Ladies and Gentlemen We Are Floating in Space

Sunday Songs – 5/10/26

Posted on May 10, 2026 by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles, and Happy Mother’s Day! 💐 My mom has done an immeasurable amount for me—introducing me to a good portion of the songs you see here is just the tip of the iceberg. I truly don’t know where I’d be without her support. 🩵

Since I’ve been gone for a few weeks, here are the graphics and songs from when I was taking a break:

4/19/26:

4/26/26:

5/3/26:

This week: In honor of Mother’s Day, the mothers are mothering. (Yes, I’m counting J Spaceman, I feel like if you make something as astounding as Ladies and Gentlemen We Are Floating In Space, he gets to be called “mother” this once.)

Enjoy this week’s songs!

SUNDAY SONGS: 5/10/26

“Planting Tomatoes” – Lucy Dacus

Hot take of the day: Forever Is a Feeling would’ve been better if it had this track—and maybe “Losing”—on it. I get that “Losing” doesn’t exactly fit thematically, but sonically, it fits enough with the other tracks that it could’ve broken some of the monotony. Nobody asked, but my move would be to replace “Modigliani” with “Planting Tomatoes.” (But seriously, why was “Modigliani” the song that got the coveted Phoebe Bridgers feature?)

That’s the end of the hot take, but this might be another one: I feel like “Planting Tomatoes” might be one of Dacus’s best songs since Home Video. Forever Is a Feeling had some stunners, but composition and lyric-wise, “Planting Tomatoes” is truly something special. It takes her usual formula of stringing together perfectly-placed vignettes into something emotional. It’s more pop-forward, but in a way that feels natural to Dacus, and not trying to fit into a mold like some of Forever Is a Feeling‘s more forgettable tracks did. With reverb-drenched guitars that call back to her more indie rock days and tastefully echoing of her vocals, “Planting Tomatoes” is a breathless sprint through the realization that you’re living the life you once dreamed of—and everything that comes with it. There’s the starry-eyed ecstasy of being amongst friends and seeing the simple beauty in everything (tomatoes, holding hands with your friends, the view through a window screen).

Of course, it wouldn’t be Lucy Dacus without a trademark knife in the gut; that comes in the sparse bridge, but I think it captures something that comes along with trying to be more present: being present, but being distinctly aware of what you’ve lost while trying to be present. (“Livin’ in the moment/I can feel the moment passing.”) For Dacus, it’s the grief of losing someone that she wished she could experience the moment with; but her conclusion loops back to the chorus—the solution for all of these emotions, positive and negative, is this: “You’ve gotta live the life you’re fighting for/You’ve gotta live a life you would die for/But before then, I’ve got some ideas…” That hopeful ellipses of the chorus is where the joy of “Planting Tomatoes” lies: life is short, and yet, there is so much possibility in it.

…AND A BOOK TO GO WITH IT:

A Bánh Mì for Two – Trinity Nguyen – “Hearing my friends laughing in the distance/I can’t help but laugh along without knowing what the joke is/Can’t help thinking that I am gonna miss this/Living in the moment, I can feel the moment passing…”

“Desired Constellation” – Björk

I’ve been toying with the idea that Medúlla might be my favorite Björk album. I’m not 100% sure. With some of my favorite artists (Bowie, St. Vincent, etc.), it’s easy to pick a favorite. The thing about Björk is that her albums, as varying as they are in sound, are almost all at the same level of being consistently excellent. I like some more than others, but other than the two I haven’t listened to (Vulnicura and Utopia), I really can’t say if there’s a bad Björk album. Medúlla has some slight weaknesses, but after two more re-listens, I feel like even the songs that didn’t hook me as much on the first go around (see: “Submarine”) are still excellent in the ecosystem of the album as a whole. I’m firm in the belief that emotional attachment should never be ignored in choosing your favorite albums, and if that was the only criteria, Medúlla would easily slide up there—I’ve spoken about it a fair amount, but knowing the background and goal of this album was to evoke a sense of prehistoric, primal kinship connection of family and feminine lineages and storytelling as a whole makes every listen so powerful. It makes me feel in tune with that sense of being everything that your ancestors—especially the women in your family—dreamed of, but also a sort of nonlinear sense of connection across time and space. Something about it is innately human—the acapella format makes you hear every hiccup and falter in the vocals. You do feel like you’re around the fire, nestling for warmth in the presence of your kin.

But I think the best endorsement of Medúlla now is that, after a while spent dithering at the record store, I bought it on vinyl even though it was $43, but I immediately started crying after hearing “Pleasure Is All Mine,” so it was worth every penny. (Jeez, is that saying obsolete now? Wow. “Worth every dollar” just doesn’t have the same ring to it.)

When I first listened to Medúlla about a year ago, “Desired Constellation” was nearly one of the songs I talked about initially; it’s still one of the standouts from the album for me. At first, it sounds like it has some of the only non-vocal instrumentals, but I was fooled—the electronic backdrop was created by sampling Björk’s vocals from Vespertine, and adding layers of effects, giving it the delicate, sparkling effect that you hear; more relevant to the song’s subject matter, it’s specifically of this line from “Hidden Place”: “I’m not sure what to do with it.” It has some of my favorite Björk lyrics, hands down: “With a palm full of stars/I throw them like dice (Repeatedly)/On the table (Repeat, repeatedly)/I shake them like dice/And throw them on the table/Repeatedly (Repeatedly)/Until the desired constellation appears.” It’s an intimate, hard-hitting exploration of trying to make order out of chaos, of picking up the pieces until they resemble something you can make sense of.

…AND A BOOK TO GO WITH IT:

Saltcrop – Yume Kitasei – “It’s slippery when/Your sense of justice/Murmurs underneath/And is asking you: ‘How am I going to make it right?'”

