Tag: boygenius

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Sunday Songs: 4/9/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles, and happy Easter for those celebrating! 🐣

I’m still riding the boygenius high, and I will most certainly be riding it for much longer (that is a threat), but I promise I’m listening to a few more songs…maybe…

Enjoy this week’s songs!

SUNDAY SONGS: 4/9/23

“Cool About It” – boygenius

Never in a million years would I have predicted having a song with banjo in it constantly on repeat, but life is full of surprises. All the better if said songs are delivered by the likes of boygenius.

I’ll surely be raving about boygenius’ recently released full-length debut the record for the next month, but this song, after their first four singles, is taking center stage in my head constantly. With a melody inspired by Simon & Garfunkel’s “The Boxer” and sparse, gentle instrumentation that lets each member of the supergroup bathe in the spotlight, it’s a quiet, introspective highlight. Julien Baker, Lucy Dacus, and Phoebe Bridgers take turns reflecting on the mixed emotions of painful, strained reunions with exes and old friends, hidden lyrics shine through in not-so-hidden lyricism—”I can walk you home and practice method acting/I’ll pretend that being with you doesn’t feel like drowning,” in Bridger’s final words. boygenius have let their joint talents meld together in a handful of different structures, but somehow, this neat, boxed-in sections where one singer takes the lead per verse make for a song that truly feels like all of them. And as gently as bubbling water in a creek, their harmonies rise as one for each chorus—my heart can’t help but leap a little when each of them harmonize to the final line of each verse: “even though we know it isn’t true…”

[fanning face] The power they have, I swear…

“You & I” – Graham Coxon

I’ve been meaning to get more into Graham Coxon’s solo work ever since my 2021 Blur frenzy, and through the nuggets of song titles that I seem to remember completely at random, I’m getting more and more excited about it. The only song of his that I know that isn’t a cover or from the soundtrack of The End of the F***ing World (which I still need to watch…), it’s an unadulterated dose of tight, anxious Britpop straight to the veins; even without Blur and all of the detriments that came with its fame, it’s clear that this is the kind of music that Coxon was meant to play. And he plays it well. Each punchy chord feels laid out on a precise grid, and from what I can gather about him, it seems like something he would do. “You & I” is a distinctly polished song—not in the way that an over-produced, Top 40 hit is, but polished in the way that every edge has been meticulously sanded down to perfection, not a note out of line. These nervous, uptight white guys know their stuff sometimes…

“Everybody Wants To Love You” – Japanese Breakfast

I’ve gotten bits and pieces of Japanese Breakfast over the years—I remember being in the car all the way back in middle school and hearing a piece of NPR about her debut album, Psychopomp, and being interested, but I don’t think I ever got around to listening to it then. With all the buzz around Jubilee and her acclaimed novel Crying in H-Mart, I figured I might get around to giving Michelle Zauner and company a listen. Like “You & I,” I remembered the title of this song at random, and I’m so glad I did!

“Everybody Wants To Love You” feels like the 2010’s, indie rock answer to a poppy love song of the 50’s or the 60’s. Everything about it feels cheery—the bright, practically glittering guitar tones, the sharp pep of Zauner’s voice, and the starry synths that seem to leave sparkling trails over every second of the song. Add a wonderfully catchy guitar riff and package it into the pop-standard 2 and a half minutes, and you’ve got something that feels like it could come out of any era. Well…maybe not any era—some of those lyrics definitely would not have flown in the mainstream before the 60’s, but that’s not the point. It’s just 2 and a half minutes of joy, purely and simply.

“A Quiet Life” – Teho Teardo & Blixa Bargeld

Over break, I went through the first season of Netflix’s Dark with my family, and ever since, I’ve ripped a solid half of the songs from that show and slapped them haphazardly into my music taste. Seems like that’s largely the case for a lot of the commenters on this video too (all of the Dark references have passed the vibe check with absolutely flying colors), and, among other things, Dark reminds me how good it feels to be so invested in every part of a show—not just the story itself, but every little detail that goes into it. Like the music.

I won’t go into how perfectly this song melds with the overall themes and the last episode of season 1 of Dark for fear of spoiling something so wonderfully intricate, but it’s chilling on its own as well. Blixa Bargeld boasts such a rich voice—it reminds me a lot of Jarvis Cocker, with that same rasp at the edges of the resonance you can feel in your chest. Just like Dark’s absolutely disturbing score, Bargeld’s vocals seem to buzz in moments, turning from something human into the hum of putting your ear next to a beehive. There’s a deeply poetic feel to everything in this song’s atmosphere, with the orchestral composition forming in the background and the gloom that seems to settle over every note like fog. It creeps along like frost, painted in the same grays as the album cover. What I’m trying to say here is this: whoever was in charge of the music direction for Dark—I SALUTE YOU. BLESS YOU.

“Demi Moore” – Phoebe Bridgers

Phoebe Bridgers is a distinctly 2020 artist in my musical canon. I first listened to Stranger in the Alps in the early months, before everything went…y’know, and Punisher came out that summer. But unlike Punisher, an album that’s a no-skip for me to this day, some of the songs on Stranger in the Alps didn’t do it for me on the first few listens. It’s understandable—Stranger was her debut, and with Punisher, she had more time to hone her craft and sound. But I’ve recently come back to some of those songs that I didn’t warm up to the first time; some of them still don’t impress me, but “Demi Moore,” along with the harrowing “Killer,” took a while to grow on me.

With a title borne from a misheard lyric (“I don’t wanna be stoned anymore” became “stone Demi Moore,” this song, like many of her others, lingers in the hazy, middle-of-the night lairs of vulnerability. Especially on Stranger, the instrumentals often take a backseat to Bridgers’ singing, letting the emotional side speak for itself amidst quiet synths that flicker like satellites in the night sky. Phoebe Bridgers’ voice floats along like misty fog over a creek, all at once thin and full of emotion.

And again—normally I can’t stand banjos, but these somehow work because of how…quiet they are? Sorry for the banjo slander here, but…I can’t help it, I’m sorry. I was forced to learn in 7th grade for school, but I didn’t enjoy much of it, save for trying to pluck out a rendition of “It’s A Wonderful Life” from memory. I’ll begrudgingly admit that it did help me get a bit of head start on playing guitar, but I still have a vendetta with the instrument. I digress.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (4/4/23) – Strike the Zither

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

Descendant of the Crane and The Ones We’re Meant to Find made me an instant fan of Joan He, and so I was immediately hooked when I found out that she was cooking up another piece of folkloric-feeling historical fiction! And now that I’ve finished this novel, I can safely say that Joan He has never once let me down. Fingers crossed that it’s consistent.

