Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
I’m always on the hunt for a good space opera book, and so this one immediately caught my eye. It’s drawn a couple comparisons to The Mandalorian (which wasn’t perfect, but I liked it a lot), which should be promising…
Let’s begin, shall we?
GOODREADS MONDAY (7/26/21) – PERSEPHONE STATION by Stina Leicht
Persephone Station, a seemingly backwater planet that has largely been ignored by the United Republic of Worlds, becomes the focus for the Serrao-Orlov Corporation as the planet has a few secrets the corporation tenaciously wants to exploit.
Rosie—owner of Monk’s Bar, in the corporate town of West Brynner—caters to wannabe criminals and rich Earther tourists, of a sort, at the front bar. However, exactly two types of people drink at Monk’s back bar: members of a rather exclusive criminal class and those who seek to employ them.
Angel—ex-marine and head of a semi-organized band of beneficent criminals, wayward assassins, and washed up mercenaries with a penchant for doing the honorable thing—is asked to perform a job for Rosie. What this job reveals will affect Persephone and put Angel and her squad up against an army. Despite the odds, they are rearing for a fight with the Serrao-Orlov Corporation. For Angel, she knows that once honor is lost, there is no regaining it. That doesn’t mean she can’t try.
So why do I want to read this?
This one has lowish ratings on Goodreads as of now (about 3.49 at present), but from the reviews, there really isn’t anything that’s making me want to kick it off my TBR. Maybe it’s that gorgeous cover, maybe it’s because it’s space opera, but either way, I can’t wait to read Persephone Station!
The synopsis is absolutely giving me Mandalorian vibes; I love the potential setting of Persephone Station itself, and I’m getting the feeling that I’ll see a strange cast of characters. (Fingers crossed!) Plus, it apparently has lesbian, bisexual, and nonbinary rep throughout, which makes me even MORE excited! (There’s only one thing better than space opera…and that’s QUEER SPACE OPERA.) Plus, the cover is so pretty! Whoever did the illustrations for it did such a great job.
In short: you sold me at queer space opera and Mandalorian vibes.
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
I’ve been trying to think of more original posts to do, and I figured that this one would be something really fun to explore. I’ve seen a lot of posts talking about tropes, but genre-specific ones are always interesting to think about/discuss, and in much of the YA book fandom, I feel like sci-fi doesn’t get as much love. So I decided to look at six tropes that are specific to sci-fi (for the most part). Sci-fi is my favorite genre, so I got super excited thinking about all of these different tropes, and some (mostly) YA books that use them in different ways.
So let’s begin, shall we?
WARNING: This post may contain some book spoilers (Aurora Cycle & Dare Mighty Things series), so read at your own risk!
CRYOSLEEP, BUT FOR WAY TOO LONG
Ellen Ripley – and Aliens in particular – probably set the blueprint for this one, but as the trope gets more popular, authors have started to push the limits on this one, which I think is a really cool move.
It’s most often the protagonist that this happens to – our hero, on the eve of something great, is put into cryosleep for an interplanetary mission, only for something to go terribly awry and stay in cryosleep for longer than they were supposed to. Ripley got an accidental 50 years, Auri from Aurora Risinggot 200 years, and Andra from Goddess in the Machinegot a whopping 1,000 years.
This trope presents two main advantages for writing: a vehicle for exploring the novel’s world through fresh eyes, and internal conflict within the character. If your cryosleep character is completely unfamiliar with the world, seeing it through their eyes gives the reader a more in-depth look at the world than they’d get with a character that’s already familiar with it. They’ll inevitably notice more things and fixate on different things than another character might, which gives the reader more insight about what’s unique about the world that the author has crafted.
As for the internal conflict piece, this part’s always touched on, but in most of the novels I’ve read with it, it’s a lot more shallow than you’d think. There’s the existential crisis that inevitably occurs when the character realizes that everything they know and love is all but gone, but beyond the first few chapters from their POV, they get over it…relatively quickly? It seems like the kind of trauma that would leave lasting psychological scars, and probably physical health repercussions as well. I’ve yet to read any book that explores all that in depth, but it seems like the perfect setup for a sci-fi novel.
So this one’s a trope that can make for a lot of creative choices, but often has a lot of untapped potential.
GOTTEN INTO A SITUATION YOU CAN’T GET OUT OF? TIME TRAVEL!