“Candelabra” – mary in the junkyard

We’re now two singles into Role Model Hermit, and I don’t want to jinx it, but it’s shaping up to be promising. “Candelabra” leans more towards their earlier acoustic work, but it fits just as snugly with the sweeping “Crash Landing.” As it turns out, it’s a holdover from frontwoman Clari Freeman-Taylor’s solo career, all the way back in 2021; it’s clear she’s gained so much more confidence since then, and despite “Candelabra” being a soft and wistful song, you can hear the leaps and bounds Freeman-Taylor and co. have made in the 5 years since. Whether acoustic or with a full band, this higher-quality production has done wonders for their sound, making it sound cleaner without sacrificing any of their eerie, vulnerable atmosphere. And vulnerability is something that “Candelabra” is ripe with, a meta, half-whispered confession about the confusion of songwriting and intimacy: “I want you to know me through my songs/They’re so much cleaner than anything I could say” is bookended with “Frantically I wrote you a letter/One I knew I never would send/Write fast, write deep, write better/Nothing I ever write will be enough.” This self-deprecation keeps this understated tune afloat.

…AND A BOOK TO GO WITH IT:

I Am the Ghost In Your House – Mar Romasco-Moore – “Don’t let me into your life baby/I hurt you enough as it is/Don’t let me under your skin baby/I’m full of false promises…”

“I Think I’m In Love” – Spiritualized

Musically, I might be reverting to a pandemic-era state. Normally, that’d be a cry for help, but by some miracle, the memories I have of listening to Spiritualized during the pandemic are actually very positive. They said it couldn’t be done…but also, I listened to Ladies and Gentlemen We Are Floating in Space for the first time during the very early days of the pandemic, so that’s why the memories never soured. This was the part of the pandemic where I’d finished my highly modified AP tests and was waiting for my preordered copy of Aurora Burning to arrive in the mail. I hadn’t gotten burnt out and depressed…yet.

But I think Ladies and Gentlemen is one of those albums that no bad situation could sour. It’s just a masterpiece, through and through, a masterclass in creating and maintaining an atmosphere, of slow-burn tales that unfurl like you’re adrift in space, held to your spaceship by the thinnest tether, but never lost completely. The amount of layers in each song, whether 3 or 17 minutes, makes each one feel like an entire expanse of space that J. Spaceman has personally mapped out and condensed into sound waves. And if we’re talking about slow burns, then “I Think I’m In Love” is one of the key studies of it on Ladies and Gentlemen. Of course, the sun-blinded haze of this song comes from the monotony of heroin—something that comes up repeatedly on this album—but the way that it unfolds from this dissociative state back into a colder reality once the high wears off is one of J. Spaceman’s most memorable compositions on this album. For the first two minutes, his airy self-harmonization makes you feel like you’re waking up from a dream, still bleary-eyed, unsure of where you are. Every effect from the guitar pedals makes the song glimmer, but once the song gets curb-stomped back to Earth, the bleating saxophones and steady percussion only add to the atmosphere, as densely-packed with sound as a rainforest is with flora. And cynical as it is, the lyrics in the last 2/3rds of the song are so painfully self-effacing, but sardonically clever:

“I think I can hit the mark/Probably just aimin’/I think my name is on your lips/Probably complainin’/I think I have caught it bad/Probably contagious/I think that I’m a winner, baby/Probably Las Vegas.”

I mean…oof. And he’s got a whole four minutes full of these self-aimed barbs up his sleeve. But it really demonstrates the state he was in, musically and lyrically; the transition to drugged-out, blissful ignorance to astronomical levels of self-deprecation is just where he was at the time of the album, and honestly, with the rock bottom that he hit multiple times, it just makes me all the more grateful that we live in the timeline that he survived both of his near-death experiences, mostly due to complications with the drugs he was abusing throughout his life. And sure, we’ve got those debates about whether you need drugs to make an album as masterful as this, to which I say…dude, have you listened to Everything Was Beautiful lately? Sure, nothing can touch Ladies and Gentlemen, but it’s basically Ladies and Gentlemen with J Spaceman being clean and happy. Either way you look at it, “I Think I’m In Love” is a pitch-perfect study in Spaceman’s ability to make a song feel like an entire dimension in and of itself, a push-pull of dissociation and reality, like a slingshot firing in slow motion.

…AND A BOOK TO GO WITH IT:

Embassytown – China Miéville – “I think I’m in love/Probably just hungry/I think I’m your friend/Probably just lonely…”

“Down” – St. Vincent

Daddy’s Home is approaching its 5 year anniversary, and…I feel so old. I know that’s dramatic. But it has such a specific, comfortingly nostalgic place in my heart; I specifically remembering finishing my AP exams after slogging through the mire of online school, and walking out of the building knowing that I had a new St. Vincent album as a reward. Especially coming off of the heels of the deeply disappointing MASSEDUCTION, it was like being bathed in rays of sunlight. Nearly 5 years later, it holds up as a sonically consistent and pure fun album, despite its subject matter. It’s a sly concentration of “if I don’t laugh, I’ll cry,” especially when looking back at circumstances more messed up than you could’ve predicted. (For Clark, it was her father getting arrested and finishing out his sentence around the time of the album’s release.) It’s difficult to think of an artist who’s channeled an aesthetic so clearly—this is straight up early ’70s, and nothing but; the only pitfall is that, past this era, it almost feels wrong to hear her play tracks from this album live without the intricately crafted aesthetic and campy blonde wig. But I guess that’s what you get for committing to a bit this hard.

Daddy’s Home was anchored on a slew of excellent singles, and “Down” hasn’t lost its sheen nearly 5 years on. It’s got bite. Acerbic but righteous in its condemnation of a good-for-nothing abuser, every lyric is spit with triumphant venom. We’ve been inundated with vaguely feminist revenge stories in the past decade or so; It’s a real shame that a lot of stories about getting the upper hand on your abuser have become cliche, but I feel like it’s more the shallow idea of these revenge fantasies being labeled feminism by default that’s made a lot of mainstream stories ring hollow. Even Clark herself has said that “Down” is a revenge fantasy. However, I think the reason “Down” sets itself apart is the camp of it all—it realizes it’s playing into a cliche and a somewhat universal experience of wanting to get back at someone who’s wronged you, and Clark puts every ounce of performance into this character. Daddy’s Home is honestly a masterclass in tragic camp—it rarely takes itself entirely seriously, and that’s what gives it the edge. Plus, who could deny that guitar solo, delectable ’70s tone and all?

…AND A BOOK TO GO WITH IT:

Camp Zero – Michelle Min Sterling – “Tell me who hurt you/No wait, I don’t care to/Hear an excuse why you think you can be cruel…”

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Music

A (Possibly Mutable) List of my Top 10 Favorite Albums

Posted on July 28, 2022 by madeline @ The Bookish Mutant

Happy Thursday, bibliophiles!

