Posted in Book Review Tuesday

Book Review Tuesday (7/4/23) – Painted Devils (Little Thieves, #2)

Happy Tuesday, bibliophiles, and happy…Tuesday. The fact that the Fourth of July comes so close on the heels of the Supreme Court releasing the results of all of their major rulings has significantly soured most attempts I’ve tried to have at patriotism (especially since we have the incredibly unfortunate conservative majority controlling far more than they should), especially in our post-Roe era. None of that puts me in a particularly patriotic mood. But, as always, criticizing your country and pushing for change that will make it better is, to me, is the best kind of patriotism. And if nothing else, I get the day off work today. I’m not about to complain.

That aside, I’ve got an exciting review today! Ever since I devoured Little Thieves back in January, I’ve been itching to read the sequel, which came out this May. After a few failed attempts to get it on Libby, I finally got a physical copy from the library and ate it up as quickly as I did its predecessor. And although I liked it slightly less than book 1, Painted Devils retained its spiritโ€”delightful from start to finish.

Now, tread lightly! This review may contain spoilers for book 1, Little Thieves, so if you haven’t read it and intend to do so, skip over this review.

For my review of Little Thieves, click here!

Enjoy this week’s review!

Painted Devils (Little Thieves, #2) – Margaret Owen

Vanja Schmidt may have succeeded in breaking a godly curse and finding love with Emeric, but that doesn’t mean that her conniving days are behind her. In fact, they’re very much aliveโ€”and proved when she fabricates a god to get out of a slippery situation. Problem is, the townsfolk have now accepted Vanja’s Scarlet Maiden as their god, and started a cult in her name. And the Scarlet Maiden demands a sacrifice in bloodโ€”a sacrifice that Vanja can’t afford to make. While Emeric goes on a hunt to verify the Scarlet Maiden’s existence, Vanja must find a way out of the sacrifice before time runs outโ€”and before her fraud is exposed.

TW/CW: abuse (physical and verbal), fantasy violence, blood, body image issues, abandonment, animal death, cult imagery

Seeing the phrases “we live in a society” and “scrimblo” within 100 pages of each other in a medieval-inspired fantasy book felt like being hit by a train, to say the least, but the fact that Margaret Owen very nearly pulled it off is nothing short of a miracle. I’m still reeling just thinking about it.

My months of waiting and searching are finally overโ€”I managed to get Painted Devils in my hands, and I’m so happy for it! Although it wasn’t quite as cohesive as Little Thieves was, it was nevertheless a delight from start to finishโ€”being back with Vanja on her chaotic adventures was nothing short of a joy in a sea of YA fantasy novels that take themselves a little too seriously, even though their protagonists are only 16.

I’ll quickly start off with my one major gripeโ€”the reason that I docked it down from book 1’s 4.5 stars to 4.25. Painted Devils, as much as I adored it, definitely fell into the curse of book 2: all of the good elements were still there, but they lacked the cohesion that the first book had. It was all fun, but a good portion of the middle felt like the characters were running around for no reason, without much consequence to the plot. Some of it felt like filler, and for a book that was almost 500 pages long, it didn’t feel altogether necessary.

Other than that, it’s hard to find any nitpicks or problems with Painted Devils! Even though Vanja has always been the main character, this book really felt more about herโ€”it was wholly her story, about what happens when your storied past catches up to you, and how to reckon with your past to become the person you are today. Even amidst the near-constant humor that these books have relied on, Owen manages to tackle so much of Vanja’s character with incredible aplomb, balancing her bouncing-off-the-walls personality with some genuinely heartbreaking and wholly important discussions about familial manipulation and abuse. For a series that’s often been defined by its levity, Vanja’s journey towards self-love and acceptance was unexpectedly heartfelt. It’s exceedingly difficult to balance those two aspects, but Owen made it look easy.

Beyond that, I loved seeing the relationship between Emeric and Vanja develop, both romantically and platonically! They continue to be perfect foils for each otherโ€”a physical representation of the grounded and humorous qualities of this novel, and how they complement each other. Their personalities have started to bleed into each other in the sweetest wayโ€”Emeric starting to loosen up, and Vanja reluctantly trying to do the oppositeโ€”and every moment they shared together was a delight to read. Plus, the discussions about consent are always welcome, and a refreshing break from the years of 500+ year old fantasy love interest that we’ve all had to slog through in the last decade or so.

Owen’s writing, of course, continues to be the star. It’s rare that an author can make a character whose main trait is being “chaotic/morally gray” into something that goes above and beyond the buzzwordsโ€”Vanja continues to be impressively fleshed-out, and my life is all the better for it. Some of the more meme-y humor, like the previous book, continues to be jarring in places, but Owen’s other points of humor makes for a wonderfully charming read. There’s really not much else in the world of YA fantasy that succeed like Little Thieves and Painted Devils do: bringing the joy back to a magical, fairytale-inspired world, and balancing it with the reality and darkness that every bad, gritty fairytale retelling missed by a mile. Even with the frustrating ending, I’m so eager to see where the conclusion takes Vanja, Emeric, and all the rest.

I really feel like the world needs a 2D animated adaptation of these books. Just saying.

All in all, a sequel that was a delight to read, even with its lessened cohesion. 4.25 stars!

Painted Devils is the second book in Margaret Owen’s Little Thieves trilogy, preceded by Little Thieves and concluded by an untitled book slated for release in January of 2024. She is also the author of the Merciful Crow duology (The Merciful Crow and The Faithless Hawk).

Today’s song:

XYLOPHONE SOLO

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (6/27/23) – Flowerheart

Happy Tuesday, bibliophiles!

