The “ironborn” half-fae outcast of her royal fae family. A tempestuous Fury, exiled to earth from the Immortal Realm and hellbent on revenge. A dutiful fae prince, determined to earn his place on the throne. The prince’s brooding guardian, burdened with a terrible secret.
For centuries, the Eight Courts of Folk have lived among us, concealed by magic and bound by law to do no harm to humans. This arrangement has long kept peace in the Courts—until a series of gruesome and ritualistic murders rocks the city of Toronto and threatens to expose faeries to the human world.
Four queer teens, each who hold a key piece of the truth behind these murders, must form a tenuous alliance in their effort to track down the mysterious killer behind these crimes. If they fail, they risk the destruction of the faerie and human worlds alike. If that’s not bad enough, there’s a war brewing between the Mortal and Immortal Realms, and one of these teens is destined to tip the scales. The only question is: which way?
Wish them luck. They’re going to need it.
So why do I want to read this?
I think we’re all sick of the “x and y z”/”x of y and z” titles, but I’ll make a happy exception for this one, because MAN, it sounds AMAZING.
It doesn’t seem like there’s a huge market for urban fantasy in the world of YA, but this sounds like a welcome addition to the pantheon! There’s also a wide variety of LGBTQ+ main characters – according to the author, there are lesbian, questioning/later pansexual, bisexual, gay, and genderfluid characters! [EXCITEMENT INTENSIFIES]
It’s also great to see an urban fantasy that isn’t set in the U.S. or the U.K.; I haven’t run into a lot of Canadian literature/books set in Canada, so it’ll be fascinating to see what Toronto looks like under a grittier, fantasy lens.
And the synopsis is giving me all the found family vibes, and I’m HOOKED.
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
As promised, here’s the sequel to the Zodiac Book Tag, the music tag. I love music almost as much as I love books, so this is a perfect fit for me! As with the book tag, this was created by Swift Walker @ Just Dreamland.
And YOU! If I didn’t tag you and you want to do this tag, then go ahead! And if I tagged you and you’ve already done it/don’t want to do it, my bad. (Consider yourself tagged for the book tag as well!)
Since this post is full of songs, just consider everything in here today’s song.
That’s it for this music tag! Have a wonderful rest of your day, and take care of yourselves!
Happy Saturday, bibliophiles! I suppose this isn’t a bookish post, but I’ll keep my normal greeting, because hey, most of what I post is about books. But here’s something a little different.
So here I am, finally reviewing Little Oblivions!
I got into Julien Baker late last year, starting with Sprained Ankle after hearing her distinct voice as part of the supergroup boygenius (with Phoebe Bridgers and Lucy Dacus). I was immediately hooked on Sprained Ankle, liked but didn’t love Turn Out the Light (Sprained Ankle > Turn Out the Lights, fight me Pitchfork), and so of course I was excited to see that she was coming out with something new. What stands out most to me about her music is the raw emotion of it; Baker never hesitates to explore the darker side of everything, and does so with such intense, palpable motion. Even with just a guitar or a piano, she can make a shrieking ballad of grief or heartbreak out of anything.
And I’m glad to say Little Oblivions is no exception. While Baker experiments with bigger, brighter sound, she stays true to the emotional aspect that defines her body of work, making a whole new set of resonant and soaring music.
So let’s begin this review, shall we?
JULIEN BAKER – LITTLE OBLIVIONS (album review)
TRACK 1: “Hardline” – 9/10
Say it’s not so cutand dry,
Oh, it isn’t black and white,
What if it’s all black, baby,
All the time?
– Julien Baker, “Hardline”
NOW THIS IS WHAT I CALL AN AMAZING OPENING TRACK! Baker’s foray into new, more electronic sound proves an immediate hit, paired with her signature raw lyricism. Plus, we’ve got an amazing stop-motion music video to match!
TRACK 2: “Heatwave” – 7.5/10
The last single to be released before the whole album, “Heatwave” is reminiscent of the boygenius EP. There’s a deceptively upbeat tone and composition to it, hiding some of Baker’s darkest lyrics. The instrumentation almost reminds me of Wilco.
