Happy Tuesday, bibliophiles!
The novel I’ve decided to review this week came in my last library haul. This is only my second foray into Noah Hawley’s novels after I fell in love with Before the Fall last month, but I can tell from just these two novels that he’s become an auto-buy/borrow/read author for me.
Enjoy this week’s review!
Joe Henry is dead, but what he leaves behind is a dysfunctional family in tatters. His wife Doris, has all but given up on life, his eldest son David struggles to keep two separate relationships (and his constantly teetering emotional state) afloat, and his youngest son Scott grapples with paranoid cynicism and a luckless love life. The three surviving members of the Henry family are brought together to scatter Joe’s ashes, bringing to light everything that Joe kept in check while he was alive and leaving all but chaos in their wake.
TW/CW: loss of loved ones, description of illness, substance abuse (mainly smoking), mild physical violence (hence the title), cheating
As I mentioned earlier, this is only my second Noah Hawley novel, but judging from this one and Before the Fall, he’s easily earned a spot as one of my favorite authors. The Punch had a very different feel to it than the latter, though; all at once tragic and laugh-out-loud funny, a superbly written story of the trials and tribulations of a dysfunctional family.
Let me just start off by saying…I think The Punch boasts one of the best opening scenes/images that I’ve ever seen in a book; the story of the Henry family begins/ends in a hospital on Valentine’s Day, with sickly and injured patients being wheeled about amidst cheery heart decorations and a pianist playing “Wonderwall” in the background. It’s hysterical, it’s so well-crafted, and in one scene alone, the mood of the entire book is encompassed–equal parts tragedy and comedy.
Having a novel with a cast of unlikable characters is usually hit-or-miss for me; I had a hard time getting through Watchmen for the first half or so because of how despicable most of the characters were. (and on that note, PLEASE 👏 STOP 👏 ROMANTICIZING 👏 RORSCHACH 👏 HE’S 👏 AWFUL 👏 [ahem] I digress), for example. The difference between my being able to enjoy a novel with an entire cast of characters like this is usually a mix of whether or not you’re supposed to like the characters and how well-written they are. (And no, that’s not a dig at Watchmen – it ended up being a four-star read for me in the end.) Clearly, the cast of The Punch are all deeply, deeply flawed people, but they’re not framed as the “good guys,” but simply protagonists. That, coupled with Hawley’s stellar writing, made me stick around even when the characters were at their all-time lows (which were…pretty low, not gonna lie.)
What also made a difference with the characters was the familial chemistry that they had with each other. They all bounced off each other so authentically, behaving exactly how you’d believe a dysfunctional family would, producing no shortage of weird occurrences and plenty of quotes that made me laugh out loud. (I can’t seem to find the quote, but there was this one that made me just WHEEZE…it was something along the lines of “It’s like it says in the Bible. All is full of love.” “No, I think that’s a Björk song…”) (I wish I’d written it down, I borrowed a copy from the library…)
But in its (tragically) short entirety, The Punch was a perfect blend of tragedy and comedy, a story of family, dysfunction, and a whole lot of miscommunication and shaky relationships. Clever writing, memorable imagery, and hysterical quotes – this one really has it all. 5 stars!
The Punch is a standalone, but Noah Hawley is also the author of Before the Fall, Other People’s Weddings, The Good Father, and A Conspiracy of Tall Men. He is also the creator of FX’s TV adaptations of Fargo and Legion, the latter of which in association with Marvel Television.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
The Bookish Mutant 