Here’s some queer fantasy for my last review of Pride Month 2023. I’m so glad that cozy sci-fi/fantasy as a subgenre is slowly multiplying nowadays, and that’s exactly what drew me to Flowerheart. I borrowed it from the Kindle library and ate it up in a few hours flatโ€”though it wasn’t without its flaws, it was a charming, sweet palate-cleanser with lots of flowers and queer rep!

Enjoy this week’s review!

Flowerheart – Catherine Bakewell

Clara has a giftโ€”she can summon flowers at will, making them grow in any space she focuses on. But she’s only 16, and her flower magic is uncontrollableโ€”and sometimes dangerous. When she accidentally causes poisonous flowers to grow in her father’s chest, Clara is distraughtโ€”and in desperate need of someone to heal his ailment and help her hone her magic. But the best magician for the job just happens to be Xavier, her former best friend who she can’t quite hide her feelings for. With Xavier hiding secrets and Clara racing against the clock, can they heal her fatherโ€”and rein in her wild magic?

TW/CW: body horror, substance abuse (fantasy), absent parent, sick parent, mental illness, emetophobia

I love the title of this book as much as the next person, but I’m not gonna pretend that it isn’t a valid Warrior Cats name. Just saying. I’ll bet you money that it was somebody’s OC from 2014.

Flowerheart has a 3.58/5 average rating on Goodreads at present. I have a thing where I’ll see ratings in the 3.5 range and think “oooh, this could be a disappointment,” and then I’ll finish the book and realize that it was just about right on the money. It makes sense. I can see why several people loved it, but a good amount of people felt lukewarm about it or disliked it. For me, I’m sort of in the middleโ€”it was a charming, sweet palate-cleanser, but the holes in the story and some of the writing style prevented me from enjoying it all the way.

The main selling point for Flowerheart seemed to be its cozinessโ€”setting aside the annoying, clearly BookTok marketing tactic to put “cottagecore” in the actual description, Bakewell passed with flying colors in terms of this book’s coziness! Other than a brief moment of fantasy body horror (said Flowers growing from Clara’s dad’s Heart), there’s very little that’s stressful. The book also has a strong emphasis on embracing your emotions and learning to love them (as opposed to suppressing them), which is always a win in my book (no pun intended). The queer-normative world was also a delight alongside of thatโ€”Clara is bisexual and in a straight-passing relationship, and there are several trans and nonbinary side characters! I ate this book up fairly quickly, but it was a delightful world to stay in, however short the stay was.

That being said, I really wanted more from the world. There really isn’t much to chew on other than the fact that everybody has a unique type of magic, there’s a ruling council of magicians that keeps everybody in check, and that most of the names have a vaguely European root or origin. Other than that, there was almost nothing to hold up the worldbuildingโ€”if it were a house on stilts, the stilts might as well have been popsicle sticks. Where does the magic come from? What is the technology level of this world? Why are they letting 16-year-olds onto this magician council that makes all of the important decisions? Where even were we in the first place? Was there even a name for the place that Flowerheart was set in??? Cozy sci-fi/fantasy and expansive worldbuilding can coexist (see: anything by Becky Chambers), so the subgenre isn’t the issue. I didn’t need a huge, elaborate picture of the world of Flowerheart, but it was sadly clear that Bakewell did the bare minimum in terms of worldbuilding. I really did want more.

Aside from that, my main issue (if you can call it that) was the writing style. On its own, I liked it a lotโ€”it had the perfect, charmingly over-the-top kind of style to it, and it suited the story very well. I saw another review that compared it to Harry Potter, and it made a lot of senseโ€”it did sound very distinctly British. But Harry Potter is mostly middle-grade, and Flowerheart tended to skew the same way in its voice; Clara’s voice read more as a 12-14 year old than a 16 year old. Again: it’s not the coziness and relatively low stakes that made it feel more middle-grade, but the way that the characters were written. Not much of an issue, but I really feel like this would’ve been more successful if Clara was a few years younger.

All in all, a cozy fantasy that was filled with quite a few holes, but still sweet enough to enjoy. 3 stars.

Flowerheart is a standalone, but Catherine Bakewell is also the author of the middle-grade novel We Are the Song.

Today’s song:

ughhhhhh this album is so good

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

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๐Ÿณ๏ธโ€โšง๏ธ LGBTQ+ Historical Icons Book Tag ๐Ÿณ๏ธโ€๐ŸŒˆ

Happy Wednesday, bibliophiles!

I’ve had a few pride-related book tags that I’ve been waiting to do since last June, so I figured I’d break this one out right about now. I found this one over at The Corner of Laura, who also created the tag.

Rules

  • Link back to the original creator (The Corner of Laura) and link back to this page (otherwise, the original creator wonโ€™t get a notification).
  • Thank whoever tagged you and link back to their post
  • (Optional) Use the graphics and donโ€™t forget to credit the original creator (Text prompts are at the end of the tag if youโ€™d prefer to use those)
  • (Optional) Tag 5 or more other people.

Let’s begin, shall we?

๐Ÿณ๏ธโ€๐ŸŒˆTHE LGBTQ+ HISTORICAL ICONS BOOK TAG๐Ÿณ๏ธโ€โšง๏ธ

SAPPHO: Greek poet known for her lyric poetry which is believed to describe homoerotic feeling | A book of poetry (or written in verse)

Nothing Burns as Bright as You is a beautiful novel in verse about the complicated relationship shared by two Black queer girls.

ALAN TURING: Mathematician known for cracking the Enigma code but who was persecuted for his homosexuality | A character who deserved better

As sweet as The Girl from the Sea was, I found myself getting so stressed out about how Morgan treated Keltie in the beginning. She just kept pushing her around and neglecting her, and while it did resolve itself neatly and they fell in love, I still felt so bad for Keltie. She’s just an adorable creature, dude, she doesn’t need all that human baggage…

GILBERT BAKER: Creator of the rainbow Pride Flag | The most colorful book you own

Skyhunter has one of my favorite book covers in my collectionโ€”it dazzles me every single time I look at it!

