In my endless hunt for books with good disability rep, I found this one recommended in several places. I’m not usually one for historical fiction, but I was glad to see a disability book in a genre other than realistic fiction. To my surprise, it became a rare 5-star read for me—tender, heartfelt, and so unabashedly queer and disabled!
Norway, 1904. Even though marriage is what traditional society expects of her, Asta has no interest in marriage, and especially not in Nils, the rude boy her mother has set her up with. Her mother sees a life of domesticity as her only path, but Asta is determined to carve her own way. After Nils’ recklessness cements her wish to not marry, she runs away with her two friends, Gunnar and Erlend. They make a life caring for Gunnar’s family farm, but with the money running out and the rest of their village against them, it will take all of their strength to create their own destinies.
TW/CW (from Carly Heath, inside book): ableism, misogyny, homophobia, xenophobia, suicidal ideations, violence, descriptions of injury, references to alcoholism, abuse, and self-harm
what if 😳 I melted down a priceless family heirloom 😳😳 and made it into a prosthetic arm for you 😳😳😳 (and we were both boys)
I picked up The Reckless Kind for the promise of queer and disabled rep, but I didn’t expect it to become a 2022 favorite of mine so quickly! It’s rare that I enjoy historical fiction this much, but this novel was a success on every front imaginable.
The diversity of The Reckless Kind is what drew me in, and it was such a central and beautiful aspect of this novel! This book focuses on not one, but four characters who are disabled—Asta has Waardenburg syndrome (includes single-sided deafness), Gunnar has Brown-Séquard syndrome and has a prosthetic arm, Erlend has an anxiety disorder, and Fred, one of the secondary characters, has Post-Concussion syndrome! On top of that, Asta is asexual, Gunnar and Erlend are in an mlm relationship, and the three of them are in a queerplatonic triad! Does it get any better than that? I think not. Just what I needed as a queer, disabled reader.
Each and every aspect of said diversity is handled so thoughtfully and lovingly; you can tell from the first page just how much love and care Heath put into writing this story. Even though their traditional society looks down upon them for a number of reasons, the journey these characters take to make their own way is heartwarming to read. Everything from the special modifications on Gunnar’s car to the life they carve out for themselves on the farm is filled with such palpable determination and love that only a bunch of outsiders making their own way can make me feel. Found family trope for the win, as always.
All of that would work fantastically on its own, but it’s Heath’s characters that made The Reckless Kind truly shine. Asta was an absolute DELIGHT. Just an absolute sweetheart. Even though the world has beaten her down so much, she has this consistent spunk and contagious kindness to her that she brings everywhere she goes. I loved the way she cared for all of the animals on the farm, and her story is sure to resonate with so many. Gunnar and Erlend were equally wonderful, and they balanced each other out perfectly, what with Erlend’s theatrical charm and Gunnar’s droll, self-deprecating humor. Their relationship made me giddy more than not; I loved how Heath depicted all the messiness of relationships, as well as two characters who did their best to work with each other’s problems. All three of them together made for the recipe for a near-perfect book.
Through it all, Heath presents a story of persistence despite the odds and the love it breeds between outsiders. All three of the characters faced parents, peers, and others who shunned them for parts of themselves, but this book was all about self-love and living in a world that doesn’t love you. It’s fiercely queer and disabled, and it’s the perfect story for anyone who has ever felt like the world is against them.
All in all, a tender, powerful, and heartwarming story of disability, queerness, and making your own way that quickly found its way to my 2022 favorites. 5 stars!
The Reckless Kind is a standalone and Carly Heath’s debut novel.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
It’s July again, which means—though it’s too often overlooked—that it’s Disability Pride Month here in the U.S.! Even as intersectional as feminism and diversity efforts have become in recent years, the disabled community has been left out of the picture more often than not. YA books are no exception—even now, it’s difficult to find good, solid disability rep, and even harder to find books from disabled authors. So uplifting disabled voices is always important, as with uplifting all kinds of marginalized voices.
