Use the tag “Chapters & Melodies Tag” in your post
Let’s begin, shall we?
🎵CHAPTERS & MELODIES TAG🎵
A SONG AND A BOOK THAT SHARE A TITLE
This prompt took a WHILE of digging through my read books on Goodreads, but I’ve found one: Supernova (Marissa Meyer) and “Supernova” by Liz Phair!
A SONG THAT REMINDS YOU OF A BOOK
At the time that I read The Final Six, I was somewhat familiar with Radiohead, but seeing the reference to “Paranoid Android” is what made me dive deeper into their music—OK Computer in particular. OK Computer is one of my favorite albums now, and Radiohead is one of my favorite bands. So, uh…thanks, Alexandra Monir!
A BOOK THAT FEATURES MUSIC IN IT
Ziggy, Stardust and Megets its name from David Bowie, and his music features prominently in the novel, which I loved! (Bowie’s my favorite) There are also a few Pink Floyd references, from what I remember—I think specifically about “Time.”
A SONG THAT REMINDS YOU OF YOUR OTP
Auri and Kal from Aurora Risingare 100% my OTP! They’re the sweetest, most tender pair together, and over the years, both of them—especially Auri—have become such important characters to me. I associate “Ladies and Gentlemen We Are Floating in Space” with them for a few reasons—the lyrics (in this version, at least), fit, and the sweeping, space-y atmosphere fits the feel of the book itself. But if there’s one thing, ONE THING that I would give anything to see in the TV adaptation, it’s this song playing in the scene with Auri and Kal in the pollen fields. THAT’S ALL I ASK.
FAVORITE SONG FROM A MOVIE THAT WAS ADAPTED FROM A BOOK
Technically, this song is a) a cover, and b) was only in the trailer, but for me, it’s a fantastic cover! Gives me chills every time, and it has ever since I first saw the Dune trailer last year. Great book, great movie.
October is usually one of my favorite times of year, but this year was one of a lot of self-reflection. Last October was—and still is—a painful stretch of terrain to look back on, but I’m glad to say that I’m in a much better place now. Plus, fall!
Since last year, I’ve had lots of time to heal, and even though the particular anniversary of the most unpleasant part was rocky, I’ve had a nice month overall. October is one of my favorite times of year, what with the confluence of Halloween and all the good feelings I associate with fall, and I got to enjoy that part to the fullest. There’s been hardly any snow at all (and what little snow we had didn’t accumulate), and the leaves have been extra bright and crunchy.
I had a lot of fun this month too! I dyed my hair, I got pumpkins, I got to watch two amazing movies (Dune and The French Dispatch) in theaters, and I just got back from LA! We went to see Danny Elfman perform the soundtrack of The Nightmare Before Christmas on Friday night, which was MAGICAL. We stopped by the La Brea Tar Pits museum and Amoeba Records too, which were both amazing. Plus, even though I only got to wear it for a few minutes after getting back to the airport, my Kaz Brekker costume was a lot of fun.
As far as writing goes, I’ve been writing my other WIP on and off. I hit 100 pages recently, but I feel like it’ll be too short…plus, and I’m fighting the urge to edit my main WIP. Maybe NaNoWriMo will sort things out.
READING AND BLOGGING:
I read 18 books this month! As far as the quantity goes, it’s been my worst reading month of the year, but it doesn’t really matter. I can mostly chalk it up to a) school, b) more long books than usual, and c) at least two reading slumps, but I still read a whole lot of stuff that I’d been looking forward to. Plus, there were some single-issue comics in there too. And I’m still on track to complete my Goodreads goal, anyway.
For no particular reason, I’ve ended up reading a lot more sequels than usual this month. I picked this one up because of how much I loved A Darker Shade of Magic; I couldn’t find it at my local library, so I ended up checking it out from my school library because I just NEEDED TO KNOW WHAT HAPPENED NEXT. However, though A Gathering of Shadows was still a decent novel, it fell into the tragic curse of the disappointing filler sequel.
Kell Maresh and Delilah Bard have long parted ways. But unexpected circumstance will reunite them, and the results may mean the end of Red London as they know it.
After the fall of the Danes in White London and the disappearance of the stone, Kell is back in the palace with Rhy. It is the eve of the Element Games, where magicians from all over compete in an extravagant spectacle. But the competition brings old friends and new ashore—namely Alucard, a clever pirate captain who is not as he seems, and Lila, who has joined him as a part of his crew. But on the margins of all the festivity, a new threat is rising—one that could topple every London in existence.
I’m glad that I read this soon after reading book 1, but still, this one was a disappointment…[Obi-Wan Kenobi voice] “YOU WERE THE CHOSEN ONE!”