ANNE LISTER: Landowner, industrialist and considered to be the first modern lesbian | A book written as a diary (or includes diary entries)

I have fond memories of reading the copy of I Capture the Castle that my mom bought for me while I was out sick years ago, and re-reading it several times since. It’s seriously the sweetest, most charming bookโ€”a big thank you to my mom for turning me on to this one.

MARSHA P. JOHNSON: Prominent figure in the Stonewall Uprising and founder of several LGBTQ rights organisations | A character youโ€™d would want fighting at your side

Sona and Eris from Gearbreakers are both formidable in their own waysโ€”either one (or both) would be an easy pick to have fight at my side.

ALFRED KINSEY: Creator of the Kinsey scale | A book set in academia

I haven’t read a whole lot of books sets in academia (and I’ve never gotten the hype for dark academia, so I tend to steer clear of those), but Leigh Bardugo never misses, so obviously this prompt has to go to Ninth House.

LUCY HICKS ANDERSON: First trans woman to defend her identity in court | A book where a major scene takes place in court

It was so hard to think of any books besides To Kill a Mockingbird (Laura’s answer) with a courtroom scene, but I read Meru not long ago, and it has a particularly climactic and poignant courtroom sceneโ€”a futuristic one, but a courtroom scene all the same.

OPEN PROMPT: Your choice | A book that inspires you

Of course, I’m going with David Bowie as my LGBTQ+ historical icon of choiceโ€”who else? He’s been a hero of mine for years, and a hero to so many. Even in the 60’s, before he rose to stardom, he was already breaking down barriers, and continued to do so in all aspects of his career thereafter. Calling somebody “ahead of their time” is thrown around quite often, but I really think that the world wasn’t readyโ€”and wouldn’t be ready for todayโ€”for Ziggy Stardust. And personally, I can’t think of a better beacon of hope to me than him; I started getting into his music at a time when I was struggling to find my place and looking for a light at the end of the alternative weirdo tunnel. And here was Bowie, wearing dresses in the 70’s, openly declaring his bisexuality, and creating a cosmic persona that touched the hearts of so many people. I’ve certainly felt like an alien all my life, but he, if anyone, is to credit for teaching me to embrace that feelingโ€”to quote him, “oh no, love! You’re not alone.” From one bisexual alien to another: thank you.

As for a book that inspires me, I’d easily give that title to Becky Chambers’ Wayfarers series. Sci-fi always seems defined by cosmic stakes and harrowing violence, and while that can work in moderation, these books really cemented the idea that a narrative doesn’t have to be centered around struggle or suffering to be worth readingโ€”and writing. Here, Chambers has created a vast, creative space opera universe with complex political background noise and dozens of strange creatures, but they’re not embroiled in some lofty, intergalactic conflict: they’re just going about their lives. It’s something that almost no other piece of sci-fi media has ever doneโ€”it’s very common in realistic fiction, but the concept that happiness and healing as genuine plot points can exist alongside aliens and starships just blew my mind. I aspire to write at least one thing as comforting and cozy as Becky Chambers someday.

And remember, kids: grimdark is just as unrealistic as sunshine, lollipops and rainbows, because they represent opposite ends of the same literary spectrum. Making a book excessively dark and gritty doesn’t automatically make it deep, and giving a character an excess of trauma and a tragic backstory doesn’t automatically make them fleshed-out and well-written.

I tag:

Today’s song:

we love a good guitar freakout

That’s it for this book tag! Have a wonderful rest of your day, and take care of yourselves!

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Book Review Tuesday (6/20/23) – Meru

Happy Tuesday, bibliophiles!

I’ve been eyeing this book for a whileโ€”I remember it being heavily advertised on Goodreads when it was first released, and normally, I don’t pay much attention to Goodreads ads or sponsored books, but all you had to say was “space opera” and I was hooked. I’m a woman of simple tastes. It was cheap on the Kindle library, so I bought it to read on vacation. To my excitement, it ended up being my favorite book that I read on vacationโ€”so detailed and gripping!

Enjoy this week’s review!

Meru (The Alloy Era, #1) – S.B. Divya

Jayanthi, like all other humans in her day and age, are confined to Earth. Kept there by the Alloys, evolved human descendants with advanced capabilities, she has been raised by Alloy parents on her homeworld, but has always dreamed of seeing the wider galaxy. But when an opportunity arises for Jayanthi to explore the newly discovered planet Meru with the aid of an Alloy pilot, she jumps at the chanceโ€”what better way to show the galaxy that humans are more than their violent past?

With the help of Vaya, her Alloy pilot, Jayanthi touches down on Meru. Soon, they find themselves embroiled in a human-alloy conflict, seemingly engineered to separate the two of them. Will Jayanthi and Vaya beat the oddsโ€”and restore faith in the human race?

TW/CW: ableism, xenophobia (fictional), sexual content/pregnancy, descriptions of injury, sci-fi violence

I got carsick while reading this book, but I don’t hold it against it at all. That was on me and my hubris of thinking that I wouldn’t get nauseous on a long car trip just this once. Whoops.

Reading some of the lower-rated reviews of Meru is kind of cracking me up…listen. I get that zie/zir pronouns (and neopronouns in general) are somewhat obscure, but of all the absolutely wild, dense, and out-there concepts that this book throws at you, that’s what makes you jump ship? Not the exceedingly complicated…well, everything else?

That being said, Meru lived up to the hype I’ve seen it getting for the past few months! It hit a sweet spot for me that a lot of sci-fi and fantasy books rarely doโ€”creating a complex and multilayered universe, but very delicately balancing when and where to deliver all of this information. Divya came very close to going over the edge, but she navigated the worldbuilding delivery with aplomb.