I’ve talked a little about good and bad disability rep on this blog, but I haven’t talked about how it affects me—I did put it in my bio a few months ago offhandedly, but I’m disabled as well. I have sensory processing disorder (SPD), a neurological disability that causes me to over-respond to sensory input, mainly sound; My nervous system doesn’t translate stimulus like a neurotypical brain would, making me over-respond to certain sensory input. Big crowds, loud noises (fire alarms, stopping buses, and almost anything that you can find in a city) are major causes of anxiety and discomfort for me, and often cause me to go into a fight-or-flight position or overload entirely.
As a result, being in situations with lots of sensory stimuli, such as school or social gatherings, can be exhausting, what with trying to juggle keeping my cool with said stimuli and participating fully in an activity. It also affects how I go about ordinary tasks as well—driving, for instance, has been a struggle, what with my hypersensitivity combined with my iffy-at-best motor coordination. (Part of SPD is that the nervous system doesn’t fully integrate all of my senses, which is why tasks like these are difficult for me.) SPD makes me feel everything—sound especially—far more intensely than a neurotypical person might, which often overloads my system.
Here’s the thing: although I’ve seen other parts of my identity—bisexuality, being mixed race, or even just personalities like mine—represented in books, I’ve never seen SPD represented in a book. Not on TV, movies, or any other kind of media, either. Never. I’ve been looking for years, but most of the time, what comes up when I search for books with characters that have SPD usually ends up being help books for parents with SPD kids. (Not to dismiss the value of those books—just not what I’m looking for.) There have been a few, but even then, they haven’t been available at the library. (I’ve got one on hold though—let’s hope Not If I Can Help Itis good) I could always be missing something (PLS IF ANYBODY KNOWS ANY KIND OF MEDIA WITH GOOD SPD REP DROP SOME IN THE COMMENTS BEGGING YOU), but it’s been frustrating going to google and getting something that decidedly wasn’t what you were going for.
Even though I’ve seen myself represented in other ways, it’s frustrating to not have book characters—even side characters—that have similar experiences to me. Growing up, I had my fair share of not-so-subtle teasing for expressing some of my symptoms, and in that respect, I had no role models, no fictional characters to really look up to in that respect. That’s part of why I’m writing books with protagonists that have SPD—there’s always a kid out there who just needs a fictional character to look up to when they have nobody else. This is why representation matters—for those who never saw themselves represented growing up, and for those to come who may have the chance to feel represented.
So here are my disability pride month recs for 2022—not all of them are from disabled authors, but I’ve done my best to compile a list from a variety of genres, a variety of backgrounds (POC, queer, etc.), and a variety of disabilities.
A gripping post-apocalyptic book featuring a determined, Autistic protagonist!
TELL ME WHAT YOU THINK! Have you read any of these books, and if so, what did you think of them? What are your favorite YA books with disability rep? And please, does anybody have any recs for media with good SPD rep? Kinda desperate over here…
(I can only go with my headcanon that Jean Grey from X-Men has SPD for so long, folks, please…)
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
Disability representation—especially in YA—is few and far between, and even when I do find it, a lot of disability rep is still written by abled authors. (That isn’t always necessarily a bad thing, but it’s easy to fall into harmful tropes and misrepresent disability that way.) So when I heard about One for All, I was so excited—a feminist, historical fiction novel about a girl with a chronic illness! And beyond that—a girl with a chronic illness WHO SWORDFIGHTS. Doesn’t get much better than that, am I right? My copy finally came from the library last week, and although it wasn’t the perfect book, I enjoyed a lot of it!
Tania de Batz is determined for the world to see her as more than just a “sick girl.” As the daughter of a former musketeer, her passion is swordfighting, and with the help of her father, she’s become a skilled fighter. But when her father is brutally murdered, she discovers his dying request to send her to a finishing school.
