Tag: Fairytale retellings

Posted in Book Review Tuesday

Book Review Tuesday (1/23/24) – Echo North

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles! Here we are on the first satisfying day of the year (to me, at least)—January 23rd, 2024. 1 + 23 = 24. It’s the little things.

After I thoroughly enjoyed Into the Heartless Wood, I went looking for every other Joanna Ruth Meyer book that I could get my hands on. I’m still more sci-fi than fantasy at heart, but god, I’m a sucker for a good fairytale, and Echo North scratched that itch in the most heartstring-tugging way possible.

Enjoy this week’s review!

Echo North – Joanna Ruth Meyer

When she was seven years old, Echo Alkaev was attacked by a white wolf caught in a trap, leaving her face permanently scarred. For years, she lived under the protection of her father’s love, despite the taunting and abuse she suffered at the hands of her peers because of her appearance. But one winter night, her father leaves for the city and doesn’t return. Echo sets off into the woods to find him once more, only to come face to face with the same white wolf who attacked her all those years ago. Desperate to find her father, she agrees to a deal with the creature: if she lives with him for one year, he will bring her father back. But the wolf’s home is a strange realm full of rooms to be sewn together like fabric, and Echo is unsure if she’s in over her head…

TW/CW: blood/gore, animal attack, animal death, ableism, emotional abuse, murder

I am nothing if not a sucker for a high-quality modern fairytale. Joanna Ruth Meyer captured my heart the minute I finished Into the Heartless Wood, and I’m overjoyed to say that Echo North is just as masterful of a modern fairytale, clever and emotional in equal measure.

January was really the perfect time to read this novel—everything about Echo North was so deeply wintry in a truly delicious way. Fitting that it was in the negatives and snowy when I was reading this last week. All this is to say is that Meyer’s prose was truly atmospheric—for me, one of the markers of a good fairytale is being immersed in whatever strange and sinister world that the author has penned. Echo North juggles various settings, and all of them are rendered in exquisite detail. All of the descriptions, from the humble village that Echo calls home the Wolf Queen’s frozen kingdom, are so full of life that I could practically smell the crispness of the snow and feel the prickling touch of snowflakes on my cheeks. It’s already a hefty task to write just a single, central setting so vividly, but Meyer’s prose made every single place brim with life.

Speaking of settings…the wolf’s library was one of my favorite settings that I’ve read in…oh, years, I think? Aside from being an incredibly inventive twist on the typical Beaty and the Beast retellings, it’s so richly detailed and full of twists—I never grew tired of spending time in it. The mirror-books were delightful, and I loved how they became tangible pocket dimensions of sorts in Meyer’s hands; after all, books tend to have that quality, and I loved how this book basically made it more physical to be able to visit the place and characters within the books. Additionally, the rooms of the library slowly unwinding and having to actually sew them back up with a giant spool of magical thread so that they don’t fall apart was just fascinating—and it lent itself to some pretty tense stakes early on in the novel. Truly unique stuff.

I also love how disability was handled in Echo North! Echo has facial scars (as a result of a wolf attack in her childhood…that ends up circling back to a prominent part of the novel), and her journey of self-acceptance was truly heartwarming. It’s not the first novel to have a journey of self-acceptance like this, nor will it be the last; the notable difference was where the pity came in. Meyer specifically wrote it so that we pitied Echo not because of her scars, but because of how her family and peers treat her because of the scars. She grows to hate her scars in her early childhood, but the more independent she gets, the more accepting she is of herself—and uncaring of the opinions of others, and having to encounter so many different figures over the course of the novel only amplifies her sense of self-empowerment. I was hinging on this novel having a romantic subplot (which was excellent, by the way), but I loved that Echo’s scars neutrally factored into it—they were simply a part of her, and Hal loved all of her, as she loved all of him.

And…oh god. The old magic. The old magic got me. I don’t care how many people call stories about the power of love corny, but Echo North did it gorgeously. There are so many different kinds of love, both positive and negative, familial and romantic, that this novel explores, but it’s true: unconditional love has the power to move mountains. And love did tear down mountains—it’s the kind of love that makes no excuses and has room for everyone so long as they return it. This, in concert with the themes about Echo’s scars, made it all the more poignant—the ones who matter most are the ones who love all the parts of you. Having that as the crux of the climax got me a little emotional, I’ll admit. Love. LOVE. Love is the old magic!!! Love is the fing!!! :,)

All in all, a deeply emotional and lusciously written fairytale full of blizzards, wolves, and love in unexpected places. 4.5 stars!

Echo North is the first novel in the Echo North duology, followed by the companion novel Wind Daughter. Joanna Ruth Meyer is also the author of the Beneath the Haunting Sea series (Beneath the Haunting Sea and Beneath the Shadowed Earth) and Into the Heartless Wood.