So, about said worldbuilding. I’d say that Meru isn’t for the faint of heart, even for longtime sci-fi fansโ€”as I mentioned in the beginning of the review, there’s a lot to take in, from the post-human history of the Alloys to all of the machinations surrounding new genetic modification laws in the future. But even though we do get some of this information in larger chunks, Divya excels at navigating which information is actually relevant to the scene it’s informing, and not sledgehammering you with extra information that only becomes relevant elsewhere in the book. It also helps that every inch of said worldbuilding is truly fascinatingโ€”it’s clear to see how much care was put into the creation of this universe.

If you’re talking about disability in sci-fi, you’re generally bound to open a particularly dicey can of worms. There’s quite a lot of eugenics narratives that a lot of readers have let slide for years, and the narrative of curing all disabilities is seen as positive, when a lot of the disabilities being described never needed curing in the first place. For the sake of this review, I’ll keep it short, but the bottom line is that it’s gross. But Meru takes a refreshing perspective on disability in sci-fiโ€”not only was Jayanthi, the protagonist, specifically engineered to have sickle-cell anemia (now THAT’S a subversion I like), her disability is depicted in a far more advantageous and positive light. Anyone who’s ever touched a high school biology textbook probably remembers this example: despite its drawbacks, those with sickle-cell also have increased resistance to many tropical diseases. That’s exactly the case for Jayanthi, whose sickle-cell anemia makes her more suited to the environment of the planet Meru than those without it. Positive disability rep is good enough, but having it specifically depicted as something that gives the character the edge is something special. That, along with the wonderful discussions around disability and bodily autonomy (both allegorical and literal), made Meru a wonderful experience for me as a disabled reader.

In addition, Divya has created such a vibrant cast of characters in Meru! Jayanthi was such an endearing and powerful protagonist, and her relationship with the equally endearing Vaha was full of tenderness, despite its ups and downs. Almost all of the cast added to the book’s masterful suspense and tension, making you feel deeply for all of the relevant characters before things got (very) hairy. Plus, the integration of Sanskrit, several Indian-coded (and other POC characters), and loads of casual queerness was a breath of fresh air from all of the white, male, cishet sci-fi that still dominates the market. We need more books like Meru.

All in all, an intricately-crafted sci-fi novel that dazzled with its detailed worldbuilding, diversity, and refreshing discussions around disability. 4 stars!

Meru is the first book in S.B. Divya’s Alloy Era series, continued by the forthcoming Loka, slated for release in July of 2024. Divya is also the author of Machinehood and Run Time, as well as a contributor to several short story collections.

Today’s song:

NEW SMILE IT’S SO GOOOOOOOOOOOOOOOD (does this mean that we’re closer to hearing “Read the Room” too?????

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

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Book Review Tuesday (6/6/23) – If Tomorrow Doesn’t Come

Happy Tuesday, bibliophiles!

This book came out around a month ago, and I figured it would be a great read to start off pride month (after a very disappointing biography of Josephine Baker). If Tomorrow Doesn’t Come was my first exposure to Jen St. Jude (it’s her debut, after all), but after this, I’m ready to watch for anything else she writes.

Enjoy this week’s review!

If Tomorrow Doesn’t Come – Jen St. Jude

The news has just broken that an asteroid capable of wiping out the population is headed towards Earth in nine days. Avery Byrne had planned to drown herself on her college campus that dayโ€”being closeted from her religious parents, the mounting pressure of college, and undiagnosed depression had become too much to bear. But now, she’s forced to flee her college and face her family. Among them is Cass, her best friend and longtime crush, who she’s been hiding the truth from for years. With nine days until the end of the world, Avery must come face to face with everything that she wanted to run from, but must also realize the hope at the end of the worldโ€”maybe she finally has time to make things right.

TW/CW: suicide, suicide attempt(s), suicidal ideations, homophobia, religious bigotry, mental health issues (depression), natural disasters/end of the world scenarios (impending asteroid impact)

This is a heavy one. That can’t be understated enoughโ€”I always put trigger warnings before my reviews now, but these ones are really important to keep in mind. If Tomorrow Never Comes is a devastating novelโ€”but a deeply important one, as long as you’re in the mental headspace for it.

That being said, one of the best parts about this novel is how Jen St. Jude handles such topics. It would’ve been easy to romanticize or otherwise dramatize Avery’s very real struggles with mental health and queer identity, but everything was handled with such care and grace. It’s clearly a very personal novel; nothing is glossed over, but nothing is overblown to amp up the tension needlessly. We’re very slowly coming out of the post-13 Reasons Why romanticization of suicide and mental health issues, so it’s very important that books like these exist to counteract thatโ€”presenting these subjects exactly as they are.

All of the relationships were also done so well in this novel! Each character was crafted with so much care, and the interactions that each one had with the other really made them stand out. The forced reunion of Avery, her friends, and her extended family in the event of the asteroid created so many moments that felt refreshingly humanโ€”messy and hard to read at times (part of the ending made me cry, full disclosure), but authentic and genuine. Againโ€”in the face of an onslaught of very dramatic apocalypse-oriented YA in the past, it’s so nice to see one that’s full of emotion, but more in the way of real, interpersonal relationships and not 2012 love triangles in the face of impending doom.

That being said, I did have one major problem with this novel. I liked the format that St. Jude had where the novel was split into Avery’s past and present, but the flashback chapters felt somewhat stilted compared to the present day chapters. They leaned a lot more on tellingโ€”giving us information about Avery’s life, friends, and family in a very rote way, as opposed to letting all that bloom naturally. It’s even stranger considering that the present chapters didn’t have this problem at allโ€”maybe it was just some kinks to work out when writing in Avery’s past tense. With all of the heart that this novel had, it just left me wishing for something as fluid as the other chapters.

