As some of you may know, April is Autism Acceptance Month here in the U.S.! I don’t think I’ve highlighted a book list for the occasion, but in my ongoing quest for disability rep in general, I’ve come across many great books with Autistic protagonists and stories. If you’re looking to diversify your reading, it’s always important to uplift every kind of marginalized voice, and disability rep in general often gets left in the dust. So I’ve compiled a list of books by Autistic (with one exception—the author is still neurodivergent, just not Autistic) for this month.
NOTE: some of the older books on this list may still use the term Asperger’s, but in recent years, the term has since been renamed to Autism Spectrum Disorder (ASD) in the DSM-5, in part because of its association with Hans Asperger, who was involved with Nazism. Some people still use the term, but it is still important to acknowledge the history behind the term.
Enjoy these book recs!
THE BOOKISH MUTANT’S BOOKS FOR AUTISM ACCEPTANCE MONTH
On the Edge of Gone – Corinne Duyvis: (YA, Sci-fi) a harrowing, dystopian vision of the world moments after a comet’s blast changes a girl’s life forever. | ⭐️⭐️⭐️.5
Queens of Geek – Jen Wilde: (YA, Fiction) a fun love letter to comic cons, fandom, and geek culture! | ⭐️⭐️⭐️⭐️
An Unkindness of Ghosts – Rivers Solomon: (Adult, Sci-fi) the raw, unforgettable story of a colony ship structured like the Antebellum South, and one woman’s quest to change things for the better. | ⭐️⭐️⭐️⭐️
Afrotistic – Kala Allen Omeiza:(YA, Fiction) I love that this novel centers a young Black Autistic girl—it’s so refreshing to see disability rep that isn’t just white!
Peta Lyre’s Rating Normal – Anna Whateley: (YA, Fiction) I’m a woman of simple tastes. I see queer and neurodivergent rep, and I click “want to read” without a second thought.
Ellen Outside the Lines – A.J. Sass:(MG, Fiction) I don’t read much MG these days, but I’m excited about the queer and Autistic rep in this one!
Social Queue – Kay Kerr:(YA, Fiction) I just started reading this one—I’m excited to see how it explores autism and dating!
TELL ME WHAT YOU THINK! Have you read any of these books, and if so, did you like them? What are your favorite books with Autistic rep? Let me know in the comments!
Today’s song:
That’s it for this list of recommendations! Have a wonderful rest of your day, and take care of yourselves!
Descendant of the Crane and The Ones We’re Meant to Findmade me an instant fan of Joan He, and so I was immediately hooked when I found out that she was cooking up another piece of folkloric-feeling historical fiction! And now that I’ve finished this novel, I can safely say that Joan He has never once let me down. Fingers crossed that it’s consistent.
Zephyr has spent her whole life mapping survival out strategically. It was necessary after she was orphaned while she was still young, but as the strategist of the warlordess Xin Ren, she now holds the fate of a warring country in her hands. Three factions are fighting for dominance under a figurehead of an empress, and any sudden moves could mean that one faction takes over the entire Xin Dynasty.
When Zephyr is sent on a mission to infiltrate the ranks of the enemy to ensure the safekeeping of Xin Ren’s loyal followers, she collides with Crow, an enemy strategist with an agenda of his own. But the boiling point of all three factions is fast approaching, and Zephyr must do anything in order to make it out alive—even if it means exposing herself to the enemy.
I’m not sure why I’m so hesitant to say that Joan He can do no wrong at this point. She’s never missed. Not with Descendant of the Crane, not with The Ones We’re Meant to Find, and certainly not with this novel. Her first two books were already works of art, and I’m glad to say that He is consistent in the quality of her writing, and consistent in her ability to put out so much unique media into the world of literature.
Each Joan He book is memorable in its own way, but what stood out to me about Strike the Zither was how wonderfully cinematic it was. It wasn’t frustratingly quippy or overtly self-serious; He knew just when to hit the balance, juxtaposing war with well-placed zither solos and political intrigue. He seems to do political intrigue especially well—there’s a way to make it genuinely interesting without having the entire focus be on court drama, which happens so often in YA, and with both this novel and Descendant of the Crane, she teases each development just enough to continually keep my attention. With the stylized art on the cover, I could honestly imagine this novel being adapted into a darker Laika Studios stop-motion film, but no matter the medium, Strike the Zither feels like it was born for the screen.