Today’s song:

schooling myself before I see Robyn Hitchcock on Friday night!!

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (1/2/24) – Into the Heartless Wood

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles! First post of the year, phew…

I went into Into the Heartless Wood with no expectations—it was the very end of the year, and I just happened to be in a fantasy mood, mostly brought on by The Siren, the Song, and the Spy and The Stardust Thief. I’m glad I had zero expectations, because Into the Heartless Wood was deeply beautiful and emotional, and it had just the right elements to make for a modern fairytale.

Enjoy this week’s review!

Into the Heartless Wood – Joanna Ruth Meyer

Owen Merrick knows better than to venture into the witch’s wood. The forest within is where the tree-sirens dwell, monstrous creatures capable of tearing down cities and ensnaring even the most sensible people with their fatal song. The woods took Owen’s mother when he was young, and ever since, he’s vowed never to return. But after his little sister wanders into the wood and incurs the wrath of the tree-sirens, one of them spares their lives. Owen and the tree-siren both begin to feel a pull towards each other. In secret, Owen visits the tree-siren, but their relationship is one that may spell disaster for the human and siren kingdoms. A war is brewing, and they may be caught in the middle.

TW/CW: blood, gore, child endangerment, suicide, torture, vehicle crash/derailment, war themes

Into the Heartless Wood was just something I picked up because I was in an extended fantasy mood for most of last week, but it blew me away at how emotional and heartbreakingly tender it was. I thought I’d given up on Beauty and the Beast retellings, but to be honest, I had no idea that this was a retelling until after I’d finished the whole thing, and maybe that’s what made it so memorable. All it stuck to was the central theme of the story—everything else was Joanna Ruth Meyer, and that everything else was beautiful.

This is more of a general statement on fantasy/supernatural romances in general, but it feels like every pairing in it ends up where the woman is human, and the man is the non-human creature or monster. It’s on most of the shirtless dude (but this time he’s a werewolf/vampire/etc.) romances that I see advertised, and it’s in a lot of popular YA fantasies. It’s always the king or prince of the fae that the otherwise practical human girl falls for. And even though it’s my favorite movie, The Shape of Water fits too. You get the idea. We hardly ever let women be monsters. Not to get real College with it, but there’s something to be said for the fact that we can’t stand to make women monsters—and therefore unattractive in some way—because otherwise, they wouldn’t be tidy little sex objects anymore. Women are hardly ever in the position of the monstrous character because a lot of writers can’t stand the thought of a woman’s characteristics or redemption arc not being tied to her beauty.

That’s part of why Into the Heartless Wood stood out to me so much. Something as simple as a gender-swap has done this novel an immense service. Seren, the tree-siren love interest, is monstrous in the basic sense, but her inner conflict and the history that led up to who she is was written in such a painfully tender way. Even if she wasn’t meant to be the love interest, you would still feel so deeply for her. The way that her POV chapters switched from verse to prose depending on her circumstances was so artfully subtle, and Meyer had no trouble navigating between the two, even as Seren herself struggled to separate herself from the woods. The conflict between Seren and her sisters, as well as the inner conflicts of her place in the world and the struggle to become something more than a pawn of her mother, made her not just fleshed-out, but a character I was rooting for from page one. (I always feel sympathetic towards the monsters, but the point still stands.) Owen was the perfect match for her—his sensitivity and fearful yearning for something beyond the ordinary fit Seren’s search for meaning beyond the wood perfectly.

The Kingdom of Tarian was also fleshed out just right! I’m assuming most of it was Welsh-inspired, judging from the names of places and characters, but I liked the integration of the industrial aspect of Tarian, and not automatically opting for a medieval setting, as most fantasies tend to do. (It’s all well and good, but it gets tiring once 95% of the high fantasy books you’ve read end up with the same setting with minor tweaks.) The industrialization enhanced the nature/mankind conflict that the novel sets up; from the beginning, there’s a stark contrast between the human world of steam trains and semi-modern warfare and the wood, with its wild, man-eating tree witches, and it made the central, generational conflict between the Witch of the Wood and the king of Tarian seem even more grave, even if the lives of both protagonists and their families weren’t at stake.

What wrapped all of this together was both the prose and verse of Joanna Ruth Meyer. Both ways, her writing was truly lyrical, achingly poetic in even the most fleeting of scenes. The emotion that was baked into the fiber of this story made the almost Romeo & Juliet-like romance of Owen and Seren feel all the more revolutionary—teenagers always feel like their love stories are what make the world go ’round, but Meyer made you believe every word of it and root for the lovers every step of the way. Every bit of both love and heartbreak was heartstring-tugging—there’s nothing like a story of lovers giving each other the courage to break away from the mold set by the world(s) around them. Works like a charm.