I’ve seen some people complaining about the ending, but I feel like this novel couldn’t have ended any other way. This novel was always going to be about relationships during the apocalypse, and the mechanics of the apocalypse weren’t meant to be the star of the show. I will admit that I had to turn back to check that yes, this really was the end, it felt like the quiet, tender ending that this novel deserved.

All in all, an emotional and deeply personal story of love at the end of the world. 3.75 stars, rounded up to 4!

If Tomorrow Doesn’t Come is a standalone, and it is Jen St. Jude’s debut novel.

Today’s song:

SAW THE YEAH YEAH YEAHS LIVE LAST NIGHT IT WAS MAGICAL

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

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YA Book Recommendations for Pride Month (2023 Edition) ๐Ÿณ๏ธโ€๐ŸŒˆ๐Ÿณ๏ธโ€โšง๏ธ

Happy Monday, bibliophiles!

Here we are again in pride month! It certainly is a joyous time of year, but in the past few years, it’s been a difficult one, too. All across the country, we have seen waves of anti-LGBTQ+ legislation, and the rhetoric that queer people are unnatural and wish to convert your children has spread like wildfire. We’ve also seen a dangerous increase in book bansโ€”particularly by queer authors and authors of color. Books with diverse perspectives aren’t harming childrenโ€”depriving children of these books is the dangerous part. Now more than ever is it important to read diversely: there’s never any harm in seeing a different perspective through literature. And if you’re really that concerned about “protecting the children,” maybe you should advocate for stricter gun laws instead of worrying about drag queen story hour.

In past years, I’ve split this post up into multiple (organized by genre), but I decided to make it all one post this year to keep it all more organized.

For my previous pride month lists, see below:

KEY:

  • MC: main character
  • LI: love interest
  • SC: side character

Enjoy this month’s Pride Month book recommendations!

๐Ÿณ๏ธโ€๐ŸŒˆ๐Ÿณ๏ธโ€โšง๏ธTHE BOOKISH MUTANT’S YA PRIDE MONTH RECOMMENDATIONS (2023 EDITION)๐Ÿณ๏ธโ€๐ŸŒˆ๐Ÿณ๏ธโ€โšง๏ธ

CONTEMPORARY, REALISTIC FICTION, AND NOVELS IN VERSE:

SCIENCE FICTION:

HISTORICAL FICTION:

FANTASY, MAGICAL REALISM, AND PARANORMAL:

TELL ME WHAT YOU THINK! What are your favorite queer reads that you’ve read recently? Have you read any books on this list, and what did you think of them? Tell me in the comments!

Today’s song:

That it for this year’s pride month recommendations! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (5/2/23) – Star Splitter

Happy Tuesday, bibliophiles!

Honestly, it’s a wonder that I managed to get my hands on this book when I did. I heard about it from a few “out this week” blog posts from other book bloggers (thank you!!), and as of today, the book’s only a week old. I put it on hold on the Kindle library, and it came in surprisingly quick, to my relief! I was super excited by the sci-fi premise, and in most of the relevant aspects, it absolutely delivered!

Enjoy this week’s review!

Star Splitter – Matthew J. Kirby

The method of space travel that 17-year-old Jessica Mathers is familiar with isn’t the kind you’d expect. In for the process to work, teleportation is a crucial stepโ€”the body that you’re in on Earth isn’t the same one that goes to space. But either way, after six years of waiting to reunite with her scientist parents on a faraway exoplanet, Jessica is going to space.

But when she wakes up, she’s alone in the wreckage of the ship that was supposed to carry her and the crew, stranded on an alien planet. The walls of the wreck are covered in the evidence of something sinister, and her parents are nowhere in sight. And a teleported clone of herself may be the only person she can trustโ€”and the only person for miles around on this planet.

TW/CW: sci-fi violence, blood, murder, body horror, loss of loved ones

tread lightly – this review contains some spoilers!

Sci-fi that references old(er) poetry is an incredibly niche demographic, but I’d be lying if I said I wasn’t squarely in the middle of it. You got me there.

This book kind of came out of the blue for meโ€”I forgot that Matthew J. Kirby existed after reading a few of his books in middle school (sorry), so Star Splitter was more of a left-field pick for me. But despite its flaws, it was a fascinating and gripping readโ€”certainly a better addition to the world of YA sci-fi!

Hard sci-fi is hard to nail down for a young adult book; astrophysics and quantum mechanics are hard for anybody to understand, but I can speak for myself as an (older) teenager and a longtime YA when I say that it might be even harder to understand for a younger-skewing audience. Not to insult anybody’s intelligenceโ€”I’m fully including myself in there, in all my new English major glory. But Kirby hit the near-perfect balance with explaining the mechanics of teleportation, and how it factored into space travel. It wasn’t explained like it was being explained to a child, but it didn’t dump all of the information in an unceremonious chunk of jargon, either. And it’s a super fascinating concept to bootโ€”it adds a layer of suspense to an already suspenseful book, there’s significant ramifications for most everything about the world that Kirby sets up, and there’s an existential aspect too. It’s all great there.

The story itself held a lot of water for me as well! There was so much to pick apart in itโ€š from Jessica’s existential conflict about interacting with her own clone (HUH) and her own body to the mystery of what happened to the DS Theseus and its inhabitants. (Also, loved that we had a spaceship called Theseus. I’m assuming it’s a nod to the Ship of Theseus, but it also works on another level when you consider what happened with the crew. I won’t spoil anything about that in particular.) Kirby’s writing consistently kept all of that afloat, juggling two different timelines with suspense unfolding in both of them. His descriptions of the landscape of Hades (Mr. Kirby really likes his Greek mythology, huh?) were also nothing short of lovelyโ€”I’m a sucker for any kind of alien planet exploration, and Star Splitter, for the most part, adequately scratched that itch.

