothing more than baking—especially when it’s at the Proud Muffin, the queer-run bakery at the center of Austin’s queer community. After a nasty breakup, Syd deals with it in signature Syd fashion—by baking all the frustrations and bad feelings out into a batch of brownies. But when Syd’s frustrations works its way into the brownies and causes everyone that eats them to have relationship troubles, Syd has to fix the issue how it began—with baking. Throw in the cute delivery-person, and Syd has to avoid a recipe for disaster…
TW/CW: gender dysphoria
this book: has several jokes about the fact that it’s still possible to have a bad hair day even when you’ve shaved your head
me, having just shaved my head: [chuckles] “I’m in danger!”
I came into The Heartbreak Bakery just for a queer romance to tide me over, and I can now say with certainty that A.R. Capetta never misses! This piece of magical realism is a love letter to queer communities and spaces, and it made my heart so happy.
First off, this is easily one of the most diverse rom-coms that I’ve ever read! Syd is the first main character that I’ve read that’s agender, and the main relationship is between Syd and Harley, another nonbinary character! I think the entire cast is queer—a gay couple owns the Proud Muffin, there’s a polyamorous couple on the side, and there are queer characters of all identities as side characters, and many of them are POC as well! Capetta never shies away from unapologetic queerness, but it particularly shone in The Heartbreak Bakery.
The magical realism aspect was also fantastic, and it also culminated into a theme that I thought was incredibly important. I liked the ambiguity of where it came from, but the concept of putting tangible feelings into baking that have a visible ripple effect had me on board instantly. It served to show a great theme: the feelings that you put into anything, be it a project, a relationship, or a batch of brownies, is what you’re going to get out of it. If you pour all of your negativity into something, that’s exactly what’s going to come out of it. The Heartbreak Bakery takes the concept very literally—brownies that make couples break up, cakes that make you apologize, et cetera—but it was a great theme to explore. I do feel like some of the problems being almost immediately solved by the “apology cake” were a tad bit too easy for Syd to maneuver, but I’m glad Capetta made it more complicated—having Marisol eat the cake by accident, for example. (I wish I had a physical copy of the book on hand—some of those recipes looked good!)
My only major qualm with The Heartbreak Bakery was the pacing. I’m all for slower, gentler books, but it felt like the main points of conflict were unevenly spaced. For instance, the final climax of the bake-off felt far too rushed for me; given how much hinged on the outcome, it should’ve gotten a lot more page time than it did. Some of the interim scenes between the main points of conflict should’ve been shortened in favor of the more important, plot/character building scenes. It was a great novel to start with, but I could’ve done with a little tweaking with the pacing and the importance placed on certain scenes.
All in all, an incredibly sweet (no pun intended) magical-realism romance that reads as an ode to baking, queerness, community, and love itself. 3.75 stars, rounded up to 4!
The Heartbreak Bakery is a standalone, but A.R. Capetta is also the author of The Lost Coast, the Once & Future duology (co-authored with Cory McCarthy), Echo After Echo, and several other books.
Today’s song:
man I have so many memories of hearing this song when I was a kid
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
My first review of the year also happens to be the first book that I finished this year! I hadn’t heard anything about it before I came upon it while browsing the YA graphic novel section of Barnes & Noble. I’m always all in for queer sci-fi, and that, combined with the art style, was enough to convince me to buy it. I’m so glad to say that it was a wonderful graphic novel, full of heart, bright colors, and queerness aplenty.
Lu and Fassen have been friends since childhood, after a chance meeting when Fassen’s spaceship crashed onto Lu’s peaceful planet. Though they came from entirely different backgrounds, they kept in contact even as Fassen was forced back into their duty as a soldier. But when the tyrannical Ever-Blossoming Empire begins a siege on Fassen’s resistance front and endangers Lu’s planet, the two are reunited. Together for the first time in years, they must set aside their differences to escape the Empire’s clutches—and discover truths about each other.
TW/CW: sci-fi violence, depictions of injuries/blood, war themes, vehicle crash, loss of loved ones (off-page)
Across a Field of Starlight was the perfect book to start my year off with! With its beautiful art, tender story, and unapologetic queerness all the way through, this is a graphic novel that you won’t want to miss.
I’d be remiss if I didn’t acknowledge how wonderfully diverse Across a Field of Starlight is. I don’t think I’ve read anything—graphic novel or otherwise—quite this diverse in such a long time! Both of the protagonists are nonbinary and POC, Lu is plus-sized, and there is an array of POC and trans characters all throughout the story. I especially loved that Delliquanti didn’t shy away from giving their cast of characters a variety of different body types, and it made their world and story all the more rich.