I’ve been meaning to semi-solidify this list (for now) for quite a while, but I think it was looking back through Hundreds & Thousands of Books’ post about her top 10 albums that sparked the idea in me to make a post about it, so thank you!

Even though this blog is primarily about books, I’d be remiss if I didn’t acknowledge that music has had an equally profound effect on my life. Raised by two music nerds, I grew up listening to tons of Beatles and Bowie, and as I grew older, I began to mark periods of my life by the music I listened to. But there are always certain albums that leave an unmistakable mark on our lives. Some of mine have been steadfast favorites, and others I’ve only discovered in the past few months. All of them, however, have had a profound effect on me, whether it’s just been the experiencing something that’s just so, so good or marking a specific period in my life. So here are, right now, my 10 favorite albums.

Let’s begin, shall we?

🎵THE BOOKISH MUTANT’S TOP 10 FAVORITE ALBUMS🎵

10. Snail Mail – Lush (2018)

The summer of 2018 was a strange one for me—the summer before high school, and the summer I started seriously questioning my sexuality. I have Lush to thank for getting me through a lot of it, with Lindsey Jordan’s soaring guitar riffs and searingly vulnerable lyrics shining through in a debut like no other. Snail Mail is partially what inspired me to pick up the guitar—and I definitely think meeting her at a show that summer when I was a wee bisexual did something to my pubescent brain that I wouldn’t recover from…💀

Favorite Track: “Heat Wave”

9. Super Furry Animals – Rings Around the World (2001)

I remember hearing tracks like “Sidewalk Serfer Girl” and “(Drawing) Rings Around the World” from when I was about 5, but it wasn’t until this March that I appreciated this masterpiece of an album in its entirety. Something that makes me love a piece of media—be it a book, a movie, an album, or anything else—that much more is that if there’s clear evidence of how much love and care was put into it. And it’s blatantly evident here—Rings Around the World is brimming with creativity, and through all of the genres of music they explore, there isn’t a single miss. There’s something so fully-formed about it, like it just came into the world like Athena bursting forth from the skull of Zeus.

Favorite track: “No Sympathy”

8. Wilco – Yankee Hotel Foxtrot (2001)

This album’s one that’s been a constant in my life; Wilco is one of my dad’s favorite bands, and I’ve been hearing them for so long that they’ve become inextricably linked to my personal history. (Wilco was my first concert, at the age of 8!) But this album in particular is the most special of theirs to me; like Rings Around the World, I’ve been listening to isolated songs from it for years, but the whole album is a true work of art, sonically and lyrically immersive and always emotionally moving and potent.

Favorite track(s): oh, man, this is hard…

I’ve settled on a three-way tie between “I Am Trying to Break Your Heart,” “Ashes of American Flags,” and “Reservations.”

7. Car Seat Headrest – Teens of Denial (2016)

Another gem from the summer of 2018, this one always brings to mind dozens of fond memories—seeing Car Seat Headrest live (and subsequently tainting all of my concert videos from my off-key scream-singing), repainting my room, going on vacation in Chicago. Car Seat Headrest have been a favorite of mine since around 8th grade, but the more I think about it, the more Teens of Denial in particular stands out as my favorite album—clever, vulnerable, raw, and perfect for 14-year-old me to scream along to.

Favorite track: “Cosmic Hero”

6. The Beatles – The White Album (1968)

I guess I’ve got a theme going with the red and white album covers? I don’t think it holds up later in the list…

As I said earlier, I was undoubtably raised on the Beatles; some of my earliest memories are of hearing songs like “Good Day Sunshine” and “Yellow Submarine” in the car, and I’ve adored them ever since. I’ve flip-flopped between albums for a favorite Beatles album for years, and it feels like it changes with my mood; some days, it was Revolver, other times it was Sgt. Pepper’s Lonely Hearts Club Band. But between having some of my favorite Beatles songs of all time and the solace it gave me in the early days of quarantine, The White Album takes the top spot for me—I think “I’m So Tired” is my most played song on my whole iTunes library. (somehow I’ve played it over 2,500 times?? didn’t even know I was capable of such a thing 💀)

Favorite track(s): tie between “While My Guitar Gently Weeps” and “I’m So Tired”

5. Spiritualized – Ladies and Gentlemen We Are Floating in Space (1997)

I fell in love with Spiritualized, as a lot of people seemed to do, after hearing the title track, “Ladies And Gentlemen We Are Floating in Space.” Ever since then, they’ve held a truly special place in my heart; I rediscovered them in quarantine, and this album in particular has held a top spot for me ever since. Despite all the abject heartbreak, addiction, and general melancholy present through this album (and all of J. Spaceman’s music), there’s a cosmic, immersive quality to his music that swallows me like a wave with every song. Listening to Spiritualized is more than just music—it’s an experience in and of itself.

Favorite track: “Ladies And Gentlemen We Are Floating in Space”

4. Blur – 13 (1999)

Like Super Furry Animals, I’ve been hearing scattered Blur songs throughout my childhood, “Song 2,” “Coffee & TV,” and “Charmless Man” being standouts. But it wasn’t until last summer that I got back into Blur—really into Blur. (You all witnessed the Blurification of this blog last year…) There’s something instantly hooking about their songs—the clever lyrics, the punchy guitars that seem to burst out of your headphones. But 13 is uniquely special to me; it was my musical companion in a strange, transitionary period of my life (the beginning of senior year and being a legal adult…somehow?). Beyond that, it’s so clear that so much time and love went into this record—through every high and low, there’s a consistent resonance that you can feel in your chest. It’s a masterpiece. It’s an album that I’ve come back to ever since when I’ve felt low—there’s a healing quality to it.

Favorite track: “Tender”—also my favorite song of all time, at the moment

3. St. Vincent – St. Vincent (2014)

adding another white album cover to the mix, I guess?