I say “for the most part” because, as much as I loved it, there were so many parts that seemed too important that were just left out of the final conflict. The sideplot about the ruins of an alien city with a giant pile of ground sloth-looking skeletons???? Bioluminescence everywhere?? BEING PURSUED BY AN UNSEEN ALIEN IN THE SHADOWS??? That was my favorite part of the whole novel, but we really didn’t get any resolution to it. It felt like such a crime that we never got to see where that thread led, given how much it was foreshadowed and otherwise built up. I get that it wasn’t necessarily the main conflict, but Kirby gave it a similar amount of weight to the main conflict, so it felt like it was in need of a more satisfying conclusion than “Jessica got out of the city ruins somewhat unscathed.” I NEED MORE. GIVE THE PEOPLE (ME) WHAT THEY WANT.

I feel like this happened a lot with Star Splitter for meโ€”aside from the main conflict, there were so many fascinating and inventive things going on with the world that felt so creative, but were just tossed aside as afterthoughts once they were explained. The fauna on Hades? Mt. Ida? QUANTUM GHOSTS? I was just taken aback by so many parts of the plot, only to have them scrapped in favor of the main conflict, which I…halfway understand. All this is to say that said main conflict was excellent, but I just wanted more. It wasn’t like Star Splitter was an exceedingly long novel eitherโ€”320 pages leaves some room to explore at least a few other aspects of the world, I think. That’s why I’m *officially* putting my rating at 3.75 instead of the full 4 starsโ€”there was so much creative stuff to chew on, but not enough of it was expanded upon. I’ll be needing a sequel, please and thank you. ๐Ÿซถ๐Ÿป

All in all, an inventive and fascinating sci-fi novel that presented a plethora of creative aspects to fill up the plot, but still left me wanting in some places. 3.75 stars, rounded up to 4!

As of now, it looks like Star Splitter is a standalone, but Matthew J. Kirby is the author of several other books for children and young adults, including the Dark Gravity Sequence (The Arctic Code, Island of the Sun, and The Rogue World), The Clockwork Three, A Taste for Monsters, and many others.

Today’s song:

getting caught up on Palehound before Eye on the Bat comes out…another great album!! this song reminds me so much of Wilco

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Books

The Bookish Mutant’s Books for Autism Acceptance Month โˆž

Happy Thursday, bibliophiles!

As some of you may know, April is Autism Acceptance Month here in the U.S.! I don’t think I’ve highlighted a book list for the occasion, but in my ongoing quest for disability rep in general, I’ve come across many great books with Autistic protagonists and stories. If you’re looking to diversify your reading, it’s always important to uplift every kind of marginalized voice, and disability rep in general often gets left in the dust. So I’ve compiled a list of books by Autistic (with one exceptionโ€”the author is still neurodivergent, just not Autistic) for this month.

NOTE: some of the older books on this list may still use the term Asperger’s, but in recent years, the term has since been renamed to Autism Spectrum Disorder (ASD) in the DSM-5, in part because of its association with Hans Asperger, who was involved with Nazism. Some people still use the term, but it is still important to acknowledge the history behind the term.

Enjoy these book recs!

THE BOOKISH MUTANT’S BOOKS FOR AUTISM ACCEPTANCE MONTH

READ:

ON MY TBR:

TELL ME WHAT YOU THINK! Have you read any of these books, and if so, did you like them? What are your favorite books with Autistic rep? Let me know in the comments!

Today’s song:

That’s it for this list of recommendations! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (4/18/23) – The Spear Cuts Through Water

Happy Tuesday, bibliophiles!

I was in a fantasy mood recently, so I decided to pick up The Spear Cuts Through Water after hearing some rave reviews from other bloggers. The gorgeous cover only added to the sell. But in the end, this novel ended up being a major disappointmentโ€”a murky, 500+ page slog that was only enjoyable for fleeting moments. I really need to stop setting myself up for disappointment with all these overly long high fantasy books…

Enjoy this week’s review!

The Spear Cuts Through Water – Simon Jimenez

The Emperor of the Moon Throne has terrorized the land of the Strangled Throat for centuries, aided by his three reckless sons, aptly dubbed The Terrors. But like everything else that he has seized, the Emperor’s power comes from an age-old moon god who has been locked under the palace against her will. But a god is not meant to be kept in captivity.

So she escapes. Aided by Jun, a disgraced palace guard, and Keema, a warrior from a distant, mysterious land, she sets off on a journey to find her freedom. But the Moon Throne will not let go of her so easily…

TW/CW: ableism, cannibalism, child abuse, murder, body horror, substance abuse, mentions of sexual assault (off-page), torture, loss of loved ones

This is one of those instances where I feel like I’ve read a completely different book than all of the 5-star reviewers. I really wanted to like itโ€”and there were a few things that I did likeโ€”but ultimately, it felt like a 20-minute prog-rock song in book form: well-written, but so unneccesarily convoluted and full of itself that it became insufferable.

Before I go on my tirade, I will acknowledge that there were some wonderful, very bold and skilled parts of this novel. Jimenez’s writing had moments of being both beautiful and insightfulโ€”there were a few anchors to pull me through the slog, and his prose had moments of being incredible. 2nd person is always a bold choice, but unlike other aspects of this novel, it was executed very well, succeeding at being both immersive and fresh without feeling like it was bold just for the sake of being so.