All in all, an achingly romantic and heartbreaking fantasy that had me hanging on every word. 4.5 stars!

Into the Heartless Wood is a standalone, but Joanna Ruth Meyer is also the author of the Echo North series (Echo North, Wind Daughter, and the companion Wolf Daughter & The Oldest Magic), and the Beneath the Haunting Sea series (Beneath the Haunting Sea and Beneath the Shadowed Earth).

Today’s song:

big thank you to my brother for sending me this one!!

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (7/4/23) – Painted Devils (Little Thieves, #2)

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles, and happy…Tuesday. The fact that the Fourth of July comes so close on the heels of the Supreme Court releasing the results of all of their major rulings has significantly soured most attempts I’ve tried to have at patriotism (especially since we have the incredibly unfortunate conservative majority controlling far more than they should), especially in our post-Roe era. None of that puts me in a particularly patriotic mood. But, as always, criticizing your country and pushing for change that will make it better is, to me, is the best kind of patriotism. And if nothing else, I get the day off work today. I’m not about to complain.

That aside, I’ve got an exciting review today! Ever since I devoured Little Thieves back in January, I’ve been itching to read the sequel, which came out this May. After a few failed attempts to get it on Libby, I finally got a physical copy from the library and ate it up as quickly as I did its predecessor. And although I liked it slightly less than book 1, Painted Devils retained its spirit—delightful from start to finish.

Now, tread lightly! This review may contain spoilers for book 1, Little Thieves, so if you haven’t read it and intend to do so, skip over this review.

For my review of Little Thieves, click here!

Enjoy this week’s review!

Painted Devils (Little Thieves, #2) – Margaret Owen

Vanja Schmidt may have succeeded in breaking a godly curse and finding love with Emeric, but that doesn’t mean that her conniving days are behind her. In fact, they’re very much alive—and proved when she fabricates a god to get out of a slippery situation. Problem is, the townsfolk have now accepted Vanja’s Scarlet Maiden as their god, and started a cult in her name. And the Scarlet Maiden demands a sacrifice in blood—a sacrifice that Vanja can’t afford to make. While Emeric goes on a hunt to verify the Scarlet Maiden’s existence, Vanja must find a way out of the sacrifice before time runs out—and before her fraud is exposed.

TW/CW: abuse (physical and verbal), fantasy violence, blood, body image issues, abandonment, animal death, cult imagery

Seeing the phrases “we live in a society” and “scrimblo” within 100 pages of each other in a medieval-inspired fantasy book felt like being hit by a train, to say the least, but the fact that Margaret Owen very nearly pulled it off is nothing short of a miracle. I’m still reeling just thinking about it.

My months of waiting and searching are finally over—I managed to get Painted Devils in my hands, and I’m so happy for it! Although it wasn’t quite as cohesive as Little Thieves was, it was nevertheless a delight from start to finish—being back with Vanja on her chaotic adventures was nothing short of a joy in a sea of YA fantasy novels that take themselves a little too seriously, even though their protagonists are only 16.

I’ll quickly start off with my one major gripe—the reason that I docked it down from book 1’s 4.5 stars to 4.25. Painted Devils, as much as I adored it, definitely fell into the curse of book 2: all of the good elements were still there, but they lacked the cohesion that the first book had. It was all fun, but a good portion of the middle felt like the characters were running around for no reason, without much consequence to the plot. Some of it felt like filler, and for a book that was almost 500 pages long, it didn’t feel altogether necessary.

Other than that, it’s hard to find any nitpicks or problems with Painted Devils! Even though Vanja has always been the main character, this book really felt more about her—it was wholly her story, about what happens when your storied past catches up to you, and how to reckon with your past to become the person you are today. Even amidst the near-constant humor that these books have relied on, Owen manages to tackle so much of Vanja’s character with incredible aplomb, balancing her bouncing-off-the-walls personality with some genuinely heartbreaking and wholly important discussions about familial manipulation and abuse. For a series that’s often been defined by its levity, Vanja’s journey towards self-love and acceptance was unexpectedly heartfelt. It’s exceedingly difficult to balance those two aspects, but Owen made it look easy.

Beyond that, I loved seeing the relationship between Emeric and Vanja develop, both romantically and platonically! They continue to be perfect foils for each other—a physical representation of the grounded and humorous qualities of this novel, and how they complement each other. Their personalities have started to bleed into each other in the sweetest way—Emeric starting to loosen up, and Vanja reluctantly trying to do the opposite—and every moment they shared together was a delight to read. Plus, the discussions about consent are always welcome, and a refreshing break from the years of 500+ year old fantasy love interest that we’ve all had to slog through in the last decade or so.