He also has an awareness of her characters that not many YA authors do—she knows that Zephyr and all of the other supporting characters are over the top, and she absolutely rolls with it. Again, Strike the Zither was a master class in balance; Zephyr neither fell into the all-too-common self-seriousness of YA, nor did she constantly break out into the dreaded Marvel Funny personality. She’s theatrical, but in a fun way that doesn’t mire itself in angst unnecessarily. Given this novel’s roots in Chinese classics and folklore, it’s the perfect way to write it; He mentions that the original epic of the Three Kingdoms had a tendency to put historical figures on a godlike pedestal, and this felt like a tongue-in-cheek response to that style.
The pacing of this novel also sealed the deal for me; although it was a little difficult to get into right out of the gate with how the world and its characters were so rapidly introduced, once it got going, the pace never faltered. Every action felt calculated, like the strategist that Zephyr is, and each choice elevated the plot to heights that I didn’t expect Strike the Zither to reach. The main twist was so deftly executed, and it had me grinning from ear to ear when I came across it, and my excitement never waned over the course of this novel. This one’s a must-read, trust me.
All in all, an impressive display of Joan He’s talent on all fronts. 4 stars! I can’t wait for the rest of the duology!
Strike the Zither is the first book in the Kingdom of Three duology; the sequel, Sound the Gong, is set for release in October of 2023 (!!!). Joan He is also the author of Descendant of the Crane and The Ones We’re Meant to Find, both of which are standalones.
Today’s song:
I’ve had this on repeat for the past few days :,) so lovely
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
The Shape of Water has been my all-time favorite movie for several years now—I’m looking over my shoulder at the poster above my bed as I’m writing this. I had the novelization on my TBR for a few years, but only got around to it recently, probably for fear of it not living up to the film. I had no idea that it was a dual release with the film, but after reading it, the novelization of The Shape of Water struggled to live up to the poetic poignance of the film.
Visionary storyteller Guillermo del Toro and celebrated author Daniel Kraus combine their estimable talent in this haunting, heartbreaking love story.
The Shape of Water is set in Cold War-era Baltimore at the Occam Aerospace Research Center, which has recently received its most sensitive asset ever: an amphibious man captured in the Amazon. What unfolds is a stirring romance between the asset and one of the janitors on staff, a mute woman who uses sign language to communicate with the creature.
Developed from the ground up as a bold two-tiered release—one story interpreted by two artists in the independent mediums of literature and film — The Shape of Water weaves together fantasy, horror, and romance to create a tale that is equally gripping on the page and on the big screen.
TW/CW: racism, homophobia, xenophobia, ableism, misogyny, sexual harassment/assault, blood, gore, murder, animal death, loss of loved ones
The Shape of Water is a movie that’s touched my heart in a way that I doubt any other will. In summation, the film is a testament to the marginalized experience—any kind of marginalized or othered group—and self-love and acceptance. Guillermo del Toro is a storyteller without parallel, and maybe that’s why I was so hesitant to pick up the novelization for so long. I had no idea that it was a dual release with the film, but either way, my fears ended up being confirmed—Daniel Kraus’ novelization is faithful in the barest, structural way, but largely failed to capture the heart of the film’s message.
I’m not familiar with Daniel Kraus’ other novels, but even a quick scan on Goodreads tells me that he’s a frequent collaborator with Guillermo del Toro, which, after reading this, frankly surprises me. Del Toro’s storytelling, from this film to Pan’s Labyrinth and the most recent Pinnochio, has a consistently strong emotional core, something that anchors the fantastical elements to our most core human experiences. And somehow, Kraus chose to adapt this novel in the most flat, checklist-like way possible. Yes, all of the beats of the film were there, as well as some bonus content. But thanks to Kraus’ dry writing, the emotional core—what made the story so deeply impactful in the first place—apparently flew straight over his head.