It saddens me to admit it, but A Gathering of Shadows fell straight into the fatal trap of the Disappointing Sequel: if anything, it’s almost nothing but filler. My main complaint about book 1 (besides Lila) was that the plot was a little weak, but this book was even more so. Most of the book was just festivities surrounding a celebratory event that had almost no connection to the main plot. All that tied it back to the central plot was sprinklings of a villain that we thought was dead (resurrection trope! Whee!) and not much else. Coming off of the immersive, heartstopping gem that was A Darker Shade of Magic, A Gathering of Shadows was a little bit pathetic in comparison.
However, that’s not to say that it wasn’t at least decent. I did like A Gathering of Shadows, at least to some degree. It was disappointing, sure, but I didn’t hate it. V.E. Schwab’s writing still kept me rapt, and the worldbuilding and expansions to it were interesting to see. Even if the Element Games plot bored me a little, I did like seeing all of the intricacies that went into it, as well as the other cultures and countries outside of Red London. There’s no denying that the world that V.E. Schwab has built is a fantastic one, and in the case of this novel, it was largely its saving grace.
And there’s always the matter of the characters! Kell and Rhy were just as lovable as always, and although they didn’t develop an awful lot during this novel (not like the plot gave them much room to do so, oof), reuniting with them was like reuniting with old friends. I loved Alucard as well; he was such a fun character, but…hold up, what is it with the second book in a YA fantasy trilogy ALWAYS introducing the sarcastic, seductive privateer? First Nikolai Lantsov, now Alucard…HAHA
A Gathering of Shadows almost made me like Lila, but all my hopes for her collapsed about halfway through the book. Not only was she as “not-like-other-girls” as ever, her motivations made even LESS sense than they did in book 1. Given that she’s spent her life on the streets fighting for her life, you would think that she wouldn’t do something so risky as…well, disguise herself as a dead magician that she looks nothing like and enter a competition in his name, right? Wrong, apparently. With all that Lila’s been through, I would personally think that she would be the kind of character to weigh risks and benefits, but I guess that all went out the window. I get it, she’s a teenager, but even for a teenager, that’s kind of ridiculous. Plus, after how A Darker Shade of Magic ended, I was excited to see that she might have some kind of ulterior motive or the beginnings of a corruption arc…but no, I guess that wasn’t the case either. Sigh.
All in all, a lackluster but entertaining addition to the Shades of Magic world that offered up a dry plot, but kept the series afloat with new characters and consistently dazzling worldbuilding. 3.5 stars.
A Gathering of Shadows is the second book in the Shades of Magic trilogy, preceded by A Darker Shade of Magic and followed by A Conjuring of Light. V.E. Schwab is also the author of the Villains series (Vicious and Vengeful) and The Invisible Life of Addie LaRue.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I figured that I should scour my TBR for books for disability pride month (and to read beyond that, of course), and I found this one that I had shelved back in 2019. The cover immediately caught my eye (AAH THE COLOR SCHEME), but I still have mixed feelings about the book itself – not ragingly bad, or anything, but not amazing either.
Jenna has lived her whole life believing that she was born with cerebral palsy, and she’s never let it stop her from doing what she wants to do. But after discovering that her parents hid the fact that her CP was caused by an injury at birth, she’s infuriated with them – and the fact that she hasn’t been able to make her own decisions regarding the surgeries she gets. With the help of her lawyer uncle, she decides to push for medical emancipation.
All the while, Jenna’s childhood crush, Julian, has moved back into town. She reconnects with him over text with an anonymous persona, but will she have the courage to reveal her true self to him?
WARNING: this review may contain some minor spoilers, so tread lightly!
This is…complicated. I picked this book up for disability pride month, and while I can’t speak to the representation itself (as I don’t have cerebral palsy), there were good and bad parts of this book, in terms of how disability was represented and the plot itself.
Let’s start off with the good stuff. Jenna as a character was definitely a great protagonist – she’s not perfect, but she’s incredibly determined and a very independent thinker. She’s a little messy at worst, but I really didn’t mind. She had a great personality, for the most part, and her struggle with getting medical emancipation was incredibly eye-opening.
Again, I can’t speak to how accurate the CP rep was, but for the most part, it seemed well researched. The author mentions in a note at the back of the book that she worked with kids with CP, which seems to have informed part of Jenna’s story. A good portion of it seemed to work – there was clearly a lot of research put into the different kinds of mobility aids that Jenna uses and the kinds of surgeries she went through. It also deftly defied the dreaded “cure narrative” – Jenna’s attitude towards her disability was more one of reaching for freedom than seeking to “overcome” it in anyway. It’s not often that we get this kind of story from abled authors, so I appreciated that.
However, I’m still a little miffed by how they represented Jenna’s disabled identity. At a point in the book, she reaches out to someone who went through a surgery that her parents want her to have (part of why she seeks to be medically emancipated). This person responds to Jenna later in the book via email, and explains that she leads a “differently-abled” club at her school; she explains how she prefers that term, even though most of the disabled community doesn’t. (For those of you who don’t know: it’s generally accepted that the majority of the disabled community prefers not to use the term “differently abled,” as the terminology is seen as sugarcoating or patronizing them and their experiences. Some disabled people may use the term, but when referring to the community, it’s good to just stick with “disabled.”)