Owen’s writing, of course, continues to be the star. It’s rare that an author can make a character whose main trait is being “chaotic/morally gray” into something that goes above and beyond the buzzwords—Vanja continues to be impressively fleshed-out, and my life is all the better for it. Some of the more meme-y humor, like the previous book, continues to be jarring in places, but Owen’s other points of humor makes for a wonderfully charming read. There’s really not much else in the world of YA fantasy that succeed like Little Thieves and Painted Devils do: bringing the joy back to a magical, fairytale-inspired world, and balancing it with the reality and darkness that every bad, gritty fairytale retelling missed by a mile. Even with the frustrating ending, I’m so eager to see where the conclusion takes Vanja, Emeric, and all the rest.

I really feel like the world needs a 2D animated adaptation of these books. Just saying.

All in all, a sequel that was a delight to read, even with its lessened cohesion. 4.25 stars!

Painted Devils is the second book in Margaret Owen’s Little Thieves trilogy, preceded by Little Thieves and concluded by an untitled book slated for release in January of 2024. She is also the author of the Merciful Crow duology (The Merciful Crow and The Faithless Hawk).

Today’s song:

XYLOPHONE SOLO

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (1/16/23) – Little Thieves

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I forget exactly where I first heard about Little Thieves, but I think it may have been from seeing other people’s reviews here in the blogosphere. Now that I’ve read it, let me just say this: whoever’s review it was that inspired me to pick up this book, thank you so much. YA fantasy has started to become formulaic for me at worst, but Little Thieves was filled with charm, humor, and refreshing spins on the subgenre as a whole. Enjoy this week’s review!

Little Thieves (Little Thieves, #1) – Margaret Owen

Vanja Schmidt is the thirteenth daughter of a thirteenth daughter. Her mother knew how bad her luck would be, so when she was a child, she surrendered her daughter to be raised by the goddesses of Death and Fortune. But as Vanja grows older, she doesn’t seek to follow the paths of her surrogate parents and runs off on her own, making a living swindling and picking pockets. Vanja’s swindling gets as far as the royal palace, and with the theft of a charmed necklace of pearls, she assumes the identity of Princess Gisele.

But Vanja’s life of crime has attracted unwanted attention. When a Low God curses her body to turn to jewels at the full moon, Vanja must retrace her steps and right her past wrongs. Her trail of thievery will reach into the heart of a conspiracy that leads to Princess Gisele’s betrothed, and soon, Vanja realizes that she’s in for more than she bargained for.

some of the beautiful illustrations from Little Thieves, done by Margaret Owen herself!

TW/CW: child abuse, animal death, blood, descriptions of injury, sexual harassment

Barely halfway through the first month of the year, and I’m already running into books this good? SUCH a relief after the brief slump I was just in…

YA fantasies—fairytale retellings in particular—are books that I’ve started to steer away from slightly; over the years, they’ve gotten blatantly formulaic for me, and it’s rare that any have an impact on me anymore. It feels sad saying that, but after a while, I just got sick of all the secret royalty and love triangles and the lack of good worldbuilding. But Little Thieves showed me that there’s still faith in a sputtering subgenre and treated me to an exceptionally fun time!

It’s been a while since I’ve read a fairytale retelling—after a while, there are only so many Cinderella and Beauty and the Beast retellings one can take. But Little Thieves retold a fairytale that I hadn’t even heard of before—The Goose Girl, written by the Brothers Grimm. It also puts a spin on the fairytale’s antagonist, making her the main character and giving her more nuance and motives. From the first page, Little Thieves felt like a breath of fresh air into a tired genre, and I am all the better for it.

Owen’s vibrant characters seemed to leap off the page, and each and every one of the main cast won my heart in record time. They were all so distinct: Vanja with her determination and sass, Emeric’s delightfully uptight and sensitive demeanor, and the absolute chaos that was Ragne; I got attached to most of the main cast fairly quickly, which is certainly a rare occurrence for me. Little Thieves is also one of the only YA books I can think of that actually gets a morally gray protagonist right. “Morally gray” characters have almost become a buzzword after the success of books like Six of Crows, but most of the time, they just end up being characters that Do Crimes™️ but they have a Tragic Backstory™️ so they’re a Complex Character™️. Vanja, however, actually felt morally gray—her way of life, however shady her dealings and actions were—was her way of survival and defiance. Maybe that’s what happens when you’re raised by two surrogate moms that also happen to be the goddesses of Death and Fortune, but either way, it was refreshingly well-executed.

For the most part, I was also a fan of the writing style! It reminded me a lot of Ashley Poston—it was very cheeky and filled with humor, which matched Vanja’s voice perfectly, but it was also capable of plenty of nuance and depth, resulting in some spectacular bits of prose. Some of the humor bordered on meme-y at times, which was more than a little jarring, but in comparison to the rest of the book, I can let it slide. It’s the kind of charming writing that made me laugh, smile, and swoon, and it suited Owens’ story wonderfully.

