Tag: The Outside

Posted in Sunday Songs

Sunday Songs: 8/10/25

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week: a David Bowie double feature (who could’ve seen that coming?), upcoming artsy albums, and more reasons why I really just wish I had dual British citizenship, because apparently all of the good music related stuff happens exclusively in the UK.

Enjoy this week’s songs!

SUNDAY SONGS: 8/10/25

“Is It Worth It (Happy Birthday)?” – Cate Le Bon

I could really do with some more restrained excitement about Michelangelo Dying, but…these singles just aren’t letting me do it! They’re both so enchanting! I can’t get enough!! I’m really hoping they’re not the best of the bunch, but I have faith that Cate Le Bon has something quirkily artsy up her sleeve, if this and “Heaven Is No Feeling” are any indication.

“Is It Worth It (Happy Birthday)?” takes the palette of the album down a more subdued, melancholy route than “Heaven Is No Feeling,” trading the former’s synthy strut for glassy-eyed introspection. But even with the thematic shift, Le Bon’s signature modern touches are there. Awash in fizzling, electronic textures, this track is an outstretched bolt of lavish fabric, much like the pink background of the album cover. Silky and watery, it makes every instrument feel like it’s been drenched in sunlit water, from the gentle, barely perceptible bass to the saxophones. I’m not usually this big of a fan of saxophones, but the way Le Bon utilizes them, more for added sonic texture than for dramatic solos, make her world even more layered and delectable to pick apart. It’s distinctively her, but I can’t help but think of the dense, dreamy soundscapes of the Cocteau Twins when I listen to it. (“For Phoebe Still A Baby” jumps out in particular.) Yet drama is what this song quietly thrives on, as the lyrics muse on trying to make light out of abject sorrow: “Open up in hell/And dress the hall/It’s a holiday/It’s a birthday/Is it worth it?/Is it worth it?” The lyrics nearly get swallowed by the sheer magnitude of sounds woven into the production—including the signature, lilting cadence of Le Bon’s voice—but it almost seems exactly her intention. It feels both mean and inaccurate to call any of it window dressing, but next to the lyrics, all about trying to laugh heartbreak away and pretend it’s something that it’s not, it feels like exactly the kind of shrouding she’s singing about. At the end, she laments that she’s “Checking out/Even with my language in him,” just as the listener tries to extricate her from the vibrant sea of sound she’s crafted to shield herself. It’s easy to get washed away in, and if the rest of Michelangelo Dying is anything like this, I’ll be gladly losing myself in it come September.

…AND A BOOK TO GO WITH IT:

The Ephemera Collector – Stacy Nathaniel Jackson – “Open up in hell/And dress the hall/It’s a holiday/It’s a birthday/Is it worth it?”

“Saviour Machine” – David Bowie

“David Bowie predicted ChatGPT” would’ve been a good headline for this post, but as much as I love him, he was far from the first to ponder about AI. But really…this song does basically predict ChatGPT, and in this song it’s “President Joe” who introduces it to the world, which is kind of a crazy coincidence. Had to do a double take when I first heard the lyrics, for sure. Drawing from much of the sci-fi media of his time, Bowie’s version of AI comes in the form of The Prayer, an AI system introduced by President Joe to make the population’s decisions easier for them, from stopping wars to simply thinking themselves. However, it’s The Prayer itself that calls for its own destruction, going insane after having such decisions weighing on its shoulders and pondering: “Please don’t believe in me/Please disagree with me/Life is too easy/A plague seems quite feasible now/Or maybe a war/Or I may kill you all!” Life is too easy for sure, now that everyone’s trying to flirt and make art and music and go through school entirely with AI. Sorry, but can’t you idiots stop and forgo convenience to experience the tedious pleasures of the human experience? Embarrassing. Jesus Christ. Remember, kids: you can’t stake your life on a savior machine.

“Saviour Machine” rings reminiscent of short stories of the likes of Ray Bradbury, but it also reflects the much darker tone of The Man Who Sold the World. Though it wasn’t like he hadn’t trod into darker lyrical subjects before, going from something like “Uncle Arthur” to an album comprised of insane asylums, the Vietnam War, and gay sex with Satan in the span of three years is a whiplash-inducing left turn for anyone. I don’t think it’s the edginess of the subject matter that makes it feel more mature, but the exploration—The Man Who Sold the World represents a critical turning point in Bowie’s storytelling ability, and he was willing to explore places that he hadn’t explored before, pushing himself out of his typical territory in order to create something wholly unique. It feels to me what he said when he spoke about art: “If you feel safe in the area that you’re working in, you’re not working in the right area. Always go a little further into the water than you feel you’re capable of being in. Go a little bit out of your depth, and when you don’t feel that your feet are quite touching the bottom, you’re just about in the right place to do something exciting.” Darkness was coincidental, and of course, not all of the album is necessarily dark—it was merely territory that he hadn’t scoured before, and that challenge led him to create some of his most innovative work, time after time, album after album. “Saviour Machine” feels like the prelude to that storyteller’s attitude, one that would guide him to untold heights in his career.

