As promised, here’s the sequel to the Zodiac Book Tag, the music tag. I love music almost as much as I love books, so this is a perfect fit for me! As with the book tag, this was created by Swift Walker @ Just Dreamland.
And YOU! If I didn’t tag you and you want to do this tag, then go ahead! And if I tagged you and you’ve already done it/don’t want to do it, my bad. (Consider yourself tagged for the book tag as well!)
Since this post is full of songs, just consider everything in here today’s song.
That’s it for this music tag! Have a wonderful rest of your day, and take care of yourselves!
Happy Friday, bibliophiles! I suppose that the bibliophile greeting doesn’t *quite* fit for this post, but hey, you probably followed this blog for books, right? Today, we’ve got something a little bit different–but at least I kept my promise, didn’t I? I hinted at doing a review for at least a week prior to today…
At the beginning of quarantine, my brother and my parents had just started binging Fargo. So like so many of us have done with different shows in the last 6 months, I starting doing some serious binge-watching. I’d already been exposed to Noah Hawley’s masterful storytelling through Legion, but Fargo never ceased to wow me. I forgot about it for a few months after finishing up season 3, and then the trailer for season 4 came out in September. I didn’t see it coming, but little did I know that this newest season would be my favorite yet!
Here’s the special thing about Fargo: each season follows a plot that, chances are, you’ve seen before: murder mysteries in small towns, sibling rivalries escalated to astronomical proportions, dysfunctional crime families; this season, in particular, centers around the politics of rivaling Italian and African-American gangs in 1950s Kansas City, and a mortician’s family who unwillingly gets caught up in the action. But every season, without fail, Noah Hawley spins it into something that you’ve never seen before, be it with the characters, the cinematography, and the plot twists (and there’s a LOT of plot twists). Fargo is all about the unexpected, and season 4 brings the factor of the unknown and unseen up to levels that I haven’t seen since…well, I guess that season 3 ending…(no spoilers.)
And maybe I’m biased for this one. October was one of the hardest months I’ve had in quite a while, and Fargo was, without a doubt, one of the things that kept me going through it. As the season came out, my days started to revolve around the Monday nights that would inevitably bring another episode to fuel me with enough dopamine to keep me going through the rest of the week. But I genuinely believe that this show embodies what storytelling should be–what good TV should be, really. And this season has truly cemented Fargo as my favorite show. (And considering that I don’t readily jump for murder mysteries/historical fiction, that’s definitely saying something. That’s just the power of Noah Hawley, folks…)
Now, TREAD LIGHTLY! This review may contain some minor spoilers, but for your benefit, I’ll try to keep it light on them. But even so, be warned…
I…can’t really find anything major that I didn’t like about this season, so consider this review a breakdown of most everything that I loved.
Characters/casting/acting: With every Fargo season, there’s no shortage of complex characters and masterful actors (for previous seasons, see: Martin Freeman, Bokeem Woodbine, Jean Smart, Ewan McGregor, David Thewlis, Mary Elizabeth Winstead, etc.), but season 4 in particular had them in no short supply. I loved all of the (HUGE) main cast and many of the supporting characters, but for one reason or another, this is the first season where I’ve gotten really attached to more than one character. And considering that Fargo is one of those shows that 75%-80% of the main cast is killed off by the time the finale rolls around, it…didn’t go over well with my emotions. But in all seriousness, THESE CHARACTERS!
Let me just digress to talk about my three favorites in this season:
Doctor Senator (Glynn Turman): let’s be honest, what’s not to like? He consistently has some of the best lines/general dialogue in this season, he’s strategic, he’s clever, and he’s instantly likable. I’ll get more in depth on the morally gray theme of the whole season later on in the review, but leave it to Fargo to make us AGGRESSIVELY sympathize with all manner of mobsters and criminals…anyways, this guy’s the best.
Ethelrida Smutny (E’myri Crutchfield): LOVE HER! She’s one of the few characters in this season who’s morally right and seeks to do the right thing, and she is such a lovable character in every way. She’s frequently underestimated by most of the adults in this season, but she shows herself to not only be smart–smarter than them, in some cases–, but compassionate and determined to do the right thing. The world needs more people like Ethelrida.