“Bold” is generally I word that I could ascribe to most of this book. A lot of it was written in a fresh, nontraditional way, and I appreciated its execution in some sections. But a lot of it just felt like showing offโ€”having unconventional chapter breaks and an infuriating structure just for Jimenez to show that he was capable of doing so. Most of these ended up being to the novel’s detriment. The random “chapter” breaks (there really weren’t any chapters in this book?), which mostly just ended up being sized-up font that was, essentially, what should have just the first sentence of the paragraph. And since they were all just first sentences of the paragraph, there were 2-3 of these breaks per page. POVs got switched without warning and without explanation, making the reading experience overcomplicated where it could’ve been an easy fix. It just felt like it was biting itself in the foot in the name of artโ€”it could have been a beautiful story, if it wasn’t so intent on showing off how “different” it was.

As a result, so much of this novel got lost. Even though I was fairly lost trying to discern whose POV is it this time, I did notice one thing while reading The Spear Cuts Through Waterโ€”where’d the worldbuilding go? Other than the vague notion of a fantasy world (gods and goddesses, some talking animals/spirits, etc.), I had no idea of the layout of the world, the regions of the world, any kind of cultural cues or conventions, any kind of magic system…it just wasn’t there. At all. The same goes for the charactersโ€”they were all but cardboard, moved around like pawns for seemingly no reason. (I get that they were under oath by the Moon God, but the point still stands. They didn’t need to be that stiff.) Other than the reveal about Keema, nothing compelled me about either of them, or any of the other passing side characters. This novel was just so intent on chasing itself in circles that it forgot the essential elements that a novel needs.

All in all, a fantasy with great potential, but that ended up losing itself under layers of attempts to be daring and new. 2 stars.

The Spear Cuts Through Water is a standalone, but Simon Jimenez is also the author of The Vanished Birds.

Today’s song:

LOVE this album, this feels like a perfect match for “There’s No Other Way”

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music

the record – boygenius album review

Happy Monday, bibliophiles!

It’s finally here! The moment that I’ve been patiently waiting for…

After I discovered Phoebe Bridgers back in early 2020 (before it all went wrong), my boygenius revelation came soon after (right around when it really all went wrong). Not only was it my gateway to Julien Baker and Lucy Dacus, but it stood out as a representation of so many thingsโ€”a critique of the pedestals we tend to reserve only for male artists, the way the music industry often lumps together “women in indie rock” simply because of their gender, and the magic that happens when three incredibly talented queer women get together and make music. Their self-titled EP, released in 2018, seemed to be the beginning and end of their relationship, but they secretly reformed and came together to release their first full-length album this March. And the results are simply magical, full of different highs and lows, but emotional and heartrending all the way throughโ€”in the best way.

boygenius’ Rolling Stone cover, an homage to Nirvana

Enjoy this album review!

THE RECORD – BOYGENIUS (album review)

Release date: March 31, 2023 (Interscope records)

TRACK 1: “Without You Without Them” – 8.5/10

never underestimate the power of an intro ๐Ÿฅฒ

If the record encapsulates the friendship of Baker, Bridgers, and Dacus, then this song is the perfect summation of that thesis. boygenius have made me so emotional over a cappella, somehowโ€”their harmonies, pioneered in this case by Lucy Dacus, rise in perfect tandem, as each one thanks their parents, and their parents before them (“who would I be/without you, without them?”)โ€”for the opportunities that brought them together as friends, by a cosmic miracle, and relishing in the quiet moments opening up to one another. Already a hard-hitter, and we’re barely even a minute into the album…

TRACK 2: “$20” – 9/10

Mama told me that it don’t run on wishes, but that I should have fun,

Pushing the flowers that come up

Into the front of a shotgun…

boygenius, “$20”

Rocketing from the quiet moments to a supersonic pace, “$20” remains one of my favorite songs on the album, even after everything else came out. Every lyric is delivered like a punch while grinning, each member’s voice coalescing and pulling apart at just the right moments, fading in and out of sync in perfect deliberation. Everything erupts with Phoebe Bridgers’ final scream, which remains one of the highlights of this album, where all of the pent up energy in this song bubbles to the top and fades out just as quickly. HAAAAAAAGH I STILL CAN’T STOP LISTENING IT’S BEEN LIKE 2 MONTHS

TRACK 3: “Emily I’m Sorry” – 8/10

This was my least favorite of the singles, but it’s still a beautiful heartbreaker of a songโ€”like much of Phoebe Bridgers’ work, the instrumentation (which I still love, especially when everything seems to dissolve at 1:46) takes a backseat to her air-light, heartstring-tugging voice, and lets her shine. It just feels less cohesive as a supergroupโ€”I get that all of the members had their songs that they wrote on their own, but this feels more like a Phoebe Bridgers single that just happens to feature Baker and Dacus than a boygenius song. It’s worked with some of the other songs in that style, but I feel like this would’ve worked better as just Phoebe Bridgers.

TRACK 4: “True Blue” – 8.5/10

sidenoteโ€”the shots of them sleeping in the film remind me so much of Blur’s “No Distance Left to Run” music video…

And it feels good to be known so well

I can’t hide from you like I hide from myself…

boygenius, “True Blue”

Hooooooooowhee, we’re back to Lucy Dacus throwing her whole fist into my chest and tugging at the heartstrings, huh? Is that what we’re doing?

Although (almost) nothing compares to the meteoric ecstasy of “$20,” “True Blue” is still a steadfast favorite of mine on this album. It’s a case study of how perfect the harmonies of these three are for each other. The way that Baker and Bridgers chime in on the bridge always makes my heart sing, as though they were somehow predestined to have this pairing of differently gorgeous voices, all joining hands in another ode to their mutual friendship.