TRACK 3: “Faith Healer” – 9/10
This one was the first single to be released before the whole album, and it has been a consistent earworm for MONTHS, let me tell you…
Such beautiful, concise instrumentation, a steady beat, and even the effects overlaid over Baker’s unique voice fit right in with the almost spacey keyboards. A completely new direction for her musically, but one I’m ADORING.
TRACK 4: “Relative Fiction” – 9/10
‘Cause I don’t need a savior,
I need you to take me home…
– Julien Baker, “Relative Fiction”
It would be a bit of a stretch to call this a love song, but that’s almost how I interpreted it on the first listen. “Relative Fiction” delves into Baker’s quieter, more musically sparse roots for a tender and poignant song of grappling with emotions and questioning one’s own self worth, and the meaning one might hold for others.
TRACK 5: “Crying Wolf” – 7.5/10
Continuing “Relative Fiction”‘s trend of quieter and sadder introspection, “Crying Wolf” presents a piano ballad reminiscent of Turn Out the Lights that soars to a resonant conclusion. (That “OOOOOO” that starts at about 2:33…[CRIES])
TRACK 6: “Bloodshot” – 7/10
There’s no glory in love,
Only the gore of our hearts…
– Julien Baker, “Bloodshot”
The song where we get the album cover’s gorgeous lyricism, “Bloodshot” toes the line between the two musical themes of Little Oblivions so far, oscillating between the electronic experimentation and the sparser, quieter ballads. Another deceptively upbeat song, telling of messy emotions and shaky relationships.
TRACK 7: “Ringside” – 6.5/10
I still enjoy this one, that’s for sure, but it felt a little bit like a lull in the middle. The lyricism is still stellar, but something about it doesn’t pack as much of a punch as the rest of the album so far has.
TRACK 8: “Favor” – 8.5/10
You pulled a moth out
From the grill of your truck,
Saying it’s a shame,
How come it’s so much easier
With anything less than human,
Letting yourself be tender?
– Julien Baker, “Favor”
As with “Graceland Too” on Phoebe Bridgers’ Punisher, this boygenius collaboration truly shines. The combination of the voices of Baker, Bridgers and Dacus never fails to make my heart soar to the clouds, and paired with such poignant lyrics, “Favor” is absolutely a highlight of this album.
TRACK 9: “Song in E” – 10/10
My favorite song on the album, hands down. This one again harkens back to Turn Out the Lights, but something about both the piano and Julien’s vocals takes it to all new heights. It’s just…[sniffles]
And something about the way she says “name” at about 0:40 just makes my heart go 🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺
TRACK 10: “Repeat” – 9/10
Ocean of strip malls,
I help you swim across
To the other side…
– Julien Baker, “Repeat”
Another example of Julien’s decision to go more electronic with her sound paying off 100%. Catchy, but continually poetic in its lyricism, this was one of my favorite songs that wasn’t released as a single before the album’s released. Again, can’t put my finger on it, but I love the way Baker sings all of the words past the 3/4 mark with the long ‘e’ sound (ex. means, speak, street, dream, repeat). My brain can’t be troubled for a concrete reason, but it’s so beautiful.
TRACK 11: “Highlight Reel” – 7.5/10
Not my favorite on the album, but the instrumentation itself is what shines for me. I love the drums, the guitar, the…well, the everything. I can’t quite pick out what instrument (probably keyboard?) it is, but the part from about 3:21 to the end reminds me a bit of St. Vincent’s “Teenage Talk.”
TRACK 12: “Ziptie” – 6.5/10
Not the best ending for this album and a lower point overall, but still lovely. The lyricism is still painfully beautiful, but it just seems to wander about almost aimlessly. A good listen, but maybe something like “Repeat” or “Bloodshot” would have been a better end to the album.
I averaged out all of the scores for each track, and they came out to almost exactly 8! I’d say that’s accurate; Little Oblivions wasn’t without its occasional low points, but even those were songs that I’ll surely come back to. A stellar album, and a bold new direction that payed off with every song.
And even though this wasn’t on the album, I can’t not talk about this…
I think I’ve died and gone to heaven. This is a transcendental cover. And hey, Julien Baker and Radiohead: two of my favorite things.
Since this post is full of songs, consider this whole album today’s song.
That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!