…AND A BOOK TO GO WITH IT:

The Outside – Ada Hoffmann – A few centuries in the future, when something like The Prayer gets out of control…

“Real Lovin” – Black Belt Eagle Scout

Katherine Paul has a distinctly whispery voice—everything they sing sounds like they’re singing it into a cool breeze. Most of her music pre-The Land, the Water, the Sky suits it perfectly; though she’s become more adventurous with her vocal capabilities later on, a lot of her songs had a slower, softer demeanor that suited the airiness of her voice. But if there’s any song to be characterized by this, it would be this one. I’d forgotten all about “Real Lovin” for years—I initially listened to At the Party With My Brown Friends around five years ago—until it popped back into my shuffle out of nowhere. Though Paul’s voice soars with more volume towards the end of the track, her whisper-singing is perfectly suited to the quiet tenderness of the lyrics: “Now that you can dream/What is it you see/When you wake up in the folds of blankets in your bed/In your room/In your house/By yourself?” It’s the sound of a sliver of dewy light sliding through the slats of shutters in the early morning as you blink away the threads of sleep. Paul’s voice is a comfortable sheet over me as I listen, and she delivers what’s easily the softest, tenderest uttering of “well that’s bullshit” I’ve ever heard in a song. But no matter the intensity, which rises with every passing minute as the instrumentals build up, I never have a doubt that Paul means exactly what she’s saying.

…AND A BOOK TO GO WITH IT:

Each of Us a Desert – Mark Oshiro – “You’ve tried and tried/What seems a million times and you wonder how you’ll end up/Is it the moon?/Is it the stars?/Do they rule you and your heart?”

“Crocadillaz (feat. De La Soul and Dawn Penn)” – Gorillaz

While I froth at the mouth that I can’t go to the Gorillaz exhibit in London, I figured it would be fitting to talk about them…for the millionth time on this blog.

It was a strangely pivotal moment when, a week after Cracker Island released back in early 2023, three more songs were added to the lineup. I had middling thoughts about the album up until then; for me, it represented the point at which Gorillaz (and later Blur with The Ballad of Darren) became nearly indistinguishable from Damon Albarn’s solo work. There were a handful of fun tracks, but as a whole, it failed to hold as much water as something like their first three records, even with the star-studded list of collaborators. And when it seemed all hope was lost…Del the Funky Homosapien and De La Soul returned! (Two years later, “Captain Chicken” has no business being so good for a song with such a goofy title AND samples of chicken clucks. God, it’s so good.) Disregarding the “Momentz” haters (heathens, all of you), every time De La Soul and Gorillaz collaborate, a special kind of magic happens. Even with Trugoy the Dove’s too-soon death hanging over it, “Crocadillaz” was one of the unmistakable highlights of the album. For a song about constantly looking over your shoulder and the trappings of fame, it has a steady, easy calmness to it, propelled by Dawn Penn’s “Doo-doo-doo-doo-doo-doo-doo” chorus, which gets delightfully stuck in my head more often than not. Trugoy and Penn make for an unlikely but smooth pairing for this song, with the former providing the sharp-edged, quick-witted verses and Penn’s smooth, resonant vocals giving the song a simultaneously retrospective and playful chorus. I’m not usually a fan of the “Gorillaz but it’s just the collaborators” songs, but with a pairing as talented as these two, it’s easy to excuse.

…AND A BOOK TO GO WITH IT:

So Let Them Burn – Kamilah Cole – “Could play the sheep, but beware of the wolf’s eye/Hypnotized by the crocodile’s smiles/The exchange is brief, but watch for the teeth…”

“Watch That Man” – David Bowie

Aladdin Sane has to be the most iconic album cover in David Bowie’s catalogue. If you know any album cover, it’s that one—the nondescript, asleep-looking Bowie with a glittering lightning bolt slashing across the front of his face. And that silvery bit on his collarbone—I always thought it was a bone fragment when I was a kid, and my dad thought it was something like mercury pooling on his skin. It raises questions! It sticks in your head! And yet, the album cover gets talked about much more than the actual album. Sure, it’s probably the weakest if we’re grouping it in with Hunky Dory and The Rise and Fall of Ziggy Stardust and the Spiders from Mars, but that’s because you’re grouping it with two of the greatest albums of all time. But it’s really such a disservice that the album only gets remembered for the cover—there are so many excellent cuts from the album, even if it never usually makes the cut for hit Bowie songs (except for maybe “The Jean Genie”). It’s slick as hell, incredibly funky…it just rocks. Listen to the album and you just know. And “Watch That Man” is what sets the tone, a rollicking dance floor rocker that begs for you to shake your hips with every word—not just the “shakin’ like a leaf” bit. Inspired by seeing the New York Dolls live, “Watch That Man” follows a lively party, with the lyrical camera roving over every participant as the music blasts. I never had any particular problem with the mix, but it was one of the more rushed songs on the album, and on reflection, doesn’t sound as clean as some of the other tracks—it’s all a bit muddy, with most of the instruments, Bowie’s voice included, being at a very similar volume. But for a song meant to emulate the rush of a concert or being on a crowded dance floor, it gets the job done spectacularly.

…AND A BOOK TO GO WITH IT:

Kings, Queens, and In-Betweens – Tanya Boteju – dancing, parties, and no shortage of glitter and makeup.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Sunday Songs

Sunday Songs: 7/13/25

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week: it’s always the theme of this blog, but I feel like this roundup is a celebration of weirdos who are unafraid to express themselves in wild, creative ways. (Why yes, I am talking about Björk again, how did you guess?)

Enjoy this week’s review!

SUNDAY SONGS: 7/13/25

“Do Things My Own Way” – Sparks

I aspire to be like Sparks. I’m not even a die-hard fan or anything, but they just seem so aspirational in what they’ve done with their long, creative career. They’ve recently come out with their 26th (!!!) album at ages 79 (Ron) and 76 (Russell), and by all accounts, they’ve continued on their decades-long streak of doing nothing but their own thing. They haven’t achieved super mainstream fame, but the brothers have been producing their own brand of creativity, drawing from what seems to be their own never-ending well and the well of the present. Just look at their episode of What’s In My Bag? — I seriously haven’t seen an episode of these with such a wide and diverse range of music, from K-Pop to John Coltrane to Kate Bush. They don’t seem to be stuck in the past—their personal brand of weirdness has just evolved over the decades.