Now, before I get into my major gripes, I will say this—the novelization picks up far more at the halfway point. The chapters that Kraus writes from the perspective of The Asset were an unmistakable highlight, charming, dreamlike, and refreshingly strange compared to most of the other perspectives. I almost find myself wishing that the scene with Bob Hoffstetler and The Asset made it to the film. And the very climactic events in the third act were dealt with the appropriate amount of weight, and the pace picked up significantly, unlike the steady pace of the movie. And as much as I love the dance scene, I completely get the decision to nix it from the novel—out of all of the scenes to translate from screen to page, that would be at the top of the page.
With that out of the way, I was bothered by how much emphasis Kraus places on the antagonist, Strickland. There were some fascinating scenes that never made it to the film of the process of him capturing The Asset in the South American rainforest; they were interesting additions, and although I liked them in general, it mostly ended up being Strickland being incredibly racist. It’s painfully on brand for his character, but beyond that, it seemed like his character got the most page time out of the whole cast. He is the main villain, sure, but given that this story is about the marginalized experience and he is the predatory antithesis to what the film stands for, the decision didn’t leave the best taste in my mouth.
My other main issue was how Kraus wrote the character of Elisa Esposito. For the most part, Kraus was somewhat faithful to her personality, but there were multiple instances where the descriptions of her were incredibly concerning. On several occasions, she is described as “childlike” and “[like] a kindergartener” in scenes where she is struggling to communicate her needs—for those of you who have not seen this film, Elisa is mute, and she uses ASL to communicate. It’s already offensive on the front that Elisa is such a treasured character to me, but Kraus seems to, once again, miss the message of the film by a mile, and ends up right smack in the middle of the all-too-common trope of infantilizing disabled people—especially disabled women. Elisa is in no way “childlike” for trying to communicate her needs—she is a grown woman, and she is frustrated by the struggle to communicate with her abled peers in a world that is not built for her. Let me say it again: Elisa Esposito is a grown woman. Even though Kraus was somewhat respectful in some of his other descriptions of her, but these instances all but negated everything else that he had established in the adaptation.
All in all, a structurally faithful, occasionally beautiful, but often frustrating adaptation of a film that will forever have the prime spot in my heart. 3 stars from a peeved Guillermo del Toro fan. Just watch the movie instead.
The Shape of Water is a standalone, as the film is, but Daniel Kraus has also collaborated with Guillermo del Toro on the novel Trollhunters. Kraus is also the author of The Life and Death of Zebulon Finch, The Teddies Saga, and several other books for all ages.
Today’s song:
saw these legends on Friday night—such a beautiful experience, and I’ve had this song on repeat ever since
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Wednesday, bibliophiles, and more importantly, Happy International Women’s Day!
Aside from that, the month of March in the U.S. is Women’s History Month! These past few years have been tumultuous for women here in the U.S. and elsewhere, with the attacks on bodily autonomy being some of the most violent in recent years. But despite it all, we cannot lose hope—by lifting each other up, we can foster an environment that respects women as equals. And as I’ve always said, literature is resistance: it isn’t just real-life heroes that can inspire us to incite change—fictional heroines can have just the same effect. So for the occasion, I’ve gathered even more feminist YA book recommendations.
An intersectional story that weaves together the lives of four girls in their senior year of high school—one of which will become the president of the United States.
Samira Ahmed always ends up showing up on these lists, and for good reason—she’s never missed with any of her raw and fiercely feminist novels, and Hollow Fires is no exception.
Though this book was far from perfect, I think it’s still worth it to put on this list; the writing and romance weren’t great, but Follow Your Arrow has plenty of timely discussions around bisexuality and how we treat queer women.
Although this list was intended to be just for YA and fiction, I’d be remiss if I made a post about feminism and didn’t include this book. The Trouble With White Women presents a view on feminism that is necessary for moving past simply white feminism, and presents the feminist movement through those on the margins, such as Frances Harper, Pauli Murray, and Alexandria Ocasio Cortez. It’s seriously one of the best nonfiction books I’ve read in ages—on any subject matter.
TELL ME WHAT YOU THINK! What did you think of the books on this list? What are your favorite feminist YA books? Let me know in the comments!
