Posted in Book Review Tuesday

Book Review Tuesday (3/3/26) – Red Star Rebels

Happy Tuesday, bibliophiles!

BEFORE I BEGIN: as this is a bookish space, I feel that it’s essential to bring this to your attention. Here in the States, H.R. 7661 (misleadingly named the “Stop the Sexualization of Children Act”) presents a grave danger to libraries and our freedom to read as Americans. This legislation, as many similar ones are, is presented under the guise of “protecting children” from sexually explicit material, but we all know what it targets in reality: fiction and nonfiction about queer people, people of color, and other marginalized groups. EveryLibrary has both a petition to oppose H.R. 7661 and instructions to call your representatives. Excluding stories of marginalized people doesn’t protect anybody. Protect our freedom to read!

It’s 2019. I’m about to finish my first year of high school, and I’m excited to buy the new Amie Kaufman book.

It’s 2026. I’m about to finish my last year of college, and I’m excited to buy the new Amie Kaufman book.

Needless to say, longtime followers of this blog (and longtime friends of mine in general) know how pivotal of a role Amie Kaufman has played in my life. Her sci-fi and fantasy novels have been a positive constant for seven years and counting, especially the Aurora Cycle. I was over the moon to find out that she was returning to science fiction after a long stint focusing on fantasy. And though it wasn’t as emotionally potent as some of her other novels, Red Star Rebels was an action-packed and romantic blast all the way through!

Enjoy this week’s review!

Red Star Rebels – Amie Kaufman

Hunter Graves has Mars in the palm of his hand. As the grandson of the man who settled Mars, he’s got it made. If only the rest of his family would actually pay him any mind. But when he’s trapped on the U.N. base after a mysterious attack, he’ll have to use more than his name to get out alive.

Cleo just wanted to stow away on this U.N. base to get the Earth gangs off her back and make a quick buck. Having to stow away with Hunter Graves when the base goes on lockdown was not part of the plan. But they’ll have to work together for eight hours before a bomb detonates, killing everybody on the base. And neither of them counted on falling for each other…

TW/CW: violence, loss of loved ones (past), fire

I’m a huge fan of Zoë Van Dijk’s artwork and I love her cover art for the U.S. edition of Red Star Rebels, but…I can’t unsee the fact that Cleo is doing the Dreamworks face. It haunts me. The thing is, it’s 100% in character for her, which almost haunts me even more.

The main draw for Red Star Rebels is that it’s a pulse-pounding action thriller in space; Kaufman has compared it to Die Hard and Home Alone in equal measure, in reference to both the atmosphere and the amount of interstellar hijinks. All of the events of Red Star Rebels happen in the span of 8 hours (the time it’ll take for the U.N. base to detonate), and it really does feel like it’s all crammed into such a short amount of time. Be prepared to be gripping the edge of your seat, because this novel moves fast—and this is the exact type of novel that needs to go at breakneck speed. The pacing is impeccable. The only drawback is that Red Star Rebels sacrificed some of the emotional potency that I come to expect with your typical Amie Kaufman novel. There’s a reason that her books are normally so thick—she doesn’t hesitate to get in the weeds with character development and poignant arcs. Though Hunter and Cleo’s relationship was charming as ever, some of the emotional aspects of this novel were quite rushed in comparison to her other novels, and I think that can exactly be chalked up to the uncharacteristically short page count—288 pages, in comparison to her often 400+ page whoppers. While the pacing worked for the plot, it didn’t work all the way for the characters—give it at least 50 more, and I think this would’ve been near perfect. That being said, even a weaker Amie Kaufman book is guaranteed to be a cut above the rest, so I’m not complaining.

Every time there’s a chance for Amie Kaufman to write a relationship dynamic where one’s a scrappy criminal and the other is a spoiled, rich brat (both of whom secretly have a heart of gold), by God, she’ll take it (see also: Selly and Lysander from Isles of the Gods, Lilac and Tarver from These Broken Stars, Nik and Hanna from Gemina, etc.). And do I eat it up every time? Absolutely. At least she switches the genders up. It’s a blatant pattern at this point, but she writes it so compellingly that I’m not even that mad. Would I like for her to mix it up a little? Sure, but this is Amie Kaufman we’re talking about—no matter what kind of relationships she’s writing, they’re always so charming and heartstring-tugging, so I’m not here to complain. The setup for Cleo and Hunter’s relationship was a perfect storm, but Kaufman did such an excellent job of making the development of their relationship realistic—it’s a survival situation spaced over eight hours, but never at any point did their romance feel too rushed. They were trapped together with very little interaction from the outside world (other than the antagonists), and there was plenty of time for their chemistry to develop. All in all, it’s another slam dunk from Kaufman—Cleo and Hunter were so sassy, and yes, made for each other. Plus, I’ve loved Kaufman’s casual queer inclusion, especially in terms of bisexuality. Beyond that, it’s so, so important to show that straight-passing relationships are just as valid and still queer, so I’m very grateful to Red Star Rebels for showcasing this!