At this point in their career, “Do Things My Own Way” feels like a statement of purpose from them, a propulsive anthem of confidence and being authentically yourself. Standing firm in its defiance, the track strides forward without a care for anyone or anything—nothing will shake the Mael brothers in their creativity. Anyone who’s in the way of them doing their thing is getting pushed out of the way—they’re not answering to anyone anymore. But even in that confidence, they acknowledge the rocky road that staying committed to yourself brings: “My advice, no advice/Gonna do things my own way/Roll the dice, roll the dice/Gonna do things my own way.” It’s always a gamble—there will always be people who look down at art like this as commercially inviable or not worth making. But as Sparks’ career has shown, it’s a risk worth taking. “Anywhere, anytime/Gonna do things my own way/I don’t care, I don’t care/Gonna do things my own way.” Another fantastic weirdo anthem for the books—thank you, Ron and Russell.

…AND A BOOK TO GO WITH IT:

To Shape a Dragon’s Breath – Moniquill Blackgoose – “My advice, no advice/Gonna do things my own way/Roll the dice, roll the dice/Gonna do things my own way…”

“Wanderlust” – Björk

The Björk deep dive continues…although this is about two weeks after I actually listened to the album, owing to the color palette rules I’ve imposed on myself. Both Volta and Medulla seem to spar in the Björk fandom for one of her least-liked albums, and every time I remember that, I’m baffled. I guess Timbaland’s more pop-sounding production isn’t for everyone, but if this is pop (yeah yeah), then this is the most bizarre pop I’ve ever listened to. Recorded during Björk’s time spent on a houseboat with her family, there’s a stark juxtaposition of the natural with the mechanical. It works both as a sonic tool and as political statement, given this album’s threads of anti-war (“Earth Intruders”) and anti-imperialism (“Declare Independence”) sentiments. It’s so delicious to me as a musical statement; even though she’s spent her whole career melding electronic music with nature, she’s turned it into a strong statement that war and colonialism are invasive and fundamentally against nature. God, I love Björk. I can’t believe I’m the kind of person who would unironically say “erm, ackshually, the foghorn noises contribute immensely to the album’s narrative,” BUT THEY DO. THEY’RE LIVE RECORDINGS OF WHEN SHE WAS ON THE HOUSEBOAT!! GUYS!!

Björk has called “Wanderlust” the heart of Volta, and it’s easy to see why. In a fairytale kind of way, it streamlines her statement of purpose, both in her personal life and in her musical career. Even though “Earth Intruders” is the first track on the album, “Wanderlust” tells its story: “I am leaving this harbor, giving urban a farewell/Its habitants seem too keen on god, I cannot stomach their rights and wrongs/I have lost my origin and I don’t want to find it again/Whether sailing into nature’s laws and be held by ocean’s paws.” I don’t blame her, especially since the move was prompted by living in New York with her family during the Bush administration. But after she breaks free, she revels in exploration and cliff-diving into the unknown, relishing in the act of discovery and intrepid daring. It’s an unabashed ode to not just stepping, but full-on leaping out of your comfort zone and being unafraid to dive headlong into the new and strange.

I originally saw the music video back in May during the Alamo Drafthouse’s Birth, Movies, Death for The Legend of Ochi (a very underrated fairy-tale/finding a creature film with lots of top tier critters, setpieces, and Willem Dafoe deftly proving that masculinity is a very silly construct). Isaiah Saxon co-directed it, and it might be one of my favorite of Björk’s music videos. Dressed in a Studio Ghibli-looking costume, Björk races down the river on the back of a herd of musk oxen, with fantastical scenery that accompanies her as a fabric-like torrent of water pushes her ever-forward into the unknown. After seeing The Legend of Ochi, I can say that yeah, it’s very Isaiah Saxon, but more than that, it’s so Björk. I can’t think of a better pairing for the spirit of the song.

…AND A BOOK TO GO WITH IT:

A Psalm for the Wild-Built – Becky Chambers – “I am leaving this harbor, giving urban a farewell/Its habitants seem too keen on god/I cannot stomach their rights and wrongs/I have lost my origin and I don’t want to find it again/Whether sailing into nature’s laws and be held by ocean’s paws…”

“Questionnaire (Demo)” – Studda Bubba

No, this isn’t Instagram Reels music, although in the most abstract sense…I did find it on the Instagram explore page. But listen, if my Instagram is recommending me quirky little folk songs made by a group of Indigenous, trans clowns, then shit, maybe I am giving off the right vibe to the algorithm after all. Amidst the hellscape that is social media, at least sometimes I can find spots of humor and creativity. For once, I found someone with the whimsy in their soul to center the chorus a folk song around the concept of opening up a hyper-capitalist factory and paying workers with the meager stipend of a single NFT. It’s a tender balance between their soft harmonies and the abject silliness of their lyrics (they managed to slip “you wouldn’t download a car” in), but maybe that whimsy is part of what holds the glue of whatever good is left in the rotting, festering wound that is social media. Anything to get us through all this.

…AND A BOOK TO GO WITH IT:

The Last Gifts of the Universe – Riley August – soft and tender, the kind of music I’d imagine playing in the quiet scenes with Scout and Kieran on their ship.