Apparently this one is a lot more common than I thought, but I’ve only started to see it in YA more recently. (Well, there’s Avengers: Endgame, but it took me a while to realize how common of a trope it is…)
This trope has the possibility of ENDLESS freaky hijinks whilst traversing through time. Sometimes it’s just pushing the events of the past so that everything lines up a little bit nicer, and sometimes it’s rocketing back to another time period entirely. It usually happens only with the last book in a trilogy or duology, just so everyone can fix the mess they got into in the first books.
I have mixed feelings on this one; one the one hand, there’s never a dull moment – time travel jokes, fitting VERY badly into a different time period, and very high stakes, most of all. If the first books have followed a similar formula, it might be good to try for something else to end the series with a bang.
On the other, though, something about it almost feels…lazy to me. Often, this trope arises from The Gang™️ getting a situation so bad that there may not be a feasible way out of it, but…maybe they could? If done wrong, it can feel like lazy writing – an easy way out, and one that provides instant comic relief. And often, the means of said time travel are vague, and often reduced to technobabble from The Smart Character™️, which, hey, I don’t know much about the science of it either, but maybe at least put a little time into it?
So this one’s a double-edged sword: instant plot, or lazy writing? The choice is yours!
*this one doesn’t come out until November [screams] but we know that time travel will play a big part in this one, so…
ALIENS THAT BASICALLY JUST LOOK LIKE HUMANS (BUT WITH A FEW MINOR DIFFERENCES)
Most of the other tropes I’m going to be discussing in this post are ones that I like on some level, but…this one gets on my nerves. For the most part.
Far too many times, I’ve fallen into the trap of picking up a sci-fi book that promises aliens, only to discover that the aliens just look like humans, but with either a) unusual eye colors, b) some sort of powers, or c) a combination of both. And of course, they have to be ✨ridiculously attractive✨ as well. 🙄
Now, I completely get making your aliens humanoid (hey, I’m doing it with some of my aliens for my sci-fi WIP), but there’s a certain point where it feels a bit lazy. Unless there’s some way you can back it up, it seems weird to me that in this entire universe, the only other intelligent beings, by some cosmic chance, are similar to us in almost every way.
But I’ve seen some authors use it to their advantage – in particular, One Giant Leap(the sequel to Dare Mighty Things) does this especially well. The main alien civilization there look exactly like humans, but it’s because of genetic modifications performed so that they could survive on Earth. See? That’s actually a really good way of turning the trope on its head, and doing so in a practical way!
For the most part, this trope never ceases to bug me, but there’s a few ways to turn it on its head.
For me, at least, this trope is the most fun – and it presents some of the scariest and most formidable antagonists in sci-fi.
Villainous AI are some of the most fascinating characters to explore – they have unmatched power, in some cases, and whether they’re a pre-installed ship AI or an android, it’s always interesting to hear their perspective on all of us puny mortals.
Given that humans trust AI a bit *too* much in most sci-fi novels, they often have a fearsome amount of power at their disposal. AI installed inside of a ship? Access to all the security footage, navigation, communications, and controls of the ship. They know their crew up and down, and have the possibility to play everybody’s weaknesses against each other. They have the power to sabotage anything and everything, and more often than not, they do. WITHOUT HESITATION. A corrupt AI often harbors a hatred or jealousy of human beings, and if it’s not that motivating them, it’s some sort of technologically-stemmed god complex, which is always terrifying to watch play out. (Lookin’ right at you, David…) It’s even more of an interesting development if their moral compass shifts over the course of the series – if there’s one thing I’ve learned from sci-fi, it’s that benevolent robot overlords never stay benevolent for very long.
Corrupt AI as antagonists are often more compelling than human or alien ones (for me, at least) partly because so much is left up to the imagination about the inner workings of their minds. We’ve never developed any kind of artificial intelligence that’s become intelligent enough to have devious tendencies like many sci-fi villains, so a lot of it is the author’s personal choice. There are endless possibilities – but more often than not, they’re all terrifying.
And even if they aren’t main antagonists, the addition of a slight unstable AI as a character is always amusing; for all of its flaws, I loved Gregorovich’s existential musings in To Sleep in a Sea of Stars, and his character added some much-needed flavor to the rest of the cast.
TL;DR: There’s nothing more terrifying than a villain that knows everything about everything, and uses that power for its own gain at whatever the cost.
HIGH-STAKES COMPETITIONS TO GO TO SPACE…WITH SOME SERIOUS ULTERIOR MOTIVES
Scared to send your experienced, highly intelligent scientists to space? Send some teenagers instead!
This one tends to crop up the most in YA, as it’s primed for a book that has a primarily teenage cast. The ones I’ve read do tend to follow a formula, but for the most part, it’s one that’s actually a lot of fun!