And last but most definitely not least…
Patrick “Rabbi” Milligan (Ben Whishaw): [SCREAMS AND CRIES INTO THE VOID]
Out of the three I just mentioned, he’s absolutely my favorite. He’s endured so much tragedy and trauma over the course of his life, but all he wants is for Satchel to have a better life. Again, no shortage of clever and insightful lines, and objectively one of those characters that just needs a big hug and a mug of hot chocolate. Just…just trust me on that one. You’ll see.
But as far as characters, it doesn’t stop there. Everybody, from Chris Rock (Loy Cannon) to Jason Schwartzman (Josto Fadda) to Jessie Buckley (Oraetta Mayflower) truly shines in season 4. Each character is distinct, complex, and it was an absolute joy to see all of their stories unfold. (Also, it’s worth it just to see Jason Schwartzman just SNAP…that scene of him just pretending to hold a gun and just go “HAGAGAGAGAGHGHAGSDHAGHGHGH” just lives rent-free in my mind now…)
(Plus…THE GAYS WON 2020, EVERYBODY! Can we just talk about how Zelmare and Swanee INVENTED “be gay, do crime?”)
Whew, that went on for a while. BUT WAIT–THERE’S MORE, BECAUSE THIS SHOW IS VERY NEARLY FLAWLESS:
Score and soundtrack: At this point, I think it’s just impossible for Jeff Russo to ever make a bad score for a movie or a TV show. Besides all of the remixes of the music from previous seasons, I loved all of the new songs. I particularly liked Odis (Jack Huston)’s theme (somehow it almost sounds like a car alarm? But in a good way) and the Legion-y song with the shootout with Zelmare and Swanee at the train station. And I loved all of the other songs that were slipped in. No spoilers for the context of the Johnny Cash song in the finale, but when I tell you that I SOBBED…
Timely themes: One of the main complaints I’ve seen about this season is that it’s “too woke,” (🙄) which I think is utterly idiotic. This season’s set in 1950, but it’s more timely than ever–there’s discussions of race, police brutality, immigration, and what it means to be an American. And it’s all handled quite well, I think. One thing I’ve always appreciated about the show as a whole is how it depicts the American police system–for the first three seasons, there’s usually 1-2 cops that actually know what they’re doing, but they’re frequently dismissed by a largely unbelieving and sexist police force. This season is the first where we have both of our main cops as largely corrupt, but we still sympathize with one of them (PTSD relating to WWII). Most of the characters are morally gray as well (I mean, most of the main cast are members of separate gangs), and that contrast was also well-done.
That classic, Noah Hawley weirdness: in every season, there’s at least one episode or plot point that’s highly out of the ordinary, and lucky for us, we got that in the form of episode 9. Besides having a whole episode of Rabbi and Satchel after not seeing them for two episodes, there’s an amazing Wizard of Oz theme with the whole episode. I’ll shamelessly admit to thinking about it for a solid WEEK.
All the Coen Brothers references, of course: Treehorn? The Raising Arizona screaming? Everything that I missed? LOADS OF FUN.
All in all, this was a masterful show from start to finish. My favorite season out of the four, by far, although I love them all. I’m already rewatching the whole season over again…
MY RATING: ★★★★★
TW/CW: Graphic violence (mostly gunshot wounds, but there’s some parts that definitely made me queasy), racism, xenophobia, police brutality, some brief racist/homophobic/ablelist slurs, poisoning, loss of loved ones, alcoholism/substance abuse
EDIT: Whoooooooa, apparently this is my 500th post! Dang…😳
That’s it for this TV review! Have a wonderful rest of your day, and take care of yourselves!
This one hasn’t been on my TBR for very long, but I did a Goodreads Monday on it back in January. Aside from the fact that…well, the book basically deals with the zombie apocalypse (forgot about that when I put it on hold), I figured it would be a good read for quarantine. And I was not disappointed in the least! All at once irreverently funny and a beautiful testament to the power of nature.
S.T. is a crow, living a comfortable life after being rescued as a chick by a man named Big Jim. Along with Big Jim’s dim-witted bloodhound, Dennis, they live in peaceful harmony just outside of Seattle. But when Big Jim begins acting strangely and lashing out, S.T. faces an unfortunate truth–Big Jim will never be the same again.
