Tag: Black Belt Eagle Scout

Posted in Sunday Songs

Sunday Songs: 8/10/25

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week: a David Bowie double feature (who could’ve seen that coming?), upcoming artsy albums, and more reasons why I really just wish I had dual British citizenship, because apparently all of the good music related stuff happens exclusively in the UK.

Enjoy this week’s songs!

SUNDAY SONGS: 8/10/25

“Is It Worth It (Happy Birthday)?” – Cate Le Bon

I could really do with some more restrained excitement about Michelangelo Dying, but…these singles just aren’t letting me do it! They’re both so enchanting! I can’t get enough!! I’m really hoping they’re not the best of the bunch, but I have faith that Cate Le Bon has something quirkily artsy up her sleeve, if this and “Heaven Is No Feeling” are any indication.

“Is It Worth It (Happy Birthday)?” takes the palette of the album down a more subdued, melancholy route than “Heaven Is No Feeling,” trading the former’s synthy strut for glassy-eyed introspection. But even with the thematic shift, Le Bon’s signature modern touches are there. Awash in fizzling, electronic textures, this track is an outstretched bolt of lavish fabric, much like the pink background of the album cover. Silky and watery, it makes every instrument feel like it’s been drenched in sunlit water, from the gentle, barely perceptible bass to the saxophones. I’m not usually this big of a fan of saxophones, but the way Le Bon utilizes them, more for added sonic texture than for dramatic solos, make her world even more layered and delectable to pick apart. It’s distinctively her, but I can’t help but think of the dense, dreamy soundscapes of the Cocteau Twins when I listen to it. (“For Phoebe Still A Baby” jumps out in particular.) Yet drama is what this song quietly thrives on, as the lyrics muse on trying to make light out of abject sorrow: “Open up in hell/And dress the hall/It’s a holiday/It’s a birthday/Is it worth it?/Is it worth it?” The lyrics nearly get swallowed by the sheer magnitude of sounds woven into the production—including the signature, lilting cadence of Le Bon’s voice—but it almost seems exactly her intention. It feels both mean and inaccurate to call any of it window dressing, but next to the lyrics, all about trying to laugh heartbreak away and pretend it’s something that it’s not, it feels like exactly the kind of shrouding she’s singing about. At the end, she laments that she’s “Checking out/Even with my language in him,” just as the listener tries to extricate her from the vibrant sea of sound she’s crafted to shield herself. It’s easy to get washed away in, and if the rest of Michelangelo Dying is anything like this, I’ll be gladly losing myself in it come September.

…AND A BOOK TO GO WITH IT:

The Ephemera Collector – Stacy Nathaniel Jackson – “Open up in hell/And dress the hall/It’s a holiday/It’s a birthday/Is it worth it?”

“Saviour Machine” – David Bowie

“David Bowie predicted ChatGPT” would’ve been a good headline for this post, but as much as I love him, he was far from the first to ponder about AI. But really…this song does basically predict ChatGPT, and in this song it’s “President Joe” who introduces it to the world, which is kind of a crazy coincidence. Had to do a double take when I first heard the lyrics, for sure. Drawing from much of the sci-fi media of his time, Bowie’s version of AI comes in the form of The Prayer, an AI system introduced by President Joe to make the population’s decisions easier for them, from stopping wars to simply thinking themselves. However, it’s The Prayer itself that calls for its own destruction, going insane after having such decisions weighing on its shoulders and pondering: “Please don’t believe in me/Please disagree with me/Life is too easy/A plague seems quite feasible now/Or maybe a war/Or I may kill you all!” Life is too easy for sure, now that everyone’s trying to flirt and make art and music and go through school entirely with AI. Sorry, but can’t you idiots stop and forgo convenience to experience the tedious pleasures of the human experience? Embarrassing. Jesus Christ. Remember, kids: you can’t stake your life on a savior machine.

“Saviour Machine” rings reminiscent of short stories of the likes of Ray Bradbury, but it also reflects the much darker tone of The Man Who Sold the World. Though it wasn’t like he hadn’t trod into darker lyrical subjects before, going from something like “Uncle Arthur” to an album comprised of insane asylums, the Vietnam War, and gay sex with Satan in the span of three years is a whiplash-inducing left turn for anyone. I don’t think it’s the edginess of the subject matter that makes it feel more mature, but the exploration—The Man Who Sold the World represents a critical turning point in Bowie’s storytelling ability, and he was willing to explore places that he hadn’t explored before, pushing himself out of his typical territory in order to create something wholly unique. It feels to me what he said when he spoke about art: “If you feel safe in the area that you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth, and when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting.” Darkness was coincidental, and of course, not all of the album is necessarily dark—it was merely territory that he hadn’t scoured before, and that challenge led him to create some of his most innovative work, time after time, album after album. “Saviour Machine” feels like the prelude to that storyteller’s attitude, one that would guide him to untold heights in his career.

…AND A BOOK TO GO WITH IT:

The Outside – Ada Hoffmann – A few centuries in the future, when something like The Prayer gets out of control…

“Real Lovin” – Black Belt Eagle Scout

Katherine Paul has a distinctly whispery voice—everything they sing sounds like they’re singing it into a cool breeze. Most of her music pre-The Land, the Water, the Sky suits it perfectly; though she’s become more adventurous with her vocal capabilities later on, a lot of her songs had a slower, softer demeanor that suited the airiness of her voice. But if there’s any song to be characterized by this, it would be this one. I’d forgotten all about “Real Lovin” for years—I initially listened to At the Party With My Brown Friends around five years ago—until it popped back into my shuffle out of nowhere. Though Paul’s voice soars with more volume towards the end of the track, her whisper-singing is perfectly suited to the quiet tenderness of the lyrics: “Now that you can dream/What is it you see/When you wake up in the folds of blankets in your bed/In your room/In your house/By yourself?” It’s the sound of a sliver of dewy light sliding through the slats of shutters in the early morning as you blink away the threads of sleep. Paul’s voice is a comfortable sheet over me as I listen, and she delivers what’s easily the softest, tenderest uttering of “well that’s bullshit” I’ve ever heard in a song. But no matter the intensity, which rises with every passing minute as the instrumentals build up, I never have a doubt that Paul means exactly what she’s saying.