Enjoy this week’s review!

Strike the Zither (Kingdom of Three, #1) – Joan He

Zephyr has spent her whole life mapping survival out strategically. It was necessary after she was orphaned while she was still young, but as the strategist of the warlordess Xin Ren, she now holds the fate of a warring country in her hands. Three factions are fighting for dominance under a figurehead of an empress, and any sudden moves could mean that one faction takes over the entire Xin Dynasty.

When Zephyr is sent on a mission to infiltrate the ranks of the enemy to ensure the safekeeping of Xin Ren’s loyal followers, she collides with Crow, an enemy strategist with an agenda of his own. But the boiling point of all three factions is fast approaching, and Zephyr must do anything in order to make it out alive—even if it means exposing herself to the enemy.

TW/CW: death, blood, war themes, violence, torture, animal death, vomiting, abuse, body-shaming, xenophobia (fictional)

I’m not sure why I’m so hesitant to say that Joan He can do no wrong at this point. She’s never missed. Not with Descendant of the Crane, not with The Ones We’re Meant to Find, and certainly not with this novel. Her first two books were already works of art, and I’m glad to say that He is consistent in the quality of her writing, and consistent in her ability to put out so much unique media into the world of literature.

Each Joan He book is memorable in its own way, but what stood out to me about Strike the Zither was how wonderfully cinematic it was. It wasn’t frustratingly quippy or overtly self-serious; He knew just when to hit the balance, juxtaposing war with well-placed zither solos and political intrigue. He seems to do political intrigue especially well—there’s a way to make it genuinely interesting without having the entire focus be on court drama, which happens so often in YA, and with both this novel and Descendant of the Crane, she teases each development just enough to continually keep my attention. With the stylized art on the cover, I could honestly imagine this novel being adapted into a darker Laika Studios stop-motion film, but no matter the medium, Strike the Zither feels like it was born for the screen.

He also has an awareness of her characters that not many YA authors do—she knows that Zephyr and all of the other supporting characters are over the top, and she absolutely rolls with it. Again, Strike the Zither was a master class in balance; Zephyr neither fell into the all-too-common self-seriousness of YA, nor did she constantly break out into the dreaded Marvel Funny personality. She’s theatrical, but in a fun way that doesn’t mire itself in angst unnecessarily. Given this novel’s roots in Chinese classics and folklore, it’s the perfect way to write it; He mentions that the original epic of the Three Kingdoms had a tendency to put historical figures on a godlike pedestal, and this felt like a tongue-in-cheek response to that style.

The pacing of this novel also sealed the deal for me; although it was a little difficult to get into right out of the gate with how the world and its characters were so rapidly introduced, once it got going, the pace never faltered. Every action felt calculated, like the strategist that Zephyr is, and each choice elevated the plot to heights that I didn’t expect Strike the Zither to reach. The main twist was so deftly executed, and it had me grinning from ear to ear when I came across it, and my excitement never waned over the course of this novel. This one’s a must-read, trust me.

All in all, an impressive display of Joan He’s talent on all fronts. 4 stars! I can’t wait for the rest of the duology!

Strike the Zither is the first book in the Kingdom of Three duology; the sequel, Sound the Gong, is set for release in October of 2023 (!!!). Joan He is also the author of Descendant of the Crane and The Ones We’re Meant to Find, both of which are standalones.

Today’s song:

I’ve had this on repeat for the past few days :,) so lovely

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music, Sunday Songs

Sunday Songs: 4/2/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well. 💗

Not to worry, folks: the inevitable Boygenius Breakdown™️ is scheduled for next week to allow for some time for everything to sink in. As per the never-stated-but-generally-just-implied agreement, however, this week’s Sunday Songs meets the required Queer Quotient™️ that every Bookish Mutant post is required to pass before entering the blogosphere. I’m running a tight, gay ship over here, and I’ll see to it that it stays that way.

Enjoy this week’s songs!

SUNDAY SONGS: 4/2/23

“Born on a Train” – The Magnetic Fields

In the span of about a week, “Born on a Train” sprung from just being downloaded to my third most listened-to song of this year, according to Apple Music. Maybe that says more about my penchant for wearing songs into the ground than it does about the song itself, but I swear there’s an infinite magic woven into every note of it. Snugly fit in The Charm of the Highway Strip, a loose concept album about traveling and roads, this third track gently chugs along like the train the chorus speaks of. (And another example of the band’s generally wry humor—I haven’t listen to Charm in full yet, but the fact that “Fear of Trains” is only four tracks away from this song always cracks me up. Duality of man.) The drums and muted, acoustic guitar strums throughout recall the machinery of a train, in contrast to the ringing chimes as Stephin Merritt finishes out each chorus. And as with most Magnetic Fields songs, it’s laced with bittersweetness to the core; there’s a sense of the narrator grappling with their own nature, knowing that they’re bound to leave everyone that they love, that same lonely, fleeting, twilight feel as the “ghost roads” that Merritt describes in the first verse. Merritt’s voice has the same resonance that you feel inside a cave, reverberating through your bones—it was easy to feel, hearing this song live at a smaller venue, which I still count myself incredibly lucky to have experienced.

On that habit of riding songs into the sunset, I think I get sick of only about half of them—”Born on a Train” feels like one of the ones that’ll stick.

“Drooler” – Palehound

At this point, all that’s keeping me from listening to more Palehound right now is the fact that A Place I’ll Always Go is too complicated of an album cover to draw on the door whiteboard on my dorm (wait, I forgot about posting those…maybe once school’s out? Don’t hold me to it), and for some reason, even though I can listen to any other artist’s discography out of order, I’ve stubbornly decided to do so with them. (With the albums, at least—I didn’t know this EP existed until recently…oops…) But…Dry Food was just so good. I couldn’t get enough of the whole album. Something about El Kempner’s talent for letting every instrument go loose and reining them back in just as quickly keeps me listening over and over again.

So I ended up finding and promptly listening to her very first musical outing as Palehound, 2013’s Bent Nail – EP. The decision to make “Drooler” the first track was a clearly calculated one—it lulls you in with Kempner’s brightly-toned guitar notes that seem to gently roll like a loose wagon wheel, but drops off just as quickly, breaking into a bluesy, catchy groove, strangely accented at times with the sounds of pots and pans clanging against each other. All the while, Kempner’s voice does similar gymnastics, slipping into lower tones and spiking airily high in the space of seconds. It’s hard to keep that balance—something that she frequently tests on songs like “Pet Carrot” (which works on the EP, and bafflingly maintains on her performance of it on her Tiny Desk Concert), but “Drooler” toes the line with ease. And just like that, everything that Kempner builds devolves into riotous fuzz at the end, a skidding, spark-flying crash to a perfect piece of guitar-driven indie-rock.