The worldbuilding/motives behind it are always a little bit messy (again: sending teenagers into space! What could possibly go wrong?), but often times, you just have to hang in there; it’s a given that whatever program is funding the competition is doing something astronomically shady. (No pun intended.) Part of the fun with this trope is the mystery of it; slowly but surely, the competition starts dropping like flies, and things go very wrong very quickly.
More on the mystery aspect – the mystery that often occurs in these types of novels is very slow-burn, building on itself before the heartstopping reveal at the end (often a cliffhanger). From program superiors lying to scheming androids to deaths under mysterious circumstances, there are endless possibilities for many, many things to go wrong. Add in the not-so-friendly rivalries between the competitors (also scheming, along with everybody else), and you’ve got the perfect recipe for a nail-biting sci-fi mystery.
And once/if they get to space? Everything gets way worse. There’s bound to be aliens, but whether they’re intelligent or just parasitic, things are bound to go way, way south. But there’s never a dull moment – there’s no shortage of suspense, and our protagonist is often at a loss as to how to escape their situation.
Plus, for reasons I’ve yet to figure out, these ones always tend to have the most clever pop culture references. (See: all of the Radiohead songs in the Final Six duology)
EXPLORING OTHER PLANETS GOES VERY, VERY WRONG (Or, “Don’t do intergalactic colonialism, kids”)
Here’s another common – but by no means overdone – trope that’s always open to endless possibilities!
Because our planet was never enough, apparently (or if we destroyed it…probably), there’s a whole host of sci-fi stories that are set on entirely new planets, with the sole goal of making them a new home for humankind. But just like with our planet, it’s always unpredictable, whether you’re dealing with a foreign contagion, carnivorous wildlife, or superiors who aren’t what they seem.
I’m always a nerd for creature design in sci-fi, and life on other worlds presents all sort of possibilities for creatures lurking in the bushes. Whether it’s flora or fauna, exploring these sci-fi worlds along with the characters is an adventure, especially if the author is particularly creative. Of course, most of the wildlife ends up being carnivorous, or malicious on some level, so there’s all sorts of danger lurking.
But beyond that, this trope is often a great commentary on colonialism. Human history is rife with frightening periods of raping and pillaging land that wasn’t ours to begin with at the cost of those who originally lived there; telling the same story on alien planets serves as a particularly potent comment on the malicious tendency of our species to overstep and overstay our welcome. Books like A Conspiracy of Starsand The Pioneer explore what happens when humanity comes in contact with intelligent life and unlawfully sets foot on their land; both of them do an amazing job of exploring the intricacies of the political implications, as well as the tense conflict that results. I think sci-fi as a genre is one of the best mediums for raising commentary on this kind of thing. Exploring new frontiers in space is bound to happen once we get the technology, but we must always ask ourselves if it’s the right thing to do. Just because we can doesn’t necessarily mean that we should. (Let’s be real: I would be SO excited if we found evidence of life elsewhere in the universe, but…let’s not have a repeat of all of human history, okay?)
TELL ME WHAT YOU THINK! What are your favorite/least favorite tropes in sci-fi? Have you read any of the books I listed, and what were your thoughts? This’ll probably be one of several posts on the subject, so I can’t wait to hear your thoughts!
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
Good morning (or whatever time it is where you are), bibliophiles!
I’m back from vacation! I took a trip with my family to Glacier National Park last week, and it was STUNNING. We did some hiking, went on a few boat tours, and went canoeing, and it was such a beautiful experience. Walking through the forest fed my soul…I’m recovering from online learning crushing my soul last year, and the trees certainly helped
Anyway, I bought a few books on my Kindle for the trip, and I thought I’d share my reviews for them. It was definitely a hit-or-miss batch, but at least 2/3 of them were good.
In an all-too-plausible future where corporate conglomerates have left the world’s governments in shambles, anyone with means has left the polluted Earth for the promise of a better life on a SpaceTech owned colony among the stars.
Maité Martinez is the daughter of an Earther Latina and a powerful Aunare man, an alien race that SpaceTech sees as a threat to their dominion. When tensions turn violent, Maité finds herself trapped on Earth and forced into hiding.
For over ten years, Maité has stayed hidden, but every minute Maité stays on Earth is one closer to getting caught.
She’s lived on the streets. Gone hungry. And found a way to fight through it all. But one night, while waitressing in a greasy diner, a customer gets handsy with her. She reacts without thinking.
Covered in blood, Maité runs, but it’s not long before SpaceTech finds her…
Arrested and forced into dangerous work detail on a volcano planet, Maité waits for SpaceTech to make their move against the Aunare. She knows that if she can’t somehow find a way to stop them, there will be an interstellar war big enough to end all life in the universe.