…AND A BOOK TO GO WITH IT:

Each of Us a Desert – Mark Oshiro – “You’ve tried and tried/What seems a million times and you wonder how you’ll end up/Is it the moon?/Is it the stars?/Do they rule you and your heart?”

“Crocadillaz (feat. De La Soul and Dawn Penn)” – Gorillaz

While I froth at the mouth that I can’t go to the Gorillaz exhibit in London, I figured it would be fitting to talk about them…for the millionth time on this blog.

It was a strangely pivotal moment when, a week after Cracker Island released back in early 2023, three more songs were added to the lineup. I had middling thoughts about the album up until then; for me, it represented the point at which Gorillaz (and later Blur with The Ballad of Darren) became nearly indistinguishable from Damon Albarn’s solo work. There were a handful of fun tracks, but as a whole, it failed to hold as much water as something like their first three records, even with the star-studded list of collaborators. And when it seemed all hope was lost…Del the Funky Homosapien and De La Soul returned! (Two years later, “Captain Chicken” has no business being so good for a song with such a goofy title AND samples of chicken clucks. God, it’s so good.) Disregarding the “Momentz” haters (heathens, all of you), every time De La Soul and Gorillaz collaborate, a special kind of magic happens. Even with Trugoy the Dove’s too-soon death hanging over it, “Crocadillaz” was one of the unmistakable highlights of the album. For a song about constantly looking over your shoulder and the trappings of fame, it has a steady, easy calmness to it, propelled by Dawn Penn’s “Doo-doo-doo-doo-doo-doo-doo” chorus, which gets delightfully stuck in my head more often than not. Trugoy and Penn make for an unlikely but smooth pairing for this song, with the former providing the sharp-edged, quick-witted verses and Penn’s smooth, resonant vocals giving the song a simultaneously retrospective and playful chorus. I’m not usually a fan of the “Gorillaz but it’s just the collaborators” songs, but with a pairing as talented as these two, it’s easy to excuse.

…AND A BOOK TO GO WITH IT:

So Let Them Burn – Kamilah Cole – “Could play the sheep, but beware of the wolf’s eye/Hypnotized by the crocodile’s smiles/The exchange is brief, but watch for the teeth…”

“Watch That Man” – David Bowie

Aladdin Sane has to be the most iconic album cover in David Bowie’s catalogue. If you know any album cover, it’s that one—the nondescript, asleep-looking Bowie with a glittering lightning bolt slashing across the front of his face. And that silvery bit on his collarbone—I always thought it was a bone fragment when I was a kid, and my dad thought it was something like mercury pooling on his skin. It raises questions! It sticks in your head! And yet, the album cover gets talked about much more than the actual album. Sure, it’s probably the weakest if we’re grouping it in with Hunky Dory and The Rise and Fall of Ziggy Stardust and the Spiders from Mars, but that’s because you’re grouping it with two of the greatest albums of all time. But it’s really such a disservice that the album only gets remembered for the cover—there are so many excellent cuts from the album, even if it never usually makes the cut for hit Bowie songs (except for maybe “The Jean Genie”). It’s slick as hell, incredibly funky…it just rocks. Listen to the album and you just know. And “Watch That Man” is what sets the tone, a rollicking dance floor rocker that begs for you to shake your hips with every word—not just the “shakin’ like a leaf” bit. Inspired by seeing the New York Dolls live, “Watch That Man” follows a lively party, with the lyrical camera roving over every participant as the music blasts. I never had any particular problem with the mix, but it was one of the more rushed songs on the album, and on reflection, doesn’t sound as clean as some of the other tracks—it’s all a bit muddy, with most of the instruments, Bowie’s voice included, being at a very similar volume. But for a song meant to emulate the rush of a concert or being on a crowded dance floor, it gets the job done spectacularly.

…AND A BOOK TO GO WITH IT:

Kings, Queens, and In-Betweens – Tanya Boteju – dancing, parties, and no shortage of glitter and makeup.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Sunday Songs

Sunday Songs: 10/27/24

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week: if I had a nickel for every year that I’ve had a bright green Sunday Songs color scheme right before Halloween, I’d have two nickels, which isn’t a lot, but it’s weird that it happened twice…bon appetit.

Enjoy this week’s songs!

SUNDAY SONGS: 10/27/24

“This Town Ain’t Big Enough for the Both of Us” – Sparks

Because all you musicians totally want my unsolicited advice, I’ll offer it up: this is peak walk-on music. Imagine the band coming onstage the minute the drums kick in after the gunshot sound effect at 0:35. Come on.

In my glacial but nonetheless exploration of Sparks, I realized that I sort of knew this one—it’s one of their most popular and enduring songs, but I knew it from the cover that Siouxsie and the Banshees did, which should tell you all you need to know about how I was raised (read: a hipster). I think my desire for somebody to use this as walk-on music stems from just how punchily theatrical it is. It demands dynamic movement, silk, and finger guns fired into the audience of an opera house. Even though I’d place it well on the outskirts of glam (somewhere near Brian Eno ca. 1974), it walks that line between pure rock and full-face theatre. The Mael Brothers’ brand is significantly tighter than the spandex that their counterparts were (probably) wearing, but the constrained, cagey feel of it adds to the suspense, however thickly they laid it on—it certainly fits with the anecdote about the zoo animals in the first verse. Yet for the slimness of it all, they lean into how over-the-top it is. Case in point: said Wild West gunshot sound effect during the chorus. Brilliant.

Other than Siouxsie, a fair share of artists have covered “This Town Ain’t Big Enough for the Both of Us” over the years. I found out that the most recent happens to be The Last Dinner Party, who…admittedly, other than “Caesar on a TV Screen,” I haven’t exactly liked much, covered it as well, and…eh? The overwhelming vibe I got was that they were trying to go for over-the-top, but, as with…well, everything I’ve heard of theirs, they were trying way too hard. It sounds tight, but there’s hardly any fun in this. And how do you cover Sparks and not make it fun? Siouxsie and the Banshees made it their own—the flow is more dynamic and not as punctuated as the original, but it’s got that theatrical urgency that gives it the oomph that’s necessary to cover the song. The Last Dinner Party restrained themselves so much…and I hate to harsh on them, but they’re missing the whole point! The spirit of “This Town Ain’t Big Enough for the Both of Us” is to go dramatic! Go big or go home! I AIN’T GONNA LEAVE!