Hey there, bibliophiles! Happy Tuesday! I’m so glad I’m off school for a few weeks…
Jeez, try saying the title of this post three times fast…
Now [cracks knuckles]…today’s gonna be a special review day, because today, you’re getting not one, but two reviews in the same post! And that, if you’re wondering, is solely because I read both books in K. Eason’s Thorne Chronicles, and I’ve been itching to get my thoughts out.
I’d all but forgotten that I’d put book 1 on my TBR until the random number generator picked it for a recent Goodreads Monday. Luckily, it was available at the library, so I checked it out and proceeded to gobble it up in between studying for my finals. And man, I’m glad that I checked out both books in the duology–a sarcastic, wittily written space opera that pokes fun of every trope imaginable.
Rory Thorne was born into royalty, the first baby girl in the family line in two centuries. When she was a baby, she was blessed by the gifts of thirteen fairies, gifts that would help her grow into a woman well-loved by the court. But the most important of all was given to her by the thirteenth fairy–the gift of seeing behind people’s words and discovering their truth intentions.
After her father is assassinated, she’s swept off-world, only accompanied by her royal tutors, and is immediately arranged to marry a prince she’s never met. Rory isn’t happy about it in the least–but the situation grows dire when she discovers that this prince is at the heart of an attempt to usurp her family’s throne.
The Goodreads synopsis pegs this one as The Princess Bride meets Princess Leia, and I’m happy to say that it mostly lives up to both comparisons! How Rory Thorne Destroyed the Multiverse is basically the phrase “this princess saves herself” in book form, and it’s so much fun from start to finish!
What really stood out for me about Rory Thorne is the writing style. There’s an anecdotal, tongue-in-cheek quality about it, peppered with witty little tidbits about the universe. Not only does it poke fun at the tropes of fairytales, fantasy, and space opera, it presents a feminist rebuttal of all of them, particularly in the form of Rory herself. I loved following her across the galaxy, with all of her wit, sass and tenacity. She’s a wonderful heroine, and the perfect fit for this story.
And of course we have to talk about all of the supporting characters! I loved Grytt and Messer Rupert, and as Rory’s royal tutors and caretakers, they had the funniest chemistry, not only bouncing off of each other well, but presenting a hilarious contrast to the disobedient, willful Rory. Each character was distinct, making for the perfect gang of misfits to traverse the universe with.
The worldbuilding was definitely interesting, too; at worst, some of the politics got a little bit convoluted, but I liked all of the little anecdotes about the different philosophies of the universe. For all of the alien species that were mentioned, though, I wish we’d actually…y’know, seen some of them, but alas, mostly humans.
Overall, though, a sarcastic and feminist tale of resistance and disobedience. 4 stars!
After upending her royal life and sparking a revolution in the galaxy, Rory Thorne has taken up life as a space pirate, along with her former bodyguards and royal allies. When the crew finds a wrecked spacecraft, they discover something sinister within–an innocuous plant that not only might possess intelligence, but could have been manufactured as a biological weapon. Thrown into the beginnings of an intergalactic war, Rory and her crew must find their way out of harm’s way–and wrangle a killer rose, while they’re at it.
How the Multiverse Got Its Revenge came out in early October of this year, and so far, it’s been getting fairly average reviews (the Goodreads rating for this one is currently 3.66, as opposed to book 1’s rating of 3.91). And…I just don’t understand why, because somehow, Multiverse was even better than book 1!
Okay, first off, SPACE PIRATES. I couldn’t think of a more fitting profession for Rory after abandoning her royal ways. I loved the chemistry and banter between her and her crew, and the whole plot line with the sinister rose managed to be both hilarious and tense. And even though they were separated from the rest of the gang, I loved seeing Grytt and Messer Rupert again, especially the latter. (I just…MESSER RUPERT MUST BE PROTECTED AT ALL COSTS, OKAY? 🥺)
Oh, and my whole complaint about not seeing many aliens in book 1? RESOLVED! We’ve got a whole host of interesting species in Multiverse, and I loved seeing some of them. Admittedly, Eason fell into the trap of the “aliens, but basically humans with slightly differing appearances” trope with one species, but they actually acknowledge that it’s unusual in the grand scheme of the galaxy, so at least there’s that. Plus, the other two alien species that were focused on made up for it.