Now, if this had come from a disabled author, I might have passed it by; as I said, not everybody in the disabled community dislikes the term “differently abled,” but disabled is usually the more accepted term. But since this is coming from an abled author, I’m really not sure how to feel about it; it’s generally abled people that have used started using the term (which is where the discourse comes from), so putting that on disabled people in a book – especially someone who Jenna looks to for advice – doesn’t sit right with me. Additionally, Jenna never explicitly says that she’s disabled; maybe I’m reading into it too much, but it just seems a little strange, coming from an abled writer writing a disabled character. (And on the subject of the club…did everybody in said club actually agree to call it the “differently abled club?” I find that hard to believe…)
Other than that, there were a lot of hospitalization scenes that felt a little too much like plot devices, and the scene with the rival hockey team (this is where the ableist slurs TW comes in) didn’t need to happen; all it did was give a bit of “I love my girlfriend!” points for Julian (he punches the guy who yells ableist slurs at Jenna), which created some conflict that I felt was completely unnecessary. It’s My Life certainly had a rom-com feel to some of it, so why not just keep it that way? CAN I GET SOME MORE DISABLED BOOKS THAT DON’T CENTER AROUND THE PROTAGONIST GETTING SLURS YELLED AT THEM, PLEASE?
My only other complaints were that some of the high school scenes weren’t super authentic, and I didn’t care a whole lot about the romance, but that’s the most minor of my issues. But overall, mixed feelings on this one – the themes of medical emancipation and Jenna’s character were great, but the disability representation, while I can’t speak to the CP accuracy, had some good intentions and research, but uncomfortable messages surrounding the identity itself. 3 stars.
It’s My Life is a standalone, but Stacie Ramey is also the author of The Sister Pact, The Homecoming, The Secrets We Bury, and Switching Fates.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope this week has treated you well.
I’ve had another quiet week this week, for the most part. Just some summer homework, reading, all that. It’s been getting super hot over here, but I’ve been reading inside and outside.
Reading-wise, I’d say I had a pretty good week. I’ve only had one read that I didn’t like, and I finished the book that my English class assigned for summer homework (Native Son). I also got to go to the comic shop, so I got through a few single issues too! I have a really big one waiting as well…
As far as writing goes, I finally figured out the deal with the word count for my NaNoWriMo goal, so I fixed that up to a manageable level. I’ve been making a whole lot of progress with my sci-fi WIP though! It’s getting close to 200 pages now…
Other than that, I’ve just been drawing, screaming with my friend about Fargo, finishing Loki (AAAH THAT FINALE), and volunteering at the library. I’m going to see Black Widow this afternoon too! I’m proud of myself for avoiding spoilers up until now…guess I’ve learned my lesson from Infinity War…
Happy Wednesday, bibliophiles! I hope this last Wednesday of June has treated you well.
It’s finally summer, and now we’re halfway through 2021! Crazy to think about, but honestly? Good riddance. Online school was horrendous. But now that’s all done for, and I still have a bit more free time before I go back to school.
Summer has freed up a lot more time to blog, which I’ve enjoyed! Even though I took a break with my vacation, I had time to make a lot of posts that were loads of fun to write.
And my vacation! Being in an airport for the first time since mid-2019 was…weird, to say the least, but Glacier National Park was beautiful! Being back in nature for a solid week definitely mended up some of the pieces that learning from a screen broke down.
Somehow, June has been one of my lowest reading months, though. I think it’s partly because while I was reading on vacation, I spread the three books I bought out a little bit more, but hey, I’m officially halfway to my goal of 250 books for the year! (I’m at 132 right now.) I also read a lot of great queer stuff for pride month, and I found some amazing books as a result. (But hey! Read queer all year long!) I hope you all had a lovely pride month. As always, here’s a reminder: you are loved, you are valid, you are beautiful, and nobody has a say in your identity except for YOU. ❤️🏳️🌈🏳️⚧️
I’ve made some good progress with my sci-fi WIP as well! I had a nasty case of creative block for a few days after getting back from Montana, but with a little help from sci-fi Pinterest and my sketchbook, I’m back on track. I just passed 100 pages yesterday!!
Other than that, I’ve just been drawing little aliens, getting back to volunteering at the library, watching Loki and Invincible, and enjoying the warmer weather.
Also, I changed my profile picture to Rabbi Milligan from Fargo on a whim…hey, why not?
READING AND BLOGGING:
I managed to read 20 books this month! Not as many as I would’ve liked to, but at least I got to make some trips to my favorite bookstore. Didn’t have any 5-stars that weren’t re-reads, but I have a few 4.5-star reads that I adored!
So first off, I owe a huge thank you to Phoenix @ Books With Wings for introducing me to this book (and sharing that great interview with Maggie Tokuda Hall!), because otherwise, I’m not sure if I would’ve heard of it! And man, I am SO glad that I picked this book up last week – such a beautiful queer story full of characters with heart and tender romance.