…AND A BOOK TO GO WITH IT:

The Good Luck Girls – Charlotte Nicole Davis – another—but very different—twist on Westerns.

“The Big Ship” – Brian Eno

me when I’m in a “making incredibly soothing but also innovative music” and my competition is Brian Eno:

Brian Eno can really do it all. He glammed up the ’70s with Roxy Music, then struck out on his own and glammed some more…and eventually came to be the person responsible for both coining and creating the genre of ambient music. He’s a master of both the lyrical and the instrumental; Another Green World contains both, but is considered by many to be part of his transition to almost exclusively making solo, instrumental ambient music. Even if he did mold the genre, however, I wouldn’t call “The Big Ship” ambient. Compared to something like “1/1,” it has an unmistakable feel of rising action, as in a novel, instead of the former’s soothing plateau. It’s unassuming at first glance, but judging from the outpouring of emotion in the YouTube comments—and its use in deeply emotional scenes from Me and Earl and the Dying Girl and The End of the Tour—”The Big Ship” is anything but. Author David Foster Wallace even said this in his posthumous novel, The Pale King:

“This song is making me feel both warm and safe, as though cocooned like a little boy that’s just been taken out of the bath and wrapped in towels that have been washed so many times they’re incredibly soft, and also at the same time feeling sad; there’s an emptiness at the center of the warmth like the way an empty church or classroom with a lots of windows through which you can only see rain in the street is sad, as though right at the center of this safe, enclosed feeling is the seed of emptiness.”

I don’t think I’ll be able to articulate anything about this song better than Wallace. I don’t think anyone ever could—he really did chip away the truth. You feel all of it. You can touch that drained eggshell’s core of emptiness, but you can see the pinprick of light made by a needle at the top. Whatever you imagine the big ship to be, the gradual rise of the song produces imagery that leads you to believe that this ship could be arriving just as well as it could be leaving. “The Big Ship” is a door ajar, but whether or not you see the light retreating or impending is entirely up to the flip of a coin.

In my mind’s eye, there’s a gargantuan, city-sized ferry, perhaps fueled by a pair of unseen wings on the hull. Like a kind knife through melted butter, it cleaves a path through a roiling sea of fog, curls of mist tracing the polished metal like child’s fingers. It moves slowly, glacially, taking its time to pave a path through the billowing clouds, into whatever lies beyond. I love the title of Another Green World, and even though I haven’t yet listened to all of it, I immediately relate to the concept of the Green World in literature; I was introduced through it by Shakespeare and A Midsummer Night’s Dream, where Athens functions as the world grounded in reality, whereas the realm of fairies, governed by magic, whimsy, and glamour, is the Greener. It is the “false” world, but also the world of innovation and real magic that we strive to create. Like a sprout, it is ripe with possibility, things yet to come to fruition. Perhaps that’s where Eno’s big ship has charted its gentle course.

…AND A BOOK TO GO WITH IT:

The World of Edena – Mœbius – somewhere, across temporal boundaries, I can imagine Eno and Mœbius creating art together—the latter to create the brightly-colored, simple landscape, and the former to soundtrack the gentle humming of its engines.

“Finding Feeling” – Black Belt Eagle Scout

Ten years ago, Katherine Paul self-released their debut EP on Bandcamp as Black Belt Eagle Scout. A decade later, and Paul has brought this artifact of her career to streaming, letting the world see the infancy of this project. Like Eno, it’s a soothing exercise, sculpted from handfuls of reverb and sparing percussion. Now, I can see the remnants of this sound that later permeated into their debut album, Mother of My Children; it flows as easily as water, but in those early days, they were prone to get caught up in the current and let the same phrase repeat itself for quite some time. It’s not that it’s bad by any stretch of the imagination—Paul just hadn’t hit their stride yet, and didn’t know when to whip out the cutting board to make things more succinct. (“Finding Feeling” repeats itself for the first third of the song…which is six and a half minutes long.) The lyrics lack the artistry that Paul would later learn, but time has proven that her voice has always been as crystal-clear and cooling as still water from the mouth of a glacier. “Finding Feeling” almost describes itself as you nearly get lost in the repetition, but the payoff, though long-earned, is the seed of what would become a soaring talent.

…AND A BOOK TO GO WITH IT:

Sea Change – Gina Chung – “I go home in the evening/I don’t feel a thing/I don’t know nothing/I go home in the evening/I don’t see a thing/I don’t have anything…”

“I am a Scientist” – Guided by Voices

It’s baffling that this version of “I am a Scientist”—from the 1994 I am a Scientist – EP—never made it onto the album that the original version did (Bee Thousand); the original, as good as it is, screams “demo,” muted in every way. While I’m all for the scrappy, understated recordings (see: everything Car Seat Headrest did until about 2016), the full band backing the EP version makes it into the triumphant march that it was always meant to be. And what a perfect slice of ’90s indie-rock this is—it’s Pavement from an alternate universe, one where they decided to churn out multiple albums a year for the rest of the foreseeable future. I’m no judge of how good said prolific output is, as this is one of two songs I’ve listened to, but if the talent displayed on “I am a Scientist” and the acclaim that their ’90s albums have gotten, I can only assume that said talent hasn’t dried up.

…AND A BOOK TO GO WITH IT:

Flux – Jinwoo Chong – an unraveling mystery between men, generations, television, and time travel. (Was it always successful? No, but I enjoyed enough of it. I’ll always applaud the ambition of it.)

“All You Need is Love” – The Beatles

I didn’t conceive of Sunday Songs consciously to put them on Sunday—the alliteration was just there, and it worked. But this week feels fitting that it’s on Sunday, and I’m glad I stuck this song at the end.

Here. Take a moment to breathe. We have miles and miles of anxiety ahead of us and miles and miles of horror behind us. But that is not all there is in the world. You see the spinning earth at the end of this video, animated in silence, and remember that there is love. Even if they were summoned into a studio, you can see all of the people gathered together, covered in flowers, and remember there is love. Millions of miles gives way to the possibility of endless cruelty, but if you look hard enough, you will know that our planet was never molded from just that. Whatever happens, there will always be love, and there will always be someone to embody love. Take a seat. Let the confetti brush your cheeks, let the sound lift you into the air.