St. Vincent, without a doubt, is responsible for shaping some of my most formative years. Middle school was a weird time for me—I was struggling with friendships, forming my identity, and getting teased for the things I loved so passionately. And here was St. Vincent, this confident, ridiculously talented musician who wielded her guitar like a sword into battle. So you can imagine how I got attached to her. Even if MASSEDUCTION made me lose a little faith in her for a few years, she’ll always remain as a hero of mine, and St. Vincent in particular will always be a daring, fierce masterpiece that sweeps me off my feet every time—and the album that got me through 6th grade.

Favorite track: “Bad Believer” (on the deluxe edition), “Severed Crossed Fingers” (on the original edition)

2. Radiohead – OK Computer (1997)

Yeah, okay. I fully admit that my toxic trait is genuinely enjoying certain kinds of male manipulator music. But Radiohead will always be an immensely special band to me. “The Daily Mail” was my first exposure to them (thanks, Legion!), but OK Computer opened my eyes to something I’d never experienced before—or, something that I’d overlooked before, but now fully appreciate. Like Spiritualized, every Radiohead song is a fleshed-out landscape, an experience that lifts you off your feet, even when the lyrics are unbearably heartbreaking. OK Computer is an album that I wish I could listen to for the first time again—it’s an unforgettable, dystopian masterpiece, and it’s proved itself to stand the test of time.

Favorite track: “Paranoid Android”

David Bowie – Hunky Dory (1971)

I guess there’s a slight pattern on here with tan album covers too?

And here it is: my favorite album of all time.

David Bowie has been a constant companion in my life; one of my earliest memories that I can think of is hearing “Kooks” in the car. He’s been another hero of mine for years—again, he came to me in middle school, at a time when I was an outsider and unsure of myself, and stood as a glaring reminder to be myself—no matter what. This album in particular is, in my opinion, a perfect album; there isn’t a single bad song, and each one is a world of its own, spinning lyrical tales that span from the cosmic to the tender and everything in between. It’s an album I always come back to, and one that I’ll always hold close. Some of the other albums lower on the list may change or switch orders over the course of my life, but I doubt I’ll ever come across something quite as stellar as this.

Favorite track(s): Tie between “Quicksand” and “Life On Mars?”

TELL ME WHAT YOU THINK! Have you listened to any of these albums, and if so, did you like them? What are some of your favorite albums? Let me know in the comments!

Today’s song:

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!

Music

Everything Was Beautiful – Spiritualized album review

Posted on April 23, 2022 by madeline @ The Bookish Mutant

Happy Saturday, bibliophiles, and happy world book day as well!! You’d think I’d have a book-related post today, but…nope. No thoughts, only Spiritualized for the next 3-5 business weeks.

Normally, I wait for a few days to a week after an album’s release to review it, but…well, between my listening to it yesterday and my dad playing it the whole way through in the car yesterday evening, I’ve probably listened to it three or four times in its entirety already, so…

Spiritualized has been one of my favorite bands for around two years—even longer, if you count when I first heard “Ladies and Gentlemen We Are Floating in Space” for the first time and listened to it on repeat to fall asleep on vacation. Their music, if I had to describe it in one word, is all-consuming; J Spaceman has built a stunning career out of making a song into a vast cosmos of sound, making themes of heartbreak, addiction, and new love into the dictionary definition of larger-than-life. That’s what I’ve always loved about his music—his songs never feel like just songs, but experiences.

By the time I’d really gotten into Spiritualized, I’d accepted that I wouldn’t be able to see him live or experience a new album of his; he’d said in several interviews that And Nothing Hurt would likely be his last album. But in late 2021, we were gifted with the best kind of surprise: we would be getting more Spiritualized after all!! Now that it’s here, I can say with certainty that there isn’t a single bad song on this album. It’s probably impossible to re-achieve the genius of Ladies And Gentlemen We Are Floating in Space or Sweet Heart Sweet Light, but Everything Was Beautiful comes very close, even at just seven songs.

Enjoy this album review!

EVERYTHING WAS BEAUTIFUL – SPIRITUALIZED ALBUM REVIEW

TRACK 1: “Always Together With You” – 10/10

This was the first single to come out of this album, and it singlehandedly provided all of the serotonin that I needed to get through the rest of 2021, so there’s that.

It’s not hard for me to say that this is easily one of Spiritualized’s best songs. Expansive and cosmic, I feel as though I’ve been lifted into the air and through the clouds every time I listen to it. I was texting my family about it when it first came out, and I jokingly called it “‘Ladies And Gentlemen We Are Floating in Space’ but happy,” and as much of a joke it was, it feels true; “Always Together With You” feels like a more matured, more hopeful version of its predecessor, down to the morse code sounds and J Spaceman’s daughter (😭) saying the album’s title at the very beginning. Absolute masterpiece.

TRACK 2: “Best Thing You Never Had (The D Song)” – 8.5/10

Smoothly transitioning from “Always Together With You,” “Best Thing You Never Had” keeps up the momentum set up by the first track with classic Spiritualized elements—catchy guitars, a backing choir, and what sounds like a good-sized brass section. Just as spacey as ever, it’s the perfect song for rolling the windows down in your car, and it’s sure to cement this album as one of Spiritualized’s best.

TRACK 3: “Let It Bleed (For Iggy)” – 9.5/10

When I saw Spiritualized back at the beginning of the month, this was one of my favorites of the new songs they played. Now that I’m hearing it through my headphones, it’s one of my favorites off the album! Here’s where the momentum sustained by “Best Thing You Never Had” picks up once more, with another sweeping, all-consuming thing of pure beauty.

TRACK 4: “Crazy” (cover of Nikki Lane’s “Out of My Mind”) – 8.5/10

(so apparently this is a cover?? took me a while to find out…I guess because the original has a different title)

“Crazy” is one of my least favorites on the album, but it’s beautiful nonetheless. Even as a cover (I’ve only listened to the original once, so…), it’s indicative of the quiet, genuine tenderness that J Spaceman is capable of amidst all of the heartbreak and darkness that’s prevalent in so many of his other songs. Lovely.

TRACK 5: “The Mainline Song” – 9.5/10

This is another Spiritualized piece that seems more like a journey than a song—all of the train sounds layered in only adds to that effect. With J Spaceman’s airy vocals and rushing instrumentals, it’s another song that seems to physically carry you somewhere else, watching the clouds rushing by. It doesn’t even matter that it’s chiefly instrumental—it’s an unmistakable highlight of the album.