There’s only one question: Can Maité prevent the total annihilation of humanity without getting herself killed in the process?
Off Planet wasn’t perfect, but it was a solid sci-fi! It blended elements of hard sci-fi and space opera, and for the most part, they came together somewhat seamlessly.
The plot and tension shone in this novel – Aileen Erin did a great job at making a fast-paced, high-stakes story that kept me on the edge of my seat. The worldbuilding was well fleshed-out as well. I loved all of the different planets that we saw, as well as the near-future, dystopian vision of Earth.
I didn’t get attached to any of the characters, but I’d say they were decently developed. Most of them were likable, but I did like Tyler a lot. I wish we’d seen more of him. However, even though I liked Lorne, his name threw me off a little, because a) hey, it’s more of a human name, and he’s an alien, and b) my inevitable association of that name with Lorne Malvo from Fargo, which…[shudders]
My only major problem was the dialogue – it felt a little stilted and not quite authentic, which took away some of the believability of the characters. Other than mannerisms, there wasn’t a whole lot that distinguished each character’s voice.
But overall, a solid start to an intense and well-thought-out sci-fi trilogy. 3.5 stars!
In the bloody revolution, gods were all but wiped out. Ever since, the children they left behind have been imprisoned in an orphanage, watched day and night by the ruthless Guard. Any who show signs of divine power vanish from their beds in the night, all knowledge of their existence denied.
No one has ever escaped the orphanage.
Seventeen-year-old Hero is finally free – but at a terrible price. Her sister has been captured by the Guard and is being held in a prison in the northern sea. Hero desperately wants to get her back, and to escape the murderous Guardsmen hunting her down. But not all the gods are dead, and the ones waiting for Hero in the north have their own plans for her – ones that will change the world forever . . .
As she advances further and further into the unknown, Hero will need to decide: how far is she willing to go to do what needs to be done?
TW/CW: graphic violence, discrimination, death, blood, gore
I really wanted to give this one a chance – the low average rating on Goodreads put me off a little (2.88 at present), but there didn’t seem to anything blatantly offensive in the reviews I read, so I gave it a shot.
…which was a mistake on my part. Oops.
The Orphanage of Gods had an interesting premise on the surface, but it was weighed down by a whole bunch of aspects. The worldbuilding was flimsy at best, the plot seemed to ramble without meaning, the characters didn’t have many defining traits (and there were too many of them to keep track of, making them interchangeable), and the POV switches at each of the three parts didn’t seem to have any point. If Coggan had kept the POV at Hero for the whole book, it might have made more sense, as she was unfamiliar with the world introduced. But alas…
I tried. I really tried. I wanted to give this one three stars, but it just got worse and worse as the book went on…I think the only redeeming factor was that there was a sapphic romance at the forefront, but even that was just thrown in there at the last minute. The writing had moments of being good, and I think that’s the only reason I didn’t DNF this one entirely.
All in all, a novel weighed down by poor handling of almost every aspect save for the writing. 2 stars.
The city of Parole is burning. Like Venice slips into the sea, Parole crumbles into fire.
The entire population inside has been quarantined and left to die – directly over the open flame. Eye in the Sky, a deadly and merciless police force ensures no one escapes. Ever. All that’s keeping Parole alive is faith in the midst of horrors and death, trust in the face of desperation… and their fantastic, terrifying, and beautiful superhuman abilities.
Regan, silent, scaly stealth expert, is haunted by ten years of anxiety, trauma and terror, and he’s finally reached his limit. Evelyn is a fearless force on stage and sonic-superheroic revolutionary on the streets. Now they have a choice – and a chance to not only escape from Parole, but unravel the mystery deep in its burning heart. And most of all, discover the truth about their own entwining pasts.
Parole’s a rough place to live. But they’re not dead yet. If they can survive the imminent cataclysmic disaster, they might just stay that way…
TW/CW: violence, PTSD, loss of loved ones, fire, anxiety, torture, trauma
This is just the kind of sweet, diverse and hopeful dystopia that the world needs more of. Chameleon Moon wasn’t without its flaws, sure, but it was such a lovely novel.
First off, this is easily one of the most diverse novels I’ve read in a long time – we’ve got a polyamorous family at front and center, an asexual MC, a trans woman MC, several nonbinary characters, several Black characters, and several characters with anxiety and PTSD. So a big thank you to RoAnna Sylver for making an effort to make a novel with all that representation!