But what she finds at L’Academie des Marieés is no finishing school—it’s a secretive school that trains young women as musketeers. Tania is soon swept into a world of swords and secrecy, and soon, she and her fellow students have an assassination plot to uncover. The only clue to the plot—and maybe even her father’s murder—lies in a boy named Étienne, but his charms may be Tania’s undoing.
TW/CW: ableism, blood, murder, loss of a loved one, past mention of sexual assault
Good disability representation—especially in YA—seems to only happen once in a blue moon. So I was so happy to find this book—a feminist historical fiction book written by a disabled author, no less! And while I did have a few problems with the story overall, One for All was no doubt a fantastic debut!
First things first—disability rep! While I can’t speak to the accuracy, Lillie Lainoff (the author) has the same chronic illness as Tania—Postural Orthostatic Tachycardia Syndrome (POTS)! Disabled representation from disabled voices always makes my heart so happy! For me, it’s even better that One for All is a historical fiction piece; most books with disabled characters only exist in contemporary/realistic fiction books, and I adamantly believe that disability rep in genres like historical fiction, fantasy, and science fiction is just as important, if not more important; it’s crucial for disabled readers to know that they don’t only exist in modern realistic fiction realities—they have always existed in history, and they can exist in fantasy and sci-fi worlds as well. One for All did a fantastic job at detailing all the aspects of Tania’s POTS and how it affected her daily life, from her routine to her social interactions and childhood. So many chronically ill readers will be able to see themselves in Tania, and that, to me, is immensely impactful.
Beyond that, One for All is fiercely feminist! It’s set in France in the 1600’s, and the themes of empowerment and sisterhood ran deeply through it. Throughout most of the book, Tania struggles with her place in the world as a disabled woman in a time where both are frowned upon, but her journey for self-empowerment is one that is sure to resonate with so many readers. Although some of the other students don’t treat Tania with the respect she deserves at first, there are themes of recognizing and correcting your previous ableism. The friendship that Tania eventually shares with the rest of the fellow L’Academie des Marieés students is wonderfully tender and strong, and it makes for an incredibly empowering novel overall.
As much as I loved the aforementioned aspects, however, there were a few aspects of One for All that I didn’t like as much. For the most part, I liked the writing style well enough; Lainoff’s prose flowed well and was appropriately descriptive when the time called for it. However, Lainoff’s style tended to fall towards the over-the-top side of the spectrum. I could let it slide in most instances—it fit with the mood and tone of the book in general—but in some cases, it felt overly purple and theatrical. It had a dramatic feel to it, and while it fit the classic retelling tone at times, it felt superfluous in other cases.
Additionally, I wasn’t quite as invested in the assassination part of the plot as I was in the rest of the book. Seeing as that (after Tania’s father’s murder) was the main driving force to the plot, it didn’t come through all the way; it was overshadowed by more mundane character interactions (which I did like), and as a result, felt rushed and oversimplified. For something that was supposed to be the primary inciting incident of the second half of the book or so, it felt more like a subplot than anything. As a result, I felt my mind wandering a bit during these parts, but it didn’t take me out of the book entirely.
All in all, a feminist retelling with a disabled heroine who all readers will want to cheer on. 3.75 stars, rounded up to 4!
One for All is a standalone and Lillie Lainoff’s debut novel.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Wow. The day has finally come, folks. 1 and a half years of waiting, and now I have answers. My favorite series has come to a close, and yet it doesn’t feel like the end. It’s surreal to think that this may be it—the series that changed the course of my life, finally capping off. But if this really is the end, then Aurora’s End is the best conclusion that I could have ever asked for, and a book that I will no doubt cherish just as fervently as the first two books.
Now, TREAD LIGHTLY! If you haven’t read Aurora Rising or Aurora Burning and intend to, beware of spoilers! If you want to read my previous reviews, look no further:
For all intents and purposes, the Battle of Terra was the end for Squad 312. They failed to stop the Starslayer from harnessing the Eshvaren’s Weapon, and intergalactic war is imminent. Meanwhile, the Ra’Haam slips in through the chaos, threatening to cover the entire universe in its spores.