With Dennis at his side, S.T. must venture outside the comfort of his home and into the wild. Will they be able to find a cure for Big Jim’s malady–and potentially save the human race?
Hollow Kingdom was such a unique book! A wonderful deviation not only from your garden variety zombie apocalypse book, but very different from many written from the perspectives of animals.
S.T. has the most clever, irreverent voice–often colorful in language, but capable of deep reverence and wisdom as well. The intellect and mannerisms of these intelligent birds made for no shortage of hysterical interactions and observations between him and the other creatures he encounters, be it the language he picks up from Big Jim or his commentary on other types of animals. I don’t think I’ve laughed as much at a book since I read Good Omens last year.
Buxton clearly put so much detail into the lives and familial structures of all the animals, from the domestic ones to the murders of crows that S.T. and Dennis encounter on their travels. There’s even some little tidbits from other animals across the world, from a Polar bear in the Arctic Circle to a maniacal house cat not far from where S.T. used to live. Buxton’s reverence and love for the animal kingdom truly shines in this novel.
As someone who has grown up with a myriad of pets and watched David Attenborough’s documentaries almost religiously, I connected so much to this book. I haven’t read any books from the perspective of an animal in ages (mostly because I’ve moved over from more MG-leaning novels to YA ones, and animal POVs are incredibly rare in the latter), and Buxton does such an incredible job building this multilayered world of animals, wild and tame alike.
My only criticism is that part of the theme got a bit lost in the writing. Buxton mentions something about the cause of the zombie virus coming from technology, which is an obvious critique of our disconnection from nature and our coddling of electronics. However, the topic doesn’t resurface afterwards, which left me a little confused as to what Buxton was trying to say otherwise.
However, my criticism really ends there. All in all, a clever novel that strikes a perfect balance between flippant and reverent writing and shows a true respect for the natural world. 4.25 stars for me!
Hollow Kingdom is a standalone, and Kira Jane Buxton’s debut novel. At the moment, she has nothing else out, but I look forward to anything else she writes 🙂
(Woke up with this song stuck in my head…)
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I know I’m *primarily* a book blog, but most of what I post outside of bookish content is music related, as apart from being a bibliophile, I’m a major music nerd as well. I found this tag over at Margaret @ Weird Zeal , and the tag was created by Sophie @ Me & Ink.
Link back to original so she can see your answers and listen to the tunes
For every prompt you choose to do, name 1-5 songs (you can use my graphics)
Have fun and play your music LOUD
Let’s begin, shall we? (I skipped a prompt or two because I couldn’t find anything for some of them, but here we go…)
“Lazarus”–David Bowie:The day that David Bowie died, I remember my dad driving my brother and I to school in silence as this song played.
“Day Go By”–Karen O.:I listened to this whole album while I was in Canada last year, and I remember listening to this one in a hotel in Drumheller.
“Exit Music (for a Film)”–Radiohead:I discovered OK Computer last year, and I remember being curled up at the entrance of the cafeteria, reading a collection of Tennyson’s poems while blasting this through my headphones. (Yes, I am That Kid™️)
“Hunky Dory”–David Bowie: My favorite album of all time, hands down. Perfection.
“Twin Fantasy”–Car Seat Headrest: WHAT AN ALBUM…OH MAN…
“OK Computer”–Radiohead: See above. Pure genius.
Hmm, let’s see…
“Once in a Lifetime”–Talking Heads: …just watch the video. You’ll see what I mean.
“Life on Mars?”–David Bowie: This was my halloween costume last year…
“It’s Oh So Quiet”–Björk: Sorry to repeat a song, but this video always cheers me up 🙂
I TAG ANY OF MY FELLOW MUSIC NERDS WHO WANT TO PARTICIPATE!
Since this tag is all about music, consider this entire tag today’s song…
That’s it for this tag! Hope you enjoyed this dip into the weirdness that is my taste in music…
Have a wonderful rest of your day, and take care of yourselves!
