Posted in Music, writing

Writing Soundtracks: Songs and albums I listen to while I write, and tips for making writing playlists

Ooh, would you look at that! A new header!

Happy Wednesday, bibliophiles!

I got a notification this morning, and apparently I’ve had this blog running for…5 years? WHOAAAAA, OKAY, I FORGOT ABOUT THAT

I didn’t start semi-seriously book blogging until about a year ago, but thank you to everybody who has supported me along the way! (And for those of you who had to witness what this blog was like when I was in middle school…I’m terribly sorry for the horrors you experienced.)

ANYWAY, I figured I should start doing writing-related posts more frequently, so here’s my first(ish?) stab at it.

Many members of the writing community use music in a number of ways in the process of creating their WIP, be it picking specific songs or albums to listen to while writing, or creating book or character playlists. Music is an integral part of my life, and I’ve managed to weave it into my writing life as well. I always listen to music when I write, so I thought that I would first share some songs, albums, and scores that I like the most to get me writing my WIPs.

INSTRUMENTAL SCORES

I think there’s been several studies about how instrumental scores help with studying, but for a lot of people, music without lyrics is helpful to focus on their writing, and is less distracting than music with lyrics. I use a mix of music with and without lyrics in writing, but for those of you who are strictly instrumental, here are some of my favorite albums–mostly film scores, mind you–that I use when writing:

Danny Elfman - Hellboy 2 (OST) - Amazon.com Music

Hellboy II: The Golden Army original score–Danny Elfman

Yes, yes, I know I blab about this masterpiece quite a lot, but hey, it’s Danny Elfman doing the score–what’s not to like? The score ranges from whimsically spooky to action-packed to tear-jerking, so it’s perfect for writing scenes of all kinds.

Radiohead for Solo Piano | Josh Cohen

Radiohead for Solo Piano–Josh Cohen

Even if you aren’t familiar with Radiohead, this is a spectacular collection of their pieces adapted into instrumental, piano form. I particularly like “Motion Picture Soundtrack” and “Black Star.”

Trent Reznor / Atticus Ross: Watchmen (Music from the HBO Series ...

Watchmen original score–Trent Reznor and Atticus Ross

Much of this one is electronic, but with a wide range of moods; either way, it’s always catchy, and perfectly cinematic. Also, there’s a gorgeous instrumental cover of David Bowie’s “Life On Mars?”, so of course I’d recommend it.

Anything by Jeff Russo, really

Russo has such a wide range, composition-wise, and every single score I’ve come across by him is nothing short of stellar. Some of my favorites include his scores for Legion (FX), and The Umbrella Academy (Netflix), but he’s also scored everything from Cursed to Lucy in the Sky and Fargo (the TV show)

NON-INSTRUMENTAL SONGS AND ALBUMS

I cram loads of music onto my writing playlists, but there’s several particular songs and albums that get me more focused/motivated/immersed in my writing than others, so here goes nothing…

Kid A Cover - How Radiohead's Most Alienating Album Got Its Cover

Kid A–Radiohead

Besides the fact that one of my WIPs features a character who is obsessed with this album, the sheer range of emotion in this album is stunning. Though it’s chiefly electronic, I’ve used these songs from everything from battle scenes to a funeral scene.

Recommended tracks:

Mitski: Bury Me at Makeout Creek Album Review | Pitchfork

Bury Me at Makeout Creek–Mitski

Another very emotional album, this one’s always great for writing scenes associated with any form of love, whether it’s the promise of it, being in the throes of it, or being apart from it. Then again, you’re talking to somebody who has had zero (0) experience with any sort of relationships, so take this as you will.

Recommended tracks:

Yankee Hotel Foxtrot By Wilco Album Cover Location

Yankee Hotel Foxtrot–Wilco

Apparently they called this album “the American Kid A” when it came out, so…did I cheat and put Kid A on here twice? If so, I don’t regret it.

Ranging from punchy, classic rock songs and dreamlike, melancholic hazes of emotion, I highly recommend this album for scenes charged with emotion–doesn’t matter what emotion we’re talking about, because there’s easily a song or two on here for everything.

Recommended tracks:

Phoebe Bridgers: Stranger in the Alps Album Review | Pitchfork

Stranger in the Alps–Phoebe Bridgers

Though I don’t like every song on the album, I’d say about 3/4 of it is positively stellar. Definitely on the sadder side, but it’s perfect for channeling strong emotion in your writing.

Recommended tracks:

David Bowie - Hunky Dory - Amazon.com Music

Hunky Dory–David Bowie

Besides being, y’know, the pinnacle of music, this one is chock-full of tracks that not only help me bring emotion and heart into my writing, but with songs that motivate me to write.

Recommended tracks:

GENERAL WRITING PLAYLIST TIPS

I saw a piece of advice the other day about making two writing playlists: listen to one of them while writing it, and a different one when you’re editing or making the second draft, so that you’re put into a different mindset while re-reading it.

For making the playlists themselves, I usually just dump several songs I like, and go through songs as I write. If there’s a song that takes me out of the writing or has been in circulation for a few times too many, I take it off and replace it.

Just for fun, here are snippets of mine:

And yes, I did color-coordinate the album covers. It’s fun…

(Or, alternatively, “the one that I accidentally dumped all the Weezer on” and “the one without any Weezer at all”)

I also like to cobble together playlists for each of my WIPs: here, I include songs with lyrics that relate to the story, or that just have the general vibe of the WIP. For some of them, I also create character playlists going off of the same rule. For my sci-fi book, there are six different perspectives (or, I’m going to make it that way once I get around to editing it), so I have a playlist for each of them. For my current WIP, however, there’s only one perspective, so I just keep it at the protagonist.