After being plucked off the streets by a ruthless pirate captain, Flora disguises herself as a boy, Florian, to pass amongst the crew of the pirate ship Dove. Life aboard the Dove has hardened her, but when the captain strikes a deal to transport a group of Imperials to the floating islands, she meets Evelyn, who is set to be married to a man she doesn’t even know. The two bond in secret, and they soon fall in love, but when the crew captures a mermaid, the Dove invokes the wrath of the Pirate Supreme and the Sea itself. Flora and Evelyn must escape the ship – or face the curse of the unforgiving Sea.
Pirate fantasy is one of my favorite types of fantasy, but in the YA department, most of the ones I’ve found have been bitter disappointments. But The Mermaid, the Witch, and the Sea was exactly the opposite – a fantasy tale that was all at once brutal and beautiful that filled my heart up with tender joy.
For me, the characters were the part that shone the most in this novel. Flora and Evelyn were both incredible protagonists – multi-layered, and with distinct personalities that riffed adorably well off each other. I loved their romance, and their bonding over books and the captured mermaid was so sweet. Besides them, Rake had to be my favorite character – I adored his POVs! It’s clear that he’d been through so much before and during the novel, but all he wanted was to make sure that Flora and Evelyn broke free of the cruel life aboard the Dove. He got his moment in the spotlight too, and I loved seeing him come into his own near the end of the novel. (He reminded me a bit of Rabbi Milligan from Fargo, too… [aggressively goes through a box of tissues])
Beyond the protagonists, I loved how complex the relationships between all of the characters; Maggie Tokuda-Hall didn’t shy away from making them more than black and white, and I felt like it was a very realistic situation for Flora, in particular, having to eke out a living on the Dove. Much of the crew (minus Rake and Alfie) were deplorable people, but for Alfie in particular, he’s their brother; even though Alfie’s a deeply flawed person, Flora still had a sense of responsibility for him.
The queer rep in The Mermaid, the Witch, and the Sea also made me so happy! Over the course of the book, Flora realizes that they’re genderfluid, and while I can’t speak to how accurate or inaccurate the rep is (as a cis person), it was certainly a beautiful journey of identity and a supremely well written piece of character development. It’s also implied that Evelyn is bi/pan/queer (though her label is never specified), and she loves Flora no matter how they presented. The infamous and all-powerful Pirate Supreme, though we didn’t get to see as much of them, also used they/them pronouns, which was pretty cool! I love a good casually queer fantasy story, and this novel 100% delivered.
And speaking of queerness in fantasy, I loved all of the different fairytales woven into the Witch’s part of the story; they were all fascinating in their own right, but it was amazing to see casual queer rep in all of the tales that the Witch told to Flora. The Witch as a character (Xenobia) was more of a vehicle for Flora’s development than anything, but that part of the story was still critical for Flora.
The Mermaid, the Witch, and the Sea also served as a good commentary on imperialism; although this all occurs in a fantasy world, it’s focused primarily on Japanese imperialism, which is a perspective I don’t often see in literature, period. The plotline of the Pirate Supreme and the Sea was the most well-developed of the commentaries; there’s a clear and important message of not encroaching on places that were never yours in the first place, both in the respects of neighboring countries and on nature itself. However, I do wish the world were a little more developed; the worldbuilding was good on the surface, but I wish we’d gotten a little more of the history behind the imperialism and some of the other countries.
However, I’ve seen this in a few reviews and thought it was worth noting – it didn’t quite sit right with me that Flora, who was a Black-coded character, works on a slave ship; given…well, much of world history, really, that doesn’t seem terribly thoughtful. The reviews I’ve seen mention this were from non-Black readers, and I haven’t been able to find any Black reviewer’s thoughts (on Goodreads, at least). They don’t really elaborate the concept that the Dove is a slaver ship beyond the prologue (which I just chalked up to iffy worldbuilding), to a degree where I pretty much forgot that it was a slaver ship in the first place, but it’s still something to keep in mind.
I swallowed this novel almost all at once – it was a little bit slow to start, but once it got going, man, it really got going! After about the 25% mark (I read this on my Kindle), the plot kept me hooked until the very last page. I especially loved the final showdown of the Dove, the Pirate Supreme, and the Sea – the action scenes were incredible, and though parts were hard to read (RAKE 😭😭😭), it was lovely to see the characters get their justice.
But GAAAH, for the most part, THIS BOOK MADE ME SO HAPPY. Finally, I’ve gotten my hands on a pirate fantasy that actually delivers – in anti-imperialism commentary, in queer rep and romance, and in lovable characters and action. 4.5 stars!