“Eye Patch” – De La Soul

So I’ve got another De La Soul album to add to my never ending album list, huh? I’m not complaining. Anything for another experience of wonderful, creative music, that Pos, Dove, and Mase seem to exude from their very pores, or something…

Two albums after their breakout Three Feet High and Rising, De La Soul had made a point to shed the sunshine-colored, mislabeled hippie image that had followed them everywhere, but even though that image was a major point of resentment for Plugs 1, 2, and 3 after the album’s release, listening to songs like “Eye Patch” leads me to believe that, at least musically, that spirit never quite left. Backed by the endlessly catchy samples of Jimmy Reed, the Outlaw Blues Band, and the same French language learning program that they sampled for Three Feet High and Rising, it’s another earwormy patchwork that, even from my limited experience with the band, feels like their trademark. It’s smooth, rolling like waves over your skin, the perfect walking soundtrack for a movie, or just walking to class and feeling the sun on your skin. And despite the more serious undercurrent that emerged in everything post-De La Soul is Dead, there’s still samples of sheep and children laughing—there’s no denying of the original, three fresh-out-of-high school friends making music in the basement ethos that have made De La Soul so lasting.

“Crocodile Tears and the Velvet Cosh” – David J.

Part of what I love about this song is that there will never be another song called “Crocodile Tears and the Velvet Cosh.” If there is, I can guarantee that it’ll be ripping this title off.

I can never claim to be fully goth (even though I can and will go overboard with the black eyeliner, without hesitation) partly because both Bauhaus and Love & Rockets (a.k.a Bauhaus – Peter Murphy) have historically been hit or miss for me. I’ve still found some of the latter that are already classics for me (“Holy Fool,” “Bad for You,”…why do I keep putting off listening to Lift?); the solo careers have been similarly hit or miss, though I’ve been hoarding a small handful of songs from Murphy, Ash, and David J., respectively as of late. Strangely, even though I’ve only heard two songs of his (the other being “I’ll Be Your Chauffeur”) David J. has been the one that I’ve liked the most consistently. As much as I love and respect the eclectic spirt of Love & Rockets (okay, scratch that: I can’t forgive them for “The Purest Blue,” there’s NO excuse for that nightmare fuel), sometimes you have to sit back and linger on the gentle side of things. That’s exactly what “Crocodile Tears and the Velvet Cosh” feels like for me: it slings a reassuring arm over your shoulder, and lets you relax while the breeze tugs at your hair. Filled with tiny packets of clever wordplay (“I read you like a book/Seeing through/without ever losing my place”), it’s an unassuming, acoustic piece with hidden bits that glisten in the dark.

“VBS” – Lucy Dacus

I finally got around to listening to Home Video last week, and although I wasn’t as wowed as I was with her sophomore album, Historian, it still exists as an insect trapped in amber. The album chronicles Dacus’ childhood and adolescence in Virginia, grappling with her latent queerness in contrast to her Christian upbringing, as evidenced in “VBS,” a slice-of-life recounting of church camp. Musically, Home Video wasn’t as expansive and vast as its predecessor, but Dacus’ lyricism throughout the entire album is as strong as ever—I can’t stop thinking about the lines “Sedentary secrets like peach pits in your gut/locked away like jam jars in the cellar of your heart.” For such an unassuming-sounding song (in the beginning), there are so many tiny layers to peel back, from the underlying seeds of questioning everything she’s known to the explosive burst of guitars as Dacus describes, “There’s nothing you can do, but the only thing you’ve found/playing Slayer at full volume helps to drown it out.” The latter makes me wish for more of the guitar work that Dacus displayed on songs like “Timefighter,” but that moment as a self-contained piece, like the glass butterfly boxes that form each song, makes the storytelling even clearer and cleverer than ever.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Monthly Wrap-Ups

March 2023 Wrap-Up 🌬

Posted on by madeline @ The Bookish Mutant

Happy Friday, bibliophiles!

How is March already almost over?? Mentally I’m still in the first week…but it’s spring break, so that’s always good. And although I woke up sick this morning, at least I have boygenius, the cure for all that ails. Maybe their queer antibodies will help me fight this nastiness off before I have to go back to school.

[shaking the image file for the record on my iTunes library] c’mon, man, do your thing…

GENERAL THOUGHTS:

I still can’t bring myself to believe that I’m almost done with my first year of college. It feels like I should have at least 5 months left, or something…how? Either way, it’s been much easier on me taking mostly humanities classes, and even with midterms, I’ve been able to keep my head above the water. The weather’s slowly but surely starting to warm up—there were a few days were it felt like early summer, and then we got snow the very next day, and if that isn’t Colorado weather in a nutshell, then I don’t know what is. But I’ve savored the little moments—the bits of sunshine that come through the trees in the morning, the view from my dorm, and the day I had both my classes off, so I visited my friend at my dorm for next year and got coffee on the way back.

My reading’s been a little bit slower, I suppose since I’ve had several books to read for at least 3 classes, so I’ve had to read a lot of them in smaller chunks. They’ve been very different but all very good books—again, what I love about college (or at least being an English major) is that I’ve been reading books I’d never imagine reading in an academic setting—Annihilation and Harley Quinn: Breaking Glass were both on my reading list this month. I’ve managed to get some other great reads in as well, even though I had to slow down for midterms. It was harder to see since I slowed down more than usual, but it was a pretty solid reading month—only 2 books in the 2-star range, so that’s always a plus in my book (no pun intended).

Other than that, I’ve just been drawing, playing Minecraft over break (you have NO IDEA the absolute havoc some loose axolotls can do to an ocean ecosystem), watching Flight of the Conchords (as hilarious as I imagined it being), season 2 of Shadow & Bone, and Dark, and wishing for all this snow to melt. I swear that one pile of slush outside of the dining hall has been there since January…

READING AND BLOGGING:

I read 18 books this month! Better than I thought I’d done, given midterms. I found my first 5-star read of the year, though, and I also participated in the #transreadathon for the week of March 20-27, and found some great reads as a result!

2 – 2.75 stars:

Spin

3 – 3.75 stars:

The Many Half-Lived Lives of Sam Sylvester

4 – 4.75 stars:

The Thirty Names of Night

5 stars:

Story of Your Life

FAVORITE BOOK OF THE MONTH: Story of Your Life – 5 stars

Story of Your Life

POSTS I’M PROUD OF:

POSTS FROM OTHER WONDERFUL PEOPLE THAT I ENJOYED:

SONGS/ALBUMS THAT I’VE BEEN ENJOYING:

DE LA SOUL IS ON STREAMING GO LISTEN GO LISTEN
John Lennon put everything into that inhale huh
the only musical jumpscare that I find myself actively seeking out
SUCH a good EP
the fact that this song only took a week to get to #3 on my most played songs on apple music should say something about it…or me
delightful song, gorgeous video, solid album!!