The plot for this one was super fast-paced, and with the cast of characters, it meshed perfectly. Multiverse honestly just sucked me in to the point that I put off studying for my (godforsaken) AP Bio final just so I could see what happened. Again, the politics of the world(s) are still a tad convoluted, but it was still well-thought-out, and a whole lot of fun at that.
My only major complaint is the ending. It was just…unsatisfying? I wish we would have had a bit more certainty, and maybe…y’know, having some of the characters reunite? My space children deserved it, c’mon.
All in all, a heartstring-tugging and thrilling sequel that was more than worthy of its predecessor. 4.5 stars!
The Thorne Chronicles is a duology, consisting of How Rory Thorne Destroyed the Multiverse and How the Multiverse Got Its Revenge. K. Eason is also the author of the On the Bones of Gods trilogy, consisting of Enemy (book 1), Outlaw (book 2), and Ally (book 3).
That’s it for this week’s double Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope this week has treated you well. Just under a month left in this cursed year, we can do it…
It’s definitely been an okay week, considering that awful feeling of having to go back to school after break. I beat my NaNoWriMo goal of 35,000 words on Monday, but after that, I started getting rather unmotivated for that particular WIP, so I think I’ll take a little break from it. I’ve been meaning to go back and edit my sci-fi WIP that I finished in June, so maybe I’ll start on that once I’ve gotten over the finals hump.
And speaking of finals, chances are, I’ll be posting a lot less in the next few weeks. My finals start in two weeks, so I’ll be studying a lot next week, so I doubt I’ll be terribly present or consistent. I’ll be back once Winter Break rolls back around, though. So just a heads up.
On a much lighter note…I’ve gotten out of my reading slump! I ended up DNFing the first book of the week, but after that, I read a whole bunch of great books. I also got to the season finale of Fargo, and I’ve started re-watching it, too. We also put up our Christmas ornaments and decorations, so that’s given everything a cozy, festive air.
It’s been a bit of a chaotic day for me–I couldn’t get into one of my zoom meetings for one of my classes, and it’s snowing. The latter is deeeeefinitely kind of worrying–here in Colorado, it usually doesn’t start to snow until mid to late October, and persists until late May.
IT’S THE SECOND WEEK OF SEPTEMBER. Yep, friendly reminder that climate change isn’t just global warming, but unpredictable weather patterns like this. Climate change is still very real, folks.
Anyway, I’ll step off that soapbox for a minute…only to get right back onto another one.
Ever since I found out about it in May, Cinderella is Dead was one of my most anticipated releases of this summer. A Black, sapphic protagonist, a multiracial wlw relationship, and a dystopian society based on the tale of Cinderella? I was FASCINATED. And while this novel did deliver in the aforementioned aspects, it was dragged down by the poor execution of nearly everything else.
Everybody knows the tale of Cinderella, the dismissed orphan who was visited by a fairy godmother and lived happily ever after with the dashing Prince Charming. But do you know what happened 200 years later?
In Sophia Grimmins’ world, the tale of Cinderella is now the backbone of every tradition in town. Every year, all of the eligible girls must attend the Annual Ball, to be picked and chosen by the men. But for as long as she can remember, Sophia has never wanted a man–she’s wanted a woman. She flees the ball with her life, only to find herself in the tomb of Cinderella herself. There, she finds Constance, the last surviving descendant of Cinderella, who seeks to help bring down the patriarchal kingdom. Sophia and Constance join forces, and sparks soon fly between them–but the truths they thought about Cinderella are far from true…
Let me be perfectly honest: it truly pains me to give this book such a low rating. It’s such a joy to see #OwnVoices books outside contemporary and historical fiction with POC/LGBTQ+ leads, and we certainly need more of those out in the world. But even though Cinderella is Dead boasted great representation all around, it failed to meet my expectations in almost every other aspect.