The Mermaid, the Witch, and the Sea is the first in a series; however, no information has been released other than the fact that there will eventually be a sequel. (GIMMEEEEE) Maggie Tokuda-Hall is also the author of the forthcoming YA novel Squad (2021), as well as several picture books.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I’ve been trying to think of more original posts to do, and I figured that this one would be something really fun to explore. I’ve seen a lot of posts talking about tropes, but genre-specific ones are always interesting to think about/discuss, and in much of the YA book fandom, I feel like sci-fi doesn’t get as much love. So I decided to look at six tropes that are specific to sci-fi (for the most part). Sci-fi is my favorite genre, so I got super excited thinking about all of these different tropes, and some (mostly) YA books that use them in different ways.
So let’s begin, shall we?
WARNING: This post may contain some book spoilers (Aurora Cycle & Dare Mighty Things series), so read at your own risk!
CRYOSLEEP, BUT FOR WAY TOO LONG
Ellen Ripley – and Aliens in particular – probably set the blueprint for this one, but as the trope gets more popular, authors have started to push the limits on this one, which I think is a really cool move.
It’s most often the protagonist that this happens to – our hero, on the eve of something great, is put into cryosleep for an interplanetary mission, only for something to go terribly awry and stay in cryosleep for longer than they were supposed to. Ripley got an accidental 50 years, Auri from Aurora Risinggot 200 years, and Andra from Goddess in the Machinegot a whopping 1,000 years.
This trope presents two main advantages for writing: a vehicle for exploring the novel’s world through fresh eyes, and internal conflict within the character. If your cryosleep character is completely unfamiliar with the world, seeing it through their eyes gives the reader a more in-depth look at the world than they’d get with a character that’s already familiar with it. They’ll inevitably notice more things and fixate on different things than another character might, which gives the reader more insight about what’s unique about the world that the author has crafted.
As for the internal conflict piece, this part’s always touched on, but in most of the novels I’ve read with it, it’s a lot more shallow than you’d think. There’s the existential crisis that inevitably occurs when the character realizes that everything they know and love is all but gone, but beyond the first few chapters from their POV, they get over it…relatively quickly? It seems like the kind of trauma that would leave lasting psychological scars, and probably physical health repercussions as well. I’ve yet to read any book that explores all that in depth, but it seems like the perfect setup for a sci-fi novel.
So this one’s a trope that can make for a lot of creative choices, but often has a lot of untapped potential.
GOTTEN INTO A SITUATION YOU CAN’T GET OUT OF? TIME TRAVEL!
Apparently this one is a lot more common than I thought, but I’ve only started to see it in YA more recently. (Well, there’s Avengers: Endgame, but it took me a while to realize how common of a trope it is…)
This trope has the possibility of ENDLESS freaky hijinks whilst traversing through time. Sometimes it’s just pushing the events of the past so that everything lines up a little bit nicer, and sometimes it’s rocketing back to another time period entirely. It usually happens only with the last book in a trilogy or duology, just so everyone can fix the mess they got into in the first books.
I have mixed feelings on this one; one the one hand, there’s never a dull moment – time travel jokes, fitting VERY badly into a different time period, and very high stakes, most of all. If the first books have followed a similar formula, it might be good to try for something else to end the series with a bang.
On the other, though, something about it almost feels…lazy to me. Often, this trope arises from The Gang™️ getting a situation so bad that there may not be a feasible way out of it, but…maybe they could? If done wrong, it can feel like lazy writing – an easy way out, and one that provides instant comic relief. And often, the means of said time travel are vague, and often reduced to technobabble from The Smart Character™️, which, hey, I don’t know much about the science of it either, but maybe at least put a little time into it?
So this one’s a double-edged sword: instant plot, or lazy writing? The choice is yours!
*this one doesn’t come out until November [screams] but we know that time travel will play a big part in this one, so…
ALIENS THAT BASICALLY JUST LOOK LIKE HUMANS (BUT WITH A FEW MINOR DIFFERENCES)
Most of the other tropes I’m going to be discussing in this post are ones that I like on some level, but…this one gets on my nerves. For the most part.
Far too many times, I’ve fallen into the trap of picking up a sci-fi book that promises aliens, only to discover that the aliens just look like humans, but with either a) unusual eye colors, b) some sort of powers, or c) a combination of both. And of course, they have to be ✨ridiculously attractive✨ as well. 🙄
Now, I completely get making your aliens humanoid (hey, I’m doing it with some of my aliens for my sci-fi WIP), but there’s a certain point where it feels a bit lazy. Unless there’s some way you can back it up, it seems weird to me that in this entire universe, the only other intelligent beings, by some cosmic chance, are similar to us in almost every way.
But I’ve seen some authors use it to their advantage – in particular, One Giant Leap(the sequel to Dare Mighty Things) does this especially well. The main alien civilization there look exactly like humans, but it’s because of genetic modifications performed so that they could survive on Earth. See? That’s actually a really good way of turning the trope on its head, and doing so in a practical way!
For the most part, this trope never ceases to bug me, but there’s a few ways to turn it on its head.
For me, at least, this trope is the most fun – and it presents some of the scariest and most formidable antagonists in sci-fi.