Today’s song:

https://www.youtube.com/watch?v=7Foqlg4g1YM
TODAY’S THE DAAAAAAAAAAAY

That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music, Sunday Songs

Sunday Songs: 2/5/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, everyone!

It’s February now, and what better way to start the month off than with an excess of Super Furry Animals? I hereby claim no responsibility for any damages caused by any bipedal, masked, bear-like demon-creatures that may cross your path. They’re best deterred by repeated screaming, if you want my advice. And look out for the chupacabras while you’re at it.

Enjoy this week’s songs!

SUNDAY SONGS: 2/5/23

“The International Language of Screaming” – Super Furry Animals

I finally listened to all of Radiator (which I seriously think boasts one of my favorite album covers…ever, really. You really won with this one, Pete Fowler.) earlier in the week, and it just felt like pure fun all the way through. I know how vague of a description that is, but listening to almost every track (save for the downer “Download”) gives me the sense that Gruff Rhys and company had a blast recording every single song. Knowing that this comes an album or two before the masterpiece that is Rings Around the World, Radiator feels like the band keeping the cheerful, carefree spirit that they’ve always maintained, but just starting to get weird with it—they haven’t quite gotten into the flat-out experimental territory of Rings just yet, but you can see it peering through the cracks just as well. My only criticism that I can think of for Radiator is that some of the songs blend together a bit, but it’s not a complaint if they all sound almost as good as this one. “The International Language of Screaming” is a clear standout—it’s a concentrated shot of Britpop fun straight to the heart, pure and simple. Maybe it isn’t as weird as some of my other SFA favorites, but I can’t help but nodding my head to every “la la la la” and ecstatic “WOO!” every time it comes around on shuffle. It’s joy with a side of popping colors and punchy guitars.

“By the Sea” – Wendy & Bonnie

Apologies for the whiplash from going straight from “The International Language of Screaming” to this eeriness. But, as with far too much with this post, there’s an inevitable Super Furry Animals connection.

I first found out that this song existed because of “Hello Sunshine”; I distinctly remembered a part at the beginning that creeped me out as a kid, so, naturally, I set out to find it. Sure enough, it was a sample of this song (0:00-0:47 in the video), and the rest of the song is…just as creepy. Recorded when Wendy and Bonnie Flowers were 17 and 13, respectively, it’s a chilling, atmospheric song that feels just as gray as a cold, churning sea crashing against a rocky shore. Punctuated by seemingly random fills of soft drums and out-of-sync guitar strums, there’s a strange discordance about it. It’s clear that the vocals were intended to be the main attraction here, their lilting harmonies shining through the cloudy fog of the rest of the song. It’s a great listen, but at the same time, it’s strangely comforting to think that I’m still creeped out now by the same thing that I was creeped out at when I was 5. I still don’t get why I was freaked out by some random clip from Baby Einstein, but this is understandable. There’s really something about Wendy & Bonnie, huh?

“Everyday Sunshine” – Fishbone

“Everyday Sunshine” takes on a whole new meaning when you wake up on Monday morning and see that it’s -6° outside. Anybody else sick of winter? No? Just me?

Aaaaaaaand another whiplash-inducing left turn, but we’re back to happy songs, don’t worry! We’re back to what’s close to the epitome of happy songs, as a matter of fact. I found this one courtesy of my amazing mom, and I haven’t stopped nodding my head ever since. If Super Furry Animals tried to embody joy, this is inches away from the pinnacle of the feeling itself. Just like the colorful murals and fields of blue and orange wildflowers in the music video, “Everyday Sunshine” is a sunburst (no pun intended) of carefree ska happiness. Every note from the brass section and every drumbeat brings armfuls of hope, and you can’t help but look out at the cloudy skies and try and find that tiny sliver of sunshine poking through. It’s the perfect bandaid for every mood: happy? Play this song. Neutral? Play this song. Sad? Play it and dance by yourself until your troubles are but motes of pollen drifting away from the aforementioned field of wildflowers. Again, a big thank you to my mom for this one. ☀️

“True Blue” – boygenius

With that, we’re…back on the sadgirl train, but…this one’s at least not nearly as heartbreaking as “Emily I’m Sorry,” so…

The harmonies of Julien Baker, Phoebe Bridgers, and Lucy Dacus obviously fit together like it was written in the stars, but even so, you can see whose songs are whose—and this is Lucy’s song, without question, even if the handwritten in the lyric video didn’t give it away. It has their signature melancholy written all over it, but somehow, it feels more on the tender side, like learning to love somebody after you’ve only just started to heal yourself. Dacus’ voice is a soft but pushing force, gently letting the song form itself around her as it swirls into the night sky, while the higher harmonies of Baker and Bridgers seamlessly flow through to the chorus and the bridge—I particularly love how Baker’s high notes come through on the bridge—”Because it doesn’t matter anymore/Who won the fight?/I’m not keeping score.” Songs like this really display the two sides of boygenius—it’s a song where one member takes the lead, but they still come together as a single, cohesive force of nature.

“The Man Don’t Give a Fuck” – Super Furry Animals

“Out of focus ideology/Keep the masses from majority/Head space brainwashed, tumble dried/Left to bleed whilst vultures glide…”

…oh, so they just went and gave the GOP their own theme song, huh? On second thought…no. The GOP doesn’t deserve such a monumental banger.

I hate to double up here, but the Super Furry Animals train has left the station, and it’ll be an eternity before it reaches its destination. This song has quickly risen to become one of my favorites of theirs; it may not be as weird or experimental as some of my other favorites, but it’s a tight, four-minute burst of head-banging. From the deceptively slow build of the first minute, the music cascades into pure fuzz and drumbeats, and though the music drops out for short intervals, it never once loses its unstoppable momentum. It’s easy to see why this was one of their most popular songs: even though the chorus dominates almost the entire song, you can’t help but get up on your feet the minute the drums kick in. The slow creep of the vocals and jingle bells that starts at around the 2:30 mark builds suspense with a gradual layering of harmonies, building to a raucous screams that pushes right back into the ecstasy of the chorus. Almost 5 minutes of the same line (“you know they don’t give a fuck about anybody else”), and it never gets tiring—on the contrary, it’s already my second-most played song of the year, according to Apple Music. That’s an earworm for you.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Monthly Wrap-Ups

January 2023 Wrap-Up ⛄️

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

Already a month into 2023! I hope you’ve all been doing well and staying safe. I could do without how freezing it’s been, but it’s been

GENERAL THOUGHTS:

Happy new year! January is usually my least favorite month in general; now that all of the fun of the holidays are over, all of the snow just makes everything look all sad and sludgy. And it’s been a freezing January—as I’m writing this, it’s a balmy 3° outside. We had our first snow day of the year on the second day of school, even though we really didn’t get all that much snow. Not that I’m complaining. It would’ve sucked to walk in all that. Needless to say, I wore my pajamas all day that day.