Red Star Rebels should be a masterclass in why you shouldn’t underestimate the craft that goes into good YA novels. The best part about Amie Kaufman’s books is that sure, they look like cheesy YA (and in some ways, they are, but tastefully so) on the surface, but 9 times out of 10, they’re Trojan horses for top-notch, exhaustively researched worldbuilding. Aside from the Illuminae Files, Red Star Rebels might honestly be some of the hardest science fiction that she’s ever written. There was a ton of thought put into the physics and logistics of establishing colonies on Mars, and every aspect was pored over in exceptional detail, from the nutrients you’d need to survive on Mars to how the gravity affects the red planet’s permanent residents. Not only that, Kaufman goes headfirst into discussing the geopolitics of international Mars settlements. All of this fed into some great commentary on corporate space exploration and how corporations have unjustly been able to buy their way into influencing world politics. Kaufman’s vision of 2067 is basically what would happen if Elon Musk—[ahem] Graves had his way with things, and the commentary was an excellent way to scaffold the worldbuilding.

Back to Cleo and Hunter—as well as the worldbuilding—what I really appreciate about Kaufman’s class-divided relationship dynamics is that the less privileged person in the couple doesn’t sacrifice their values. There’s some potent class commentary in Red Star Rebels, and I love Hunter’s arc in seeing that their colonialism has consequences, and that the exceptionalism of his family came at a bloody cost. There’s also some sharp commentary on how poor people have to circumvent the law in order to make a living and are punished for it, but rich people use the same methods and get away scot-free—for instance, Cleo and Hunter ending up on the U.N. base in the exact same way, but Cleo being the only one who would be theoretically imprisoned for it. There’s a fine line in these dynamics where the poorer person in the couple ends up excusing the power imbalance and the narrative ignoring any issues of class disparity and the circumstances that made them so, but Kaufman is always right on the money (no pun intended) with imbuing her relationships with a strong sense of justice and class commentary.

All in all, another win for Amie Kaufman, full of outer space hijinks, crafty characters, and romance. 4 stars!

Red Star Rebels is a standalone, but Amie Kaufman is the author of several other books for children and teens, including the Isles of the Gods duology (The Isles of the Gods and The Heart of the World), The Illuminae Files (with Jay Kristoff; Illuminae, Gemina, and Obsidio), The Aurora Cycle (with Jay Kristoff; Aurora Rising, Aurora Burning, and Aurora’s End), The Other Side of the Sky duology (with Meagan Spooner; The Other Side of the Sky and Beyond the End of the World), and many more. Her next book, co-authored with Meagan Spooner, is One Knight Stand, the sequel to Lady’s Knight, which is slated for release on June 4th, 2026.

Today’s song:

gonna be honest…I wasn’t a huge fan of The Mountain, but this song was fantastic, so it’s not a complete loss.

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (5/16/23) – The Isles of the Gods

Happy Tuesday, bibliophiles!

If my constant blabbing about Aurora Rising from the past four years should bring you to any conclusion, it’s probably that I’m a massive Amie Kaufman fan. So when I heard that she was making her solo YA debut this year, I was BEYOND excited!! I immediately preordered, and it came right when I’d just finished up my first year of college—the perfect present! And even though I’ll always pick sci-fi over fantasy, if anybody can make a fantasy that I’ll give 5 stars, it’s Amie Kaufman.

Enjoy this week’s review!

The Isles of the Gods (The Isles of the Gods, #1) – Amie Kaufman

Selly has the ocean in her blood.

She’s been tagging along with her father on the high seas since she was a baby, but now, he’s left Selly to her own devices in the port town of Kirkpool. Intent on tracking him down, she tries to set sail, only for her plans to go awry at the hands of Prince Leander, who wants to hitch a ride for his own gain—to seek out the storied Isles of the Gods, where the ruling deities of her world are fabled to be laying in a restless, dormant sleep. But when a disastrous assassination attempt leaves Selly and her crew stranded, she has no choice to trust Leander—and make it to the Isles no matter the cost.

isles ft. some rainy trees

TW/CW: murder, graphic violence, abandonment, assassination, fatal vehicle explosion

From what I can tell, The Isles of the Gods is a book around a decade in the making, a passion project that Amie Kaufman had been crafting relentlessly in between releasing some of her other collaborative novels. So there’s automatically 10 years of love in this novel—and boy, it really did show.