“I Feel Ya’ Strutter” – of Montreal

A late pride month addition, but every month is pride month…especially on this blog. And there’s not a whole lot that’s gayer than a) an of Montreal song, and b) an of Montreal song that absolutely reeks of the ’80s output of both David Bowie and Prince. This is easily one of the grooviest of Montreal tracks that I’ve heard—it doesn’t have the quaint, plinking synth soundscape of something off of Hissing Fauna, Are You the Destroyer?, but instead boasts more of a slinky, guitar-driven sound. However, nothing can keep Kevin Barnes from having the most delightfully convoluted lyrics. During the verses, her rapid-fire delivery of the lyrics is almost dizzying, as though she crammed in as much as she possibly could: “I know there ain’t no one person that/Everybody else in the world hates or wants to die/Sometimes I do think it’s me/Like, I’m in a flight simulator/And I am crushing the birth of any potential memory, hey.” Like whew, take a breather! You deserve it! But it works once he pivots to the smoother tones of the chorus, where his Prince-like howl is on full display—and he works it. It’s an infectiously catchy tune that never feels to get me on my feet. Never in a million years would I think that the lyrics “We spoke of frontal lobe regression/This is not one of those” would make me shiver with antici…pation before such a wonderful breakdown. That’s the power of Kevin Barnes, right there.

…AND A BOOK TO GO WITH IT:

You Sexy Thing – Cat Rambo – ’70s/’80s music homage, passion, queerness…all in space.

“Metal” – Gary Numan

Happy Disability Pride Month, and remember, kids: you wouldn’t have synth pop as we know it without autism.

It’s often a negative trope to view certain autistic people as like robots; the comparison has long been used to dehumanize those who simply have trouble interacting with neurotypical society, equating a flat affect or a lack of outward emotion to being outright heartless. But if there’s anyone in pop culture who’s turned this on its head and embraced it, it’s Gary Numan. A key figure in new wave music and one of the pioneers of what we now know as synth-pop, Numan often used metaphors of machinery, robots, and androids to relate to his own experience growing up autistic. My sci-fi brain immediately latches onto the lyrics—it’s all a very classic, Do Androids Dream of Electric Sheep? story of a robot being created in a strange factory by ominous “liquid engineers” who tries to assimilate to human life, but is painfully conscious of the fact that “Here inside, I like metal/Don’t you?” It’s a very abjectly dystopian world, complete with the protagonist explaining that “I need my treatment, it’s tomorrow that they send me/Singing ‘I am an American’/Do you?”

But it’s the framing of the lyrics—all questions—that stand out to me in the context of neurodivergence, and of outsiderness in general. Almost all of them end in either a question (“do you?/did you?”) or an assumption of normalcy (“like you”). The protagonist has lived its life thinking that everything that has happened to it (being grown in a factory and having a heart made of batteries) is normal, and once it interacts with the human world, it slowly realizes that its experience is not a normal human experience, fundamentally out of sync with everyone else. And yeah, they’re robots, but if this isn’t a picture-perfect summation of what it feels like to be neurodivergent, I don’t know what is. I haven’t had this experience to the extent that Numan seems to have, but it’s always such an alienating feeling to realize that the way you interact with the world is fundamentally counter to most of the other people around you. It’s taken a long time for me to realize that I’m just operating on a different code, if you will, but there’s always the lingering feeling, enforced by so many people around you, that the way you interact with the world isn’t correct. Numan’s utterance of “I could learn to be a man/Like you” feeds into that desperation that somehow there’s a way to figure out how to operate neurotypically, what the secret is that they’ve all got down and you were never told. But here Numan is today, still touring in his sixties, gaining all kinds of accolades, and embracing his own autism. Here, he’s turned the outside view of him being inhuman into a way of understanding himself and the world around him, and made an iconic brand out of it—a brand no one could replace.

…AND A BOOK TO GO WITH IT:

The Outside – Ada Hoffman – though I suppose Yasira is less robot and more liquid engineer, this is a similar story of an autistic woman and her quest to put the universe to rights.

Since this posts consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

The Bookish Mutant’s Books for Disability Pride Month (2023 edition) ♿️

Posted on by madeline @ The Bookish Mutant

Happy Friday, bibliophiles!

Here in the U.S., July is Disability Pride Month! Although I’ve seen some more recognition for it in the past few years, I find myself saying this over and over—disability issues are left behind in intersectional feminism far too often. The larger representation in media of disabled people as otherwise white and cishet, the lack of accessibility at many pride events, and the hurdles that most disabled students have to go through in order to get accommodations at school is proof. And yet, around 27% of Americans have some sort of disability—myself included. As the literary world has slowly shown more stories with disabled characters, it’s more important than ever to uplift disabled voices.

Like some of my other themed lists this year, I’ve decided to expand it beyond YA, because I’d be remiss if I didn’t include some of the amazing Adult and MG reads with disabled rep over the years. I’ve separated all of these recs by age group, and included their genres, my rating, and the type of disability rep.

(SHOUTOUT TO NOT IF I CAN HELP IT, I FINALLY HAVE A MORSEL OF SPD REP)

for my lists from previous years, click here:

  • 2022 (+ on having SPD and the lack of representation)
  • 2021

Let’s begin, shall we?

THE BOOKISH MUTANT’S BOOKS FOR DISABILITY PRIDE MONTH (2023 EDITION)

YA:

ADULT:

MIDDLE GRADE:

TELL ME WHAT YOU THINK! Have you read any of these books, and what did you think of them? What are your favorite books with disabled rep? Let me know in the comments!