The worldbuilding was also excellent, and I loved exploring the pseudo-German, medieval setting! It’s clear that Owens spent lots of time and energy into not only making a fleshed-out world with the appropriate amount of history and constraints, but also trying to stay faithful to German folklore and the original Brothers Grimm tale. All of the gods, shapeshifters, and other creatures were a delight—another reason why I’m a little bored with most YA fantasy is because they often shy away from having lots of mythical creatures (in place of just slapping a magic system onto a vaguely European setting), so, like so many other aspects of Little Thieves, this was such a breath of fresh air. I know I sound like a broken record every time I say that, but that’s seriously how reading all 500+ pages of this book felt.

Going off of that, I loved the casual queerness in Little Thieves! With a lot of fantasy settings where queerness is present, homophobia is still present because there’s a misconception that an ancient/older setting automatically equals homophobia/transphobia. I get the purpose of that on some level if the book is trying to share a message or theme about homophobia or transphobia, but on the other hand, if you can have a complex magic system and dragons, the concept of homophobia not being a thing in your fantasy world isn’t that strenuous of a stretch to make. Owens once again bashes all of these fantasy tropes and integrates queerness into her worldbuilding as something normal, and it made my heart so happy. Although no labels are specifically used in the book, Vanja and Emeric are both implied to be somewhere on the demisexual/asexual spectrum, Gisele is implied to be a lesbian (and later is in a relationship with Ragne), and there are several nonbinary and gender nonconforming side characters! More queer fantasy like this, please! (Also, I just loved Emeric and Vanja together. Just Love Them So Much)

All in all, a rare YA fairytale retelling that subverts all of the tropes of the genre and dazzles with its nuance and charm. 4.5 stars!

Little Thieves is the first in the trilogy, followed by Painted Devils (slated for release later this year) and an untitled third book. Margaret Owens is also the author of the Merciful Crow series, which consists of The Merciful Crow and The Faithless Hawk.

Today’s song:

just listened to this whole album today, perfect for winter!! this one almost sounds like Kid A

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (6/14/22) – The Raven and the Reindeer

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I’ve had The Raven and the Reindeer on my tbr since the dawn of time (read: 2016), and I’m not sure why I put it off for so long, but either way, I bought it for my vacation last week. I ended up reading it on the plane and in Yosemite, and I was surprised at how much I loved it—a beautifully immersive and queer retelling of “The Snow Queen”!

Enjoy this week’s review!

The Raven and the Reindeer – T. Kingfisher

Gerta has grown up with tales told to her by her grandmother—tales of characters like the Snow Queen, a merciless, inhuman being who steals away children in the dead of winter. What Gerta never realized was that the Snow Queen is real all this time.

When her best friend Kay is stolen by the Snow Queen in the night, Gerta sets off on a quest across the frozen wilderness, determined to rescue him. But along the way, she realizes that the true meaning of her journey is far from what she thought it would be—and filled with unimaginable dangers.

TW/CW: animal death, violence, descriptions of corpses, freezing to death, descriptions of blood/animal skinning

the “not-like-other-girls” complex to queer awakening pipeline is real and this book is proof. I’ve lived it 💀

It’s been ages since I’ve read a fairytale retelling quite this wonderful! I came in with no expectations, and close to everything about it blew me away, from Kingfisher’s wry but tender writing style to Gerta’s endearing quest to save her friend.

I haven’t read any of Ursula Vernon’s T. Kingfisher books (the last book of hers I read was Castle Hangnail and that was…oh, seven years ago? remains iconic to this day), so this was my first introduction to her more YA/adult writing. And I’ve gotta say, I was blown away by her writing! Kingfisher hits the perfect balance between wry sarcasm and beautiful, immersive prose, which is a hard set to juggle. The humor didn’t feel overpowering, and likewise, the more descriptive prose wasn’t overly purple. It’s the kind of writing style that meshes perfectly with a fairytale, the kind of writing that really makes you feel like you’re experiencing real storytelling.

The Raven and the Reindeer’s characters were just as alluring and endearing! Gerta was a delightful and poignant subversion of a typical fairytale heroine, and she underwent some spectacular development over the course of the novel. (read the first line of the review again—in all seriousness, that’s the development in question, and it’s beautiful to watch.) A character like Mousebones could’ve easily been an infuriating gimmick, but he added just the right amount of levity to a frigid story. Along with them, all of the characters, both human and otherwise, added countless, immersive layers into an expertly-woven fairytale. Plus, I’d be remiss if I didn’t acknowledge Gerta and Janna’s sapphic romance—who doesn’t love queer bandit ladies?