Winter break lasted blissfully long, and I got to catch up with one of my best friends for coffee, which was wonderful. As far as college goes, I think I’m in for an easier semester—no math or science credits this semester, and it’s still all English/humanities classes. Again, another reason why I’m enjoying this part of college—I’m taking another class where the reading is all comics, a Science Fiction class, and a class on LGBT studies (specifically focusing on Black/African diaspora)! I’m enjoying all of them so far.

I’ve had a fairly decent reading month, I’d say; break gave me some much-needed time to read after finals, and a family friend very generously gave some of his comics to me, so I’ve been slowly making my way through those as well. My reading’s slowed down a tad bit just from getting back into the rhythm of school, but it’s a lot better than the first semester in terms of how much I’m reading. Not complaining that I’m re-reading Slaughterhouse-Five for my intro to fiction class.

Other than that, I’ve just been drawing, playing guitar, trying to write a bit more (gonna need to for class, anyway…), blowing through all three seasons of Derry Girls (we love Clare in this house), and doing my best to stay warm. Fingers crossed that February will be more merciful on the weather front.

Also, you can’t really tell because I’m wearing a beanie in the new pfp, but I shaved my head on New Year’s Eve. Feels lovely, gotta say.

READING AND BLOGGING:

I read 21 books this month! I had a few brief slumps, but overall, I’d say it was a fairly even mix this month; I’ve already had a DNF, but I had two 4.5 star reads as well, so I think that cancels out.

1 – 1.75 stars:

You Truly Assumed

2 – 2.75 stars:

The Keeper of Night

3 – 3.75 stars:

The Heartbreak Bakery

4 – 4.75 stars:

The Sirens of Mars: Searching for Life on Another World

FAVORITE BOOK OF THE MONTH: Little Thieves – 4.5 stars

Little Thieves

POSTS I’M PROUD OF:

POSTS FROM OTHER WONDERFUL PEOPLE THAT I ENJOYED:

SONGS/ALBUMS THAT I ENJOYED:

this has been on repeat in my library for eternity
a find from The Heartstopper Yearbook
if I had a nickel for every Gorillaz song that I haven’t been able to stop listening to this month, I’d have two nickels. which isn’t that much, but it’s weird that it happened twice.
a perfect, wintry album for January
NEW BOYGENIUS ALBUM NEW BOYGENIUS ALBUM THIS IS NOT A DRILL Y’ALL
and as if on cue, I’m on a huge Super Furry Animals kick again

Today’s song:

fantastic album!! just finished listening yesterday

That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music, Sunday Songs

Sunday Songs: 1/29/23

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

We’re reaching the end of the month now, and it’s shaping up to be another great year for music already! Also, we’re not even a month into this year and I’m already on another relentless Super Furry Animals kick, so…do with that what you will. It’s fine. Bring on the (Welsh) Britpop craziness.

Enjoy this week’s songs!

SUNDAY SONGS: 1/29/23

“$20” – boygenius

Just to check in…gays, are we all okay after this? Are you okay? Are you sure? Take a deep breath.

Breathe in…

…breathe out. This is really happening. Finally.

the glorious Rolling Stone cover, an homage to an older cover featuring Nirvana
PINS PINS PINS!!

To the elation of the girls and the gays (and to the dismay of a bunch of butthurt boomers in the comments of Rolling Stone’s instagram account, apparently), boygenius are back, and they’re already coming out swinging with three fantastic singles. Although all three showcase the joint talents of Julien Baker, Phoebe Bridgers, and Lucy Dacus, “$20” is the true powerhouse of the trio. Baker’s vocals, from most of her solo work, tend to be restrained at worst, but she lets loose on this single, filled with punchy guitars and equally punchy lyrics. It never slows down, feeling more like riding a wave, thinking that you’re safe in the current, and then getting hit with a powerful mouthful of saltwater with what may be the best Phoebe Bridgers scream yet. More than ever, the harmonies of Baker, Bridgers, and Dacus fit each other like chiseled puzzle pieces, as though they were always destined to work together in near-perfect unison. Needless to say, I doubt I’ll come down from the boygenius high for a while here. I KNOW YOU’VE GOT $20.

“Ice Hockey Hair” – Super Furry Animals

If you described the bare elements of “Ice Hockey Hair” to me—nearly 7 minutes long, heavy on autotune, a minute-long outro with almost nothing but random beep-boops strung together—I doubt I’d be immediately sold. But that’s the magic of Super Furry Animals; they can take any number of weird, outlandish elements and string them into something that’s not only cohesive, but an instant earworm at that. Laden with heavy guitars and drums and backed by a consistent fuzz and an effortless vocal harmony, “Ice Hockey Hair” never makes me lose interest through all 7 minutes, going above just keeping a steady pace and making for the perfect, prolonged Britpop song. I barely ever like autotune, but what sells me about the way that Super Furry Animals use it is that they just embrace the weirdness of it—it’s not to make their voices sound better, it’s just to make it sound weirder, to make it blend into all the screeching static and beeping faintly humming in the background. They’re masters of making their voices into instruments, and not just that, but making them into something just as weird as what’s going on in the rest of the song.

“Laughing With A Mouth Of Blood” – St. Vincent

Added bonus: the gloriously awkward Portlandia music video (“I could stick around for another song if you guys want” “no ❤️”)

Along with Super Furry Animals, I’ve stumbled into another St. Vincent kick as of late, and although I’ve always loved her work, I’m reminded of how rarely she misses (we don’t talk about MASSEDUCTION) in any aspect of her artistry. Actor is only her second album, and already, she’s showcasing her clear virtuosity—lyrically and musically. Even before her rightfully famous electric guitar shredding became an essential part of her music, Annie Clark’s complex, acoustic guitar pickings create an atmosphere that always feels alive, and with the added brass and driving drums, “Laughing With A Mouth of Blood” is a poignant landscape of a song that you can’t help but lose yourself in. St. Vincent’s music never loses its quality with the passage of time, and every listen feels like the wonder and joy of listening to it for the first time.