TRACK 6: “The A Song (Laid In Your Arms)” – 9.5/10

Like “Best Thing You Never Had,” “The A Song” is a persistent, powerful march reminiscent of Spiritualized’s harder side. For Spiritualized, longer songs are a common sight, but at over seven minutes long, this song never loses its impact or momentum, delivering guitars and brass that crash against you like waves on the shore. Nothing short of a masterpiece—and another song that was phenomenal live!

TRACK 7: “I’m Coming Home Again” – 10/10

For a lot of Spiritualized albums, the final song is either a sweeping ballad or a mournful, soft ending. “I’m Coming Home Again” is neither of those—and it’s almost more powerful than some examples of both. It’s the longest song on the album at almost 10 minutes long, and like “The A Song,” never loses its momentum all that time. But unlike the former, it achieves its affect more in its consistent feeling of foreboding. It’s a haunting song—I have an oddly specific feeling that it would mesh perfectly in the second-to-last episode of a TV show, in a scene where the main character gets their revenge, walking away from lighting something on fire. From the first notes to the final strains of the choir, “I’m Coming Home Again” is a looming masterpiece, and an unexpected but perfect ending to a near-flawless album.

I averaged out all my ratings for each track, and it came to about a 9.4! Absolutely accurate to how I feel about Everything Was Beautiful—it’s hard to touch some of Spiritualized’s other albums, but this album establishes itself as one of J Spaceman’s masterpieces. It’s the perfect melding of the sound of 90’s Spiritualized with the hope of 10’s Spiritualized, and it makes for an album with a lasting, haunting, and eternally memorable effect. Thank you, J Spaceman, for another religious experience. 💗

“Everything was beautiful and nothing hurt.” – Kurt Vonnegut, Slaughterhouse-Five

Since this is an album review, consider the entire album today’s song.

That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!

Book Tags

Chapters & Melodies Tag 🎵

Posted on November 24, 2021 by madeline @ The Bookish Mutant

Happy Wednesday, bibliophiles!

I have so many tags that I’ve been meaning to do for a while, so I figured I’d take some time on my break to do…well, at least one of them. Since I’m almost as big of a fan of music as I am of books, this is the perfect tag for me! The tag was created by Evin @ A Curly Sue’s Ramblings and Diamond @ I Have 12% of a Plan, and I found the tag over at Suhani @ Random Reader’s Rambles.

RULES:

Link back to the creators’ posts – I have 12% of a plan & A Curly Sue’s Ramblings
Thank the person who tagged you
Answer the prompts and use the original graphics
Tag 5 bloggers who would enjoy doing this tag
Notify them by commenting on their blog
Use the tag “Chapters & Melodies Tag” in your post
Have fun!

Let’s begin, shall we?

☾ — fantastictvs: Legion S01E06. — here I am cycling through all possible “Syd or Lenny wearing headphones” gifs

🎵CHAPTERS & MELODIES TAG🎵

A SONG AND A BOOK THAT SHARE A TITLE

Supernova: Meyer, Marissa: 9781250078384: Books - Amazon.ca

This prompt took a WHILE of digging through my read books on Goodreads, but I’ve found one: Supernova (Marissa Meyer) and “Supernova” by Liz Phair!

A SONG THAT REMINDS YOU OF A BOOK

Amazon.com: The Final Six: 9780062658944: Monir, Alexandra: Books

At the time that I read The Final Six, I was somewhat familiar with Radiohead, but seeing the reference to “Paranoid Android” is what made me dive deeper into their music—OK Computer in particular. OK Computer is one of my favorite albums now, and Radiohead is one of my favorite bands. So, uh…thanks, Alexandra Monir!

A BOOK THAT FEATURES MUSIC IN IT

Ziggy, Stardust and Me by James Brandon: 9780525517641 | PenguinRandomHouse.com: Books

Ziggy, Stardust and Me gets its name from David Bowie, and his music features prominently in the novel, which I loved! (Bowie’s my favorite) There are also a few Pink Floyd references, from what I remember—I think specifically about “Time.”

A SONG THAT REMINDS YOU OF YOUR OTP

Let Auri Twirl!!!!!! Auri from Aurora Rising #aurorarising #auroracycle #fanart #sketch #sketchbook #copicmarkers #illustrati… | Aurora rising cat, Aurora, Fan book — art credit to L004P on Tumblr

Auri and Kal from Aurora Rising are 100% my OTP! They’re the sweetest, most tender pair together, and over the years, both of them—especially Auri—have become such important characters to me. I associate “Ladies and Gentlemen We Are Floating in Space” with them for a few reasons—the lyrics (in this version, at least), fit, and the sweeping, space-y atmosphere fits the feel of the book itself. But if there’s one thing, ONE THING that I would give anything to see in the TV adaptation, it’s this song playing in the scene with Auri and Kal in the pollen fields. THAT’S ALL I ASK.

FAVORITE SONG FROM A MOVIE THAT WAS ADAPTED FROM A BOOK

Dune: Deluxe Edition: Herbert, Frank: 9780593099322: Amazon.com: Books

Technically, this song is a) a cover, and b) was only in the trailer, but for me, it’s a fantastic cover! Gives me chills every time, and it has ever since I first saw the Dune trailer last year. Great book, great movie.

I TAG:

Hundreds & Thousands of Books
Riddhi @ Whispering Stories
Becky @ Becky’s Book Blog
Becca @ Toastie Books
Sabrina @ Notes from a Paper Plane Nomad
+ anyone else who wants to participate! And if I tagged you and you’ve already done it/don’t want to do it, no worries.

Today’s song:

That’s it for this tag! Have a wonderful rest of your day, and take care of yourselves!

Book Review Tuesday

Book Review Tuesday (8/10/21) – The Darkness Outside Us

Posted on August 10, 2021August 10, 2021 by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

Last week, before my trip, I trawled the Kindle library for books to read to tide me over until I could get to the books I bought. I’d had it on hold at the library for a bit, but I realized that it was available on the ebook library, so I checked it out immediately. I was initially excited for it, but I had no idea what I was truly in for; The Darkness Outside Us is more than just a thriller or a sci-fi romance – it’s a heartrending and harrowing exploration of love and grief on a cosmic scale.

Enjoy this week’s review!