Today’s song:
Most of the Warpaint I’ve heard hasn’t done much for me (aside from their great cover of “Ashes to Ashes”), but I love the quietness of this one!
That’s it for this list of recommendations! Have a wonderful rest of your day, and take care of yourselves!
I forget what triggered it, but a few years back, I piled a bunch of N.K. Jemisin’s books onto my TBR. I just finished up the Great Cities duology recently and enjoyed it (though The World We MakeI enjoyed less so), but I was still excited to read the Broken Earth series from all of the praise it’s been given. I’m usually wary of overly long fantasy books, but The Fifth Season defied all of my expectations and delivered one of the most well-crafted fantasies I’ve read in recent years.
In the land of the Stillness, natural disasters are an inevitable part of life. Every so often, the land goes through cycles of extreme weather, where the earth tears itself apart and the land is blanketed in ash and darkness.
This Fifth Season has arrived once more, and with it comes a world in chaos. Amidst the chaos is Essun, a woman on the run after witnessing her husband murder her young son. Her last hope is her daughter, whose whereabouts are unknown. But in a land filled with unknown disasters and people willing to turn on the orogenes—those with the power to control the earth—Essun must overcome unimaginable hurdles to find her daughter and bring her to safety.
TW/CW: murder, infanticide, abuse, mentions of genocide, slavery, implied rape (child), descriptions of injury/blood, sexual coercion, kidnapping, human experimentation
This is my own bias here, but as a principle, I’m automatically weary of overly long fantasy books; that length usually means something along the lines of either a) excessive, infodumped worldbuilding , b) long stretches of the story without much plot, or c) a combination of both. But The Fifth Season proved me SO wrong on that front—Jemisin dodged both of those traps effortlessly, resulting in one of the most inventive fantasy books I’ve read in years.
My first exposure to N.K. Jemisin was through the Great Cities duology, and I was surprised at how starkly different the writing styles were; The City We Became was witty, but rather ham-fisted more often than not, which somewhat suited the story she was telling. The writing of The Fifth Season was a much better fit for the story’s tone: it hit the balance of being to-the-point and fantastical, a style which, given some of the very dark themes that this novel explores, gives it the respect that it deserves. After finishing this novel, I’m more inclined to this style, but above all, reading the two is proof of her versatility of a writer—Jemisin can bridge the tonal gap and make it look ridiculously easy.
About the worldbuilding—The Fifth Season boasts some of the most detailed and compelling worldbuilding that I’ve seen in a fantasy series, but compelling is the part that I want to emphasize. It’s one thing to flesh out your world, but if the detail you give it is arbitrary and irrelevant to the story you’re trying to tell, it becomes redundant. But Jemisin gives the world of the Stillness a rich, believable history, and considers every consequence imaginable of the constraints in her world. Every ramification of the concepts in her world are considered, and they’re shown in organic ways, from the (gruesome) depictions of how the humans have systemically oppressed the orogenes (also a very sharp social commentary) to the biological consequences of a world constantly gripped by extreme natural disasters. Jemisin left no stones unturned, and it paid off in such an enjoyable way.
And if there’s one thing that N.K. Jemisin can do exceptionally well, it’s make me despise a character with every cell of my being. Her protagonists are compelling, but she’s so skilled at making characters that absolutely make your skin crawl. Both Schaffa and Alabaster were case studies in manipulation, and so many of their scenes, especially when they interacted with Damaya and Syenite, respectively, it was genuinely hard to read, but still so authentic to how authority figures often manipulate those below them, especially if they’re young women. Bottom line: they both sucked, but N.K. Jemisin did a disturbingly good job of making them suck so realistically.
I debated on whether or not to discuss this last part, but it’s really best to go in blind—even if I put a spoiler warning and discussed it, I don’t think I could get across how mind-blowingly well-crafted the main twist with the different POVs was. It’s…AGH. IT WAS JUST SO WELL-DONE. I CAN’T SPEAK COHERENTLY ABOUT IT. Again, even if the worldbuilding is confusing. GO INTO THIS BOOK BLIND. YOU WON’T REGRET IT. IT’S AMAZING. TRUST ME. And a sidetone—props to N.K. Jemisin for seamlessly pulling off a 2nd person POV, and, once again, making it look easy.