TRACK 5: “Cool About It” – 9.5/10

But we don’t have to talk about it,

I can walk you home and practice method acting,

I’ll pretend that being with you doesn’t feel like drowning…

boygenius, “Cool About It”

This one rapidly rose to become my favorite on the album, and I’ve had it on repeat ever since. boygenius is versatile in the way that they organize songs togetherโ€”sometimes it works with all of them singing at once, as in “$20,” but neatly-sectioned songs like this one, where each of the members gets their time in the spotlight, works just as well as the other. And this one’s the shining highlight of the album, a Simon & Garfunkel-inspired, introspective reflection on the complicated feelings of confronting people who were once prominent in your lifeโ€”not being able to deny their toxicity, but grappling with not being able to outwardly show it. Each facet of their lyricism shinesโ€”Baker’s ability to dig directly into the emotional core of these feelings and making it look easy, Dacus’ dry but solemn display of wit, and Bridgers’ vulnerable confessions steeped in glistening stars. I have nothing but love for this song.

TRACK 6: “Not Strong Enough” – 7/10

Strangely, this was one of my least favorites of the albumโ€”the lyrics remain incredible (and the music video is so sweet ๐Ÿฅฒ), but there’s a country-pop twang to this one that doesn’t quite hook me all the way. There’s no denying how wonderful the ending is as Lucy Dacus builds up the bridgeโ€””always an angel/never a god,” which all comes crashing together as we get another fantastic Phoebe scream.

TRACK 7: “Revolution 0” – 7/10

Though this one doesn’t hit me as hard as some of the others, Phoebe’s soft introspection truly shines on this song. The barely audible strings and the fluttering, dissolving synths make for an atmospheric song that feels like the musical equivalent of watching the sunrise on a crisp, winter morning. I can practically feel my breath fogging out before me, just as all three of their voices seem to gently drift into the air.

TRACK 8: “Leonard Cohen” – 6.5/10

Though Lucy Dacus’ lyrics are still funny and tender at the same time, this song feels oddly disjointed to me. Dacus’ voice comes in at a sudden, weirdly-placed time, and it doesn’t seem like it’s no purpose. Again: lovely lyrics, but the song never quite picks itself up from that initial, rocky start. I hate to say it, but maybe it’s for the best that it’s so short.

TRACK 9: “Satanist” – 8.5/10

(do I get something for being the 666th like on the lyric video for a song called “Satanist”?)

(STOP TRYING TO AUTOCORRECT CRED TO CREDIT SHUT UP SHUT UP)

One of my favorites after the singles, “Satanist” is proof that the neatly-sectioned format of letting each member sing a verse is a perfect way to let them all shine through! With Julien Baker’s witty lyrics and punchy guitars all the way through, it’s just a lovely chunk of indie rock all the way through. The ending, though drastically different, is just as wonderful, with all of their harmonies rising up like bonfire smoke into the night sky.

TRACK 10: “We’re In Love” – 8.5/10

If you rewrite your life,

May I still play a part?

boygenius, “We’re In Love”

Ow, did Lucy Dacus just get saddled with all dealing all of the emotional damage on this album? Does she just have a huge paddle that she’s just musically whapping us with? If that’s the case, “We’re In Love” was what knocked me off my feet for good…ouchie

Nearly 5 minutes long, “We’re In Love” presents Lucy Dacus and company ruminating on the nature of their shared friendship once more, reflecting on inside jokes and quiet moments spent together, and loving every inch of each other despite their flaws. Even outside of their cosmically aligned harmonies, it’s clear that boygenius have struck something truly special with their friendship, a connection that has allowed them to grow and produce no shortage of beautiful, creative works, and get to know each other better through it. It’s gorgeous…get out the tissues.

TRACK 11: “Anti-Curse” – 8/10

Turning back to the more fast-paced side of “Satanist,” “Anti-Curse” has Julien Baker letting loose once more. Though I enjoyed some of Baker’s other tracks more, it still has that raw vulnerability that endeared her to me when I first became a fan, but with the expansion of her more vast, Little Oblivions sound that gives everything even more weight. It feels like the whole song is painted in the same colors as the album color, with sunsets, breaking waves, and the taste of salt in your mouth.

TRACK 12: “Letter To An Old Poet” – 8.5/10

I wanna be happy, I’m ready

To walk into my room without looking for you,

I’ll go up to the top of our building,

And I’ll think of my dog when I see the full moon.

I can’t feel it yet,

But I am waiting…

boygenius, “Letter To An Old Poet”

Oh, so I see they let Phoebe Bridgers have this one tearjerker, and she took the opportunity and RAN with it? YOW.

I can’t think of a more fitting closer for the record. The whole song acts as a sister song to “Me & My Dog,” off of their self-titled EP, a reconciliation not only with the complications of a past relationship, but of a desire to heal oneself, move on, grow, and confront the truth. It’s clearly personal to Phoebe, but it feels like a collective healing call for all of them, a promise that the past is the past, but that we are all different people than who we once were. Every re-worked lyric acts as proof of change, a renewed mindset, and of hope that the future will be better while stargazing. Gah. Beautiful end to a beautiful album…

THIS PHOTOSHOOT HAD NO BUSINESS BEING THIS FUNNY ๐Ÿ’€ I CAN’T GET OVER JULIEN IN THAT FRILLY DRESS HAHAHAEHJKEFKFDKJ

I averaged out all of the ratings for each track, and it came out to about an 8.1! I’m so glad that they decided to make a whole albumโ€”through all of the highs and lows, it displays their talents as individual musicians and as a collective creative force, and I’ll never get sick of their heavenly harmonies. And above all, it stands as a tribute to queer friendship, and every kind of love that we share, no matter the feelings that we associate with it. I’m sure it’ll be one of my favorite records of this year, without contest.

Since this is an album review, consider the entirety of the record to be today’s song.

That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!