The Darkness Outside Us by Eliot Schrefer

The Darkness Outside Us – Eliot Schrefer

After waking up from a strange, deep sleep, Ambrose finds himself on a spaceship with a critical mission – rescuing his older sister, Minerva, who is trapped on a base on Titan. His ship, the Coordinated Endeavor, holds infinite mysteries – it has the voice of his mother, robots with minds of their own, and secrets hidden in every corner. But the most enigmatic of all is Kodiak, his isolated shipmate from a rival country on Earth. Kodiak is bent on keeping distance between them, but when the mission’s true nature becomes clearer, their only choice is to work together.

Quiz: Ripley, Our Lady of Survival | Bookmans Entertainment Exchange

TW/CW: grief, loss of loved ones, violence, descriptions of illness, death

What can I say other than the fact that I’m truly in awe of this book?

The Darkness Outside Us started out like any other sci-fi thriller. We find Ambrose waking up and slowly realizing his surroundings, and figuring out that things about the Coordinated Endeavor are not what they seem. We witness his developing romance with Kodiak, and all the puzzle pieces seem to come together.

But trust me. Once you hit the halfway mark of the book, you may think you’ve predicted all the plots twists (I thought I did…), BUT YOU WON’T. Just as quickly as everything seems to go disastrously wrong, the real plot starts to come together. I don’t want to spoil anything for this novel, but it’s hard to say anything about what happens next without revealing the last half of the plot, but I’ll try my best. It’s better if you go in blind about this one.

For the first half of the book, I thought that I’d give it a 3-3.5 star rating; the characters were decent, the queer enemies-to-lovers romance was well-done, and the mounting tension was well-written. But the further I got on, the surer I became of my 5-star rating. The Darkness Outside Us is far more than what it was marketed as; yes, there’s romance, and yes, there’s a mystery to be solved in ✨space✨, but there is truly so much more than meets the eye. It’s not every day that I truly feel like a novel is a work of art, but this one was. It’s a testament to life itself, appreciating every minute of it while you still can, and the power of love that binds us and shapes us.

We don’t get enough sci-fi/fantasy novels that delve into these core human emotions quite like The Darkness Outside Us did. And if I’m being honest, I think sci-fi can sometimes be an even better vehicle to explore these kinds of themes. With the dizzyingly cosmic scale that this novel takes place over, there’s a unique opportunity to show the transcendental power that love can span over many years. There’s a bleakness to everything, and most of the last half was heartbreaking to read, what with all the grains of hope that were spread throughout being overturned and crushed in seconds, but Schrefer leaves us with a hopeful ending that nearly brought me to tears.

I’ve said several times that part of what makes a good sci-fi is that it makes you think. The Darkness Outside Us fits the bill in every sense of the word. I had…well [ahem] several existential crises over the course of the last half, but in all seriousness, this novel is deeply introspective and philosophical. It’s all about reckoning with our past choices and the choices of others, of breaking free of cycles that have controlled you for millennia (literally), and the enduring power of love and the complicated nature of relationships. I ended up staying up a *little bit later* than I intended to because I just HAD to see what happened, but all that time, I had the space to ruminate about life. Needless to say, this one had me staring at the ceiling and pondering the meaning of life until I fell asleep, despite my attempts to distract myself.

In short, I don’t use the word “masterpiece” lightly, but The Darkness Outside Us truly is one. It’s an ode to love to light the way in the darkness and a musing on the nature of love, relationships, grief, and choices. It’s haunting, heartbreaking, and nothing short of immense in its scale, and will surely leave you thinking about all manner of things after reading it. It’s the book equivalent of Spiritualized’s “Ladies And Gentlemen We Are Floating in Space” – “I will love you ’till I die/And I will love you all the time/So please put your sweet hand in mine/We’ll float in space and drift in time.” Books like this don’t come around often, so pick this one up. You won’t regret it. 5 stars!

cyber-black | Cyberpunk, Cyberpunk anime, Cyberpunk art

The Darkness Outside Us is a standalone, but Eliot Schrefer is also the author of the Ape Quarter (Endangered, Threatened, Rescued, and Orphaned), The School for Dangerous Girls, The Deadly Sister, Glamorous Disasters, and many more novels for young adults and children.

Today’s song:

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Books, Geeky Stuff, Music

Pairing Squad 312 with Songs (Aurora Rising)

Posted on July 16, 2020July 16, 2020 by madeline @ The Bookish Mutant

Aaaand here's the whole squad! AURORA RISING releases May 7. Are ... — Aurora Rising art by @kiranight_art

Happy Thursday, bibliophiles!

I’ve been wanting to do a post for a bit that melds my love for the bookish and my love of music, so this is my first take on that. Aurora Rising, as many of you have figured out, is one of my favorite (if not my favorite) series, and I decided that it would be fun to match the lovable members of Squad 312 to some songs that I like, based on their personalities, relationships, and the events of Aurora Rising and Aurora Burning. I picked two songs per character, and I loved compiling them all. I hope you all enjoy!

(Along with the image at the top, all of the character images in this post are from @kiranight_art.)

🎧 PAIRING SQUAD 312 WITH SONGS 🎧

TYLER

Aurora Rising by Amie Kaufman & Jay Kristoff | Sheaf & Ink

“Proud”–(Sandy) Alex G: “I’m so proud of you/And everything that you do/Doesn’t matter what they say/They ain’t worth a dollar in change…“

Scarlett mentions in book 2 that one of Ty’s most infuriating traits is that he accepts people’s flaws, no matter what, and isn’t there to reprimand anyone if any member of the squad messes up. No matter what, he has always been there for his squad, and sees past everyone’s previous mishaps and accepts them as who they are.

“Half a Million”–The Shins: “Theres half a million things that I’m supposed to be/A shelter in the nighttime/A punk running free…“

Tyler’s fame in the Academy, as well as the legacy of his late father, has caused a lot of internal conflict within him, and I thought the chorus of this song paired perfectly with this inner struggle–how he perceives himself versus how others perceive him and how others expect him to be.

SCARLETT

“Pristine”–Snail Mail: “Don’t you like me for me?/ Is there any better feeling than coming clean?/And I know myself and I’ll never love anyone else…”

Scarlett’s a character who has tried to find herself through various relationships, almost none of them lasting, and I felt that this song captured the nature of some of the hidden doubts that she begins to have.