All you need is love. I’ll take this into the week, I’ll keep it against my breastbone like a locket until the silver wears into my skin. Will you?

All you need is love.

…AND A BOOK TO GO WITH IT:

The Battle for WondLa (The Search for WondLa, #3) – Tony DiTerlizzi – love is all you need.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

The Bookish Mutant’s Books for Native American Heritage Month

Posted on by madeline @ The Bookish Mutant

Happy Thursday, bibliophiles!

Here in the U.S., November is Native American Heritage Month! I’m surprised that I haven’t compiled a list for the occasion yet, but to be fair, November tends to be a busy month for me. But now that I’m a few days away from break, I figured I would use that time to make this list.

Despite the wonderful boost in diversity in YA and adult literature in the past decade or so, I’ve seen very little of that diversity focused on Indigenous characters and stories. It could be just me, from an outsider perspective, but diversity means boosting all voices—not just the few that you can think of off the top of your head when you think of the word “diversity.” And as an American, I know full well that we are and always have been living on stolen land, so it’s important to read outside of what our history books teach us. So I’ve compiled some of my favorite books by Native American, Indigenous, and First Nations authors for the occasion.

Let’s begin, shall we?

THE BOOKISH MUTANT’S BOOKS FOR NATIVE AMERICAN HERITAGE MONTH

FANTASY:

REALISTIC FICTION & HISTORICAL FICTION:

TELL ME WHAT YOU THINK! Have you read any of these books, and if so, what did you think of them? What are your favorite books by Indigenous authors? Let me know in the comments!

Today’s song:

That’s it for this recommendations post! Have a wonderful rest of your day, and take care of yourselves!

Posted in Monthly Wrap-Ups

February 2023 Wrap-Up ⛷

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I’m running out of winter emojis for these wrap-ups…what else am I supposed to do when this month has been so consistently cold and miserable? Totally can’t tell how ready for spring and summer I am, can you? Nuh uh, no way…

The snow has made for some pretty beautiful scenery, though. I will say that.

GENERAL THOUGHTS:

February’s been a quiet month for the most part (although the high winds last week made me feel like I was in The Wizard of Oz, and not in a good way), which I alway appreciate. The great thing about taking mainly humanities classes is that midterms are a lot less stressful—most of my classes just have papers, so they’re far less daunting. And it’s been great to have comics and sci-fi as my reading material—even though my science fiction class has had its ups and downs, I loved re-reading All Systems Red and re-watching Blade Runner 2049 for homework.

I felt like my reading slowed down, but looking at the numbers, it really didn’t. School reading has started to make up a significant portion of what I read now that I’m in more English classes, but I’ve read a lot of interesting novels and graphic novels—Bitch Planet, Monstress, and now re-reading Kindred, to name a few. But I did read a bunch of great novels for Black History Month in my free time, and I’ve discovered so many wonderful books! I just finished The Fifth Season, and I’m kind of invested in the series now…

Other than that, I’ve been watching Only Murders in the Building (✨fabulous✨), Our Flag Means Death (not as funny as people made it out to be, but the last two episodes HURT), and Flight of the Conchords (THEY CALL ME THE HIPHOPOPOTAMOUS, MY LYRICS ARE BOTTOMLESS…[cough]), drawing, playing guitar, skiing for the first time in over a year (so much fun, but also so much soreness), and listening to new music from Black Belt Eagle Scout and Gorillaz. So much new music out (that’s on my radar) already…

READING AND BLOGGING:

I read 20 books this month! I feel like school reading has taken up a good chunk of what I’ve read this month, even if it’s been re-reads, but what I’m loving about college is that I’m reading more novels that I’m interested in (with the exception of Do Androids Dream of Electric Sheep?…ew), so that’s a plus.

2 – 2.75 stars:

Do Androids Dream of Electric Sheep?

3 – 3.75 stars:

Ms. Marvel: Fists of Justice

4 – 4.75 stars:

The Fifth Season

FAVORITE BOOK OF THE MONTH (NOT COUNTING RE-READS): Nothing Burns as Bright as You – 4.5 stars

POSTS I’M PROUD OF:

POSTS FROM OTHER WONDERFUL PEOPLE THAT I ENJOYED:

SONGS/ALBUMS THAT I ENJOYED:

the first half of this month was nothing but Super Furry Animals, and that’s not a complaint at all
and when the dust settled after said Super Furry Animals, all that was left but two older St. Vincent singles that I put on repeat
“Panopticom” was pretty good, but THIS has me really excited for i/o
GUESS WHO’S BACK
such a lovely album!!!
you thought you could escape Blur on this blog? fools

Since I’ve already posted once today, check out this week’s Book Review Tuesday for today’s song.

That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music, Sunday Songs

Sunday Songs: 2/19/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles!

Another week, another snow, and another wish for just a little bit warmer weather. Just because I’m used to it doesn’t mean I’m a fan of snow until May…but I think these songs are more fit for spring or summer. At least the colors are.

Enjoy this week’s songs!

SUNDAY SONGS: 2/19/23

“Fancy Dance” – Black Belt Eagle Scout

I talked about The Land, The Water, The Sky more in depth in my album review a few days ago, but out of the newest songs, “Fancy Dance” was an immediate standout. As short as it was—one of the shortest tracks on the album, in fact—it immediately snagged my by the shirt collar on the first listen, so much so that I didn’t notice that my water bottle that I’d been filling had started to overflow. This song is what I’ve been wanting from Black Belt Eagle Scout for so long—Katherine Paul letting loose, unleashing a bite-sized package of driving, alternative rock joy. Paul’s air-light voice juxtaposes with their lightly-fuzzed guitars, making for a summery, upbeat, and carefree hit that instantly makes me want to get up on my feet. The whole album was fantastic, but this was one of the best songs I’ve seen her do in recent years.