Those of you who’ve been following this blog for a while know how much I love Car Seat Headrest. Ever since…oh, maybe 7th grade (?), their songs have never failed to enchant me and pull me in. So naturally, I was absolutely over-the-moon when I found out that they were releasing a new album in the form of Making a Door Less Open. After a few listens, however, I’m not quite disappointed, but I think I set my expectations too high. That isn’t to say that it isn’t a decent album, but I think they released all the good singles first.
Anyway, let’s get on with the review, shall we?
TRACK 1: “Weightlifters”–8.5/10
Now that is what I can an AMAZING start to an album. With the slow-burn effects, combined with Will Toledo’s signature, introspective lyrics, this is an absolute stunner of a first track. Probably my favorite of the songs that weren’t released as singles beforehand.
TRACK 2: “Can’t Cool Me Down”–10/10
This was the first single that was released, back in…March, I believe. A vastly new direction for Car Seat Headrest, but one that I enjoy thoroughly. Well-written and eternally catchy. Definitely the highlight of the album for me.
TRACK 3: “Deadlines (Hostile)”–8/10
This feels like something straight off of Teens of Denial, and if we’re talking about that album, it’s always a compliment. Lyrically poignant and musically pleasing, this one 100% contributes to the album’s strong start.
TRACK 4: “Hollywood”–8.5/10
Here we veer into a briefly punchy and screamy direction for CSH, and it’s in no way a bad thing. I’m interested to see that Andrew Katz (drummer & producer of this album, correct me if I’m wrong on the latter) is starting to contribute vocals, and though I didn’t care for it as much at first, but it meshes well with the overall feel with the song
IT’S KINDA GROOVY
TRACK 5: “Hymn (Remix)”–5/10
Eh…this is where the album starts to go downhill for me. It’s like they were trying to go more in the synthy direction of “Can’t Cool Me Down,” but it…didn’t work. Not much in the lyrics department, and a wholly unnecessary slathering of autotune and weirdness that ultimately sullies Will Toledo’s gorgeous voice.
God, I know I sound snooty, but personally, this is the worst song on the album…
TRACK 6: “Martin”–8.5/10
(First off, thank you to Will Toledo/Trait for retaining clean habits during these uncertain times…)
Such a sweet love song, with Toledo’s signature, beautiful lyrics. Catchy and unusually bright, considering most of the subject matter of…a good 75% of the rest of their discography.
TRACK 7: “Deadlines (Thoughtful)”–7.5/10
I feel like this is the weaker of the two “Deadlines,” but that’s not to say that I don’t like it. Though some of the effects don’t bug me, the a capella ending (starting at about 5:37) really manages to tug at my heartstrings.
TRACK 8: “What’s With You Lately”–7.5/10
Short and sweet just as depressing as you’d expect any CSH song to be. A tender meditation on creativity and seeing other people imitate your work. Also, we haven’t really heard Ethan Ives (guitar) contribute any other vocals other than backing vocals, so it’s cool to see him doing lead vocals on a song.
TRACK 9: “Life Worth Missing”–7/10
Certainly a decent song, and wonderful lyrically, but musically, it’s bordering on…spineless? With a song like this, it kind of needs punchy guitars throughout, and it almost gets there in the second half, but not quite enough to be potent.
TRACK 10: “There Must Be More Than Blood”–8.5/10
Another strong point on the album, this feels reminiscent of some of their older, longer songs, especially ones like “Famous Prophets (Stars)” and “Cosmic Hero”. Potent and tender, this one’s definitely one of the more memorable songs off of this album.
TRACK 11: “Famous”–6/10
Afer such a beautiful song as “There Must Be More Than Blood,” “Famous” feels like a letdown of an album closing. If not for the effects layered on the vocals, I probably would have liked it a lot better–the lyrics are incredible, but they almost get lost in all the discordant autotune layered over them. Eh.
I averaged out all of the song ratings, and it narrowed down to about a 7.7/10. I’d say that’s accurate–it’s certainly not a bad album, but it’s not nearly as mind-blowingly good as Teens of Denial or Twin Fantasy (Face to Face). There’s certainly a multitude of strong points (“Can’t Cool Me Down,” etc.), but the more mediocre tracks only serve to weight it down. A daring exploration into a new kind of sound for Car Seat Headrest, but one that had its highs and lows.