The characters were the best aspect of the novel for me – they all had such distinct personalities and quirks, and I loved all of the different superpowers they sported. Danae was easily my favorite – I loved all of her little metal creations, and she had such a spirited personality. (Kind of imagined her like Jessie Buckley, for no particular reason.) Hans was also great – he reminded me a lot of Klaus from The Umbrella Academy, if he were a bit more unhinged.
What was really special about Chameleon Moon for me, though, was that even though it was clearly a dystopia, there was a consistent message of hope. Even in the midst of unimaginable horrors, there was still love, still families caring for each other, still listening to everybody’s traumas, and still persisting no matter the odds. It’s an uncommon sight in dystopia, and in times like these, it’s just the kind of novel we need.
All in all, a queer and hopeful dystopia that sets itself apart with no shortage of representation and a powerful message. 4 stars!
That’s it for these mini-reviews! Have a wonderful rest of your day, and take care of yourselves!
I’m (almost) back! Today marked my last AP exam of the year (had four exams this week…hhhgh…), so now that I have most of the big tests out of the way, I can start getting back on a more frequent blogging schedule. Of course, I’m not *quite* done with the school year just yet, but the only finals I have left are for my easy classes, so I don’t think there’s anything terribly strenuous on the immediate horizon. 🙂
But I wanted to make this post because here in the U.S., the month of May is Asian American & Pacific Islander Heritage Month! So for the occasion, I decided to compile some of my favorite #OwnVoices AAPI YA novels of all genres. As always, it’s essential to diversify your reading pool 365 days a year, but especially with the tragic hate crimes and harmful stigmas surrounding AAPI people in the U.S. and elsewhere, it’s especially important to uplift AAPI voices.
It’s been a few years since I’ve read this one, but I’ll never forget the impact it had on me. Raw, unapologetic, and resonant, Ngan builds such a rich world, unforgettable characters, and a plot that kept me at the edge of my seat. The sequel was a disappointment, unfortunately, but I think I’ll stick it out for book 3.
After reading two of her books and a short story, I can now say that Samira Ahmed might just be a new favorite author of mine! She never misses, and her debut is no exception; a raw and beautiful tale of love, family, and fighting back against bigotry.
GENRES: Historical fiction, fantasy, retellings (Romeo and Juliet), romance
MY RATING: ⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️
I tried (and failed) to set my expectations at a reasonable level after all the hype this one got, but I must say, this one is worth a good portion of it! A fresh and original spin on Romeo and Juliet set against the background of 1920’s Shanghai, complete with warring gangs and strange monsters.
Marie Lu’s one of my favorite authors, and it was hard to pick just one of her books for this post, but I ended up on this one because a) it was my first exposure to her AMAZING writing and b) I don’t talk about it an awful lot, so why not give it some more love?
Besides that gorgeous cover, there’s something for everybody here: futuristic Tokyo, a clever and lovable heroine, mysteries within competitive video games, and secret plots.
GAAAH, this one’s beautiful! This one’s an autobiography in the form of a graphic novel, centering around the author’s experience as a Korean immigrant to the U.S. and the transformative power of art and comics.
Amid the bountiful Cinderella retellings out there, this one truly stands out, with lush writing reminiscent of the narration of Pan’s Labyrinth and classic fairytales, and a warm and resonant sapphic romance. Highly recommended if you’re looking for a retelling worth reading!
If you’re a fan of Six of Crows, I AM ONCE AGAIN ASKING YOU TO DROP WHATEVER YOU’RE DOING AND READ THIS BOOK. Lovable and authentic characters, a complex world and system of magic, heists for famed artifacts, and political intrigue – this one has it all.
I know I never stop blabbing about this one, but this is a prime example of genre-bending done right: a stunning blend of fantasy and murder mystery! I’m so surprised that more people haven’t read this one, I highly recommend it if you haven’t. (And I can’t wait for The Ones We’re Meant to Find! It looks amazing, but I can’t find it at my library…[impatient screeching])
This was one of my most anticipated releases of 2020, and I’m so glad to say that it delivered! A diverse, sapphic enemies-to-lovers romance with important discussions about cultural appropriation, the immigrant experience, and sexuality.
TELL ME WHAT YOU THINK! Have you read any of these books, and what did you think of them? What are your favorite YA books by AAPI authors?
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
Phew, I’m so glad to be on a long weekend…we have the day off school today and next Monday, so I think I’ll have some much needed time to wind down…
As some of you may know, here in the U.S., the month of February is Black History Month! So for the occasion, I decided that it would be a good idea to make a post full of my favorite YA reads from #OwnVoices Black authors. Now more than ever it is critical to share stories from marginalized voices, and in the current climate that much of the world is in, uplifting POC voices should be at the forefront of creative endeavors.