“Burning Airlines Give You So Much More” – Brian Eno

I was so used to seeing the album cover of Taking Tiger Mountain By Strategy (now that’s a title) from really far away, so…am I the only one who thought that Brian Eno was wearing a beret, and it wasn’t just his hand patting him on the head? Is the hand about to give him the Gary Oldman cheek stroke, or is it just to cover up the pseudo-Riff Raff haircut?

…okay, I really shouldn’t be roasting the guy. He’s just doing his wonderful art-pop thing, and I love him for it. So much. Songs like “Cindy Tells Me” have further convinced me that I should listen to more Brian Eno, and this one I like almost as much (though it’s hard, considering how long I had the former on repeat back in October). For a song loosely written about one of the deadliest plane crashes of all time, it’s strangely laid-back, meandering along with bright, jangly guitars and synths in the similar tone. It’s a song to gently sway your head to, one to revel in the multi-layered composition of it as the guitars slowly climb up and down the scale. Brian Eno’s just doing his Brian Eno thing, and I’m so glad he’s doing it.

“Purple Haze” (Jimi Hendrix cover) – The Cure

It’s hard to take a cover and put a spin on it that feels completely new—especially if it’s Jimi Hendrix that you’re covering. But Robert Smith and company make it look easy, putting their signature goth touch on a rock n’ roll classic. Smith pulls the meaning of “haze” to an entirely different direction, layering the song with an eerie, synth-laden atmosphere and distorted vocals. It really does give the song the feel of a haze, like some kind of cloud or curtain that you’re walking through to try and find the heart of the song.Different pieces of instrumentation fade in and out, as though you’re losing consciousness. The guitars are understated, but I think it’s rightfully so—you really can’t touch Jimi Hendrix in that regard, for one, but it’s the fog of distortion and synths that make this cover so memorable. It’s a cover that wouldn’t be out of place at some kind of shady Halloween party (as most of the Cure fits anyway), a musical fog machine that transports you to another realm where you can’t seem to differentiate which way is up or down.

Since this post is all songs, consider this post to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Monthly Wrap-Ups

May 2021 Wrap-Up 🦊

Posted on by madeline @ The Bookish Mutant

Happy Monday, bibliophiles!

May was equal parts relaxing and stressful (scratch that – more stressful, definitely), but it was a better reading month for sure, so let me elaborate…

GENERAL THOUGHTS:

As with April, I didn’t get to blog as much as I wanted to because of finals and AP testing. Doing three of the latter in the span of only a week turned my soul to mush, but I think I’m more of a sentient being now. And I’m finally done with school! Online was nothing short of a soul-crushing experience, but I’m proud of myself for weathering an entire year of it.

Reading-wise, I actually managed to have a better month! A whole bunch of holds from the library came that I’d been waiting a while for came, and I caught up on a lot of nice sequels. I had a lot of fun re-reading the Six of Crows duology as well. 🙂

Unfortunately, I also had my first 1 star book of the year… [sad harmonica noises]

I really hate to say it, but Wings of Ebony was a big letdown for me. I don’t think I’ll do a full review, but my quick thoughts are as follows: I really appreciated the unapologetic approach to colonialism and racism (which is why I added on the half-star), but the worldbuilding was sloppy at best, the time jumps were too frequent and made no sense, and the writing felt like it desperately needed an editor. Yikes.

Other than that, I’ve continued to do my volunteer work back at the library, and we’re starting to slowly go back to normal! Mask-wearing around there is encouraged but not required for fully vaccinated people (I still wear mine, don’t worry), and we’ve gotten rid of these little stickers we used to track the amount of patrons in store. Oh, and all three seasons of Fargo that have come out on DVD are all on the shelf…nature is healing…

Nicole Canada - Librarian – Alicia Canada – Tomball Junior High

And if you’re wondering about the fox emoji, I put it on to commemorate the fact that we found a family of foxes near our house! We saw all five fox kits on Mother’s Day 🥺

READING AND BLOGGING:

I managed to read 23 books this month! I don’t think I had any 5-star reads this month, but I did read several that came close!

1 – 1.75 stars:

Wings of Ebony (B&N Exclusive Edition) by J. Elle, Hardcover | Barnes & Noble®
Wings of Ebony

Wings of Ebony (Wings of Ebony, #1) – J. Elle (⭐️.5)

2 – 2.75 stars:

Lost in the Never Woods by Aiden Thomas
Lost in the Never Woods

Scavenge the Stars (Scavenge the Stars, #1) – Tara Sim (⭐️⭐️)

Lost in the Never Woods – Aiden Thomas (⭐️⭐️.5)

3 – 3.75 stars:

Broken Wish (The Mirror, #1) by Julie C. Dao
Broken Wish

Aug 9 – Fog – Kathryn Scanlan (⭐️⭐️⭐️)

Hellboy: The Lost Army – Christopher Golden and Mike Mignola (⭐️⭐️⭐️)

Velocity Weapon (The Protectorate, #1) – Megan O’Keefe (⭐️⭐️⭐️)

The Prison Healer (The Prison Healer, #1) – Lynette Noni (⭐️⭐️⭐️.5)

Hellboy: The Bones of Giants – Christopher Golden and Mike Mignola (⭐️⭐️⭐️.5)

Broken Wish (The Mirror, #1) – Julie C. Dao (⭐️⭐️⭐️.5)

Be Dazzled – Ryan La Sala (⭐️⭐️⭐️.5)

4 – 4.75 stars:

Mad, Bad & Dangerous to Know by Samira Ahmed
Mad, Bad & Dangerous to Know

The Galaxy, and the Ground Within (Wayfarers, #4) – Becky Chambers (⭐️⭐️⭐️⭐️)

Elysium Girls – Kate Pentecost (⭐️⭐️⭐️⭐️)

Let the Great World Spin – Colum McCann (read for school) (⭐️⭐️⭐️⭐️)

I Love You So Mochi – Sarah Kuhn (⭐️⭐️⭐️⭐️)

Summer Bird Blue – Akemi Dawn Bowman (⭐️⭐️⭐️⭐️)

Magnificent Ms. Marvel, vol. 3: Outlawed – Saladin Ahmed and Minkyu Jung (⭐️⭐️⭐️⭐️)

We Free the Stars (Sands of Arawiya, #2) – Hafsah Faizal (⭐️⭐️⭐️⭐️)

The Infinity Courts (The Infinity Courts, #1) – Akemi Dawn Bowman (⭐️⭐️⭐️⭐️)

Mad, Bad & Dangerous to Know – Samira Ahmed (⭐️⭐️⭐️⭐️.25)

Love, Hate & Other Filters – Samira Ahmed (⭐️⭐️⭐️⭐️.5)