Since this post was an album review, you can…pretty much just consider the whole album for “Today’s song”.
That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!
I found this tag over at Leigh Hecking’s blog, and I figured it would be a good tag for right now–since we can’t travel in quarantine, why not travel to all sorts of amazing places in books?
Okay, I know how corny that sounded, but really, I swear books have a property to magically transport you anywhere, if the writing’s good enough. I was reading The Black Witch yesterday, and I swear that the imagery made me smell freshly fallen rain on the grass. OOH.
Happy Friday, everyone! I hope today finds you all safe and healthy. 💕
Anyway, I figured today would be a good day to do another round of *spring* cleaning for my gargantuan TBR list. I’ve now decided to stick with choosing the shelf to clean by means of a random number generator, and it’s landed on one of my oldest shelves, so this should be an interesting installation…
1. Go to your Goodreads To-Read shelf
2. Order on ascending date added.
3. Take the first 5 (or 10 if you’re feeling adventurous) books.
It’s the year 2040, and sixteen-year-old Dez Harkly is one of the last of her kind-part of a nearly extinct race of shape-shifters descended from guardians to the Egyptian pharaohs. Her home and her secret are threatened when the Council lowers the barrier, allowing the enemy race to enter the Shythe haven. As the Narcolym airships approach, Dez and her friends rebel against their Council and secretly train for battle. Not only is Dez wary of war and her growing affection for her best friend Jace, she fears the change her birthday will bring. When Dez’s newfound power rockets out of control, it’s a Narcolym who could change her fate…if she can trust him. Dez’s guarded world crumbles when she discovers why the Narcos have really come to Haven Falls, and she’s forced to choose between the race who raised her and the enemy she’s feared her whole life.
Oof…the cover made me nervous from the get-go, but this sounds painful…
A series of natural disasters has decimated the earth. Cut off from the rest of the world, England is a dark place. The sun rarely shines, food is scarce, and groups of criminals roam the woods, searching for prey. The people are growing restless. When a ruthless revolutionary sets out to overthrow the crown, he makes the royal family his first target. Blood is shed in Buckingham Palace, and only sixteen-year old Princess Eliza manages to escape. Determined to kill the man who destroyed her family, Eliza joins the enemy forces in disguise. She has nothing left to live for but revenge, until she meets someone who helps her remember how to hope-and love-once more. Now she must risk everything to ensure that she does not become… The Last Princess.
Mia Price is a lightning addict. She’s survived countless strikes, but her craving to connect to the energy in storms endangers her life and the lives of those around her.
Los Angeles, where lightning rarely strikes, is one of the few places Mia feels safe from her addiction. But when an earthquake devastates the city, her haven is transformed into a minefield of chaos and danger. The beaches become massive tent cities. Downtown is a crumbling wasteland, where a traveling party moves to a different empty building each night, the revelers drawn to the destruction by a force they cannot deny. Two warring cults rise to power, and both see Mia as the key to their opposing doomsday prophecies. They believe she has a connection to the freak electrical storm that caused the quake, and to the far more devastating storm that is yet to come.
Mia wants to trust the enigmatic and alluring Jeremy when he promises to protect her, but she fears he isn’t who he claims to be. In the end, the passion and power that brought them together could be their downfall. When the final disaster strikes, Mia must risk unleashing the full horror of her strength to save the people she loves, or lose everything.
The usual suspects of YA dystopia tropes are all here, but the concept of Mia as a “lightning” addict still intrigues me. I think I might stick it out for this one.
16 year old Anna Rogan has a secret she’s only shared with her best friend, Rei; she can astrally project out of her body, allowing her spirit to explore the world and the far reaches of the universe.
When there’s a fatal accident and her classmate Taylor takes over Anna’s body, what was an exhilarating distraction from her repressive home life threatens to become a permanent state. Faced with a future trapped in another dimension, Anna turns to Rei for help. Now the two of them must find a way to get Anna back into her body and stop Taylor from accusing an innocent friend of murder. Together Anna and Rei form a plan but it doesn’t take into account the deeper feelings that are beginning to grow between them.