Delliquanti’s art style made Across a Field of Starlight shine as well. Although the book gets into some dark themes—war, colonization, etc.—the colors are vibrant all the way through, giving it a very fantastical feel. It especially suited Lu’s more peaceful, utopian planet and its welcoming nature, as well as Lu’s caring personality. Delliquanti’s depiction of outer space has a beautiful vibrance to it, making for an incredibly inviting story.
art by Blue Delliquantiart by Blue Delliquanti
The perspectives that Delliquanti chose gave the story a more compelling angle as well. Instead of most sci-fi/fantasy war stories, Across a Field of Starlight focuses on the Firebreak resistance front and a party completely outside the main conflict; most media (Star Wars comes to mind) focuses just on the tyrannical empire and the rebellion, but I liked that they largely left the Ever-Blossoming Empire as more of a looming threat. It also made the point that even though Firebreak was fighting to free the galaxy of colonization, they weren’t all pure and good either, and although the aim was good, the motives for some of the authority figures may have been less so. Never meet your heroes, kids.
That being said, I would’ve liked more context for the intergalactic conflict that this novel sets up. I did like that we were thrown right into the action, but I would’ve liked more historical context on how the Ever-Blossoming Empire and the Firebreak came to be, how long they’ve been at war, and the consequences for the rest of the galaxy. Across a Field of Starlight is great on its own, but with a world as expansive as the one Delliquanti has created, it’s begging for a few sequels or spin-offs, or at least some more background.
All in all, a highly enjoyable graphic novel filled with heart, diversity, and vibrant color. 4 stars!
Across a Field of Starlight is a standalone, but Blue Delliquanti is also the author of the comic series O Human Star, which currently has three volumes, and has contributed to several other comic collections.
Today’s song:
good mindset for this year, I think
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I never learn, do I? Every few weeks, I always start craving sci-fi again, and when there’s nothing readily available at the library or on Kindle, I just sift through the dust bunnies in my TBR until I find something interesting. And to be fair, The All-Consuming World did sound interesting. I was willing to give it a chance despite the pitifully low ratings it’s been getting (a 3.28/5 on Goodreads, as of now), but it turned out to be exactly the disappointment that the reviews promised.
Maya’s glory days are over. After being resurrected dozens of times, she’s slowly outgrown the Dirty Dozen, the galaxy’s most infamous criminal group, and decided to make her own way. But when the galaxy’s ruler, an all-powerful, sentient AI, threatens to hold their realm in a chokehold, it’s up to Maya to recruit the disbanded bunch of cyborgs, clones, and lowlives to save the galaxy from complete control.
TW/CW: body horror, sci-fi violence, amputation/emergency medical procedures, suicide
DNF at 35%.
I genuinely can’t think of a book with a more jarring writing style than this one. Jarring can sometimes be good, but in the case of The All-Consuming World, it seemed like a case of vast stylistic indecision, and this indecision dragged the entire book down with it. I really wanted to like this book—queer space opera is always up my alley, and I always want to try and support queer authors—but it ended up being a sore disappointment all the way through. (What I could stand to read before I gave up, anyway.) As I always say with my negative reviews: I completely understand. Putting yourself out there as an author is an immensely hard thing to do, and I always admire the work put in. But this book just did not click with me at all.
The writing style is what, for me, made The All-Consuming World crash and burn. Maya was clearly supposed to be a rough-around-the-edges character, battered and bruised, and all around Tough and Gritty™️, and at least half what I read seemed to try and get that voice…with at least 15 f-bombs dropped within rapid succession of each other on each page.Now, I don’t have a problem with swearing at all, and I appreciate the art of a well-placed, well-timed swear. But the excess of ill-placed cusses (along with more f-bombs than there are leaves on the trees in the Amazon Rainforest)—half of which were in combinations that made absolutely no sense at all—made for writing that read more like a middle schooler trying to be edgy than a tough and hardened criminal.
But on the other hand, the other half of what I read was some of the wordiest, floweriest prose I’ve ever read. And some of that had moments of being good—I’ll give Khaw some credit for that—but it was such a jarring contrast. Sometimes, juxtaposition like this works, but the two, distinct voices that Khaw was trying to go for had such a vast gulf in tone between them that it lacked any sense of cohesion whatsoever. I really wanted to stick it out to see what happened, but it was just giving me such a headache to try and weather the writing, so I had to quit.