Six of Crows (Six of Crows, #1) – Leigh Bardugo (re-read) (⭐️⭐️⭐️⭐️.5)

Crooked Kingdom (Six of Crows, #2) – Leigh Bardugo (re-read) (⭐️⭐️⭐️⭐️.5)

Sanctuary – Paola Mendoza and Abby Sher (⭐️⭐️⭐️⭐️.5)

FAVORITE BOOK OF THE MONTH (NOT COUNTING RE-READS): Love, Hate & Other Filters – 4.5 stars

Amazon.com: Love, Hate and Other Filters (9781616958473): Ahmed, Samira: Books

SOME POSTS I’M PROUD OF:

POSTS I ENJOYED FROM OTHER WONDERFUL PEOPLE:

SONGS/ALBUMS THAT I’VE ENJOYED:

This whole album (Green) is PHENOMENAL. the sheer power that the first four tracks hold…
There’s not a single bad song on this album, but this is hands down one of my favorites
(FIRST OFF: PLEASE DON’T WATCH THIS MUSIC VIDEO IF YOU HAVE PHOTOSENSITIVE EPILEPSY) I think I like this even better than the Oingo Boingo version…
I still don’t like this one as much as the other tracks on this EP, but it’s been growing on me big time
I forgot that this song existed?? And I love it???

DID I FOLLOW THROUGH ON MY MAY GOALS?

  • Take some time away for the AP exams and finals: that I did. Barely posted until the second half of the month, so…
  • Take care of yourself: …I think I did, at least.

GOALS FOR JUNE:

Bannerboy.com by Erik Brunner | Dribbble
  • Make a list with some Pride Month recs!
  • Read at least 20 books
  • Enjoy the first month of summer!
  • ACTUALLY start that first draft of the sci-fi WIP

At last! Summer!!

Today’s song:

https://www.youtube.com/watch?v=H-chfJ6GEbg

That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music

Little Oblivions – Julien Baker album review

Posted on by madeline @ The Bookish Mutant
Julien Baker → Little Oblivions

Happy Saturday, bibliophiles! I suppose this isn’t a bookish post, but I’ll keep my normal greeting, because hey, most of what I post is about books. But here’s something a little different.

So here I am, finally reviewing Little Oblivions!

I got into Julien Baker late last year, starting with Sprained Ankle after hearing her distinct voice as part of the supergroup boygenius (with Phoebe Bridgers and Lucy Dacus). I was immediately hooked on Sprained Ankle, liked but didn’t love Turn Out the Light (Sprained Ankle > Turn Out the Lights, fight me Pitchfork), and so of course I was excited to see that she was coming out with something new. What stands out most to me about her music is the raw emotion of it; Baker never hesitates to explore the darker side of everything, and does so with such intense, palpable motion. Even with just a guitar or a piano, she can make a shrieking ballad of grief or heartbreak out of anything.

And I’m glad to say Little Oblivions is no exception. While Baker experiments with bigger, brighter sound, she stays true to the emotional aspect that defines her body of work, making a whole new set of resonant and soaring music.

So let’s begin this review, shall we?

Julien Baker is a queer, Christian, socialist — we had to talk to her by Religion and Socialism Podcast

JULIEN BAKER – LITTLE OBLIVIONS (album review)

TRACK 1: “Hardline” – 9/10

Say it’s not so cut and dry,

Oh, it isn’t black and white,

What if it’s all black, baby,

All the time?

– Julien Baker, “Hardline”

NOW THIS IS WHAT I CALL AN AMAZING OPENING TRACK! Baker’s foray into new, more electronic sound proves an immediate hit, paired with her signature raw lyricism. Plus, we’ve got an amazing stop-motion music video to match!

TRACK 2: “Heatwave” – 7.5/10

The last single to be released before the whole album, “Heatwave” is reminiscent of the boygenius EP. There’s a deceptively upbeat tone and composition to it, hiding some of Baker’s darkest lyrics. The instrumentation almost reminds me of Wilco.

TRACK 3: “Faith Healer” – 9/10

This one was the first single to be released before the whole album, and it has been a consistent earworm for MONTHS, let me tell you…

Such beautiful, concise instrumentation, a steady beat, and even the effects overlaid over Baker’s unique voice fit right in with the almost spacey keyboards. A completely new direction for her musically, but one I’m ADORING.

Wooohoooo!!! — Marvel Contest of Champions

TRACK 4: “Relative Fiction” – 9/10

‘Cause I don’t need a savior,

I need you to take me home…

– Julien Baker, “Relative Fiction”

It would be a bit of a stretch to call this a love song, but that’s almost how I interpreted it on the first listen. “Relative Fiction” delves into Baker’s quieter, more musically sparse roots for a tender and poignant song of grappling with emotions and questioning one’s own self worth, and the meaning one might hold for others.

TRACK 5: “Crying Wolf” – 7.5/10

Continuing “Relative Fiction”‘s trend of quieter and sadder introspection, “Crying Wolf” presents a piano ballad reminiscent of Turn Out the Lights that soars to a resonant conclusion. (That “OOOOOO” that starts at about 2:33…[CRIES])

TRACK 6: “Bloodshot” – 7/10

There’s no glory in love,

Only the gore of our hearts…

– Julien Baker, “Bloodshot”

The song where we get the album cover’s gorgeous lyricism, “Bloodshot” toes the line between the two musical themes of Little Oblivions so far, oscillating between the electronic experimentation and the sparser, quieter ballads. Another deceptively upbeat song, telling of messy emotions and shaky relationships.

TRACK 7: “Ringside” – 6.5/10

I still enjoy this one, that’s for sure, but it felt a little bit like a lull in the middle. The lyricism is still stellar, but something about it doesn’t pack as much of a punch as the rest of the album so far has.

TRACK 8: “Favor” – 8.5/10

You pulled a moth out

From the grill of your truck,

Saying it’s a shame,

How come it’s so much easier

With anything less than human,

Letting yourself be tender?

– Julien Baker, “Favor”

As with “Graceland Too” on Phoebe Bridgers’ Punisher, this boygenius collaboration truly shines. The combination of the voices of Baker, Bridgers and Dacus never fails to make my heart soar to the clouds, and paired with such poignant lyrics, “Favor” is absolutely a highlight of this album.

TRACK 9: “Song in E” – 10/10

My favorite song on the album, hands down. This one again harkens back to Turn Out the Lights, but something about both the piano and Julien’s vocals takes it to all new heights. It’s just…[sniffles]

And something about the way she says “name” at about 0:40 just makes my heart go 🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺

TRACK 10: “Repeat” – 9/10

Ocean of strip malls,

I help you swim across

To the other side…

– Julien Baker, “Repeat”

Another example of Julien’s decision to go more electronic with her sound paying off 100%. Catchy, but continually poetic in its lyricism, this was one of my favorite songs that wasn’t released as a single before the album’s released. Again, can’t put my finger on it, but I love the way Baker sings all of the words past the 3/4 mark with the long ‘e’ sound (ex. means, speak, street, dream, repeat). My brain can’t be troubled for a concrete reason, but it’s so beautiful.