Ooh…this seems fascinating! I don’t see astral projection much in YA–or in most books I’ve read, period–so this could be really creative, if executed well enough.
“This is my spot,” Naomi said. “You can’t help but dream up here. I’m going to take my baby sis up here when she’s older so she can dream, too. You can see the whole world from up here.”
I could only see Naomi.
Walter Wilcox has never been in love. He just wants to finish high school under the radar with his 2.5 friends and zero drama. And then there’s Naomi Mills, an adorably awkward harpist with a habit of saying the wrong thing at the right time.
It’s inevitable that they’re going to get together…but they’re also on the unavoidable path to being torn apart.
First love meets first fights in this timely, honest, and heartbreaking story about race and relationships by acclaimed author Stephen Emond (Happyface).
From the get-go, I love the art style from the cover (this one’s a graphic novel), and beyond that, I’m interested to see how they blend this teenage love story with the topic of race.
Tomboy to the core, Toni Valentine understands guys. She’ll take horror movies, monster hunts and burping contests over manicures. So Toni is horrified when she’s sent to the Winston Academy for Girls, where she has to wear a skirt and learn to be a lady while the guys move on without her.
Then Toni meets Emma Elizabeth, a girl at school with boy troubles, and she volunteers one of her friends as a pretend date. Word spreads of Toni’s connections with boys, and she discovers that her new wealthy female classmates will pay big money for fake dates. Looking for a way to connect her old best friends with her new life at school, Toni and Emma start up Toni Valentine’s Rent-A-Gent Service.
But the business meets a scandal when Toni falls for one of her friends–the same guy who happens to be the most sought-after date. With everything she’s built on the line, Toni has to decide if she wants to save the business and her old life, or let go of being one of the guys for a chance at love.
Though I’m glad to see the “Then she meets [insert name of Attractive Male™️]” trope flipped on its head in the synopsis, this one isn’t keeping my attention anymore.
Lexi Ryan just ran away to join the circus, but not on purpose.
A music-obsessed, slightly snarky New York City girl, Lexi is on her own. After making a huge mistake–and facing a terrible tragedy–Lexi has no choice but to track down her long-absent mother. Rumor has it that Lexi’s mom is somewhere in Florida with a traveling circus.
When Lexi arrives at her new, three-ring reality, her mom isn’t there . . . but her destiny might be. Surrounded by tigers, elephants, and trapeze artists, Lexi finds some surprising friends and an even more surprising chance at true love. She even lucks into a spot as the circus’s fortune teller, reading tarot cards and making predictions.
But then Lexi’s ex-best friend from home shows up, and suddenly it’s Lexi’s own future that’s thrown into question.
With humor, wisdom, and a dazzlingly fresh voice, this debut reminds us of the magic of circus tents, city lights, first kisses, and the importance of an excellent playlist.
I mean…fairly original, but this one isn’t capturing my attention anymore, either. Also, the name “Lexi Ryan” just tweaks me for reasons I can’t put my finger on.
In the two years since her father died, sixteen-year-old Eva has found comfort in reading romance novels—118 of them, to be exact—to dull the pain of her loss that’s still so present. Her romantic fantasies become a reality when she meets Will, who seems to truly understand Eva’s grief. Unfortunately, after Eva falls head-over-heels for him, he picks up and moves to California without any warning. Not wanting to lose the only person who has been able to pull her out of sadness—and, perhaps, her shot at real love—Eva and her best friend, Annie, concoct a plan to travel to the west coast to see Will again. As they road trip across America, Eva and Annie confront the complex truth about love.
I’m not thrilled about some of these tropes, but the friendship/road trip dynamic seems like a fun way of handling it. I think I’ll stick it out.
TESSA IS A VARIANT, able to absorb the DNA of anyone she touches and mimic their appearance. Shunned by her family, she’s spent the last two years training with the Forces with Extraordinary Abilities, a secret branch of the FBI.
When a serial killer rocks a small town in Oregon, Tessa is given a mission: she must impersonate Madison, a local teen, to find the killer before he strikes again.
Tessa hates everything about being an impostor – the stress, the danger, the deceit – but loves playing the role of a normal girl. Disguised as Madison, she finds friends, romance, and the kind of loving family she’d do anything to keep.