Beyond that, Kingfisher simultaneously subverts this fairytale and brings it back to its roots. There are beautiful metaphors aplenty about reconnecting with nature—and by proxy, your true self. This combination of themes creates a poignant message that I’m sure will resonate with so many readers. Certainly resonated with me. The fact that these themes are present in a queer novel makes them all the more important: denying your true nature is a dangerous thing, so if possible, be the truest self that you can be. (And on a lighter note, don’t go into the frozen wilderness chasing after men, kids. It doesn’t always end well.)

All in all, one of the best fairytale retellings I’ve read in recent years—wry and witty, but equally powerful thematically. 4.5 stars!

The Raven and the Reindeer is a standalone novel, but under this pseudonym, T. Kingfisher is also the author of A Wizard’s Guide to Defensive Baking, The Seventh Bride, Bryony and Roses, and several other novels. Writing as Ursula Vernon, she is also the author of the Dragonbreath comic series, Castle Hangnail, and more.

Today’s song:

got around to listening to this album now that I’m back from vacation—fantastic all the way through!

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

Start ‘Em Young: YA Books to Transition Younger Teen Readers into YA Literature

Posted on by madeline @ The Bookish Mutant

Happy Monday, bibliophiles!

I’ve been an avid reader from a young age. I read voraciously throughout my pre-teen years, but as I got older, I began reading “older” books—I had been introduced into the wonderful world of YA literature. But it wasn’t quite as smooth as I thought; although young adult books generally encompass a teenage experience, there can often be a wide range of content. While some YA books are lighter and more suitable for younger teens, many range into the “older” teen spectrum that often deals with heavier and more mature subject matter. For me, at least, I think it’s good to have “transition” books for younger YA readers—books that are distinctly “teen,” but aren’t quite as graphic for someone who isn’t mature enough to handle certain topics. I’m doing my best not to make generalizations about the maturity of younger teenagers here, since I was one not so long ago, but I feel like it’s not the best idea to start an 11 or 12 year old on something as dark as Six of Crows or Illuminae. So for those reasons, I’ve decided to compile some books that I think would be great to introduce younger readers to the wide world of YA literature.

Let’s begin, shall we?

📖BOOKS TO TRANSITION YOUNGER TEEN READERS INTO YA 📖

Sorcery of Thorns – Margaret Rogerson

GENRES: fantasy, high fantasy, romance

Sorcery of Thorns had the feel of a lot of middle-grade fantasy novels—not enough magical libraries in YA literature, such a shame 😤

For me, this novel had the perfect balance of whimsy and complexity, and presented a beautiful fantasy world full of magical books and demons!

The Kingdom of Back – Marie Lu

GENRES: historical fiction, fantasy, magical realism

Marie Lu’s books tend to stray on the darker side, but The Kingdom of Back is the perfect standalone for any reader to get into her books. This one is a favorite of mine—such a beautifully-crafted fairytale!

Sisters of the Wolf – Patricia Miller-Schroeder

GENRES: historical fiction

Sisters of the Wolf wasn’t my favorite book, but part of what stood out to me about it (apart from the amazing research that went into the prehistoric setting) was that it hit the perfect balance between middle grade and YA—it’s dark enough to be separated from middle grade, but still palatable for a younger reader transitioning between the age groups.

The Soul Keepers – Devon Taylor

GENRES: fantasy, paranormal, horror

Like Sisters of the Wolf, The Soul Keepers is the perfect bridge between middle grade and YA; even though most of the characters are written as older teens, the level of dark elements struck the perfect balance between younger and older teen readers.

Curses – Lish McBride

GENRES: fantasy, retellings, romance

Nothing like a good fairytale retelling to introduce a reader to YA! Lish McBride’s sense of humor never fails to make me smile, and Curses was a continuously clever and hilarious retelling of Beauty and the Beast. If there’s any Beauty and the Beast retelling to start a reader on, it’s this one.

The Tiger at Midnight – Swati Teerdhala

GENRES: fantasy, high fantasy, romance

The Tiger at Midnight has all of the elements of a classic YA fantasy book, and it’s the perfect choice for introducing a reader into the vast world of YA fantasy! I don’t know why I haven’t picked up the next few books—book 1 was a lot of fun!

Geekerella – Ashley Poston

GENRES: fiction, romance, rom-com

For a reader who wants to jump into romance, the Once Upon a Con series is a perfect starter! Plus, what’s not to love about comic cons, books, and tons of pop culture references?

Once & Future – A.R. Capetta and Cory McCarthy

GENRES: LGBTQ+, science fiction, retellings, romance

Speaking of retellings…here’s one for readers who are keen on Arthurian legends! Once & Future presents one of the most inventive Arthurian legends I’ve read in a while—space, corporations, curses, and more! It’s wonderfully queer all around as well.