“Meet the Parents” – Jim Noir

Back with another lovely, upbeat tune, here’s one from an artist who I’ll never stop describing as criminally underrated. “Meet the Parents” comes from Jim Noir’s debut EP, A Bird Sings in Wool, and man, all I can think is that if I publish something as good as this right off the bat, I could honestly die happy. The whole EP is nothing short of brilliant, but this song always pops back out at me. “Delightful” really is the best word to describe it—as I hear the lines “If I had to meet your parents/I would probably lose my head/And my legs would fall off/And my eyes would fall out,” “delightful” isn’t exactly the word I’d use right off the bat, but the whimsical, Britpop delivery of it gives me a more cartoonish image of little googly eyes tumbling out of flat, 2-D sockets and bouncing around like rubber balls. There’s a consistently lighthearted feel to it all; A Bird Sings in Wool is the musical equivalent of a light spring rain—not the kind that ruins your day and makes you gloomy, but the kind that makes you want to run out on the lawn and spin around in the dewy grass.

+ if you have the means, I’d highly recommend supporting the wonderful Jim Noir on Patreon! He’s been putting out several EPs over the past few months which will eventually grow into an album, so if you want to hear new music from him firsthand, look no further!

“Sing” – Blur

The fates (read: that list randomizer website) picked Blur’s debut album, Leisure, for my listen this week, and for the most part, it was a good album; I wouldn’t say that there are any bad songs on it, but it did tend to err on the side of repetitiveness (they even had a song called “Repetition,” funnily enough). It’s the clear product of a monumental band first trying to find their feet and create a signature sound, but only dipping their toes in the pool water where the album cover’s swim cap lady is resting beside. I’d only heard “She’s So High” and “There’s No Other Way” before listening, and now I can add “Bang” and “Wear Me Down” to some of my album favorites, but musically, “Sing” is the most unique of them all. Clocking in at just over six minutes long, “Sing” is like drifting through a haze, windmilling your arms around as you try and fan away the fog. Over the droning melodies, the harmonies of Damon Albarn and Graham Coxon create a dizzying, proto-shoegaze atmosphere that envelops you until the final grinding of the last 10 seconds. It’s so radically different than anything else on the album, and even here, at the very start of their career, you can already hear the forebears of some of the more experimental tracks on Blur, 13, or even Think Tank, a magnifying-glass glimpse into what Blur would eventually become. It’s comforting to know that they were always a little weird from the start.

“Shy” – Hether

A chance encounter on an old friend’s Instagram story led me to this bright and summery song, and it’s been on repeat ever since. It has all of the sweet simplicity of a 50’s love song, translated into modern terms with punctuated record scratches and woozy vocals. Everything about “Shy” seems bright—the tones of the barely-faded electric guitars, the hazy cloud of electronic background noise, and the acoustic guitar strums—the clearest thing to come through in this song, like a lighthouse beacon in the middle of a misty sea. The bright, lime green of the cover of the Hether Who? EP only increases the feeling of carefree summertime that this song emanates in waves. Right down to the last distorted notes, it’s a perfect example of the persistence of a simple, 3-minute pop song, just barely translated into indie. It’s a time-tested formula. If it ain’t broke, don’t fix it.

“Fate Is…” – Wednesday

After hearing about Wednesday on NPR and listening to “Cody’s Only,” I ended up snagging a few other songs of theirs from Apple Music on a whim. “Fate Is…” immediately stood out, coming in strong like a punch in the face with a tidal wave of grungy guitars and percussion and Karly Hartzman’s relentless, persistent voice. It’s a song that grabs you by the shirt collar and never lets go, especially when Hartzman’s voice rises past the point of cracking along with the edges of the instrumentation. Even when the momentum dips down in the chorus, it’s brought back up screaming, never letting go until every instrument seems to vanish into thin air in the last seconds in the song, winking out of existence in a smoky cloud, leaving only remnants of the fuzz behind. This is only one of my first few Wednesday songs, but I hope they don’t lose their guitar-heavy sound. Maybe I need to give I Was Trying to Describe You to Someone a listen too.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music

The Land, The Water, The Sky – Black Belt Eagle Scout album review

Posted on by madeline @ The Bookish Mutant

Happy Friday, bibliophiles!

I was first introduced to Black Belt Eagle Scout during the early days of quarantine, back in the spring where I was just drinking tea and plastering stickers on my sketchbook before the burnout set in. Black Belt Eagle Scout, the stage name of Katherine Paul (she/they), rarely missed when I listened to their first two albums, Mother of My Children (2017) and At the Party with my Brown Friends (2019) in rapid succession. Her air-light vocals combined with her sucker-punch guitar melodies made me a fan almost instantly, but I longed for more of the latter—I liked At the Party, but I found myself wanting something that leaned into her harder side.

More ended up coming with Paul’s third album, The Land, The Water, the Sky, which Paul said on her Instagram was inspired by “how important the role of connection to my homelands plays within my mental health.” With back-to-back moments of beauty, strength, and the guitars I’ve been wanting from them since At the Party, I might go so far as to say that this is the best Black Belt Eagle Scout album yet.

Enjoy this album review!

THE LAND, THE WATER, THE SKY – BLACK BELT EAGLE SCOUT (album review)

Release date: February 10, 2023 (Saddle Creek records)

TRACK 1: “My Blood Runs Through This Land” – 8/10

THAT’S how you do an album opener. Take notes, everyone.

This was the second single to come from The Land, The Water, The Sky, and it stands out as one of the most visceral and sonically heavy tracks from the album. It feels like it’s releasing everything that Paul meant to release, letting it all loose in a storm of some of the best guitar work on the whole album. Contrasting with Paul’s airy vocals, it’s a beautiful juxtaposition that opens the door for new directions on the record.

TRACK 2: “Sedna” – 7.5/10

“Sedna” slowly brings down the momentum of “My Blood Runs Through This Land,” but never diminishes it. Reminiscent of some of Paul’s slower tracks, the steady beat is imbued with electric guitar like strikes of lightning. It’s an anchor for the rest of the record after the explosion of the first track, and it’s a great guiding line for the rest of the songs.

TRACK 3: “Salmon Stinta” – 7/10

“Salmon Stinta” eases us back into the calm, grounding work that has characterized so much of Black Belt Eagle Scout’s work. It holds a little more water than some of her slower tracks on At the Party; with more instrumentation (LOVE the strings and flutes) to give it a larger landscape to work with. I’m not sure how I feel about the vocals from Phil Elverum, though—his voice just felt kind of flat, and since he was repeating the same lyrics as Paul, it didn’t add anything to the song for me.