Villainous AI are some of the most fascinating characters to explore – they have unmatched power, in some cases, and whether they’re a pre-installed ship AI or an android, it’s always interesting to hear their perspective on all of us puny mortals.
Given that humans trust AI a bit *too* much in most sci-fi novels, they often have a fearsome amount of power at their disposal. AI installed inside of a ship? Access to all the security footage, navigation, communications, and controls of the ship. They know their crew up and down, and have the possibility to play everybody’s weaknesses against each other. They have the power to sabotage anything and everything, and more often than not, they do. WITHOUT HESITATION. A corrupt AI often harbors a hatred or jealousy of human beings, and if it’s not that motivating them, it’s some sort of technologically-stemmed god complex, which is always terrifying to watch play out. (Lookin’ right at you, David…) It’s even more of an interesting development if their moral compass shifts over the course of the series – if there’s one thing I’ve learned from sci-fi, it’s that benevolent robot overlords never stay benevolent for very long.
Corrupt AI as antagonists are often more compelling than human or alien ones (for me, at least) partly because so much is left up to the imagination about the inner workings of their minds. We’ve never developed any kind of artificial intelligence that’s become intelligent enough to have devious tendencies like many sci-fi villains, so a lot of it is the author’s personal choice. There are endless possibilities – but more often than not, they’re all terrifying.
And even if they aren’t main antagonists, the addition of a slight unstable AI as a character is always amusing; for all of its flaws, I loved Gregorovich’s existential musings in To Sleep in a Sea of Stars, and his character added some much-needed flavor to the rest of the cast.
TL;DR: There’s nothing more terrifying than a villain that knows everything about everything, and uses that power for its own gain at whatever the cost.
HIGH-STAKES COMPETITIONS TO GO TO SPACE…WITH SOME SERIOUS ULTERIOR MOTIVES
Scared to send your experienced, highly intelligent scientists to space? Send some teenagers instead!
This one tends to crop up the most in YA, as it’s primed for a book that has a primarily teenage cast. The ones I’ve read do tend to follow a formula, but for the most part, it’s one that’s actually a lot of fun!
The worldbuilding/motives behind it are always a little bit messy (again: sending teenagers into space! What could possibly go wrong?), but often times, you just have to hang in there; it’s a given that whatever program is funding the competition is doing something astronomically shady. (No pun intended.) Part of the fun with this trope is the mystery of it; slowly but surely, the competition starts dropping like flies, and things go very wrong very quickly.
More on the mystery aspect – the mystery that often occurs in these types of novels is very slow-burn, building on itself before the heartstopping reveal at the end (often a cliffhanger). From program superiors lying to scheming androids to deaths under mysterious circumstances, there are endless possibilities for many, many things to go wrong. Add in the not-so-friendly rivalries between the competitors (also scheming, along with everybody else), and you’ve got the perfect recipe for a nail-biting sci-fi mystery.
And once/if they get to space? Everything gets way worse. There’s bound to be aliens, but whether they’re intelligent or just parasitic, things are bound to go way, way south. But there’s never a dull moment – there’s no shortage of suspense, and our protagonist is often at a loss as to how to escape their situation.
Plus, for reasons I’ve yet to figure out, these ones always tend to have the most clever pop culture references. (See: all of the Radiohead songs in the Final Six duology)
EXPLORING OTHER PLANETS GOES VERY, VERY WRONG (Or, “Don’t do intergalactic colonialism, kids”)
Here’s another common – but by no means overdone – trope that’s always open to endless possibilities!
Because our planet was never enough, apparently (or if we destroyed it…probably), there’s a whole host of sci-fi stories that are set on entirely new planets, with the sole goal of making them a new home for humankind. But just like with our planet, it’s always unpredictable, whether you’re dealing with a foreign contagion, carnivorous wildlife, or superiors who aren’t what they seem.
I’m always a nerd for creature design in sci-fi, and life on other worlds presents all sort of possibilities for creatures lurking in the bushes. Whether it’s flora or fauna, exploring these sci-fi worlds along with the characters is an adventure, especially if the author is particularly creative. Of course, most of the wildlife ends up being carnivorous, or malicious on some level, so there’s all sorts of danger lurking.
But beyond that, this trope is often a great commentary on colonialism. Human history is rife with frightening periods of raping and pillaging land that wasn’t ours to begin with at the cost of those who originally lived there; telling the same story on alien planets serves as a particularly potent comment on the malicious tendency of our species to overstep and overstay our welcome. Books like A Conspiracy of Starsand The Pioneer explore what happens when humanity comes in contact with intelligent life and unlawfully sets foot on their land; both of them do an amazing job of exploring the intricacies of the political implications, as well as the tense conflict that results. I think sci-fi as a genre is one of the best mediums for raising commentary on this kind of thing. Exploring new frontiers in space is bound to happen once we get the technology, but we must always ask ourselves if it’s the right thing to do. Just because we can doesn’t necessarily mean that we should. (Let’s be real: I would be SO excited if we found evidence of life elsewhere in the universe, but…let’s not have a repeat of all of human history, okay?)