All in all, a fantasy novel that defied my expectations on nearly every front, resulting in one of the most enjoyable reads I’ve had all year. 4.25 stars!
The Fifth Season is the first book in the Broken Earth trilogy, followed by The Obelisk Gate (book 2) and The Stone Sky (book 3). Jemisin is also the author of The Great Cities series(The City We Became and The World We Make), the Far Sector series for DC Comics, and many other books.
Today’s song:
this song is delightful, and it’s also proof that the middle school boys who used axe body spray instead of showering have always existed in some form or another
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Tuesday, bibliophiles! I refuse to believe that February is almost over…
I didn’t know that Ashley Woodfolk had come out with a new book until very recently, and I ended up picking it up more on a whim than anything. But Nothing Burns as Bright as You quickly became my favorite read of this month, and easily the best of Woodfolk’s work that I’ve read. Raw, visceral, and consistently powerful, Woodfolk’s prose is great, but her poetry is something else entirely.
Written in verse, Nothing Burns follows two unnamed girls, best friends who slowly but surely realize that they’ve become something more. But when one’s actions begin to toe the line of their relationship, their love—and their lives—fall in jeopardy. The foundation that once sustained their relationship has begun to crumble, but whether it can be glued back together will be decided in the blink of an eye.
TW/CW: racism, homophobia (some religious homophobia), substance abuse, sexual harassment
I kind of love the feeling when a book you just picked up on a whim hits you harder than you ever could have anticipated. I just thought “oh, it’s Ashley Woodfolk, I liked her last book, what could go wrong,” and the next thing I know, I’m highlighting every other line on my Kindle. Nothing Burns as Bright as You is just that powerful, a poignant story of the complexities of a toxic relationship.
Woodfolk’s prose is already excellent, as evidenced in When You Were Everything and several of her short stories, but her poetry hits a note so resonant that I couldn’t stop thinking about it. Every line is nothing short of genius—clever and observant, but nothing short of raw and painful. Nothing Burns as Bright as You is a heart laid bare for all to see, unflinching in the complicated, nuanced realities it depicts.
It would be easy to romanticize the events of Nothing Burns as Bright as You, but Woodfolk knew exactly how to avoid it; it’s a story about falling so hard in love that you lose yourself, but it’s also about coming to terms with loving somebody who drags you through the mud, who breaks you down even when they promise to love you. Setting fire to a dumpster outside of a high school is the perfect set-up for a coming-of-age romance, but a coming-of-age romance this isn’t…and is. The emphasis should be on the coming-of-age part; it’s about learning to heal from somebody that you thought loved you, and grappling with the fact that love isn’t black and white, and like a fire, it can give you warmth, but also consume you to the point of no return.
Even when both of the protagonists went unnamed, their personalities and stories shone through in every page. Despite the fact that it made writing my summary here a little tricky, the character study is vibrant enough that you don’t need names to tell each character apart—their clashing personalities come through in every relentlessly beautiful line. It’s so important to tell more inclusive love stories, but the reality is that not everything is quite so neat and simple—sapphic love isn’t always sunshine and roses. We need our stories of queer Black girls falling in love, but we need our stories of queer Black girls growing from complicated, toxic relationships almost just as much.
All in all, a startlingly raw and beautiful story of the complexities of queer love and being with somebody to the point of danger. 4.5 stars!
Nothing Burns as Bright as You is a standalone, but Ashley Woodfolk is also the author of When You Were Everything and The Beauty That Remains, and has also contributed short stories to collections such as Blackout, A Phoenix Must First Burn, and several others.
Today’s song:
WAAAAAAAAAAAAAAAGH THIS IS SO GOOD I LIKE IT EVEN MORE THAN MOST OF CRACKER ISLAND????
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I’m always up for diverse anthologies, and the fact that this one focused on both sci-fi/fantasy stories and geek/nerd culture from a Black lens was an instant sell for me! There were a few authors that I was familiar with and liked in here—Jordan Ifueko, Roseanne A. Brown, and Leah Johnson, to name a few—so that helped its case too. But as with any anthology, there were hits and misses, but there were still a fair amount of gems within Cool. Awkward. Black.