I’ll start off with the good before the bad: representation! This dystopian fantasy is absolutely an #OwnVoices book, with a Black, lesbian protagonist, a lesbian love interest, and a gay side character who has a semi-prominent role. Throughout the book, there’s themes of contradicting patriarchal tradition, abuse, and misogyny, and it’s always wonderful to see a sapphic couple kicking sexist butt, so that’s always a win. But even then…Sophia wasn’t a very distinct character. I struggle to find any traits that would make her much of an individual, other than the desire to smash the patriarchy. (Don’t we all, though? Can’t go wrong with that.) I liked Constance a little bit better, but their relationship felt very rushed and glossed over. And the themes I just talked about it? They felt very forced, relying more on telling than showing. There wasn’t very much subtlety or creativity in the ways that they were tackled, making the commentary…almost not worth it. I appreciate Bayron’s attempt to discuss these issues, but there are so many ways that they could have been handled better.
All of the Cinderella mythos had SO MUCH potential, from the punchy title to the concept itself. It was still reasonably spine-chilling in execution, but other than the fact that the tale has been weaved into the world’s operating system, the worldbuilding was…wait a minute…[picks up a telescope] wait a minute, where’d it go? A little help here?
…okay, that was probably harsh, but it was RIDDLED with holes.
[spreads out a sheet of paper] Okay, let’s see. We’ve got a country ruled by a monarchy, with some forests around it, presumably. It’s hinted that it’s a bit more antiquated technology-wise, but we don’t get any sense of where society has gone as far as technology, transportation, all of that. There’s a little bit of evidence to suggest that magic exists, but the only wielder we know of is the Fairy Godmother. (So is there some sort of ban on magic? Has nobody else been able to find it? Who knows…) The character’s names range from ones that were popular in the 19th century to those in the 21st century, but most of them fall into the latter. (ex. Liv, Isla, Sophia) So…wait, what? It’s been a good two and a half weeks since I’ve read Cinderella is Dead, and I STILL have no idea what’s going on there. I NEED ANSWERS. PLEASE. THIS IS A MESS.
The worldbuilding is my main criticism, but other than that, my issues are a little more nit-picky. Things like Sophia having very few defining traits (if any) and the telling method of tackling the issues, the villains had very lackluster, overdone motives and no redeemable qualities to speak of. The dialogue also had a tendency to be overly stiff, and nobody had a distinct voice.
Again, I feel so bad for giving this book such a low rating. #OwnVoices books are so pertinent and important in this day and age, but…there are so many better ones that you could be reading than this one. I could chalk this rating up to my high expectations, but other than the representation and concept, Cinderella is Dead was such a mess. Amazing concept, terrible execution. 2.5 stars, but the half star is likely just for seeing a multiracial wlw couple smashing the patriarchy. [sad harmonica noises]
Cinderella is Dead is Kalynn Bayron’s YA debut, but she has several other adult and nonfiction works. Cinderella is Dead is likely a standalone, but I’ve heard a rumor about spin-offs set in the same universe, but I haven’t been able to confirm their validity.
That’s it for this week’s Book Review Tuesday! I promise that the next reviews I write will be more positive. Have a wonderful rest of your day, and take care of yourselves!
Happy Tuesday, bibliophiles! I can’t believe it’s already September! All the better, the sooner we get 2020 over with, the better…
But to take your mind off of everything, here’s a review of my most recent 5-star read! I had piled most of Tillie Walden’s graphic novels on my TBR a year or two ago, but after a family friend mentioned Are You Listening?, I looked for everything on my library. On a Sunbeam was available, and I jumped at the chance to check it out. Though I had high expectations, I didn’t expect for it to be such an emotional and atmospheric graphic novel.
Mia has her reasons for joining the crew of the Sunbeam. It’s an easy job–hopping through the galaxy and restoring structures of all kinds to their original glory. But Mia isn’t here for the money–not completely, anyway.
Her main objective? Find Grace, her long-lost love who she was separated from five years ago. When a job lands Mia and the rest of the crew on Grace’s secretive homeworld, she jumps at the chance to reunite with her girlfriend. But will the rest of the crew be willing to go to such lengths?
On a Sunbeam is the comic equivalent of a Radiohead song; hauntingly beautiful and atmospheric, with a story that will never truly leave your mind. It is “Motion Picture Soundtrack,” it is “Sail to the Moon,” it is “Videotape,” and it is very nearly everything I could ever want in a graphic novel.
I’m not normally a fan of more simplistic art styles like Walden’s, but she makes it work in all the best ways. The character’s facial features are simple, but are able to show such a wide range of expression. There’s so much detail and care put into the backgrounds and settings, with carefully picked color schemes that make for an immersive, lived-in sci-fi world. I kid you not, both the desktop wallpaper of my laptop and the home screen of my phone are both panels from On a Sunbeam now. That’s how much I loved it.