But by a cosmic twist of fate, Tyler, Auri, Kal, Zila, Scarlett, and Finian are unscathed. They’ve been separated by time, and the only chance they have at thwarting the Ra’Haam is turning history itself inside out. Time is not on their side, though, and it may not be enough to save civilization itself from being wiped out.
TW/CW: graphic violence, mild sexual content, blood, near-death situations, severe allergic reaction, emergency medical procedures, loss of loved ones, death, descriptions of injury, body horror
[WARNING: this review may contain spoilers for Aurora Rising and Aurora Burning!]
I still haven’t come to grips with the fact that this is really the end of the Aurora Cycle. But as someone whose life was permanently altered for the better by this trilogy, I can say with certainty that this is the best end to the series that I could have ever asked for. My heart is so, so, so full of love.
There were so many factors that went into the separate situations that Squad 312 got themselves into, but Kaufman and Kristoff have once again proved that nothing is impossible. Time is distorted, there are future selves to be dealt with, technology and ancient aliens races are as complicated as ever, and of course, Past Pete is here to kill Future Pete. Lucky for us, Kaufman & Kristoff have been rapid-firing Chekhov’s gun, and every detail from the past two books comes full circle. After how mind-boggling the plot and cliffhanger of Aurora Burning were, Aurora’s End brings everything back in superbly clever and surprising ways, making for a trilogy that’s more cohesive than ever before.
And my emotions…MY EMOTIONS! After so long apart, reuniting with Squad 312 felt like reuniting with long-lost friends. Despite this being the last book, the development that many characters got was such a beautiful way to bring them all the way back and display the enormous growth many of them have had over the course of the series. Out of all of them, though, I thoroughly enjoyed getting to see Finian and Scarlett’s relationship develop; they’re such an unlikely couple, but the love they have for each other is so consistently tender and heartwarming. Plus, a) NORMALIZE BI PEOPLE IN STRAIGHT PASSING RELATIONSHIPS! STRAIGHT-PASSING RELATIONSHIPS ARE SO VERY VALID!, and b) DISABLED PEOPLE!! IN LOVING RELATIONSHIPS!! WE NEED MORE OF THOSE!! Nothing can top Kalauri, but Fin and Scar come very, very close. I LOVE those two. Power couple. Finian is the once and future disaster bisexual.
Also, Tyler trying to be all “space pirate”-y after an entire lifetime of being Captain America was a train wreck…comedy gold
One aspect of Kaufman and Kristoff’s writing that I haven’t often touched on is how they build tension. Their skill at developing heart-pounding tension is especially evident in Aurora’s End; they did such a masterful job of raising the stakes over the course of these three books, and bringing it all to a nail-biting cataclysm towards the end. The last 100 pages of Aurora’s End had me stressed out to no end, but…in a good way? It made me genuinely worried for everybody involved. Look, I’ve gotten way to attached to my space misfits over the past two years. Let me off the hook this once.
Along with all that, Kaufman and Kristoff once again more than delivered with everything that made the first two books so strong. The universe was expanded upon in surprising ways, the characters were more fleshed out and lovable than ever, the chemistry was impeccable, the action sequences had me clutching the book in a vice grip, and the dialogue hit the perfect balance of levity, tenderness, and solemnity. The found family of Squad 312 is stronger than ever, and my heart is still bursting with love for all of them.
It’s hard to end this review. It isn’t every day that a series changes my life, but the Aurora Cycle truly did. These books taught me so much about moving through this world as an outsider; Auri taught me that I didn’t have to be brave or strong to be a hero, and that people with the fate of the world on their shoulders can have their big feels too. She was the first time I’d really seen a mixed-race hero, and having a character like her means the world to me. I’ve come to see myself in Finian, and he’s taught me that I deserve love just as I am. And Squad 312 has taught me that no matter who you are, there will always be a home for the outsiders. It cemented, more than ever, that even if you think that you are alone in the world, somebody out there loves you, and will give you a home.
