Posted in Book Review Tuesday, Books

Book Review Tuesday (6/9/20)–Hollow Kingdom

Happy Tuesday, bibliophiles!

This one hasn’t been on my TBR for very long, but I did a Goodreads Monday on it back in January. Aside from the fact that…well, the book basically deals with the zombie apocalypse (forgot about that when I put it on hold), I figured it would be a good read for quarantine. And I was not disappointed in the least! All at once irreverently funny and a beautiful testament to the power of nature.

Enjoy this week’s review!

Hollow Kingdom by Kira Jane Buxton

Hollow Kingdom–Kira Jane Buxton

S.T. is a crow, living a comfortable life after being rescued as a chick by a man named Big Jim. Along with Big Jim’s dim-witted bloodhound, Dennis, they live in peaceful harmony just outside of Seattle. But when Big Jim begins acting strangely and lashing out, S.T. faces an unfortunate truth–Big Jim will never be the same again.

With Dennis at his side, S.T. must venture outside the comfort of his home and into the wild. Will they be able to find a cure for Big Jim’s malady–and potentially save the human race?

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Hollow Kingdom was such a unique book! A wonderful deviation not only from your garden variety zombie apocalypse book, but very different from many written from the perspectives of animals.

S.T. has the most clever, irreverent voice–often colorful in language, but capable of deep reverence and wisdom as well. The intellect and mannerisms of these intelligent birds made for no shortage of hysterical interactions and observations between him and the other creatures he encounters, be it the language he picks up from Big Jim or his commentary on other types of animals. I don’t think I’ve laughed as much at a book since I read Good Omens last year.

Buxton clearly put so much detail into the lives and familial structures of all the animals, from the domestic ones to the murders of crows that S.T. and Dennis encounter on their travels. There’s even some little tidbits from other animals across the world, from a Polar bear in the Arctic Circle to a maniacal house cat not far from where S.T. used to live. Buxton’s reverence and love for the animal kingdom truly shines in this novel.

As someone who has grown up with a myriad of pets and watched David Attenborough’s documentaries almost religiously, I connected so much to this book. I haven’t read any books from the perspective of an animal in ages (mostly because I’ve moved over from more MG-leaning novels to YA ones, and animal POVs are incredibly rare in the latter), and Buxton does such an incredible job building this multilayered world of animals, wild and tame alike.

My only criticism is that part of the theme got a bit lost in the writing. Buxton mentions something about the cause of the zombie virus coming from technology, which is an obvious critique of our disconnection from nature and our coddling of electronics. However, the topic doesn’t resurface afterwards, which left me a little confused as to what Buxton was trying to say otherwise.

However, my criticism really ends there. All in all, a clever novel that strikes a perfect balance between flippant and reverent writing and shows a true respect for the natural world. 4.25 stars for me!

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Hollow Kingdom is a standalone, and Kira Jane Buxton’s debut novel. At the moment, she has nothing else out, but I look forward to anything else she writes 🙂

Today’s song:

(Woke up with this song stuck in my head…)

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music

Making a Door Less Open (Car Seat Headrest) Album Review

Making a Door Less Open | Car Seat Headrest

Happy Saturday, everyone!

Those of you who’ve been following this blog for a while know how much I love Car Seat Headrest. Ever since…oh, maybe 7th grade (?), their songs have never failed to enchant me and pull me in. So naturally, I was absolutely over-the-moon when I found out that they were releasing a new album in the form of Making a Door Less Open. After a few listens, however, I’m not quite disappointed, but I think I set my expectations too high. That isn’t to say that it isn’t a decent album, but I think they released all the good singles first.

Anyway, let’s get on with the review, shall we?

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TRACK 1: “Weightlifters”–8.5/10

WOW. 

Now that is what I can an AMAZING start to an album. With the slow-burn effects, combined with Will Toledo’s signature, introspective lyrics, this is an absolute stunner of a first track. Probably my favorite of the songs that weren’t released as singles beforehand.

TRACK 2: “Can’t Cool Me Down”–10/10

This was the first single that was released, back in…March, I believe. A vastly new direction for Car Seat Headrest, but one that I enjoy thoroughly. Well-written and eternally catchy. Definitely the highlight of the album for me.

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TRACK 3: “Deadlines (Hostile)”–8/10

This feels like something straight off of Teens of Denial, and if we’re talking about that album, it’s always a compliment. Lyrically poignant and musically pleasing, this one 100% contributes to the album’s strong start.

TRACK 4: “Hollywood”–8.5/10

Here we veer into a briefly punchy and screamy direction for CSH, and it’s in no way a bad thing. I’m interested to see that Andrew Katz (drummer & producer of this album, correct me if I’m wrong on the latter) is starting to contribute vocals, and though I didn’t care for it as much at first, but it meshes well with the overall feel with the song

IT’S KINDA GROOVY

TRACK 5: “Hymn (Remix)”–5/10 

Eh…this is where the album starts to go downhill for me. It’s like they were trying to go more in the synthy direction of “Can’t Cool Me Down,” but it…didn’t work. Not much in the lyrics department, and a wholly unnecessary slathering of autotune and weirdness that ultimately sullies Will Toledo’s gorgeous voice.

God, I know I sound snooty, but personally, this is the worst song on the album…

TRACK 6: “Martin”–8.5/10

(First off, thank you to Will Toledo/Trait for retaining clean habits during these uncertain times…)

Such a sweet love song, with Toledo’s signature, beautiful lyrics. Catchy and unusually bright, considering most of the subject matter of…a good 75% of the rest of their discography.

TRACK 7: “Deadlines (Thoughtful)”–7.5/10

I feel like this is the weaker of the two “Deadlines,” but that’s not to say that I don’t like it. Though some of the effects don’t bug me, the a capella ending (starting at about 5:37) really manages to tug at my heartstrings.

TRACK 8: “What’s With You Lately”–7.5/10

Short and sweet just as depressing as you’d expect any CSH song to be. A tender meditation on creativity and seeing other people imitate your work. Also, we haven’t really heard Ethan Ives (guitar) contribute any other vocals other than backing vocals, so it’s cool to see him doing lead vocals on a song.

TRACK 9: “Life Worth Missing”–7/10

Certainly a decent song, and wonderful lyrically, but musically, it’s bordering on…spineless? With a song like this, it kind of needs punchy guitars throughout, and it almost gets there in the second half, but not quite enough to be potent.

TRACK 10: “There Must Be More Than Blood”–8.5/10

Another strong point on the album, this feels reminiscent of some of their older, longer songs, especially ones like “Famous Prophets (Stars)” and “Cosmic Hero”. Potent and tender, this one’s definitely one of the more memorable songs off of this album.

TRACK 11: “Famous”–6/10

Afer such a beautiful song as “There Must Be More Than Blood,” “Famous” feels like a letdown of an album closing. If not for the effects layered on the vocals, I probably would have liked it a lot better–the lyrics are incredible, but they almost get lost in all the discordant autotune layered over them. Eh.

Car Seat Headrest — Radio 1190

I averaged out all of the song ratings, and it narrowed down to about a 7.7/10. I’d say that’s accurate–it’s certainly not a bad album, but it’s not nearly as mind-blowingly good as Teens of Denial or Twin Fantasy (Face to Face). There’s certainly a multitude of strong points (“Can’t Cool Me Down,” etc.), but the more mediocre tracks only serve to weight it down. A daring exploration into a new kind of sound for Car Seat Headrest, but one that had its highs and lows.

Since this post was an album review, you can…pretty much just consider the whole album for “Today’s song”.

That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!

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