The design of the vast reaches of Walden’s universe is beautifully atmospheric, a sci-fi with a fantastical twist. Each planet that the crew visits is so unique, and I ADORE the design of all of the ships–all inspired by fish! What’s not to love?
Beyond the beautiful artwork, On a Sunbeam boasts a tender romance that spans across the stars. It alternates between the past and present fluidly without any confusion, and through both, you come to love the whole cast of characters. And speaking of that cast–there is diversity aplenty here! In the group of main characters, there is not one but two multiracial wlw relationships (including Mia and Grace). Most of the Sunbeam crew is POC (Black, Latinx, etc.), and there’s also a nonbinary character who plays a crucial role. There’s also several background wlw relationships and…not a single man in sight? I simultaneously love that but also recognize that it raises a few questions. Walden makes her cast effortlessly diverse, making On a Sunbeam a tale for the ages.
And now, the moment you’ve all been waiting for…FOUND FAMILY VIBES! The chemistry between Mia and the rest of the crew is impeccable, and I can’t help but adore every single character we come across. Grace was wonderful as well. They were all so distinct, and I managed to love every single one of them.
All in all, On a Sunbeam is a graphic novel that hits all the right spots, whether it be in the worldbuilding, the art, or the characters. Seriously, if you haven’t already read it, you are missing out. 5 stars!
On a Sunbeam is a standalone, but Tillie Walden has several other graphic novels out, including Are You Listening?, I Love This Part, The End of Summer, A City Inside, and her graphic memoir, Spinning.
Also, because this was in a meme that brought immeasureable joy to this grim year…
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Monday, bibliophiles! I can’t believe that it’s almost September…
Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
This one is a more recent addition to my TBR that I’d forgotten about (I added it in early February), and it sounds like an incredible middle grade graphic novel! And I’m always eager for a good mermaid story, and I think this one might just deliver…
Let’s begin, shall we?
GOODREADS MONDAY (8/31/20)–SEA SIRENS by Amy Chuand Janet K. Lee
Dive into this middle-grade graphic novel about a Vietnamese American surfer girl and her talking cat who plunge into a fantasy world of oceanic marvels . . . and mayhem!
Trot, a Vietnamese American surfer girl, and Cap’n Bill, her cranky one-eyed cat, catch too big a wave and wipe out, sucked down into a magical underwater kingdom where an ancient deep-sea battle rages. The beautiful Sea Siren mermaids are under attack from the Serpent King and his slithery minions–and Trot and her feline become dangerously entangled in this war of tails and fins.
This graphic novel was inspired by The Sea Fairies, L. Frank Baum’s “underwater Wizard of Oz.” It weaves Vietnamese mythology, fantastical ocean creatures, and a deep-sea setting.
So why do I want to read this?
Sea Sirens looks like it has all the elements for a graphic novel I’d love! It’s #OwnVoices, it’s set in an underwater realm…and how could I ever say no to a talking cat sidekick? The literary world needs more talking cats.
I’m not familiar with The Sea Fairies (though The Wizard of Oz was read to my class in elementary school), but it sounds like a fascinating retelling of it. I love the incorporation of Vietnamese mythology as well. The art style looks lovely too!
This one’s available at my library, so I might have to check it out soon…
Inexplicably stuck in my head this morning…
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope you’ve all had a lovely week.
You ever just get so consumed with the fact that it’s your birthday week that you forget that it’s the last week of summer? Whoops…
At least that last week of summer was lovely for me. I had a wonderful birthday, and I’m starting to get back on my feet as far as writing goes. I’m nearing the climax, and I FINALLY feel as though I have some sense of direction. (Key word here is “some.”) I can owe part of that sense to something new–Amie Kaufman’s new podcast! For all you writers and aspiring writers out there, Amie Kaufman On Writing is a super helpful resource. There’s only two episodes out as of now, but it’s weekly, if I remember correctly.