All in all, the perfect ending for a series that changed my life for the better. 5 stars for the sake of Goodreads, but realistically, however many stars there are in the known universe.
Squad 312 forever. 💗
Aurora’s End is the final book in the Aurora Cycle, preceded by Aurora Rising (#1) and Aurora Burning (#2). Amie Kaufman and Jay Kristoff have also written the Illuminae Files together; Amie Kaufman is also the author ofthe Starbound trilogy (co-written with Meagan Spooner) and the Elementals series, and Jay Kristoff is also the author of the LIFEL1K3 trilogy and Empire of the Vampire.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I was in Florida about a week ago for a quick trip, but as I always do, I brought some books along on my Kindle to get me through the plane rides and the heat. I like doing little mini-reviews of these books when I go somewhere else, so I figured I’d do it again here, since I certainly read a couple of very interesting books while I was in Florida. So here we have three mini-reviews of books I read in Florida.
Following a devastating encounter with an unknown alien ship resulting in the disappearance of her parents as a child, Tamara Cartwright now spends her life scouring the galaxy in the hope of finding the dark force that attacked her father’s ship. Now the Captain of a rescue vessel, The Massey Shaw, she makes a choice, resulting in the destruction of a star in order to save a stricken vessel, a prohibited act while using alien technology. Now, an outlaw, she is entrusted with the fate of a very unusual young girl endowed with special abilities. She must also find the survivors of an ill-fated ship at the hands of a malevolent race know only to the humans as the Ghosts. Driven by the hope of finding the truth of her parent’s disappearance and one last chance to make a difference to those in need of rescue, she must go on one final mission into deep space and deal with the monsters from her past.
TW/CW: human experimentation, loss of loved ones, death, graphic violence
Forgotten Star wasn’t without its flaws by a long shot, but it was such a fun and fascinating piece of space opera! With lots of political intrigue, strange aliens, and mysterious powers, there’s something for every sci-fi fan in here.
I need to start off with my main problem, though: the grammar. It was…inconsistent, at best. This novel definitely needed an extra round of editing (or two) in that respect; there were lots of errors in punctuation (mostly placement of commas), and there were a few misspellings and omissions that could have been fixed. (As well as a misspelling of “berth,” as in “a wide berth,” as “birth” …YIKES) On occasion, the faulty grammar was enough to take me out of the story entirely, but for the most part, I could let it slide. Sometimes.
But other than that, Forgotten Star was a great piece of sci-fi! One thing this novel did incredibly well was the handling of multiple POVs – for a lot of multiple POV books, it takes a while for all of the characters/elements to coalesce, but it didn’t take long for all of the elements here to come together, making for a cohesive and intricate story. I also loved all of the alien races, and the intricacies of their relationships with humans. It’s always a breath of fresh air to see aliens that clearly have some creative design put into them.
Some of the dialogue and characters were a little stiff and inauthentic at times, but for the most part, a lot of the characters were interesting to delve into. I liked Ona and Urhan, in particular – they had very interesting arcs and backstories, and I loved seeing them develop.
My only other major problem was that the ending wrapped up a *little* too nicely? From everything that built up over the course of the story, it seemed like there was a setup for a sequel, but the ending tried to wrap everything up too quickly. I’d like to see more from this universe.
All in all, though, a well-thought-out and intricate piece of space opera. 3.75 stars, rounded up to 4!
‘She loved me as I loved her, fierce as a bloodied blade’
When Lia, an idealistic queen, falls for Xania, her new spymaster–who took the job to avenge her murdered father–they realise all isn’t fair in love and treason.
Lia won’t mourn her uncle: he’s left her a bankrupt kingdom considered easy pickings by its neighbours. She’s sworn to be a better ruler, but if she wants to push through her reforms, she needs to beat the Court at its own games. For years, Xania’s been determined to uncover her father’s murderer. She finally gets a chance when Lia gives her a choice: become her new spymaster, or take a one way trip to the executioner’s axe. It’s an easy decision.