The Light at the Bottom of the World – London Shah

GENRES: dystopia, science fiction, romance

There are a lot—and I mean a lot—of astoundingly mediocre and ridiculous YA dystopias that tried to jump on the Hunger Games train, so why not start off a reader with something that’s genuinely fun and inventive? The Light at the Bottom of the World is a stand-out, action-packed and creative, with a determined protagonist that you can’t help but root for!

I Love You So Mochi – Sarah Kuhn

GENRES: fiction, romance

Here’s another light and sweet romance! I Love You So Mochi is the perfect feel-good romance, and it doubles as a spectacular coming-of-age story about finding your passion and your place.

TELL ME WHAT YOU THINK! What are some other books that you’d recommend for younger teens who are just starting to read YA? Have you read any of these books, and if so, what did you think of them? Tell me in the comments!

Today’s song:

this is such a fun album!! not a bad song here

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!

Posted in Goodreads Monday

Goodreads Monday (11/22/21) – Into the Heartless Wood

Posted on by madeline @ The Bookish Mutant

Happy Monday, bibliophiles! Feels so good to be able to sleep in again…

Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.

It’s been a little while since I’ve read a solid fantasy retelling, and this one sounds promising—plus, the cover looks gorgeous!

Let’s begin, shall we?

GOODREADS MONDAY (11/22/21) – INTO THE HEARTLESS WOOD by Joanna Ruth Meyer

Into the Heartless Wood by Joanna Ruth Meyer

Blurb from Goodreads:

The forest is a dangerous place, where siren song lures men and women to their deaths. For centuries, a witch has harvested souls to feed the heartless tree, using its power to grow her domain.

When Owen Merrick is lured into the witch’s wood, one of her tree-siren daughters, Seren, saves his life instead of ending it. Every night, he climbs over the garden wall to see her, and every night her longing to become human deepens. But a shift in the stars foretells a dangerous curse, and Seren’s quest to become human will lead them into an ancient war raging between the witch and the king who is trying to stop her.

So why do I want to read this?

FINDING MYSELF | Rain gif, Dark forest aesthetic, Mystical forest

Into the Heartless Wood seems like just the kind of fantasy I would like—atmospheric, with notes of fairytales woven throughout. I haven’t been able to find what fairytale this is specifically a retelling of, but a lot of reviews have said that it has threads of both Beauty and the Beast and The Little Mermaid, so I’m already intrigued. There was even a review that said that it had similar vibes to The Shape of Water, which…OKAY, 100% PICKING THIS UP NOW. MY FAVORITE MOVIE. GAAAAH.

Other than that, I love the idea of this wicked forest and the tree-sirens (tree-sirens??) that inhabit it. Seren’s storyline seems very reminiscent of The Little Mermaid, but it’s from a human boy’s perspective. I’m interested to see how that perspective affects the story—plus, a lot of the reviews have been saying that Owen is a great character.

Pin by June Coker on gifs | Rain and coffee, Nature gif, Aesthetic gif

Today’s song:

just listened to this whole album for the first time yesterday…pretty great! definitely a lot better than no burden.

That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (9/7/21) – Curses

Posted on by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

I’ve been a fan of Lish McBride’s for a few years now, ever since I fell in love with Firebug back in middle school. So when I found out that she’d come out with a new book, I was OVERJOYED. I immediately put it on hold at the library, and I’m pleased to say that it didn’t disappoint in the slightest!

Enjoy this week’s review!

Curses by Lish McBride

Curses – Lish McBride

Merit Cravan is cursed. After refusing to marry the prince her mother wanted her to marry, a fairy godling cursed her to be a carnivorous beast. The curse can only be broken if she marries a man her mother chooses by her eighteenth birthday.

Tevin comes from a family of conmen, and after his mother blunders and gets on the wrong side of Lady Cravan, he’s traded to them in exchange for her mother’s freedom. He befriends Merit, and learns of her curse, but as her eighteenth birthday creeps ever closer, they discover that the way to break it is closer than either of them could have imagined.

Disney Live Action — Emma Watson as Belle BEAUTY AND THE BEAST (2017),...

TW/CW: gore, grotesque transformations, body horror, animal death, violence, drugging

I know, I know. Beauty and the Beast retellings have long seen their day in YA. We’ve all suffered through countless awful ones. But I am BEGGING you to read this one. You’ll love it, trust me.

I really missed reading Lish McBride books. Her wry sense of humor and genre subversion have never failed to capture my heart, and Curses was no exception. Not only does Curses flip the traditional aspects of Beauty and the Beast on their heads, it does so in the most over-the-top, tongue in cheek way possible. It’s a fairytale retelling that regularly laughs at itself. And I loved every minute of it.