Today’s song:

That’s it for this year’s Disability Pride recs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

The Bookish Mutant’s Books for Autism Acceptance Month ∞

Posted on by madeline @ The Bookish Mutant

Happy Thursday, bibliophiles!

As some of you may know, April is Autism Acceptance Month here in the U.S.! I don’t think I’ve highlighted a book list for the occasion, but in my ongoing quest for disability rep in general, I’ve come across many great books with Autistic protagonists and stories. If you’re looking to diversify your reading, it’s always important to uplift every kind of marginalized voice, and disability rep in general often gets left in the dust. So I’ve compiled a list of books by Autistic (with one exception—the author is still neurodivergent, just not Autistic) for this month.

NOTE: some of the older books on this list may still use the term Asperger’s, but in recent years, the term has since been renamed to Autism Spectrum Disorder (ASD) in the DSM-5, in part because of its association with Hans Asperger, who was involved with Nazism. Some people still use the term, but it is still important to acknowledge the history behind the term.

Enjoy these book recs!

THE BOOKISH MUTANT’S BOOKS FOR AUTISM ACCEPTANCE MONTH

READ:

ON MY TBR:

TELL ME WHAT YOU THINK! Have you read any of these books, and if so, did you like them? What are your favorite books with Autistic rep? Let me know in the comments!

Today’s song:

That’s it for this list of recommendations! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

Sci-Fi Tropes, part 2: Spiders, Telekinesis, and More

Posted on by madeline @ The Bookish Mutant

Happy Friday, bibliophiles!

I made a post a few months back discussing a handful of sci-fi tropes that I’ve seen in books—here it is, if you’d like to have a look! When I wrote it, I knew I’d be writing several more similar posts; the world of sci-fi literature is so diverse in its content, so there’s no shortage of tropes, however specific, that I can discuss. Some of these tropes are broader and others are fairly minute, but I think they’ll be a lot of fun to discuss.

So let’s dive in, shall we?

David welcomes you | Shipping | Know Your Meme

SCI-FI TROPES: PART 2

MYSTERIOUS, TELEKINETIC WOMEN

dark phoenix gif | Tumblr | Dark phoenix, Jean grey phoenix, Marvel gif
had to include her bc she was the blueprint for this trope…probably

Here’s an interesting one to tackle. I see this one almost exclusively in space operas, but the basic premise is usually as follows: a woman, usually younger than the rest of the main cast, is either gifted with or born with unexplainable and unparalleled telekinesis. This power usually means that she’s the main decider in ✨the fate of the universe✨. These powers of hers often result in mind-bending displays of grandeur, including but not limited to: killing enemies in disturbing ways, crumpling spaceships like soda cans, and bending space and time itself.

Often, these powers come along with an intense emotional burden; at the heart of it, there’s a quintessential “why me?” dilemma with respect to her powers. Inner conflict is all part of the package with godly telekinesis, which often results in this character losing her mind and/or lashing out at other members of the cast. And, well…given that it’s either a “puppet of an all-powerful cosmic entity” or “being devoured from the inside by space energy” situation, it’s understandable.

What sometimes rubs me the wrong way about this trope—although I’m all for cosmic women tearing apart the fabric of the universe (who isn’t?)—is the fact that most of these women have a lack of agency. Which, given that a lot of the characters that come to mind are written by men, is more than a little concerning. Even with all of this awe-inspiring power, these women are often portrayed as helpless. Many of their breakdowns about the burden of their power are often reduced to “oh, she’s just a women being overly emotional, typical.”

Which brings me to why I appreciate a particular instance of this trope—Auri from Aurora Rising. She may still be frightened of her own power, but she takes control of the situation—she takes it upon herself to master her powers, break away from the path that the Eshvaren have set for her, and ultimately save the galaxy. She has agency, and, yes, that’s the bare minimum, but she’s written with a significant amount of sway over her abilities as the books go on.

This trope can be poignant and powerful if used right, but if misused, it can lead to a lot of reductive stereotypes.

BOOKS WITH TROPES: Aurora Rising (Amie Kaufman and Jay Kristoff), Forgotten Star (Colin Weldon), The Stars Now Unclaimed (Drew Williams)

IF THE ALIENS AREN’T BASICALLY HUMANS, THEY’RE JUST ANTHROPOMORPHIZED ANIMALS

Bossk Star Wars GIF - Bossk Star Wars Empire Strikes Back - Discover & Share GIFs
this is far from the most dramatic example, but Bossk is the only one I can find a gif of

I get it. Creature design is hard—how do you create an alien that’s simultaneously familiar enough for a reader to project onto (if that’s the goal) but also weird enough to pass as “alien?”

In my last post, I talked about the trope of aliens that just looked like humans. That’s the ultimate alien design deal-breaker for me, unless there’s a good explanation for it. But in my opinion, the next level down is just making your aliens intelligent versions of animals with no other changes. Like the human-alien trope, it just feels like lazy design. It’s not that basing your alien design off of a certain animal is bad—on some level, most alien design is just that. The lazy part is just making an upright version of an already existing animal and changing nothing beyond that. (Plus, if it’s mammalian, you’re just…making intergalactic furries? Uh…)

One of the worst examples that I can recall is from The Stars Now Unclaimed, which I DNF’d. Not only was their an alien species that were just upright wolves, the species itself was called a Wulf. I KID YOU NOT. At that point, it’s almost…self-aware of how lazy it is? Or it seems that way, at any rate. But you just…don’t do that. Under any circumstances.

BOOKS WITH THIS TROPE: The Stars Now Unclaimed (Drew Williams), Earth Force Rising (Monica Tesler), Columbus Day (Craig Alanson)

AND ON THAT SUBJECT, WHAT’S WITH ALL THE SPIDERS?