Amid action, suspense, and a ticking clock, this super-human arrives at a very human conclusion: even a girl who can look like anyone struggles the most with being herself.
Twenty years ago, the robots designed to fight our wars abandoned the battlefields. Then they turned their weapons on us.
Only a few escaped the robot revolution of 2071. Kevin, Nick, and Cass are lucky —they live with their parents in a secret human community in the woods. Then their village is detected and wiped out. Hopeful that other survivors have been captured by bots, the teens risk everything to save the only people they have left in the world—by infiltrating a city controlled by their greatest enemies.
Mmm…nah. Looks like the same, post-apocalyptic plot that’s been regurgitated over and over. Meh.
VERDICT: LET GO
LET GO: 5
Another 50/50 split. Can’t tell if that’s a good sign or not.
ONE WEEK ‘TIL MAKING A DOOR LESS OPEN!
That’s it for this Down the TBR Hole! Have a wonderful rest of your day, and take care of yourselves!
I think I recently ousted this one from my TBR, but I’ve all but lost interest in One of Us Is Lying, despite the recommendations from fellow book nerds and friends. Eh.
An unpublished book on your TBR that you’re excited for
I’ve already preordered Aurora Burning, and at this point, I’m counting down the days until it comes out…EEEEEEEEEEEEEEEEEEEEE
A book on your TBR that basically everyone’s read but you
I’ve almost bought The Black Witchat least two or three times, at this point. Seems to be a pretty hyped-up book, but I’m excited to read it soon! It’s on the Kindle library, so hopefully I can read it soon! My friend was just recommending this to me last night…
A book on your TBR that everyone recommends to you
I’ve had a fair amount of people recommend Duneto me over the years…
A book on your TBR that you’re dying to read
I CANNOT WAIT TO GET MY HANDS ON TRUEL1F3…June can’t come soon enough…
How many books are on your Goodreads TBR shelf?
Now you know why I do so many Down the TBR Hole posts…
I tag anyone who wants to participate!
That’s it for this book tag! Have a wonderful rest of your day, and take care of yourselves!
Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
Apart from its gorgeous cover (and title?), I’m drawn to this one on the prospect of magical realism. When done well, it can produce lush, rich, and unforgettable novels like Wild Beautyand The Looking Glass,and if all is well-executed, I’m hoping to find another gem.
GOODREADS MONDAY (3/23/20)–A CONSTELLATION OF ROSES by Miranda Asebedo
Ever since her mother walked out, Trix McCabe has been determined to make it on her own. And with her near-magical gift for pulling valuables off unsuspecting strangers, Trix is confident she has what it takes to survive. Until she’s caught and given a choice: jail time, or go live with her long-lost family in the tiny town of Rocksaw, Kansas.
Trix doesn’t plan to stick around Rocksaw long, but there’s something special about her McCabe relatives that she is drawn to. Her aunt, Mia, bakes pies that seem to cure all ills. Her cousin, Ember, can tell a person’s deepest secret with the touch of a hand. And Trix’s great-aunt takes one look at Trix’s palm and tells her that if she doesn’t put down roots somewhere, she won’t have a future anywhere.
Before long, Trix feels like she might finally belong with this special group of women in this tiny town in Kansas. But when her past comes back to haunt her, she’ll have to decide whether to take a chance on this new life . . . or keep running from the one she’s always known.
So why do I want to read this?
This seems like a PERFECT, misfitty magical realism novel! I’m getting themes of family, feminism, sisterhood, and some wonderful magical powers on the side. Trix seems like a lovable character, and the more I pore over this synopsis, I’m reminded again and again of Wild Beauty. It doesn’t seem like a ripoff, luckily, but reminiscent of it in several places.
At best, I’m hoping for a well-written tale of magic, sisterhood, and the powers that bind family and friends together.
Today just keeps getting better and better…new music from Car Seat Headrest AND my APUSH teacher just removed our homework for spring break!
Also, before I go, I’m *thinking* of making an original book tag. I can guarantee that it’ll be a fandom-related one, but I might make that happen in the next few days or weeks.
That just about wraps up this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!