TRACK 4: “Blue” – 8/10

“Blue” begins The Land, The Water, The Sky’s journey back to soaring heights. Katherine Paul’s voice never ceases to amaze me, but there’s something in the way she sings “and life is overwhelming” that reaches right down into my chest to tug at my heartstrings. Pair that with the powerful combination of guitars and a formidable string section, and you’ve got an instant highlight from the album.

TRACK 5: “On the River” – 7.5/10

Even though I’ve been going on about how much the increased instrumentation elevates Katherine Paul’s voice, it’s great to have a track where their voice is front and center, displaying all of their range, whirling like the breeze around you. It’s the shortest track on the album, but somehow, I don’t find myself wanting more—that’s a good thing, mind you; sometimes, songs are meant to be short, and “On the River” is just the length that it was meant to be.

TRACK 6: “Nobody” – 8.5/10

Nobody sang it for me

Like I wanna sing it to you…

Black Belt Eagle Scout, “Nobody”

I talked a bit about this one in my Sunday Songs for 1/22/23, and as the third single to be released, it was one of the perfect showcases for the album. The bright tones of the guitar shine through, and it’s the perfect slice of indie rock in every sense of the word. But the line “Nobody sang it for me/Like I wanna sing it to you…”…yeah, that gets me. That always gets me. Paul said on instagram that she wrote it about Native American representation and seeing herself in the music industry and beyond, but I think anyone who’s grown up struggling to see themselves represented can relate. Beautiful.

TRACK 7: “Fancy Dance” – 8/10

I have a crystal clear memory of what happened when this song came on the first time I listened to this album all the way through; I was in the dining hall filling my water bottle before breakfast, and for a minute, I got so lost in this song that I didn’t notice that the water was overflowing. Instantly hooking and consistently catchy, this is the Black Belt Eagle Scout that I always wanted to hear more of—loosening up and letting it all out. Absolutely a standout track.

TRACK 8: “Sčičudᶻ (A Narrow Place)” – 7.5/10

I see the way you look at me, dancing

I see the way you love me

I’m dancing…

Black Belt Eagle Scout, “Sčičudᶻ (A Narrow Place)”

In terms of instrumentation, it’s one of the softer songs on the album, but the power of the lyrics—which Paul explained in an interview with them. was about her identity as a queer, Indigenous woman—cannot be understated. In fact, it feels as though that’s what the relatively light background instrumentation (in contrast to the rest of the album) was meant to do: the deceptively simple-sounding lyrics reveal a much more personal meaning when taken in context with Paul’s identity and the way it’s shaped her experience and her connection to her ancestors and homeland. Continuously beautiful stuff.

TRACK 9: “Treeline” – 7/10

“Treeline” is my least favorite track on the album, but it’s not a bad song by any stretch of the imagination. It brings a sinister, creeping undercurrent to the album with its percussion slowly unraveling in the background, almost like the studio recording of Wilco’s “Via Chicago”, quiet chaos slowly unfolding. I couldn’t help but compare the first notes of Paul’s vocals to the vocal opening of her earlier track “Indians Never Die”—whether or not it’s a callback, I’m not sure, but either way, it’s representational of Paul’s growth as a musician from Mother of My Children to now.

TRACK 10: “Understanding” – 8.5/10

I know it’s wrong to love everyone but myself,

But sometimes I can’t even hold me…

Black Belt Eagle Scout, “Understanding”

One of the shortest tracks on the album, but way up there with the most powerful. “Understanding” is a song that keeps you on your toes—it starts out as any acoustic indie song, but just when you think that the quicker strumming is the fastest it will get, the electric guitars come in with all of the force of a tidal wave. With just one verse of songwriting, it delivers such a powerful message—learning to heal and focus on introspection rather than trying to please everybody else. Leave it to Katherine Paul to deliver such beauty in such a short amount of time with such force.

TRACK 11: “Spaces” – 7.5/10

Strangely, it took a while for this song to grow on me, but it’s easy to see its beauty now. With its sprawling instrumentals and the gentle power of Paul’s voice, it’s the perfect song to bridge to the end of the album. And not only does the music video feature Katherine Paul connecting with their father through art, both of her parents provided backing vocals on the chorus! It’s just so sweet to me…🥲

TRACK 12: “Don’t Give Up” – 9.5/10

And these leaves, they come from people who grow

But we’re to listen, guide us,

I want everyone to know

I don’t give up..

Black Belt Eagle Scout, “Don’t Give Up”

The first single from the album, the last track chronologically, and without a doubt, the best track overall. Black Belt Eagle Scout knows how to save the best for last.

Turning the emotional core of The Land, The Water, The Sky into a rallying cry, this is a song that always makes every positive emotion bubble over inside of me. There’s something so wonderfully empowering about it, Paul’s vocals soaring as she proclaims that “You wanted a second chance at life/Well, you’re alive.” It’s the culmination of everything beautiful on this album, and it’s quickly become my favorite Black Belt Eagle Scout song ever. The fearless outro of “The land/the water/the sky” is the perfect sendoff for a phenomenal album.

I cannot get over how cool she looks in this picture lol

I averaged out all of my ratings for each track, and it came out to about a 7.9! We’re not even 2 months into this year, but I’m so glad that we’ve had this beautiful album already. It’s a beautiful tribute to the connections we have—with nature, with our ancestors, with our identities, and out communities—that’s Black Belt Eagle Scout’s best work to date. What a stunning album, seriously.

Since this post is an album review, consider the whole of The Land, The Water, The Sky to be today’s song.

That’s it for this album review! And just like that, we’re a week away from another highly anticipated release—Cracker Island! I’ll be sure to review that soon too. Have a wonderful rest of your day, and take care of yourselves!

Posted in Sunday Songs

Sunday Songs: 1/22/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, everyone! I hope this week has treated you well.

1/22/23? The month and the day add up to the year? You would think that would be somewhat auspicious. I wouldn’t know. I also saw a bunny on my walk to the dining hall this morning, so hopefully that should be some kind of Year of the Rabbit good luck. Happy Lunar New Year to all those who celebrate.

I’m back at school, and this week, I’ve already experienced a snow day on the second day of school and one of my professors saying that the whole class kinda “looked like the Mitski fan demographic” whenever somebody mentioned her and we all freaked out. He’s not wrong. Hello, LGBTQ community…

Anyways, we’re breaking away from the maroonish color scheme to bring you something more wintry this week. Fitting for the way-too-cold-for-my-liking temperatures we’re having over here.