Ron Weasley is my spirit animal - GIF on Imgur

While we’re on the topic of creature design, here’s another trope that I’ve found several times. Lots of alien species in literature—most intended to be menacing, but not all—have been based on spiders, or described as spiders or spider-like.

One aspect of basing an alien design off of an animal is to still try and make it as alien as possible, and one way to do that is to base it off of an animal that many already consider “alien” or “scary.” These are often invertebrates—cephalopods, jellyfish, insects, and arachnids—spiders. By creating a creature with elements that are already unnerving to a lot of people, you’ve achieved the effect of making it alien without making it totally unfamiliar.

But why spiders in particular? Most of the spider-aliens that I’ve seen at the forefront of sci-fi stories are meant to be menacing. I suppose there’s already a latent metaphor of spiders catching unsuspecting prey in their webs, if menacing is the route the author intends to go on. If these characters are meant to be antagonistic, spiders are the perfect combination—not only do they look alien to us, but they’re also a commonly feared animal. They’re also involved in a lot of insidious metaphors, creatures known for ensnaring their prey in webs. I can speak to the “commonly feared” part myself—I’m fine with really small ones (jumping spiders and such—they’re cute), but big spiders? No way. I blame the wolf spider that I found in my room when I was five. (WHY DO THEY RUN SO FAST AAAAAA)

As far as aliens with animal basis, I think spider-aliens are effective. Even if they do fall into the “animals with no changes other than intelligence” trope, at least they’re not completely bipedal and upright—eight legs! But already, they’re so wildly different from us—the perfect starting point for an interesting alien.

BOOKS WITH THIS TROPE: The Doom Machine (Mark Teague), Project Hail Mary (Andy Weir), One Giant Leap (Dare Mighty Things, #2) (Heather Kaczynski), The Outside (Ada Hoffmann)

THE FATE OF COMIC RELIEF RESTS ON THE MACHINES

C-3PO and R2-D2 discovered by Lux on We Heart It

Are none of your characters particularly funny? Have they not gotten the chance to banter properly? Are they all on a spaceship? I’ve got a trope for you, then…

This is the exact flip side of one of the tropes I mentioned in my first post—unhinged AI. Often times in space opera books with large cast, there is a character that’s some sort of machine: a droid, a ship’s AI, et cetera. But their main role, apart from providing convenient solutions to hacking-relation problems, is to lighten the mood.

So why machines? I’m not entirely sure myself, but I have a theory. Part of it may be to avoid risk—sometimes it’s too dangerous to have a character whose only personality trait is to be “sassy” or “the funny one,” so putting this personality onto an AI of some kind reduces the possibility of a one-dimensional flesh-and-blood character. AI are often reduced to minimal personality traits, as often, they’re designed for a particular task. Unless they have a short character arc where they have an epiphany of some kind about breaking free of their programming, they’re usually helpful vessels of humor in an otherwise hardened and dry-humored crew.

What’s more about this trope is how often it shows up—pick up any space-opera in the bookstore or the library, and there’s a good 75% chance that there’s a minor Sassy AI™️ character. I hesitate to say that it’s tried and true, but it’s certainly difficult to screw up. The problem is that most of them have the same sense of humor—sass, “oh, you humans are so stupid haha” condescension, and making jokes at inopportune times. (There’s also the inevitable running joke of the flesh-and-blood characters telling said AI character to shut up.) I appreciate good AI comic relief, but it’s become a formula, almost to the point where what I once thought was hilarious now makes me feel almost nothing.

So give your AI something unique—glitches, specific quirks, something, anything that will set it apart from 50% of other machines on the shelf.

BOOKS WITH THIS TROPE: Aurora Rising (Amie Kaufman and Jay Kristoff), Columbus Day (Craig Alanson), To Sleep in a Sea of Stars (Christopher Paolini), Crownchasers (Rebecca Coffindaffer), Honor Among Thieves (Ann Aguirre and Rachel Caine)

TELL ME WHAT YOU THINK! What are your opinions on these tropes? What are some other tropes that you’d like me to discuss? Tell me in the comments!

Blade Runner 2049 - Album on Imgur

Today’s song:

listened to this whole album the other day. it was hit or miss for me overall, but when it got good, it got good

That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!

Posted in Monthly Wrap-Ups

December 2021 Wrap-Up 🎄

Posted on by madeline @ The Bookish Mutant

Happy Friday, bibliophiles!

Whew. It’s hard to believe that 2022 starts tomorrow, but I’m more than ready to start over. It’s been a Year™️.

GENERAL THOUGHTS:

Rodulph The Red Nosed Reindeer GIFs - Get the best GIF on GIPHY

December was rough at times, but I’m glad I got through it. What with that big AP Gov project and finals, I was exhausted by the time winter break rolled around, but I’m so glad to have some time off to myself. And we didn’t get the snow we wanted on Christmas, but we got…one or two snows here in Colorado, so at least there’s a little moisture. We’re supposed to get a big storm…right about now, though, so…

I took some time off from writing after finishing NaNoWriMo up so I could a) get some rest and b) focus on schoolwork, but after finals ended, I started looking back through the second draft of my main sci-fi WIP! It’s so strange how different the experience has already become from when I did this for draft 1; I’m relieved to say that I’ve improved a whole lot as a writer since then.