I’ve made a list of YA reads of all genres for this post, all of them 4-5 star reads for me. So let’s begin, shall we?
THE BOOKISH MUTANT’S YA READS FOR BLACK HISTORY MONTH
The Sound of Stars was one of my favorite reads of 2020! A diverse cast, a tender romance, and no shortage of music and book references. Other than the ending, it’s pretty much everything I could want in a book.
The Revolution of Birdie Randolph is one of those special novels that simultaneously touches on a myriad of important issues, but still retains a lighter, slice-of-life mood. Romantic, sweet, and so inclusive!
It’s been a few years since I’ve read this one and my memory of it’s a bit hazy (oops), but from what I remember, Children of Blood and Bone was such a well-written and well-crafted fantasy! (Plus, that gorgeous cover…)
I have a distinct memory of looking through reviews for Raybearer before I picked it up; it was a struggle to find any sort of reviews with ratings below 4 stars (I usually try to read reviews in the 3-2 star range before reading most books), and everybody and their mother seemed to be gushing about it. But I’m glad to say that Raybearer absolutely lived up to that hype, and I now count myself among the legions of 4-star ratings!
I just finished this one last week (bought it with a gift card I got for Christmas!), and I must say, absolutely worth buying! Complex protagonists, and a writing style that all at once felt nostalgic and wonderfully fresh and unique. (I’ll try to review this one next week!)
TELL ME WHAT YOU THINK! Have you read any of these novels, and what did you think of them? What are your favorite YA novels from #OwnVoices Black authors? Any recommendations?
That’s it for this list of recommendations! Have a wonderful rest of your day, and take care of yourselves!
I haven’t done an eARC review in a little bit, and it was nice to see this one pop up after I’d forgotten about requesting it. It was a quick read for me, but although there was clearly a lot of care put into the worldbuilding, much of The Brighter the Stars fell flat for me.
At only twelve, Jake Saunders witnessed the murder of his uncle by Romalor, the tyrant of a distant world. His death shaped him for years, eventually leading him to the Legion, the intergalactic military. For years, he has sought revenge, but only now does he have the chance to avenge his uncle. But when Diane, an ambassador to Earth and a close friend to Jake, is captured, he must find a way to rescue her–and right the wrongs of the murderous Romalor.
TW/CW: violence, loss of a loved one
Thank you to Edelweiss+ and CamCat Publishing for sending me this eARC in exchange for an honest review!
Wait, so we’ve got a protagonist who witnessed the murder of his Uncle Ben in his formative years? Wait a minute…[PETER PARKER INTENSIFIES]
I always feel pretty bad giving more indie books low ratings. It’s hard to put yourself out there, and especially since this one has hardly any reviews or ratings on Goodreads as of now, it did pain me a little bit to give The Brighter the Stars a lower rating. But hey, I’m supposed to give an honest review here, and to be honest, this novel really wasn’t my cup of tea, even though I’m a huge fan of sci-fi.
Let’s start off with the positives. What stood out most to me about The Brighter the Stars was the worldbuilding; the author clearly put a lot of work into making a fleshed-out, intricate world, and for the most part, he succeeded. Although there were several instances where I felt like the information was being info-dumped, the futuristic world that Prosek crafted was one that felt very lived-in.
I also liked the dynamic between Jake, Cal and Diane. They had great chemistry together as a trio, and even though Jake’s and Cal’s personalities/voices were almost indistinguishable, I liked Diane’s character.
What bothered me most about The Brighter the Stars was the writing. It was often very choppy, with long clumps of sentences that were almost the exact same length. Within at least half of the paragraphs, most of the sentences seemed to start with the same word(s); this, combined with the lack of variation for the sentence length, made for a novel that didn’t really flow. I can usually just scan the pages if the sentences have differing lengths, but even the action sequences failed to flow. Additionally, the descriptions leaned quite a lot on telling instead of showing–there’s a whole lot of “was,” “[they] felt,” “[they] knew,” etc., which also contributed to the lack of fluidity throughout the story.
There’s an interesting combination as far as genres go; The Brighter the Stars is pretty hardcore sci-fi, but there’s some clear Western influences on it. (I really don’t know much about Westerns, so take this all with a grain of salt. I guess The Mandalorian was pretty Western-inspired, soooo…) There were quite a few nods to the latter throughout, and I did kind of like the desert/saloon planet, but plot-wise, it still felt quite flat. It was fast-paced, but everything felt far too easy for Jake (ex. beating the supposedly “unbeatable” fighter in the arena, another plot point that I won’t spoil). Now, I’m all for good triumphing over evil in the end, but there seemed to be little to no struggle for Jake to get over the obstacles in his path. He was definitely more of a Gary Stu-type protagonist, which…mmm, nope.