“Strange Mercy”–St. Vincent: “Oh little one, I’d tell you good news that I don’t believe/If it would help you sleep/Strange mercy…”

A trait of Scarlett’s that comes into light in contrast with her twin, Tyler, is the way they care for others–for most of book 1, Tyler does it more out of duty, while Scarlett truly seeks to protect and care for her fellow squadmates. The nature of this song almost perfectly captures her mentality.

CAT

“These Boots Are Made for Walkin'”–Nancy Sinatra: “You keep lying when you ought to be truthing/You keep losing when you ought to not bet…”

I can totally picture this playing in the scene when she ditches the rest of the squad to go to the bar…

But either way, this song kind of expresses her shifting opinions and suspicions about the rest of the squad, especially the likes of Aurora. Unlike most of the squad, she isn’t completely ready to accept her as part of the squad, and suspects an ulterior motive.

“Scorpio Rising”–Soccer Mommy: “I don’t think of my life/Anywhere but in your arms tonight/Won’t say it this time/Can’t even look back in your eyes…”

Throughout book 1, Cat still has lingering feelings for Tyler, even though their relationship has come to a standstill; this song seems to capture her desire to fall back in love.

FINIAN

“Change”–Oingo Boingo: “Don’t you ever wonder why/Nothing ever seems to change?/If it does, it’s for the worse/Guess it’s just a modern curse…”

Simultaneously sarcastic and deeply introspective, this song feels like what Finian seems to have experienced throughout his life, both in grappling with his impaired mobility and his relationships with others.

“Crown”–Jay Som: “Arranging your best words/Tying the knot/A brighter tomorrow/Could you take a shot?”

(Oops…both of these songs start with a C for no apparent reason…)

But either way, this seems like a good song to match his views on being with the Aurora Legion–everything about it, from being in open spaces to *gasp* having to collaborate with others seems like everything he wouldn’t want to do, but he takes the shot anyway, and in the end, it may be for the better.

ZILA

“How to Disappear Completely”–Radiohead: “I’m not here/This isn’t happening…”

This seems to mesh well with how Zila has almost become disconnected from herself; due to childhood trauma, she almost loses herself, resigning herself to someone colder, more distant.

“Ice Age”–David Byrne & St. Vincent: “It’s such a shame to see you this way/Freezing it out, your own little ice age…”

Like the previous song, this seems to embody Zila’s distancing from herself, becoming almost a shell of who she might have been as a child.

KAL

“Killer”–Phoebe Bridgers: “Can the killer in me tame the fire in you?/I know there’s something waiting for us/I am sick of the chase/But I’m stupid in love/And there’s nothing I can do…”

Was…was the chorus made for this guy?

When I first heard this song, I thought it was a beautiful embodiment of both Kal’s conflicting feelings about his nature and heritage and his relationship with Auri, especially given some of the fire-related imagery surrounding their relationship in book 2.

“Ladies and Gentlemen We Are Floating in Space”–Spiritualized: “I will love you ’till I die/And I will love you all the time/So please put your sweet hand in mine/We’ll float in space, just you and I…”

Look, I don’t ask for much in life, but…if/when the TV show goes through, can we PLEASE put this in the scene where Kal and Auri are in the pollen fields on Octavia III? PLEASE?

I’ve started to associate this song with the whole series, but Kal seems to embody it the most out of all the characters, in his helpless feelings towards Aurora and his personal struggles to better himself, and become more than his past. Plus, the choir singing “Can’t Help Falling in Love…” [cries]

AURI

“Airbag”–Radiohead: “In an interstellar burst/I am back to save the universe…”

For me, this song perfectly embodies the shock of her waking from cryosleep, and the almost near-death experiences she goes through afterwards while grappling with her destiny and powers.

“Impostor Syndrome”–Sidney Gish: “Every other day I’m wondering/What’s a human being gotta be like?/What’s a way to just be competent?/These sweet instincts ruin my life…”

Now that she’s over two centuries out of her time, Auri’s struggle to fit in and be believed by others is beautifully captured by the nature of this song.

Tell me what you think! Did you like these songs? What other songs do you associate with these characters?

Since this post is more musically oriented, consider this whole post today’s song. 😉

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!

Music

Me and Music Tag

Posted on May 29, 2020July 8, 2020 by madeline @ The Bookish Mutant

Happy Friday, everyone!

I know I’m *primarily* a book blog, but most of what I post outside of bookish content is music related, as apart from being a bibliophile, I’m a major music nerd as well. I found this tag over at Margaret @ Weird Zeal , and the tag was created by Sophie @ Me & Ink.

Earphones GIFs - Get the best GIF on GIPHY

Rules

Link back to original so she can see your answers and listen to the tunes
For every prompt you choose to do, name 1-5 songs (you can use my graphics)
Have fun and play your music LOUD

Let’s begin, shall we? (I skipped a prompt or two because I couldn’t find anything for some of them, but here we go…)

Ooh, lots to choose from…

“Beautiful Freak”–Eels: Aside from the Hellboy II nostalgia, I want this to play at my wedding. VERY badly.

“It’s Oh So Quiet”–Björk: Nostalgia! NOSTALGIA!

“Ladies and Gentlemen We Are Floating in Space”–Spiritualized: I mean, what more could you add to a song other than a choir singing “Can’t Help Falling in Love”?

“Shove It (feat. Spank Rock)”–Santigold: AAAAAAAAA

“Idioteque”–Radiohead: I just listened to all of Kid A the other day…OH MAN…

“Antmusic”–Adam & The Ants: CLASSIC.

“While My Guitar Gently Weeps (cover)”–Regina Spektor (from “Kubo and the Two Strings”): There’s no way that anyone could come close to the mastery of The Beatles, but this cover always gives me chills.

“Cop Car”–Mitski (from “The Turning”): Honestly, I couldn’t care less about this movie, but man, they got some great artists to do the soundtrack…

“The Moon Song”–Ezra Koenig & Karen O. (from “Her“): Again, another movie that I haven’t even seen, but this song brings back such good memories.

“I Think You’re Alright (Jay Som cover)”–Soccer Mommy: This song has the sweetest vibes…

“No Surprises”–Radiohead: [ahem] Excluding the subject matter, this one always makes me feel at peace.