The majority of the characters were compulsively lovable, and if they weren’t, they were so over-the-top that it was impossible not to have a laugh at their expense. Tevin was my favorite by far; he struck me as a very Loki-like character, but behind the magical charm and and conniving, he was a strikingly complex character. Merit was also a great protagonist! I loved her independent spirit, and the way that her curse was explored was fascinating. (Also, I loved all of the other weird curses that the side characters got – very Courtney Crumrin…no, no, wait, I think that was frogs, not snakes…anyways)

660 My prince twice over ideas | tom hiddleston loki, tom hiddleston, thomas william hiddleston

But what I loved best about Curses is that it’s the lovably campy, comedic antithesis of every YA Beauty and the Beast retelling of the last decade or so. It’s the cure to a subgenera that has tried to take itself far too seriously, trying too hard to make itself “edgy” in order to appeal to The Teens™️. (For reference, see: Beastly, Of Beast and Beauty, A Curse So Dark and Lonely, etc.) Everything had to be all dark and gritty, or else it wouldn’t be marketable. It got old quickly. And I’m not sure if Lish McBride had this in mind while writing Curses, but this book is the perfect cure to all of that. Like I mentioned earlier, there’s plenty of laughs at its own expense, and it’s simultaneously a unique, well-written piece of art and the perfect counter to edgy retellings past. I’m 100% for pushing back against the notion that art has to be dark or edgy to be considered “deep” or worthy of praise, and if you agree, this is the book for you.

My only complaint is the worlldbuilding. It seemed complex at first glance (what with all the different types of faeries), but the more I read, the more surface-level it seemed. There’s a timestamp given, but what does that mean? Is this an alternate history? Is it just a year according to the world of Curses? Does it pertain to actual human history? I could’ve used some answers. But it’s my only complaint, really. I loved almost everything else.

All in all…well, it’s a gender-swapped Beauty and the Beast retelling, what more could you possibly want? 4.25 stars!

Loki Gif - GIFcen

Curses is a standalone, but Lish McBride is also the author of the Firebug series (Firebug and Pyromantic), the Necromancer series (Hold Me Closer, Necromancer and Necromancing the Stone), and several other novellas.

Today’s song:

AAAAAAAAAAAAAAAAAAAAAA

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Goodreads Monday

Goodreads Monday (8/16/21) – The Seventh Raven

Posted on by madeline @ The Bookish Mutant

Happy Monday, bibliophiles!

Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.

I don’t remember where I first heard about this one, but the concept of a fairytale retelling written in verse immediately caught my eye! This one has lowish ratings on Goodreads, but I’m still willing to take a chance.

Let’s begin, shall we?

GOODREADS MONDAY (8/16/21) – THE SEVENTH RAVEN by David Elliott

Amazon.com: The Seventh Raven eBook : Elliott, David, Cai, Rovina: Kindle Store

Blurb from Goodreads:

And these are the sons
Of good Jack and good Jane
The eldest is Jack
And the next one is Jack
And the third one’s called Jack
And the fourth’s known as Jack
And the fifth says he’s Jack
And they call the sixth Jack
But the seventh’s not Jack
The seventh is Robyn

And this is his story

When Robyn and his brothers are turned into ravens through the work of an unlucky curse, a sister is their only hope to become human again. Though she’s never met her brothers, April will stop at nothing to restore their humanity. But what about Robyn, who always felt a greater affinity to the air than to the earth-bound lives of his family?

David Elliott’s latest novel in verse explores the unintended consequences of our actions, no matter our intentions, and is filled with powerful messages teased from a Grimms’ fairy tale. Stunning black-and-white illustrations throughout by Rovina Cai.

So why do I want to read this?

Raven Bird GIF - Raven Bird Corvid - Discover & Share GIFs

Plenty of fairytale retellings have come and gone in the YA market, but The Seventh Raven stands out to me in a number of ways. First off – I’ve never seen a fairytale retelling in poetry form! It’s such a unique take on the genre, and I’m eager to see how Elliott pulls it off.

Second, I’m not familiar with the fairytale it’s based on (The Seven Ravens, the Brothers Grimm), so this will be my first time experiencing it in a retelling. This book sounds appropriately dark for a Grimm retelling, and I love the idea that there is always someone who prefers the “curse” to the life they once led. Plus, I loved Rovina Cai’s illustrations in Elatsoe, so I’m excited to see her illustrations in The Seventh Raven!

In conclusion: I’m here for a retelling-in-verse of a dark fairytale that I’m not familiar with!

Peaky blinders 102 spitting friedrich GIF - Find on GIFER

Today’s song:

That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!