TRACK 11: “Highlight Reel” – 7.5/10

Not my favorite on the album, but the instrumentation itself is what shines for me. I love the drums, the guitar, the…well, the everything. I can’t quite pick out what instrument (probably keyboard?) it is, but the part from about 3:21 to the end reminds me a bit of St. Vincent’s “Teenage Talk.”

TRACK 12: “Ziptie” – 6.5/10

Not the best ending for this album and a lower point overall, but still lovely. The lyricism is still painfully beautiful, but it just seems to wander about almost aimlessly. A good listen, but maybe something like “Repeat” or “Bloodshot” would have been a better end to the album.

Julien Baker is just being honest | EW.com

I averaged out all of the scores for each track, and they came out to almost exactly 8! I’d say that’s accurate; Little Oblivions wasn’t without its occasional low points, but even those were songs that I’ll surely come back to. A stellar album, and a bold new direction that payed off with every song.

And even though this wasn’t on the album, I can’t not talk about this…

https://www.youtube.com/watch?v=mYjL1IqMNng

I–

I think I’ve died and gone to heaven. This is a transcendental cover. And hey, Julien Baker and Radiohead: two of my favorite things.

Since this post is full of songs, consider this whole album today’s song.

That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

YA Reads for National Latinx Heritage Month

Posted on by madeline @ The Bookish Mutant

Happy Wednesday, bibliophiles!

As some of you may have known, National Latinx Heritage Month started yesterday (September 15th), and ends on October 15th. So for the occasion, I figured that I would compile a list of some YA books of all genres! (All of the books listed are #OwnVoices in that respect.) As someone who’s half Latinx, this month is definitely close to my heart, and I always love seeing latinx characters on the YA scene.

Let’s get to it, shall we?

THE BOOKISH MUTANT’S YA READS FOR NATIONAL LATINX HERITAGE MONTH

The Poet X, Elizabeth Acevedo

The Poet X by Elizabeth Acevedo, Paperback | Barnes & Noble®

GENRE: Poetry/novels in verse, contemporary fiction, romance

MY RATING: ⭐️⭐️⭐️⭐️

This one was recommended to me by a friend, and it’s easily one of the best–if not the best, period–novels in verse that I’ve ever read. I know it’s gotten quite a lot of hype in the past few years, but I can say with certainty that it deserves it all.

Aristotle and Dante Discover the Secrets of the Universe, Benjamin Alire Sáenz

Aristotle and Dante Discover the Secrets of the Universe (Hardcover) | Politics and Prose Bookstore

GENRE: Contemporary fiction, LGBTQ+, romance, coming-of-age

MY RATING: ⭐️⭐️⭐️

It’s been years since I’ve read this one, but it’s such an important novel–not just in the Latinx representation, but in the LGBTQ+ representation as well!

Nocturna (A Forgery of Magic, #1), Maya Motayne

Amazon.com: Nocturna (9780062842732): Motayne, Maya: Books

GENRE: High fantasy

MY RATING: ⭐️⭐️⭐️

Although I wasn’t as big a fan of this one as some of the others on this list, I loved the Latinx inspired world/magic system! One part that stood out to me was the fact that all the spells were Spanish verbs, which…okay, not gonna lie, took some of the surprise away from what the characters were about to do when I understood the words, but it’s an interesting aspect. And you can’t deny how gorgeous that cover is…

When the Moon Was Ours, Anna-Marie McLemore

Amazon.com: When the Moon Was Ours: A Novel (9781250058669): McLemore, Anna-Marie: Books

GENRE: Fantasy, fiction, magical realism, LGBTQ+

MY RATING: ⭐️⭐️⭐️⭐️.5

I swear, Anna-Maria McLemore can do no wrong. Her prose is so beautiful, and it’s wonderfully diverse as well. There isn’t a book by her that I wouldn’t recommend, though I haven’t read Dark and Deepest Red or The Weight of Feathers yet…

Fire With Fire, Destiny Soria

Fire with Fire by Destiny Soria

GENRE: Urban fantasy, fiction, LGBTQ+, paranormal, romance

MY RATING: ⭐️⭐️⭐️.5

I recently received this one as an eARC, and I don’t regret it! Both of the main characters are mixed race (half Latinx/half white), and Dani is bisexual! It’s the first time in a bit that representation in a book got me THAT excited. Plus, there’s the general fantasy fun of butt-kicking girls teaming up with butt-kicking dragons.

With the Fire on High, Elizabeth Acevedo

Amazon.com: With the Fire on High: From the winner of the CILIP Carnegie Medal 2019 (9781471409004): Acevedo, Elizabeth: Books

GENRE: Contemporary fiction, realistic fiction, romance

MY RATING: ⭐️⭐️⭐️⭐️

Another powerful tale from Elizabeth Acevedo, another gorgeous cover! This book is not only guaranteed to tug at your heartstrings, but guaranteed to make you REALLY hungry.

They Both Die at the End, Adam Silvera

Amazon.com: They Both Die at the End (9780062688514): Silvera, Adam: Books

GENRE: Contemporary fiction, science fiction, LGBTQ+, romance

MY RATING: ⭐️⭐️⭐️.5

Absolutely worth a read, but it’s one of those books that you have to be in a good, stable mood to read. I mean, they tell you exactly what’s going to happen, but it’s no less rough…[sniffles]

Wild Beauty, Anna-Marie McLemore

Amazon.com: Wild Beauty: A Novel (9781250124555): McLemore, Anna-Marie: Books

GENRE: Fantasy, magical realism, LGBTQ+, fiction, romance

MY RATING: ⭐️⭐️⭐️⭐️.5

This was my first exposure to McLemore, and it’s left a lasting impression on me to this day. It’s the kind of prose that makes you smell flowers and grass and want to dance through fields of colorful wildflowers.

TELL ME WHAT YOU THINK! Have you read any of these novels? What did you think? Are there any other great books by Latinx authors that you recommend? (Everybody’s putting Cemetery Boys on their lists…I still haven’t gotten around to reading it, but I have it on hold at the library…)

Another announcement before I go–guess what else started yesterday? Bisexual visibility week! Bi visibility day is September 23rd, so I’ll be compiling another list, this time for books with bisexual protagonists and authors. Stay tuned!

Today’s song:

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!