TELL ME WHAT YOU THINK! What are your favorite/least favorite tropes in sci-fi? Have you read any of the books I listed, and what were your thoughts? This’ll probably be one of several posts on the subject, so I can’t wait to hear your thoughts!
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
Happy Saturday, bibliophiles! I suppose this isn’t a bookish post, but I’ll keep my normal greeting, because hey, most of what I post is about books. But here’s something a little different.
So here I am, finally reviewing Little Oblivions!
I got into Julien Baker late last year, starting with Sprained Ankle after hearing her distinct voice as part of the supergroup boygenius (with Phoebe Bridgers and Lucy Dacus). I was immediately hooked on Sprained Ankle, liked but didn’t love Turn Out the Light (Sprained Ankle > Turn Out the Lights, fight me Pitchfork), and so of course I was excited to see that she was coming out with something new. What stands out most to me about her music is the raw emotion of it; Baker never hesitates to explore the darker side of everything, and does so with such intense, palpable motion. Even with just a guitar or a piano, she can make a shrieking ballad of grief or heartbreak out of anything.
And I’m glad to say Little Oblivions is no exception. While Baker experiments with bigger, brighter sound, she stays true to the emotional aspect that defines her body of work, making a whole new set of resonant and soaring music.
So let’s begin this review, shall we?
JULIEN BAKER – LITTLE OBLIVIONS (album review)
TRACK 1: “Hardline” – 9/10
Say it’s not so cutand dry,
Oh, it isn’t black and white,
What if it’s all black, baby,
All the time?
– Julien Baker, “Hardline”
NOW THIS IS WHAT I CALL AN AMAZING OPENING TRACK! Baker’s foray into new, more electronic sound proves an immediate hit, paired with her signature raw lyricism. Plus, we’ve got an amazing stop-motion music video to match!
TRACK 2: “Heatwave” – 7.5/10
The last single to be released before the whole album, “Heatwave” is reminiscent of the boygenius EP. There’s a deceptively upbeat tone and composition to it, hiding some of Baker’s darkest lyrics. The instrumentation almost reminds me of Wilco.
TRACK 3: “Faith Healer” – 9/10
This one was the first single to be released before the whole album, and it has been a consistent earworm for MONTHS, let me tell you…
Such beautiful, concise instrumentation, a steady beat, and even the effects overlaid over Baker’s unique voice fit right in with the almost spacey keyboards. A completely new direction for her musically, but one I’m ADORING.
TRACK 4: “Relative Fiction” – 9/10
‘Cause I don’t need a savior,
I need you to take me home…
– Julien Baker, “Relative Fiction”
It would be a bit of a stretch to call this a love song, but that’s almost how I interpreted it on the first listen. “Relative Fiction” delves into Baker’s quieter, more musically sparse roots for a tender and poignant song of grappling with emotions and questioning one’s own self worth, and the meaning one might hold for others.
TRACK 5: “Crying Wolf” – 7.5/10
Continuing “Relative Fiction”‘s trend of quieter and sadder introspection, “Crying Wolf” presents a piano ballad reminiscent of Turn Out the Lights that soars to a resonant conclusion. (That “OOOOOO” that starts at about 2:33…[CRIES])
TRACK 6: “Bloodshot” – 7/10
There’s no glory in love,
Only the gore of our hearts…
– Julien Baker, “Bloodshot”
The song where we get the album cover’s gorgeous lyricism, “Bloodshot” toes the line between the two musical themes of Little Oblivions so far, oscillating between the electronic experimentation and the sparser, quieter ballads. Another deceptively upbeat song, telling of messy emotions and shaky relationships.
TRACK 7: “Ringside” – 6.5/10
I still enjoy this one, that’s for sure, but it felt a little bit like a lull in the middle. The lyricism is still stellar, but something about it doesn’t pack as much of a punch as the rest of the album so far has.
TRACK 8: “Favor” – 8.5/10
You pulled a moth out
From the grill of your truck,
Saying it’s a shame,
How come it’s so much easier
With anything less than human,
Letting yourself be tender?
– Julien Baker, “Favor”
As with “Graceland Too” on Phoebe Bridgers’ Punisher, this boygenius collaboration truly shines. The combination of the voices of Baker, Bridgers and Dacus never fails to make my heart soar to the clouds, and paired with such poignant lyrics, “Favor” is absolutely a highlight of this album.