What do you think? What are your musical techniques for writing? What’s your favorite music to write to?

Since there’s a boatload of music in this post, consider the entire thing “today’s song.”

That’s it for this writing post! Have a wonderful rest of your day, and take care of yourselves!

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Posted in Music

Punisher (Phoebe Bridgers) Album Review

Phoebe Bridgers - Punisher (2020, Vinyl) | Discogs

Happy Friday, everyone! I’ll dispense from my normal greeting, as this isn’t a bookish post…

I discovered Phoebe Bridgers late last year. “Smoke Signals” was the first of her songs to capture my imagination, and it prompted me to listen to her debut album, Stranger in the Alps. Though it wasn’t without its flaws, it was gorgeously lyrical and haunting at times. So naturally, I was excited to find out that she was releasing a new album. And she released it A DAY EARLIER! It’s been about a week since its release, now, and now I can say with certainty that her sophomore album, Punisher, is a worthy predecessor that may even surpass some of her older material.

Let’s begin, shall we?

Phoebe Bridgers Wants to Believe - The New York Times

ALBUM REVIEW: PUNISHER–PHOEBE BRIDGERS

TRACK 1: “DVD Menu”–7/10

A strange and haunting instrumental prelude to the album. Woozy, with almost a fever-dream vibe, it’s almost foreshadowing for what’s to come.

TRACK 2: “Garden Song”–7/10

This was the first single to be released out of the whole album. When I first listened to it, something about it got under my skin, but as I’ve listened to it more, something about it has grown on me (no pun intended). A nostalgic, dreamlike opener to the album.

TRACK 3: “Kyoto”–9/10

One of my favorite songs off of the album! This is the perfect song for rolling your windows down in the middle of the road. Bridger’s already stunning voice never fails to give me chills in the chorus. Phenomenal.

TRACK 4: “Punisher”–9/10

Bridgers said in an interview that the album’s title track was about being a huge fan of Elliott Smith. Though I’ve barely listened to his music, everyone from Becky Albertalli to David Arnold have sung his praise. But even if you aren’t familiar with the song, you’re sure to be familiar with the feeling it evokes–that of worshipping somebody that you’ve never met, and people associating you with them. Phoebe Bridgers never fails to be able to connect to her listeners.

What if I told you

I feel like I know you?

But we never met…

TRACK 5: “Halloween”–6.5/10

Though most of Bridgers’ catalog is already more melancholy and mellow, this fails to keep up the pace kept up by “Kyoto” and “Punisher”. It’s still a decent song, but it doesn’t pack as much of an emotional punch as some of the other tracks on the album.

TRACK 6: “Chinese Satellite”–8/10

Picking up from the slight lull of “Halloween,” this track delves back into Bridgers’ signature, heart-wrenching lyricism, weaving a tale of losing yourself and wishing on false stars. Absolutely beautiful.

TRACK 7: “Moon Song”–7.5/10

A soft, drifting track that dives more into Bridgers’ more dreamlike side. A song that could simultaneously rock me to sleep and bring me close to tears, if the mood struck me.

And if I could give you the moon,

I would give you the moon…

TRACK 8: “Savior Complex”–9/10

Without a doubt, one of the highlights of this album. With lyrics that stick and a melancholy melody, this is Phoebe Bridgers at her best. Again, her voice just gives me cHILLS…

TRACK 9: “ICU” (previously titled “I See You“)–7.5/10

(SCREAMING)

A catchy track that leans more into Bridgers’ poppier side. Though it teeters on going into the places that I thought “Garden Song” went when I first listened to it, it’s still a good song; not her best, but not her worst by far.

TRACK 10: “Graceland Too”–7.5/10

First of all, shoutout to Phoebe Bridgers for putting a banjo in a song that doesn’t instantly infuriate me.

With folkier instrumentation, “Graceland Too” weaves a beautiful, melancholy tale of newfound freedom and self-discovery.

So she picks a direction, it’s 90 to Memphis,

Turns up the music so thoughts don’t intrude,

Predictably winds up thinking of Elvis

And wonders if he believed songs could come true…

TRACK 11: “I Know the End”–9.5/10

A positively stunning end to the album. Laced with Bridgers’ signature lyricism, she quickly amps up the emotion, growing tense before erupting into chaotic instrumentation. The album ends with the sound of her raw screams and breathing as she seems to recover, somehow making it feel powerful and intimate all at once. The best possible song to end the album on.

Over the coast, everyone’s convinced

It’s a government drone, or an alien spaceship,

Either way

We’re not alone…

Phoebe Bridgers – 'Punisher' album review

I averaged out all of my song ratings, and it came out at about a 7.9, which I’ll round up to 8. Punisher was, without a doubt, a worthy successor to Stranger in the Alps. Phoebe Bridgers has outdone herself on her sophomore album, creating something magical with her lyricism and dreamlike melodies. In short, Punisher is very nearly a masterpiece, and Phoebe Bridgers is an artist to be reckoned with.

The Big Listen: Phoebe Bridgers – Punisher | Guitar.com | All ...

Since this post is an album review, you can consider this whole album today’s song.

TELL ME WHAT YOU THINK! HAVE YOU LISTENED TO PUNISHER, AND IF SO, WHAT ARE YOUR THOUGHTS?

That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!