I’ve had a hit-or-miss sort of reading week–I’ve had a lot of bright spots, but Cinderella is Dead turned out to be a major disappointment, so that was a travesty. At least there were several books that made up for it. I also got some comics and a gift card for my favorite bookstore, so there’s bound to be lots of interesting books next week…
Also, just so everybody knows, since school starts tomorrow for me, I won’t be able to post as frequently. Luckily, I get off school earlier on every day but Friday, so I’ll at least be able to get to my usual Goodreads Monday/Book Review Tuesday/Top 5 Saturday.
I got a notification this morning, and apparently I’ve had this blog running for…5 years? WHOAAAAA, OKAY, I FORGOT ABOUT THAT
I didn’t start semi-seriously book blogging until about a year ago, but thank you to everybody who has supported me along the way! (And for those of you who had to witness what this blog was like when I was in middle school…I’m terribly sorry for the horrors you experienced.)
ANYWAY, I figured I should start doing writing-related posts more frequently, so here’s my first(ish?) stab at it.
Many members of the writing community use music in a number of ways in the process of creating their WIP, be it picking specific songs or albums to listen to while writing, or creating book or character playlists. Music is an integral part of my life, and I’ve managed to weave it into my writing life as well. I always listen to music when I write, so I thought that I would first share some songs, albums, and scores that I like the most to get me writing my WIPs.
I think there’s been several studies about how instrumental scores help with studying, but for a lot of people, music without lyrics is helpful to focus on their writing, and is less distracting than music with lyrics. I use a mix of music with and without lyrics in writing, but for those of you who are strictly instrumental, here are some of my favorite albums–mostly film scores, mind you–that I use when writing:
Hellboy II: The Golden Army original score–Danny Elfman
Yes, yes, I know I blab about this masterpiece quite a lot, but hey, it’s Danny Elfman doing the score–what’s not to like? The score ranges from whimsically spooky to action-packed to tear-jerking, so it’s perfect for writing scenes of all kinds.
Russo has such a wide range, composition-wise, and every single score I’ve come across by him is nothing short of stellar. Some of my favorites include his scores for Legion (FX), and The Umbrella Academy (Netflix), but he’s also scored everything from Cursed to Lucy in the Sky and Fargo (the TV show)
NON-INSTRUMENTAL SONGS AND ALBUMS
I cram loads of music onto my writing playlists, but there’s several particular songs and albums that get me more focused/motivated/immersed in my writing than others, so here goes nothing…
Besides the fact that one of my WIPs features a character who is obsessed with this album, the sheer range of emotion in this album is stunning. Though it’s chiefly electronic, I’ve used these songs from everything from battle scenes to a funeral scene.
Another very emotional album, this one’s always great for writing scenes associated with any form of love, whether it’s the promise of it, being in the throes of it, or being apart from it. Then again, you’re talking to somebody who has had zero (0) experience with any sort of relationships, so take this as you will.
Apparently they called this album “the American Kid A” when it came out, so…did I cheat and put Kid A on here twice? If so, I don’t regret it.
Ranging from punchy, classic rock songs and dreamlike, melancholic hazes of emotion, I highly recommend this album for scenes charged with emotion–doesn’t matter what emotion we’re talking about, because there’s easily a song or two on here for everything.
I saw a piece of advice the other day about making two writing playlists: listen to one of them while writing it, and a different one when you’re editing or making the second draft, so that you’re put into a different mindset while re-reading it.
For making the playlists themselves, I usually just dump several songs I like, and go through songs as I write. If there’s a song that takes me out of the writing or has been in circulation for a few times too many, I take it off and replace it.
Just for fun, here are snippets of mine:
(Or, alternatively, “the one that I accidentally dumped all the Weezer on” and “the one without any Weezer at all”)
I also like to cobble together playlists for each of my WIPs: here, I include songs with lyrics that relate to the story, or that just have the general vibe of the WIP. For some of them, I also create character playlists going off of the same rule. For my sci-fi book, there are six different perspectives (or, I’m going to make it that way once I get around to editing it), so I have a playlist for each of them. For my current WIP, however, there’s only one perspective, so I just keep it at the protagonist.
What do you think? What are your musical techniques for writing? What’s your favorite music to write to?
Since there’s a boatload of music in this post, consider the entire thing “today’s song.”
That’s it for this writing post! Have a wonderful rest of your day, and take care of yourselves!