I’ve preferred sci-fi to fantasy for years, but leave it to Amie Kaufman to craft a fresh setting that kept me turning the page for hours! I’m already a sucker for pirates in fantasy, and that aspect was executed with just the right balance of campy fun and nail-biting stakes. And after parsing through all of the rich facets of the world that Kaufman created, it’s left me with one question: what’s keeping authors from creating more industrial/advanced fantasy settings? Consider me done with fantasies with automatically medieval settings, can we do more 1920’s-inspired fantasies that don’t just focus on the jazz age stuff? I didn’t know I could possibly yearn for the melding of magicians and old-timey cars quite this much, but I’ll say it once and I’ll say it again: if anybody can do it, IT’S AMIE KAUFMAN.

Kaufman’s writing, as it always is, was the real star of the show in The Isles of the Gods. There’s something instantly transporting about her prose—from the first sentence, I felt dunked headfirst into this lush, rich world, from the gripping prologue to the delightfully suspenseful final sequence. Maybe this is just a consequence of me being so attached to her writing style, but she has such a way of drawing you into the story in record time. Every book is a little world in and of itself, but hers never cease to feel tangible. Reading fantasies with sea settings are always fun for me, being about as landlocked as you can get here in the U.S., but reading this reminded me of a passage from Neil Gaiman’s The Ocean at the End of the Lane, about the protagonist imagining that the rain pattering against his window at night was waves on the hull of a ship. Good thing it was pouring rain when I was reading this book.

And speaking of Kaufman’s writing—now that I’ve seen her solo and collaborative works, I can say with certainty how clever of a writer she is. She sets up common conflicts that threaten to drag down the book, but whips them into cunningly-subverted left turns that kept me guessing all through the novel. A whole bunch of characters that you *can’t* quite tell apart, but are still personally relevant to the protagonist? Oh look, a botched assassination attempt that gets rid of them! Have a lovable but borderline one-note character who hasn’t had the chance to prove themself? Put that sorry little man in a Situation!™️ It may be diabolical, but it made my enjoyment of the book increase that much more—nothing like trope subversion and avoidance left and right to keep you on your toes.

As for the characters, I’m not quite as attached to them as I was with the squad of the Aurora Cycle, for example, but that’s way too high a bar, even if it’s still Amie Kaufman, but I did adore a lot of them! There was clearly so much love and care put into Selly, and it showed—she had a beautiful arc, and she was such a determined and lovable character to root for. Leander’s type of character—the charming, spoiled prince that the protagonist can’t help but fall for—has been done since time immemorial, but Kaufman’s take on the trope resulted in some lovely laughs and a slow-burn romance done right!

And…yes, I felt a little too called out by Keegan. The “bookworm who hasn’t seen the light of day in way too long” was already there, but…dude. I just shaved my head in January. DUDE. AMIE KAUFMAN, STOP PEEKING INTO MY BRAIN LIKE THAT. YOU COME INTO MY HOUSE, AND YOU MAKE A GENDER-SWAPPED CHARACTER OF ME?

Jude and Laskia (especially the former) didn’t get quite as much page time, but they were incredibly intriguing as not-quite-antagonists, but puppeteering each other and subsequently being puppets to political forces beyond their control. I kept getting hints that Laskia was going to turn to Selly/Leander/Keegan’s side, but now that we’ve seen ✨the cliffhanger,✨ the future is uncertain…hmm. I didn’t quite get the promised “squad” vibe that the blurb promised, but I have a feeling that the two camps are going to merge sooner than later…

Also, we love an absolutely Indiana Jones final sequence. NAILED the fantasy brand of campy.

One sidenote—Amie Kaufman said several times that Isles was going to have LGBTQ+ rep, and all we really got was the lesbian couple that appeared for a total of…maybe three pages? Which, yeah, that’s all well and good, but the question that many readers had about said rep was if any of the protagonists were going to be queer, and…so far, nothing? As much as I loved this book, I can’t help but be a little disappointed on that front.

All in all, a gripping, cinematic, and utterly lovable solo venture from one of my favorite authors. 4.75 stars, rounded up to 5!

bonus Hobbes content

The Isles of the Gods is the first in a planned duology, concluding with an unnamed final book slated for release in 2024. Amie Kaufman is also the co-author of the Illuminae Files, the Aurora Cycle (with Jay Kristoff), the Starbound trilogy, and the Other Side of the Sky duology (with Meagan Spooner). On her own, she is the author of the middle grade Elementals trilogy.

Today’s song:

loving this album hnnnnngh

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!