“Scott Street”–Phoebe Bridgers: Again, depressing subject matter, but beautiful.

“Kooks”–David Bowie: I think one of my first memories is of being in the car as a baby and hearing the tail end of this song play.

“Strange Love”–Karen O.: This was my favorite song for a while… 😭 It’s from one of my favorite childhood movies (Frankenweenie), and the lyric video TOOK ME BACK…

“Bad Believer”–St. Vincent: Unfortunately, I associate this song with middle school, but hey, it’s an awesome song.

“Declare Independence”–Björk: If I actually took the time to listen to music while I “worked out,” this would be the perfect song.

(Also, I saw a video of her playing this live and saying something along the lines of “here’s a quiet little song to help you go to sleep :)” and then they just started BLARING THIS)

“Oh! You Pretty Things”–David Bowie: This one always motivates me to write. Also, it’s basically the theme song for the X-Men. Just saying.

Hmmm, I listen to a fair amount of older music, so let’s see…

“Blowin’ in the Wind”-–Bob Dylan: This one’s another one that I remember fondly from my childhood 🙂

“I’m So Tired”–The Beatles: I love most of The Beatles’ work, but this one is criminally underrated.

“Sympathy for the Devil”–The Rolling Stones: On an unrelated note, my brother and I tried slowing this one down in iMovie as a joke, and Mick Jagger sounded ABSOLUTELY CURSED IN THE BEGINNING

IT WAS GREAT

Oh boy, I listen to a LOT of depressing music…I’ve been thinking about making a post about it, but we’ll see…

“No Conclusion”–of Montreal: PLEASE, I AM BEGGING YOU, ONLY LISTEN TO THIS ONE IF YOU’RE IN A GOOD MOOD. 10 SOLID MINUTES OF DEPRESSION.

“Class of 2013”–Mitski: mAAAAAAAAAAAAAAAAAAAA

“Street Spirit (Fade Out)”–Radiohead: I mean, most of their catalog is incredibly depressing, but this is one of their saddest, in my opinion.

“Dedicated to the One I Love”–The Mamas & The Papas: I’m quite a few decades late on this bandwagon, but a friend of mine recommended this one to me, and I adore it.

“Rabbit Habits”–Man Man: Another one that I had on repeat a week or two ago…

“Cool Waves”–Spiritualized: I went on a huge Spiritualized kick about two weeks ago, and I haven’t completely recovered…

“Impostor Syndrome”–Sidney Gish: All of her songs are so well-written…

“Nervous Young Inhumans”–Car Seat Headrest: [screams] “EARLIER IN THE SONG I USED THE TERM ‘GALVANISTIC’…”

“Anytime”–Snail Mail: Some of the most well-written sadness I’ve ever come across.

“Lazarus”–David Bowie: The day that David Bowie died, I remember my dad driving my brother and I to school in silence as this song played.

“Day Go By”–Karen O.: I listened to this whole album while I was in Canada last year, and I remember listening to this one in a hotel in Drumheller.

“Exit Music (for a Film)”–Radiohead: I discovered OK Computer last year, and I remember being curled up at the entrance of the cafeteria, reading a collection of Tennyson’s poems while blasting this through my headphones. (Yes, I am That Kid™️)

“Hunky Dory”–David Bowie: My favorite album of all time, hands down. Perfection.

“Twin Fantasy”–Car Seat Headrest: WHAT AN ALBUM…OH MAN…

“OK Computer”–Radiohead: See above. Pure genius.

Hmm, let’s see…

“Once in a Lifetime”–Talking Heads: …just watch the video. You’ll see what I mean.

“Life on Mars?”–David Bowie: This was my halloween costume last year…

“It’s Oh So Quiet”–Björk: Sorry to repeat a song, but this video always cheers me up 🙂

I TAG ANY OF MY FELLOW MUSIC NERDS WHO WANT TO PARTICIPATE!

Since this tag is all about music, consider this entire tag today’s song…

That’s it for this tag! Hope you enjoyed this dip into the weirdness that is my taste in music…

Have a wonderful rest of your day, and take care of yourselves!

Books, Random

Bookshelf Shenanigans

Posted on May 6, 2020May 22, 2020 by madeline @ The Bookish Mutant

Happy Wednesday, bibliophiles!

I should have posted some of this last week, really, but I just wanted to post some pictures here.

I decided last week that I wanted a little change of pace concerning my bookshelf. After consulting a few friends of mine, I ultimately decided to rearrange my books in rainbow order!

Sorry, this photo isn’t as good…the lighting on this side of the room isn’t as bright as the other

I also tried to arrange my Pop! Figures in rainbow order as well! Starting from the top, we have Starfire (Teen Titans Go!), Liz Sherman (Hellboy), Yoda (Star Wars), Beast Boy (TTG!), Abe Sapien (HB), Elisa Esposito (The Shape of Water), Eleven (Stranger Things), Batgirl (DC), Raven (TTG!), The Vision (Avengers), Rey (Star Wars, K-2SO (Star Wars), and Maleficent (Disney). While rearranging everything, I listened to The Bends (Radiohead). It was a lovely way to spend my afternoon. 🙂

Now, fast forward to today. After finishing up online school today, my day got exponentially better upon discovering that Aurora Burning had come in the mail! I preordered it a few months back, and I was counting down the days until its release. So, naturally, I decided to mess around with some Instagram filters and do a photoshoot. I don’t have a bookstagram or anything, but this is the closest I’ll ever get, seeing as I already spend too much time on there, anyway.

And because I find the orange and teal filter oh so satisfying…

A A A A A A A A A

I haven’t yet read Aurora Burning (I would have started it, but I had already started Girls in the Moon), but at this point, I think it’s guaranteed that I’ll adore it. We’ll see. But from what I can tell, I’ll have to have my tissues at the ready. Either way, I’ll definitely review it next week! 😉

Today’s song:

I’d forgotten about this one until it came on my shuffle this morning. I already loved the other version, but with the underlying cover of “Can’t Help Falling In Love” and the choir towards the last thirds…needless to say, I got goosebumps. I think it might be my favorite song at the moment.

That’s it for this random post! Have a wonderful rest of your day, and take care of yourselves!