Overall, a sci-fi that clearly took time to create a fleshed-out world, but suffered from dry, choppy writing and unrealistically skilled protagonist. 2 stars.
Release date: November 10, 2020
That’s it for this eARC review! Have a wonderful rest of your day, and take care of yourselves!
Would you look at that…for once, I actually have a post that isn’t a meme, an update, or a book tag…
I’ve been planning for this one a little bit, and I’m excited to get into it! If you’ve been following this blog for a while, you know how much I love sci-fi. So for this post, I decided to go semi-in-depth on my favorite subgenre of science fiction and dole out some recommendations of mine.
Let’s begin, shall we?
So first off, what is space opera anyway?
In all forms of media, space opera is a subgenre of science fiction. It tends to focus less on the heavy science/physics of the universe it’s in, and more on aspects such as plot and characters. There’s often adventures at a breakneck pace, intergalactic war or conflict, strange planets/other locations, and drama between a set of characters. A lot of space opera media that I’ve consumed tends to throw in a ragtag bunch of characters with nothing in common together, and then throws them into an adventure of epic proportions. (Commonly referred to in many of my posts and reviews as “[chaotic] space misfits.”) More often than not, there’s some light elements of fantasy, sometimes as placeholders to explain the workings of the universe. And, as you probably can figure out, it’s usually set in space or on a distant planet.
Star Wars is often used as the quintessential example of a space opera–dogfights in space, romance, strange worlds, and (amazing) lightsaber duels. (What more could you possibly want?) Although it’s probably not *the original* space opera, it’s influenced a huge chunk of space opera/sci-fi media for the last 40-ish years. Guardians of the Galaxy is another widely-known example of space opera, and from= the world of literature, Dune and Foundation are some of the most well-loved space opera classics.
Sci-fi has only become my favorite book genre in the past…six or seven years; for a while, I was mostly drawn to fantasy, but after reading Tony DiTerlizzi’s Search for WondLa trilogy, there was no going back. And I was raised on a steady diet of Star Wars, so it was bound to happen eventually. There’s a multitude of reasons why I’m drawn to it. Even though fantasy has virtually no limits as far as making up universes goes, there’s just something about about flying through the vast reaches of space and traveling to strange worlds that has always appealed to me. And as someone who’s been something of an outcast for the better part of my life, I’m drawn like a magnet to any kind of found-family tropes. Now, I know full well that it’s not exclusive to space opera, but everything from Star Wars to Aurora Rising has a cast of strange and distinct characters that come to see themselves as a family, and I’ve always loved the theme of finding your tribe of weirdos.
So now, if you say “space opera,” there’s a good chance that I’ll immediately want to read it. (Doesn’t mean I’ll love it–there’s good and bad books in every genre, of course–but I’ll certainly read it.)
Now, I’ve compiled a list of some YA space opera recommendations! Each one is tailored to different types of readers/tastes, because I firmly believe there’s something for everybody, even if sci-fi isn’t normally your thing. So let’s get to it, shall we?
A retelling of Arthurian legend where the reincarnation of King Arthur is a pansexual woman of color and a spell gone wrong made Merlin age backwards…into an awkward, voice-cracky teenager. Super diverse, super feminist, and super fun!
In short, this is what happens when you put Captain America in a spaceship with his sister, his ex, a whole bunch of random students from the bottom of his class, and a girl with a glowing eye that may or may not start an intergalactic war. Hands down, my favorite series of all time.
(Would you look at that…another pansexual protagonist!)
I had my expectations a *bit* too high for this one, but it was still a whole lot of fun! A lot of reviewers have pitched it as Aurora Rising meets The Hunger Games, and I’d say that’s pretty spot-on. I’m excited to see what Coffindaffer has up their sleeve for book 2.
This one has elements of both sci-fi and fantasy woven in–royal intrigue on other worlds, and lots of clockwork hearts! Plus, it’s a beautiful queer story; we have a wlw romance, as well as a beautiful aro-ace coming out scene for one of the main characters.
Another space opera retelling of Anastasia, comin’ right up…
Last of Her Name is a truly beautiful novel, with intricate and detailed worldbuilding, tender romance, and no shortage of twists that I couldn’t see coming. I do wish we’d gotten a larger glimpse into this world, but it was still satisfying as one book.