Enjoy this week’s songs!

SUNDAY SONGS: 1/22/23

“Undo” – Björk

Vespertine is undoubtedly a winter album. Not in the “it’s January and everything looks dead” kind of way (which is entirely fair in this weather, honestly), but more in a way that recalls a cozy night in a warm house, snuggled up to the fireplace while watching a blizzard come down outside your window, knowing that your windows will be coated with frost by the time morning comes. There’s a resonant warmth that comes through with every track—which should be expected, with how much this album deals with the tender side of love. “Undo” seems to wrap you in an electronic embrace, combining an airy string section and a choir with skittering synths that recall a more hopeful “Kid A.” (puts said playlist transition in my metaphorical back pocket) At her very best, Björk can sweep me off my feet in an instant (see “Bachelorette”), but “Undo” is more of a gentle embrace, the slow wrapping of a scarf around your shoulders as you venture out into the cold.

“Grot” – St. Vincent

And speaking of songs that sweep me off my feet…

I’ve already talked about how much I appreciate different elements of a song coming together to form a seamless final product, but sometimes, the opposite can be just as powerful. “Grot” is all soft curves and razor-sharp edges with no in-between; the song open’s with a loop of Annie Clark’s delicate harmonizations, and by the next measure, industrial noise makes the song explode. Against the backdrop of her once light vocals, Annie Clark’s voice becomes commanding, biting in both its quality and lyricism—”Power doesn’t care what you want/power just wants to watch.” But just as quickly, the noise gradually fades away, the original loop circling back into focus as a string section gives it a more gentle backdrop, until all that’s left is the beginning of the song. “Grot” is proof of Annie Clark’s sheer power as a musician, and although she’s been my musical hero for years, this song makes me long for some future where she embraces the noisiness more. Not to say that everything else (excluding the utter betrayal that was MASSEDUCTION) that she’s done is near-flawless, but I want to see this side of her more.

“Really Really Light” – The New Pornographers

never forget the time The New Pornographers made kid’s merch

The news broke not long ago that The New Pornographers will be releasing a new album, Continue as a Guest (if there was ever a more New Pornographers-y name) at the end of March, with this song as the lead single. It feels like a welcome return to soul and form after their last album; In the Morse Code of Brake Lights was enjoyable, but ultimately, not exactly memorable. “Really Really Light,” however, glides along much like the ice skater in the music video, featherlike and brimming with brightness. It almost bubbles at the edges, the harmonies of A.C. Newman and Neko Case weaving together to make a song that feels lighter than air. Hopefully the rest of Continue as a Guest won’t disappoint—if it’s anything like this song, I think it’ll be a great album. I’ll hold out hope.

“Nobody” – Black Belt Eagle Scout

Another album coming out soon, this time from an artists with what’s absolutely one of the best band names of all time. After the sleepy, restrained melodies of Katherine Paul’s sophomore album, At the Party With My Brown Friends, the past few singles off of the upcoming The Land, The Water, The Sky have been a partial return to form—one that I’m absolutely excited for. The three singles off of the album thus far—“Don’t Give Up,” “My Blood Runs Through This Land,” and this—have reintroduced some fantastic guitars, making for a driving, uplifting sound that gives her sound all of the power it deserves. “Nobody” in particular is a nearly 5-minute chunk of alternative greatness, filled with soaring guitars and Paul’s voice, simultaneously airy and full of power and purpose. Lyrically, it deals with Paul’s relationship with Native American representation, especially in the music industry, making the chorus all the more powerful. “Nobody sang it for me/Like I wanna sing it to you.” Amen.

“(Joe Gets Kicked Out of School for Using) Drugs With Friends [But Says This Isn’t a Problem]” – Car Seat Headrest

This title: hilarious in concept, cumbersome when you’re trying to squeeze increasingly tiny text into a small box. Thanks a bunch, Will. What a guy.

“Drugs With Friends” was an unexpected blast from the past on my shuffle not too long ago, and I am all the better for it. Teens of Denial remains one of my favorite albums of all time, and the second this song started playing, I was transported back to the summer before high school, painting teal over the hot pink walls of my room and devouring Heart of Iron in a hotel room on vacation in Chicago. I often end up overlooking this song just because of how earthshatteringly wonderful tracks like “Cosmic Hero,” “Fill In the Blank,” and “Drunk Drivers/Killer Whales” are, but it boasts just as much merit as any other song on the album. Leave it to Will Toledo to turn a tale of feeling monumentally miserable at a party (and making a series of questionable, acid-induced decisions all the while) into an instantly catchy indie song that would be impossible not to jump up and down to at a concert. Even in more irreverent songs like this, Toledo’s voice has a healing quality to it (and no, I’m not saying that because I had a massive crush on him in 8th grade…okay, maybe I am), moving like honey through the cacophony of guitars and noise. What an album, really.

Anyways, I really hope Will Toledo’s doing okay these days. Long COVID is no joke. I miss Car Seat Headrest.

Since this whole post consists of all songs, consider all 5 to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Monthly Wrap-Ups

November 2022 Wrap-Up 🍽

Posted on by madeline @ The Bookish Mutant

Happy Wednesday, bibliophiles!

The snow outside my window says December, but mentally, I feel like it’s September, and somehow it’s technically November…time is an illusion huh

GENERAL THOUGHTS:

I’ve probably said this several times before, but I’m still baffled that my first semester of college is almost over! It feels like there should be months, not weeks, left to go through. But no, I suppose not, and my winter break lasts nearly a month! What a relief to not have finals just days before Christmas like in high school…

I’ve had some fun, regardless. As the temperatures have been dropping, I’ve been bundling up and drinking an excess of hot chocolate (big thank you to my mom). I’ve been able to read more frequently now that I’m a bit more settled in, and it’s been a mixed bag, but there have definitely been some hits among the misses. I called off NaNoWriMo for myself this years since I haven’t adjusted all the way, and plus, I usually plan for a while beforehand, and that just…didn’t happen.

Other than that, I’ve just been drawing (getting the hang of digital art, I think), watching Black Panther: Wakanda Forever and Wendell & Wild, sleeping in and eating way too much over Thanksgiving Break, and having to wear enough layers to restrict any mobility in my arms. Welcome to Colorado, folks.