I stopped at 35% of the way through, and I still don’t have a clue what was going on, plot-wise. I seriously can’t remember if there was a plot beneath all of the flashbacks and exposition, impenetrable prose, and multitudinous f-bombs. From the synopsis, I was told that Dimmuborgir was supposed to be a central plot point, but I only remember it being mentioned a single time. Yes, 35% of the way in isn’t all that far, but that close to the halfway point, I would’ve thought that the characters would have at least moved the slightest bit towards their destination. It was all very…vague. Vague sense of rebellion towards a vague concept of an omniscient, ruling AI with a vague set of characters that fell into either AI or Hardened Criminal™️ boxes. And the worldbuilding? Left the building before the book had even begun. Trying to read The All-Consuming World felt like trying to dig through a messy closet, and emerging an hour later without having found the thing you needed to find in the first place.
All in all, a book that it pains me to rate so low, but crashed and burned in almost every conceivable aspect. 1 star.
The All-Consuming World is a standalone, but Cassandra Khaw is also the author of the Persons Non Grata series (Hammers on Bone and A Song for Quiet), Nothing but Blackened Teeth, These Deathless Bones, and several other novels and novellas.
Today’s song:
BACK TO BLUR AGAIN!! so far, this is my least favorite album of theirs that I’ve listened to, but it’s still a fantastic listen—take this song, for instance
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Tuesday, bibliophiles! I hope you all had a safe and spooky Halloween!! I went to class (and took a stats test) dressed up as Columbia from The Rocky Horror Picture Show (in the pajamas and the Mickey Mouse ears), so that was a lot of fun, even though I didn’t see a bunch of other people dressed up. I guess most of the Halloween festivities happened over the weekend. Oh well.
I picked this book up on a whim while scrolling through the books on my Libby wishlist to see what was available. The cover was already eye-catching (no pun intended), but I didn’t expect for I Am the Ghost in Your House to hit as hard as it did—stunning prose and a poignant, strange story to match.
Pie and her mother have been on the run for their entire lives. They are both invisible—Pie born and her mother turned as a teenager—and have been living in other people’s houses all across America. Their lives are constantly transient, and although Pie has lived in many places, she doesn’t have a place to call home.
When her mother disappears, possibly dead, Pie is left alone. Sheltering in Pittsburgh with a group of art students, she goes in search of her missing mother and a girl she once loved. But if the girl Pie loves can never see her, how can they be together?
TW/CW: kidnapping, off-page sexual assault (past), substance abuse, absent father
For a book I picked up almost purely on a whim, this was such an emotional hard-hitter. From this alone, I’m absolutely going to seek out Moore’s other books—I haven’t read such fantastic, immersive prose in ages, and through Pie, Moore has created a truly unique protagonist and a strange world paired with her.
Moore’s prose is what stood out the most to me about I Am the Ghost in Your House. Magical realism is a hard genre to get right, and writing prose that fits with it can be half the battle, and it’s a battle that Moore absolutely won; their weaving of delicate metaphors into Pie’s voice created such a distinct atmosphere around the whole book, as though we too were nestled in lonely train cars, unable to be seen by anyone but our own kin. I read this on my Kindle, and I highlighted so many passages—Moore’s prose rarely faltered, and it was the perfect vehicle to carry this story.
The worldbuilding behind invisibility in I Am the Ghost in Your House was incredibly thought out as well! With magical realism novels like these, it’s sometimes okay to have changes to a world with little to no explanation—it adds some ambiguity to the story, and if it’s done well, it can add a charm and mystery to the world. Moore, however, has done the opposite. Without infodumping or rambling excessively, they define so much about invisibility, its origins, and more importantly, its limits, in terms that make something so fantastical seem so authentic. It feels like the kind of story that stemmed from a conversation—what would you do if you were invisible? Where would you live? What would you get away with, knowing that nobody’s watching?
Pie herself, however, was what made this novel so emotional and poignant. There’s an intense loneliness to her; after her mother disappears, she has nobody, since her father left her before she was born. Moore’s prose shapes a character with seemingly ordinary struggles—unrequited love and general uncertainty, among other things—into someone so deeply isolated, someone fighting alone, since only a handful of people can even see her in the first place. But as she develops, meeting other people and coming to terms with truths about her family, she finds closure in solace in knowing that she’s never been alone, being able to communicate with visible people and knowing that there are others out there like her.