Normally, I’d try to avoid putting two series from the same author(s) in a post like this, but Amie Kaufman and Jay Kristoff are masters of sci-fi, so I kind of *had to.* Composed of interviews, emails, security footage, and more, this is truly a trilogy like no other.
TELL ME WHAT YOU THINK? What are your favorite space opera books? Do you have any space opera recs for us? Tell me in the comments!
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
I’ve been meaning to read this one for a year or so; my brother read it for an English project (the same one that lead me to Frankenstein) and liked it. And the new trailer got me SO excited, so of course I’ll have to read it before December! (Did that Pink Floyd cover give anybody else chills, or was that just me?)
I’ve been eager to read this for a good year and a half, ever since the first tiny synopsis compared it to Rogue One: A Star Wars Story. (Star Wars? Of COURSE you have my attention, shut up and take my library card…)
Credit Drew @ TheTattooedBookGeek as the creator of the tag, use the created tag name graphic and link back to his blog. (Also, if you want to learn more about the tag you can see Drew’s post HERE.)
Answer the questions.
Tag as many people as you want.
Let’s begin, shall we?
WHAT IS YOUR FAVORITE GENRE?
Science fiction, without a doubt.
WHO IS YOUR FAVORITE AUTHOR FROM THE GENRE?
Can I include two? Amie Kaufman and Jay Kristoff (co-authors of The Illuminae Files and the Aurora Cycle, and the latter is also the author of the LIFEL1K3 trilogy) never fail to disappoint; with their talents combined, every single one of their novels together is guaranteed a 5-star rating from me.
WHAT IS IT ABOUT THE GENRE THAT KEEPS PULLING YOU BACK?
With sci-fi, there’s an almost endless amount of possibilities, but I am always eager to read anything involving aliens, thrill rides in space, and everything that goes along with it. It’s easy to mess up, to be sure, but when an author hits the right note, I will enjoy every second of it.
WHAT IS THE BOOK THAT STARTED YOUR LOVE OF THE GENRE?
Tony DiTerlizzi’s Search for WondLa trilogy was my gateway into sci-fi literature, the summer before 5th grade. I instantly fell in love with the characters and the worldbuilding, and it inspired me to become an author as well. I’ll always hold this series close to my heart.
IF YOU HAD TO RECOMMEND AT LEAST ONE BOOK FROM YOUR FAVORITE GENRE TO A NON-READER/SOMEONE LOOKING TO START THE GENRE, WHAT BOOK WOULD YOU CHOOSE AND WHY?
Heart of Ironwould be a spectacular starter for anyone who’s looking to get into the genre. This novel really has it all–political intrigue, witty banter, a misfit crew of thieves, and lovable characters. Oh, and there’s the POWER COUPLE OF THE CENTURY, JAX AND ROBB. It’s also a retelling of the story of Anastasia, which might be a better starting point for some, if they’re already familiar/semi-familiar with the gist of it.
WHY DO YOU READ?
My, that’s a weighty question…
Reading is so many things for me. It’s an escape, a chance to connect, a way to spend the day, a source of inspiration. I’ve always been a voracious reader, but there’s not a singular reason why I’m so drawn to it. There’s always been the aspect of escaping to fictional worlds for a moment to distract from reality, but in my favorite books, I haven’t just found an escape, but something that speaks to me, something more than just bound paper. It’s hard to pinpoint, but there’s a fount of reasons why I read. Either way, I don’t know what I’d do without books in my life.
For this Pride Month, I’ve decided to do a batch of weekly recommendations of LGBTQ+ books. I’ll do a different genre each week (though they’ll all probably fall into the YA category), focusing on books with LGBTQ+ protagonists/casts of characters and themes. We’ve come quite a long way in YA, so why not celebrate it?
LGBTQ+ REPRESENTATION: Protagonist is a trans woman/lesbian
MY RATING: ⭐️⭐️⭐️⭐️
A poignant and potent spin on the classic, superhero/coming of age story, as Danny comes to terms not only with her gender identity and sexuality, but with her newfound powers. I read this one a year or two ago and haven’t gotten around to reading book 2 (Sovereign), but I REALLY need to do that soon!
LGBTQ+ REPRESENTATION: wlw representation between the two protagonists
MY RATING: ⭐️⭐️⭐️⭐️
Though I was initially hesitant about reading this one, it turned out to subvert all of my expectations and make for a lushly written novel with romance to DIE for! I suppose you could debate whether or not this is sci-fi or fantasy (I mean, there’s…androids? Basically…), but I’d say it’s a combination of both genres.