READING AND BLOGGING:

I read 17 books this month! Less than I usually read in a month, for sure, but I haven’t been able to read quite as much because I’m still getting used to college and all. Plus, finals season looms…

1 – 1.75 stars:

The All-Consuming World

2 – 2.75 stars:

The Lost Apothecary

3 – 3.75 stars:

Soul of the Deep

4 – 4.75 stars:

The Daughter of Doctor Moreau

FAVORITE BOOK OF THE MONTH: The Trouble with White Women: A Counterhistory of Feminism – 4.5 stars

POSTS I’M PROUD OF:

POSTS FROM OTHER WONDERFUL PEOPLE THAT I ENJOYED:

SONGS/ALBUMS THAT I ENJOYED:

sad girl autumn never ends
the power this song exudes is unparalleled
so so gorgeous, thanks to my brother (and his gf) for this one
I’ve never been the biggest Elton John fan, but the new Antman trailer (however mediocre it was lol) reminded me that I liked this one
YEAAAAAAAAAAAAAAAAAAAAAAAAAAH
can’t wait for this album!!

Today’s song:

this song makes me so happy 🙂

That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: November 21-27, 2022

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

Thanksgiving break was this week, which was such a relief. It was so nice to be able to sleep in for a week, and I had a productive break—I got some homework done, and I had a good amount of time to relax. The weather warmed up a little as well, but of course, it’s supposed to snow again right when I get back to college…(maybe they’ll cancel classes again?) Thanksgiving is always fun, and I loved helping my family out with some of the cooking, and subsequently stuffing myself.

The break has also given me some time to read, which was wonderful—apart from all of the single-issue comics I got as well, I went through several books on my Kindle, although one of them ended up being a sore DNF. The others were all good, though, to varying degrees.

Also, I think this happened some time last week, but I finished my reading challenge! I set it to 200 books this year, knowing that I’d probably be reading less while transitioning to college, but I still managed to achieve it! I’m at about 208 books right now.

Other than that, I’ve just been sleeping in, eating too much, drawing, getting our Christmas tree (after Thanksgiving), and watching the Holiday Bakeoff and finally getting around to seeing Wendell & Wild (which is AMAZING if you haven’t seen it, go watch it)

WHAT I READ THIS WEEK:

Scattered Showers – Rainbow Rowell (anthology) (⭐️⭐️⭐️⭐️)

The Daughter of Doctor Moreau – Silvia Moreno Garcia (⭐️⭐️⭐️⭐️)

The All-Consuming World – Cassandra Khaw (DNF – ⭐️)

Soul of the Deep (Of Mermaids and Orisa, #2) – Natasha Bowen (⭐️⭐️⭐️.5)

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK:

Fuzz: When Nature Breaks the Law – Mary Roach

Today’s song:

so excited for this album!!

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: May 17-23, 2021

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

I’M OVERJOYED THAT SCHOOL IS NEARLY OVER FOR ME. Normally I’m excited, but this year in particular has been astronomically awful, so I’ll be very glad to see both junior year and online learning go out the window. And the weather’s warming up! Nearly summer!!

After AP exams and finals, I tried to get back to writing, with varying degrees of success. I started that second draft of my big sci-fi WIP, but…I feel like I wasn’t in the right headspace, it just wasn’t coming off with the feeling I wanted it to have, and there was a pretty important plotline that was really convoluted. So I’m planning on scrapping what little I have of that draft and starting over. I think it’s for the best. Wish me luck…

Doover GIFs - Get the best GIF on GIPHY

Other than that, I read outside (finally warm enough!), got some comics and ice cream, rearranged the books on display at the YA section of my library during my shift (somebody had to dethrone the Sarah J. Maas), and listened to the rain on my window as I fell asleep. Hands down, the best feeling.

Oh, and speaking of rearranging the library displays…I check every week to see if there’s any Fargo DVDs in the TV section, and this week I found the first two seasons, so season 1 automatically went up on display…

Fx jeez gloria burgle GIF - Find on GIFER
somebody needs to make a compilation of every single “aw jeez” in all four seasons, ending with Oraetta’s super drawn out one

WHAT I READ THIS WEEK:

Scavenge the Stars – Tara Sim (⭐️⭐️)

Amazon.com: Scavenge the Stars (Scavenge the Stars, 1) (9781368051415): Sim, Tara: Books

Mad, Bad & Dangerous to Know – Samira Ahmed (⭐️⭐️⭐️⭐️.25)

Amazon.com: Mad, Bad & Dangerous to Know (9781616959890): Ahmed, Samira: Books

Broken Wish (The Mirror, #1) – Julie C. Dao (⭐️⭐️⭐️.5)

Broken Wish (The Mirror, #1) by Julie C. Dao

Summer Bird Blue – Akemi Dawn Bowman (⭐️⭐️⭐️⭐️)

Summer Bird Blue by Akemi Dawn Bowman, Paperback | Barnes & Noble®

Magnificent Ms. Marvel, vol. 3: Outlawed – Saladin Ahmed and Minkyu Jung (⭐️⭐️⭐️⭐️)

Amazon.com: Ms. Marvel by Saladin Ahmed Vol. 3: Outlawed (Magnificent Ms. Marvel (2019-)) eBook: Ahmed, Saladin, Jung, Minkyu, Andolfo, Mirka, Vazquez, Joey, Jung, Minkyu: Kindle Store

Velocity Weapon (The Protectorate, #1) – Megan O’Keefe (⭐️⭐️⭐️.25)

Amazon.com: Velocity Weapon (The Protectorate Book 1) eBook: O'Keefe, Megan E.: Kindle Store

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK:

We Free the Stars (Sands of Arawiya, #2) – Hafsah Faizal

We Free the Stars

The Infinity Courts – Akemi Dawn Bowman

Amazon.com: The Infinity Courts (9781534456495): Bowman, Akemi Dawn: Books

Lost in the Never Woods – Aiden Thomas

Lost in the Never Woods by Aiden Thomas

Sanctuary – Paola Mendoza and Abby Sher

Sanctuary by Paola Mendoza

Be Dazzled – Ryan La Sala

Be Dazzled by Ryan La Sala

Today’s song:

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!