Other than that, I’ve been listening to the Beatles and Blur (well…more than usual), playing Minecraft, watching Hawkeye (eh, probably my least favorite Marvel show but the disability rep is nice to see), and going to see Nightmare Alley (is it really a Guillermo del Toro movie without babies in jars?) and Spiderman: No Way Home (AAAAAAAAAA). Christmas was lovely too, and I had a wonderful time spending a day with my family.

Hello Peter Spiderman GIF - Hello Peter Spiderman No Way Home - Discover & Share GIFs
I lost it at this scene even though I’d seen the trailer skdjhfskjhf

READING AND BLOGGING

I read 21 books this month! I probably only got there because I re-read Madman all over again—most of the month leading up to break felt a lot slower, reading-wise. However, I passed my Goodreads goal of 250 and read 258 books this year!

2 – 2.75 stars:

The Grimrose Girls: Dark Academia Fairytale eBook : Pohl, Laura: Kindle Store - Amazon.com
The Grimrose Girls

3 – 3.75 stars:

The Secret History: Tartt, Donna: 9781400031702: Amazon.com: Books
The Secret History

4 – 4.75 stars:

Amazon.com: Squad: 9780062943149: Tokuda-Hall, Maggie, Sterle, Lisa: Books
Squad

5 stars:

Amazon.com: Madman Comics, Volume 1: Yearbook 95: 9781569711491: Allred, Mike: Books
Madman Comics Yearbook ’95

FAVORITE BOOK OF THE MONTH (not counting re-reads): Zen in the Art of Writing – 4.5 stars

Zen in the Art of Writing: Essays on Creativity: Bradbury, Ray: 9718777410946: Amazon.com: Books

SOME POSTS I’M PROUD OF:

POSTS I ENJOYED FROM OTHER WONDERFUL PEOPLE:

SONGS/ALBUMS I’VE ENJOYED:

such a wonderfully catchy little song!
no idea how I hadn’t listened to this whole album until now but here we are…fantastic
I haven’t heard the original, but this is such a beautiful cover!
HI WHAT NEW GIRLPOOL
this is one of those songs that (almost) makes me regret quitting piano
THIS ALBUM

DID I FOLLOW THROUGH ON MY DECEMBER GOALS?

I cant believe it i cant believe tim burton GIF - Find on GIFER
  • Read 20 books: 21!
  • Survive that AP Gov project [heavy breathing]: I DID IT! Got a great grade, too!
  • End 2021 on a good note: well, I’m sitting comfortably and watching snow fall outside my window right now, so I’ll call that good.

JANUARY 2022 (!) GOALS:

Happy New Year Celebration GIF - Happy New Year Celebration New Year - Discover & Share GIFs
  • Set a reasonable Goodreads goal
  • Start 2022 on a good note!

2021 was a tough year for me. Online learning, grieving, the pandemic, applying to college…all of it got to me. But what matters is that I’m still here, all in one piece. And that’s what matters most for all of us. I imagine that 2021 was tough for each and every one of us on some level, but what matters most is that we all got through it. We’re beaten-up and bruised, but we’re here. And that, to me, is the purest form of resilience, of resistance. And if we got through 2020 and 2021, we can get through next year too.

There were good things about 2021 for me too—I went to Glacier National Park, I got straight A’s for the first time in high school, I had a super fun birthday, and I discovered some great books, music, and movies! This is the light that always burns in the darkness—the little things that make us happy. And as long as we have each other, the light will never go out.

And with that, there are only hours left to go in 2021. Good riddance.

Wear your masks, get vaccinated (and get that booster!), don’t spread hate and fear, love each other.

Today’s song:

That’s it for this month—and this year—in blogging! Have a wonderful last day of the year, and take care of yourselves.

See you in 2022!

all my love,

Madeline

Posted in Book Tags

2021 Book Tag

Posted on by madeline @ The Bookish Mutant

Happy Wednesday, bibliophiles! Finally back here! Today’s my first day of winter break, and I’m SO relieved. I got through finals with straight A’s (first time!!), so I’m proud of myself! Exhausted, though. But now I have a few weeks of rest.

Anyway, here’s a book tag for you! It’s an original tag by Phoenix @ Books With Wings. I loved doing her 2020 Book Tag, so I though I’d participate in this year’s tag since this year was…trash.

RULES:

  • Link back to the original creator, Phoenix @Books With Wings
  • Thank the person who tagged you
  • Answer all the questions
  • Tag at least 3 people
  • While the events covered in this tag are mainly centered around the going-ons in the U.S.A., if you live in another country feel free to add another question or two to this tag that you think goes with an important event that happened elsewhere!
  • PLEASE NOTE: While this tag discusses events that happened in 2021, it does not at all need to be completed in 2021. This is NOT a time-restricted tag and you may do it whenever you want. (you also do not need to talk about books that you read in 2021! It can be books you read whenever!)
  • Some of these questions are rather vague; these are totally up for interpretation!

Let’s begin, shall we?

2021 BOOK TAG

  1. A sequel that didn’t live up to expectations
A Gathering of Shadows: A Novel (Shades of Magic, 2): Victoria Schwab: 9780765376473: Amazon.com: Books

A Gathering of Shadows was still entertaining for me, but not nearly as good as books 1 or 3. Lila gets on my nerves.

2. A book where everything immediately went badly

Amazon.com: Ace of Spades: 9781250800817: Àbíké-Íyímídé, Faridah: Books

Ace of Spades comes right out of the gate with everything immediately starting to crumble around Chiamaka and Devon. I went on an unexpected mystery/thriller kick this month (the results of which were hit-or-miss), but this one was a standout—so cleverly written and consistently suspenseful!