My only problem was the paranormal investigator subplot. In contrast to how smoothly and deliberately most of the book moved, this spot near the end felt rushed and unfinished, thrown in at the last minute to add conflict where there didn’t need to be. Since it was crammed in the last 20% of the book or so, it didn’t feel like it had any place, other than providing a little more worldbuilding details on invisibility. Given what happens to Pie, the suddenness almost feels genuine, but it seemed to come more from a place of rushed writing than actual feeling.
All in all, a bittersweet and atmospheric piece of magical realism that never falters in its deeply emotional core. 4.25 stars!
I Am the Ghost in Your House is a standalone, but Mar Romasco Moore is also the author of Some Kind of Animal and the anthology Ghostographs: An Album.
Today’s song:
this song just emanates sheer power—there’s truly nothing quite like it
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
This week, July 11-17, is Nonbinary Awareness Week, and today, July 14, is International Nonbinary People’s Day! I’ve done a few specific lists for books with different identities within the LGBTQ+ community, but I don’t think I’ve done a specific nonbinary one. Given that it’s the perfect time to do it, I figured I would shine a light on books with protagonists (and sometimes authors!) with nonbinary and gender non-conforming identities. Representation always, always matters, especially for a community who face scrutiny even from within the LGBTQ+ community. 💛🤍💜🖤
Let’s begin, shall we?
THE BOOKISH MUTANT’S YA BOOKS FOR NONBINARY AWARENESS WEEK
All at once heartbreaking and tender, I Wish You All the Best is an incredibly powerful story of a nonbinary teen’s journey of acceptance and self-love.
Anna-Marie McLemore never misses, and this beautiful story of two nonbinary, Latinx, and neurodivergent teens and a secret world beneath a lake is proof.
The Mermaid, the Witch, and the Sea features a powerful genderfluid pirate as one of the main characters! There’s another prominent side character who is nonbinary as well.
Though I didn’t enjoy this one as much as I Wish You All the Best, The Ghost We Keep is still an incredibly powerful exploration of grief. It’s also one of the only books I’ve seen that features a protagonist that uses multiple pronouns—Liam uses he/they pronouns!
Mask of Shadows is a super fun fantasy novel featuring a genderfluid assassin!
TELL ME WHAT YOU THINK! Have you read any of these books, and if so, what did you think of them? What are your favorite books with nonbinary and gender non-conforming rep? Tell me in the comments!
Today’s song:
this is so creepy I love it
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
I figured I’d do another book tag for pride month, and this one looked like so much fun! I found this one over at Laura @ The Corner of Laura, and the tag was originally created by Anja Xuan.
Let’s begin, shall we?
🏳️🌈QUEER BOOK TAG🏳️🌈
QUEER FAVES: What’s your favorite queer book that you’ve read this year?
I know I haven’t shut up about this one since I came back from California, but The Raven and the Reindeeris easily one of my favorite queer reads from this year so far.
LESBIAN: What’s your favorite f/f book?
On a Sunbeamis one of my favorite queer books, and probably one of my favorite books, period. One of the most beautiful graphic novels I’ve ever read, and it’s super diverse as well!
MLM: What’s your favorite achillean/mlm book?
The Darkness Outside Ushas stuck with me ever since I read it last August—it’s mind-boggling, it’s heartstring-tugging, and it’s a must-read.
BISEXUAL: What’s your favorite book with a bisexual main character?
Darcy from Perfect on Paperis bisexual, and this book had some of the best bisexual rep I’ve read in ages!
TRANSGENDER: What’s your favorite book with a trans main character?
Dreadnoughtis a fantastic book about a trans superhero!
QUEER: What’s your favorite #ownvoices queer book?
Once & Futureis tons of fun and boasts tons of diversity and queer rep!
ARO-ACE: What’s your favorite book with an aro-ace main character?
Nathaniel from Tarnished are the Starsis aro-ace, and he has an incredibly sweet coming-out scene in this book!
PANSEXUAL: What’s your favorite book with a pansexual main character?
Ciela from The Mirror Seasonis pansexual, and this book is just another example of how Anna-Marie McLemore never misses the mark with their books!
QPOC: What’s your favorite book with a QPOC main character?
+ anybody else who wants to participate! If you see this tag and want to do it, then I’d love to see your answers! If I tagged you and you’ve already done it/don’t want to do it, then my bad.
Today’s song:
That’s it for this book tag! Have a wonderful rest of your day, and take care of yourselves!
The Bookish Mutant 