When they fall for each other, their love complicates Lia’s responsibilities and Xania’s plans for vengeance. As they’re drawn together amid royal suitors and new diplomats, they uncover treason that could not only end Lia’s reign, but ruin their weakened country. They must decide not only what to sacrifice for duty, but also for each other.
TW/CW (from Helen Corcoran): off-page suicide, murder, emotional torture
I’m not sure if I would necessarily call Queen of Coin and Whispers a fantasy novel – there wasn’t a whole lot that would distinguish it from a historical setting (no different magic properties/creatures/worldbuilding/etc.). But that’s not to say that it was a bad book – in fact, it was stunning!
There’s plenty of YA fantasy books on the market with protagonists who suddenly ascend to royalty. But Queen of Coin and Whispers addresses what most of those novels don’t – the mental tax of ruling a country at such a young age. Lia goes through endless trials and tribulations and even faces becoming the ruler that her uncle was, all while grappling with love and other relationships. Corcoran wrote her development so well, and it’s so refreshing to see a genuine-feeling story like Lia’s.
Additionally, the romance! Lia and Xania’s relationship was so sweet – sharing books, secret conversations, and all things warm and fuzzy. They go through all the ups and downs of first love, and I love seeing wlw rep like theirs in non-contemporary stories. I love those two. 💗
Other than that, the political intrigue and the depiction of the transition of power was so well-done! Everything was so multi-layered and detailed, making it feel like Lia and Xania’s world was a real and fleshed-out one. Just when you think you know the answers, something new pokes out its head, and you’re left guessing until the very last page.
All in all, a fascinating royal mystery with genuine characters and a sweet sapphic romance. 4 stars!
Parole is still burning. And now the day everyone has been waiting for is finally here: it’s collapsed. A lucky few managed to escape with their lives. But while their city burned, the world outside suffered its own devastating disaster. The Tartarus Zone is a deadly wasteland a thousand miles wide, filled with toxic storms, ghostly horrors, and just as many Eyes in the Sky as ever. Somehow, this new nightmare is connected to Parole. And it’s spreading.
Now Parole’s only hope lies in the hands of three teenagers reunited by their long-lost friend Gabriel – in their dreams. Now they’re on a desperate cross-country race, carrying vital plans that may be Parole’s salvation. First they’ll board the FireRunner, a ship full of familiar faces that now sails through Tartarus’ poison storms. Then, together, they’ll survive Tartarus’ hazards, send a lifeline to lost Parole – and uncover the mystery connecting everyone, inside Parole and out.
The world outside Parole isn’t the one they remember, and it didn’t want them back. But they’ll save it just the same. It’s what heroes do.
(for my mini-review of book 1, Chameleon Moon, click here!)
TW/CW: loss of loved ones, violence, near-death situations
I didn’t like this one *quite* as much as I did Chameleon Moon, but it was still such a fun read!
One of the things I love most about this series is how diverse it is – easily the most diverse series I know! We have an almost entirely different cast of characters in The Lifeline Signal, but among the three main characters, we have a nonbinary (xie/xir pronouns) Native American (Tsalagi) character with Arnold-Chiari malformation, a bisexual Indian-American character, and an aro-ace autistic Vietnamese-American character! Among the side characters, there’s no shortage of queer, POC, and disabled characters, including a Black hijabi woman, a nonbinary character, polyamorous relationships, and more! Books as diverse as this series don’t come along very often, so three cheers for RoAnna Sylver for all this representation!
The worldbuilding outside of Parole was also fascinating – there’s all sorts of weird sci-fi and fantasy aspects, including, but not limited to: superpowers, ghosts, dragons, giant ships, and robotic animals of immense size. As you can imagine, it’s a lot of fun! Between the relationships between all of the characters and the expansion of the worldbuilding, there’s no shortage of interesting elements to chew on. Plus, it was so sweet to see all of the characters from Chameleon Moon come back.