TRACK 9: “Song in E” – 10/10
My favorite song on the album, hands down. This one again harkens back to Turn Out the Lights, but something about both the piano and Julien’s vocals takes it to all new heights. It’s just…[sniffles]
And something about the way she says “name” at about 0:40 just makes my heart go 🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺
TRACK 10: “Repeat” – 9/10
Ocean of strip malls,
I help you swim across
To the other side…
– Julien Baker, “Repeat”
Another example of Julien’s decision to go more electronic with her sound paying off 100%. Catchy, but continually poetic in its lyricism, this was one of my favorite songs that wasn’t released as a single before the album’s released. Again, can’t put my finger on it, but I love the way Baker sings all of the words past the 3/4 mark with the long ‘e’ sound (ex. means, speak, street, dream, repeat). My brain can’t be troubled for a concrete reason, but it’s so beautiful.
TRACK 11: “Highlight Reel” – 7.5/10
Not my favorite on the album, but the instrumentation itself is what shines for me. I love the drums, the guitar, the…well, the everything. I can’t quite pick out what instrument (probably keyboard?) it is, but the part from about 3:21 to the end reminds me a bit of St. Vincent’s “Teenage Talk.”
TRACK 12: “Ziptie” – 6.5/10
Not the best ending for this album and a lower point overall, but still lovely. The lyricism is still painfully beautiful, but it just seems to wander about almost aimlessly. A good listen, but maybe something like “Repeat” or “Bloodshot” would have been a better end to the album.
I averaged out all of the scores for each track, and they came out to almost exactly 8! I’d say that’s accurate; Little Oblivions wasn’t without its occasional low points, but even those were songs that I’ll surely come back to. A stellar album, and a bold new direction that payed off with every song.
And even though this wasn’t on the album, I can’t not talk about this…
I think I’ve died and gone to heaven. This is a transcendental cover. And hey, Julien Baker and Radiohead: two of my favorite things.
Since this post is full of songs, consider this whole album today’s song.
That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!
The novel I’ve decided to review this week came in my last library haul. This is only my second foray into Noah Hawley’s novels after I fell in love with Before the Falllast month, but I can tell from just these two novels that he’s become an auto-buy/borrow/read author for me.
Joe Henry is dead, but what he leaves behind is a dysfunctional family in tatters. His wife Doris, has all but given up on life, his eldest son David struggles to keep two separate relationships (and his constantly teetering emotional state) afloat, and his youngest son Scott grapples with paranoid cynicism and a luckless love life. The three surviving members of the Henry family are brought together to scatter Joe’s ashes, bringing to light everything that Joe kept in check while he was alive and leaving all but chaos in their wake.
TW/CW: loss of loved ones, description of illness, substance abuse (mainly smoking), mild physical violence (hence the title), cheating
As I mentioned earlier, this is only my second Noah Hawley novel, but judging from this one and Before the Fall, he’s easily earned a spot as one of my favorite authors. The Punch had a very different feel to it than the latter, though; all at once tragic and laugh-out-loud funny, a superbly written story of the trials and tribulations of a dysfunctional family.
Let me just start off by saying…I think The Punch boasts one of the best opening scenes/images that I’ve ever seen in a book; the story of the Henry family begins/ends in a hospital on Valentine’s Day, with sickly and injured patients being wheeled about amidst cheery heart decorations and a pianist playing “Wonderwall” in the background. It’s hysterical, it’s so well-crafted, and in one scene alone, the mood of the entire book is encompassed–equal parts tragedy and comedy.
Having a novel with a cast of unlikable characters is usually hit-or-miss for me; I had a hard time getting through Watchmen for the first half or so because of how despicable most of the characters were. (and on that note, PLEASE 👏 STOP 👏 ROMANTICIZING 👏 RORSCHACH 👏 HE’S 👏 AWFUL 👏 [ahem] I digress), for example. The difference between my being able to enjoy a novel with an entire cast of characters like this is usually a mix of whether or not you’re supposed to like the characters and how well-written they are. (And no, that’s not a dig at Watchmen – it ended up being a four-star read for me in the end.) Clearly, the cast of The Punch are all deeply, deeply flawed people, but they’re not framed as the “good guys,” but simply protagonists. That, coupled with Hawley’s stellar writing, made me stick around even when the characters were at their all-time lows (which were…pretty low, not gonna lie.)
What also made a difference with the characters was the familial chemistry that they had with each other. They all bounced off each other so authentically, behaving exactly how you’d believe a dysfunctional family would, producing no shortage of weird occurrences and plenty of quotes that made me laugh out loud. (I can’t seem to find the quote, but there was this one that made me just WHEEZE…it was something along the lines of “It’s like it says in the Bible. All is full of love.” “No, I think that’s a Björk song…”) (I wish I’d written it down, I borrowed a copy from the library…)
But in its (tragically) short entirety, The Punch was a perfect blend of tragedy and comedy, a story of family, dysfunction, and a whole lot of miscommunication and shaky relationships. Clever writing, memorable imagery, and hysterical quotes – this one really has it all. 5 stars!
The Punch is a standalone, but Noah Hawley is also the author of Before the Fall, Other People’s Weddings, The Good Father, and A Conspiracy of Tall Men. He is also the creator of FX’s TV adaptations of Fargo and Legion, the latter of which in association with Marvel Television.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!