3. A book where things seemed to change for the better

Amazon.com: The Mermaid, the Witch, and the Sea eBook : Tokuda-Hall, Maggie: Kindle Store

Most of The Mermaid, the Witch, and the Sea was rough for everyone involved, but Evelyn and Flora got their happy ending eventually, and I thought it was beautiful. I know I’ve blabbed a lot about this one, but it’s such a lush and tender story!

4. A book where some kind of science/sci fi plays a major role

Amazon.com: The Darkness Outside Us eBook : Schrefer, Eliot: Kindle Store

[scours my sci-fi shelf on Goodreads for a sci-fi book that I haven’t already talked about endlessly]

The Darkness Outside Us is such an intricate masterpiece of a book—sure, you’ve got the setup for a typical space mystery with a little romance sprinkled in, but it becomes such a resonant song for cherishing every moment of life and love.

5. A book where the characters get a reprieve

Tea And 'A Psalm for the Wild-Built' On The Moon - Book and Film Globe

I struggled to find a book that would fit this prompt, but I’d say that both Sibling Dex and Mosscap get a reprieve of sorts in A Psalm for the Wild-Built. A walk in the woods musing about the unknown facets of life tends to do that for a person. (Or a robot.)

6. A book about sports/centered around competition

Amazon.com: Crownchasers (Crownchasers, 1): 9780062845160: Coffindaffer, Rebecca: Books

Crownchasers certainly has a lot of high-stakes competition—with deadly consequences. I really need to pick up book 2, I’m excited to see what happens next!

7. A book with a terrifying plot twist

I'm Thinking of Ending Things: A Novel (Packing may vary ): Reid, Iain: 9781982155841: Amazon.com: Books

Honestly? I could’ve put Ace of Spades OR The Darkness Outside Us here too…

Even though I’d already seen the movie adaptation of I’m Thinking of Ending Things (shhh I didn’t know it was a book back then), the twist at the end still hit me like a freight train. Such a masterful, genre-bending, categorization-defying book!

8. A book with awesome behind-the-scenes characters (eg side characters) (THANK YOU ESSENTIAL WORKERS)

Amazon.com: The Outside eBook : Hoffmann, Ada: Kindle Store

There were so many background characters in The Outside that I found myself wanting to know more about, especially all the different angels and aliens! I hope we see more of them in book 2.

9. A book where there were HUGE consequences to an event/decision/etc.

Aurora's End eBook by Amie Kaufman - 9781524720902 | Rakuten Kobo United States

Chekhov’s gun? Nope, this was straight-up Chekhov’s war cannon. (Chekhov’s Weapon, if you will…yeah, I’m the only one laughing at that one)

Everything building up to Aurora’s End had unimaginable consequences. It all amounted to the last 100 pages of the book, which were unbelievably stressful, but built to such a beautiful and fitting ending for Squad 312. I love this series with my whole heart.

I TAG:

Today’s song:

I know you’re probably all tired of the Blurposting BUT I finally listened to all of Parklife last night!! Such a fun album

That’s it for this book tag! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: December 6-12, 2021

Posted on by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

I got my AP Gov project done (FINALLY), but I got so caught up in thinking about it that I completely forgot that next week is my last full week of school…good news because of winter break coming soon, but bad news because, y’know, finals.

That project consumed my Monday, but other than that, it’s been an okay week. I read some decent books; Most of the ones I read were in the 3-3.5 star range, but Ace of Spades was the best of the bunch. I picked up two books that I’ve been meaning to read for ages at my school library, and I have two more from the public library that look good. Been on a bit of a mystery kick lately; I don’t read a whole lot of it, but all of my holds that have been coming in have been mystery, so…

Other than that, I’ve been beginning to study for finals, playing Minecraft, drawing, and almost watching the new episode of Hawkeye but having no will to. Chances are, I’ll be less active next week because of finals, so I’ll probably be posting less than usual.

Oh, and we finally got a good snow on Friday!! Better late than never, I suppose.

adorable GIFs - Primo GIF - Latest Animated GIFs

WHAT I READ THIS WEEK:

This Isn’t Happening: Radiohead’s “Kid A” and the Beginning of the 21st Century – Steven Hyden (⭐️⭐️⭐️)

This Isn't Happening: Radiohead's "Kid A" and the Beginning of the 21st Century - Kindle edition by Hyden, Steven. Arts & Photography Kindle eBooks @ Amazon.com.

The Outside (The Outside, #1) – Ada Hoffmann (⭐️⭐️⭐️.5)

Amazon.com: The Outside eBook : Hoffmann, Ada: Kindle Store

The Dead and the Dark – Courtney Gould (⭐️⭐️⭐️.5)

The Dead and the Dark by Courtney Gould

Ace of Spades – Faridah Àbíké-Íyímíde (⭐️⭐️⭐️⭐️)

Amazon.com: Ace of Spades: 9781250800817: Àbíké-Íyímídé, Faridah: Books

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK:

The Perks of Being a Wallflower – Stephen Chbosky

The Perks of Being a Wallflower: Chbosky, Stephen: 9781451696202: Amazon.com: Books

Ninth House – Leigh Bardugo

Amazon.com: Ninth House (Alex Stern, 1): 9781250313072: Bardugo, Leigh: Books

The Grimrose Girls – Laura Pohl

Amazon.com: The Grimrose Girls: Dark Academia Fairytale (The Grimrose Girls, 1): 0760789303425: Pohl, Laura: Books

Teen Killers Club – Lily Sparks

Quick Picks for Reluctant Readers (#QP2022) Featured Review of Teen Killers Club by Lily Sparks – The Hub

Today’s song:

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!