My only major problem was that the plot got a little bit convoluted at times – I found myself thinking “wait, why is all this happening?” several times throughout the novel, but it didn’t take me out of the story itself. Don’t get me wrong – The Lifeline Signal has a great story, but it seemed to get lost in itself at times.
All in all, a sequel that does justice to book one as well as expanding its world, while still providing an original storyline. 3.75 stars, rounded up to 4!
That’s it for these three mini-reviews! Have a wonderful rest of your day, and take care of yourselves!
I figured that I should scour my TBR for books for disability pride month (and to read beyond that, of course), and I found this one that I had shelved back in 2019. The cover immediately caught my eye (AAH THE COLOR SCHEME), but I still have mixed feelings about the book itself – not ragingly bad, or anything, but not amazing either.
Jenna has lived her whole life believing that she was born with cerebral palsy, and she’s never let it stop her from doing what she wants to do. But after discovering that her parents hid the fact that her CP was caused by an injury at birth, she’s infuriated with them – and the fact that she hasn’t been able to make her own decisions regarding the surgeries she gets. With the help of her lawyer uncle, she decides to push for medical emancipation.
All the while, Jenna’s childhood crush, Julian, has moved back into town. She reconnects with him over text with an anonymous persona, but will she have the courage to reveal her true self to him?
WARNING: this review may contain some minor spoilers, so tread lightly!
This is…complicated. I picked this book up for disability pride month, and while I can’t speak to the representation itself (as I don’t have cerebral palsy), there were good and bad parts of this book, in terms of how disability was represented and the plot itself.
Let’s start off with the good stuff. Jenna as a character was definitely a great protagonist – she’s not perfect, but she’s incredibly determined and a very independent thinker. She’s a little messy at worst, but I really didn’t mind. She had a great personality, for the most part, and her struggle with getting medical emancipation was incredibly eye-opening.
Again, I can’t speak to how accurate the CP rep was, but for the most part, it seemed well researched. The author mentions in a note at the back of the book that she worked with kids with CP, which seems to have informed part of Jenna’s story. A good portion of it seemed to work – there was clearly a lot of research put into the different kinds of mobility aids that Jenna uses and the kinds of surgeries she went through. It also deftly defied the dreaded “cure narrative” – Jenna’s attitude towards her disability was more one of reaching for freedom than seeking to “overcome” it in anyway. It’s not often that we get this kind of story from abled authors, so I appreciated that.
However, I’m still a little miffed by how they represented Jenna’s disabled identity. At a point in the book, she reaches out to someone who went through a surgery that her parents want her to have (part of why she seeks to be medically emancipated). This person responds to Jenna later in the book via email, and explains that she leads a “differently-abled” club at her school; she explains how she prefers that term, even though most of the disabled community doesn’t. (For those of you who don’t know: it’s generally accepted that the majority of the disabled community prefers not to use the term “differently abled,” as the terminology is seen as sugarcoating or patronizing them and their experiences. Some disabled people may use the term, but when referring to the community, it’s good to just stick with “disabled.”)
Now, if this had come from a disabled author, I might have passed it by; as I said, not everybody in the disabled community dislikes the term “differently abled,” but disabled is usually the more accepted term. But since this is coming from an abled author, I’m really not sure how to feel about it; it’s generally abled people that have used started using the term (which is where the discourse comes from), so putting that on disabled people in a book – especially someone who Jenna looks to for advice – doesn’t sit right with me. Additionally, Jenna never explicitly says that she’s disabled; maybe I’m reading into it too much, but it just seems a little strange, coming from an abled writer writing a disabled character. (And on the subject of the club…did everybody in said club actually agree to call it the “differently abled club?” I find that hard to believe…)
Other than that, there were a lot of hospitalization scenes that felt a little too much like plot devices, and the scene with the rival hockey team (this is where the ableist slurs TW comes in) didn’t need to happen; all it did was give a bit of “I love my girlfriend!” points for Julian (he punches the guy who yells ableist slurs at Jenna), which created some conflict that I felt was completely unnecessary. It’s My Life certainly had a rom-com feel to some of it, so why not just keep it that way? CAN I GET SOME MORE DISABLED BOOKS THAT DON’T CENTER AROUND THE PROTAGONIST GETTING SLURS YELLED AT THEM, PLEASE?
My only other complaints were that some of the high school scenes weren’t super authentic, and I didn’t care a whole lot about the romance, but that’s the most minor of my issues. But overall, mixed feelings on this one – the themes of medical emancipation and Jenna’s character were great, but the disability representation, while I can’t speak to the CP accuracy, had some good intentions and research, but uncomfortable messages surrounding the identity itself. 3 stars.
It’s My Life is a standalone, but Stacie Ramey is also the author of The Sister Pact, The Homecoming, The Secrets We Bury, and Switching Fates.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
For those of you who didn’t know, here in the US, July is Disability Pride Month! I myself didn’t know about it until this year, which is a little embarrassing, but better late than never, I suppose. I hardly see anyone in the bookish community talking about disability rep in books – especially where YA is concerned – so I wanted to make a post of my own with some YA reads with disability rep of all kinds. Unfortunately, not all of them are from disabled authors, but it seems like there’s such a dearth of disability rep in YA as a whole, so for now, I’ll share these ones, and I’ll always be on the hunt for more books by disabled authors in the future. But as with all of my posts like this, AMPLIFY DISABLED VOICES 24/7/365!
And if you’re looking for book bloggers who talk about disability, disability rep, and breaking down ableist tropes, I’d highly recommend checking out Luminosity Library and The Inside Cover. (They’re both amazing!! Show them some support!!)
Kaz Brekker (otherwise known as the “morally gray” teen idol of the YA book fandom) uses a cane for mobility (and it’s a really snazzy cane, too), and his experiences are based off of Leigh Bardugo’s own experience with osteonecrosis.
I just finished this one up a few days ago, and it was INCREDIBLE! I don’t usually jump for rom-com, but this was one of the most tender books I’ve read in a while. Gave me all the warm fuzzies…
The protagonist has rheumatoid arthritis, and the love interest has Gaucher’s disease. And lemme tell you, I GOT SO EXCITED THAT WE HAVE A DISABLED, BISEXUAL LOVE INTEREST. BI DISABLED CHARACTERS?? NO KIDDING, MY BRAIN DID THE “WOOOOOHOO” FROM SONG 2 WHEN I REALIZED IT…
Again, it’s been a while since I’ve read this one, but I LOVE how diverse this one is; we have the dual POVs of an epileptic Latino character with a missing leg and a mute bisexual girl who uses sign language to communicate. It’s an interesting blend of fantasy and sci-fi as well!
Adam, the love interest of this novel, has multiple sclerosis, and both of the protagonists are Muslim; there’s a lot of great conversations about Islamaphobia and other pertinent issues in this one, but it’s also a really sweet romance!
This one’s a romance between a girl with ADHD (the author has ADHD as well!) and an autistic boy, and like Love from A to Z, tackles a lot of discussions surrounding mental health and disability while still being a sweet romance!
GENRES: Science fiction, space opera, LGBTQ+, romance
MY RATING: ⭐️⭐️⭐️⭐️⭐️
(There is no escape from the Aurora Cycle-posting on this blog…)
Even though Finian’s disability is fictional (bc, y’know, he’s an alien), he uses mobility aids, and we get to see a lot of his inner thoughts surrounding his disability. Disability in realistic fiction is all cool and good, but it’s even better to see casual disability rep in fantasy and sci-fi too!
Queens of Geek features a protagonist with Asperger’s and an anxiety disorder, and there’s lots of queer and POC representation in this one as well! If you love stories set at Comic Cons with lots of pop culture references, then this one’s for you!
TELL ME WHAT YOU THINK! What are your favorite books with disability rep? Favorite disabled authors? Any recommendations for me?
That’s it for this post! Have a wonderful rest of your day, take care of yourselves, and happy disability pride month!