A multi-genre YA anthology of bestselling, critically acclaimed Black authors challenging the concept of the geek, featuring contributions from Amerie, Kalynn Bayron, Terry J. Benton-Walker, Roseanne A. Brown, Elise Bryant, Tracy Deonn, Desiree S. Evans, Isaac Fitzsimons, Lamar Giles, Jordan Ifueko, Leah Johnson, Amanda Joy, Kwame Mbalia, Tochi Onyebuchi, Shari B. Pennant, K. Arsenault Rivera, Julian Winters, and Ibi Zoboi.
A girl who believes in UFOs; a boy who might have finally found his Prince Charming; a hopeful performer who dreams of being cast in her school’s production of The Sound of Music; a misunderstood magician of sorts with a power she doesn’t quite understand.
These plotlines and many more compose the eclectic stories found within the pages of this dynamic, exciting, and expansive collection featuring exclusively Black characters. From contemporary to historical, fantasy to sci-fi, magical to realistic, and with contributions from a powerhouse list of self-proclaimed geeks and bestselling, award-winning authors, this life-affirming anthology celebrates and redefines the many facets of Blackness and geekiness–both in the real world and those imagined.
TW/CW: racism, misogyny, religion-based bigotry
Cool. Awkward. Black. was hit or miss as a whole, but above all, there were a few fantastic stories in the bunch, and I loved the spotlight on Black sci/fi fantasy, as well as geek culture. With all Black protagonists, many of which are queer and/or disabled, it’s a breath of fresh air, even if not every story was a hit for me.
Since this is an anthology, I’ll do shorter reviews of each story in chronological order.
~
“Our Joy, Our Power” – Julian Winters (⭐️⭐️⭐️.5)
I was expecting to not be a fan of this one after not being a fan of Running With Lions, but this was a surprisingly sweet story! With a tender, queer romance at a comic con and some great commentary on the racism within cosplay culture, this was a great start to the anthology. I’m not sure if it’s enough for me to give Winters’ novels another chance, but I certainly enjoyed it.
“The Book Club” – Shari B. Pennant (⭐️⭐️.5)
I felt obligated to like this one as a former book club president, but this one was a letdown. The concept of this one was interesting enough—a girl finds a book that seems to speak to her when she picks it up, and is then invited to a secret society of magic wielders in the guise of a book club—but the prose veered onto the cheesy side more often than not. I wish we’d gotten a little bit more context around the Society (and…okay, maybe the name was vague on purpose, but I would’ve liked a name more interesting than just “The Society”) and more of what their magic entailed other than the Evil Magician™️ that Must Be Defeated.
“Nina Evans, In the Round” – Kalynn Bayron (⭐️⭐️⭐️⭐️)
This one was an unexpected highlight of the anthology! Again, my expectations were rather low after how much of a sore disappointment Cinderella is Dead was for me, but I loved this story of a Black girl determined to get the role of Maria in her high school’s production of The Sound of Music. Her story of determination was a powerful and timely one, and I loved the poignant themes of Nina breaking the mold and never surrendering.
“Earth is Ghetto” – Ibi Zoboi (⭐️⭐️⭐️⭐️)
Even without the fantastic title, “Earth is Ghetto” is undoubtedly one of the best stories in this anthology! It follows Ingrid, a Haitian immigrant, who witnesses First Contact, and upon speaking to the aliens and wishing to go to their planet, realizes that they harbor many of the same prejudices as humans back on Earth. It’s witty, it’s timely, and it’s unflinchingly questioning of the norms upon which both we and the aliens built our societies. I loved the hopeful ending as well; it’s hard to get this kind of ultimatum that Ingrid has to make across in such a short story, but Zoboi managed to do all that and subvert the usual tropes and endings that go along with it. Great stuff.
“Initiative Check” – K. Arsenault Rivera (⭐️⭐️⭐️)
This was the first time I’d ever heard of K. Arsenault Rivera, and this was a decent story, I’d say. The whole story comprises a group of friends and their Dungeons and Dragons campaign, and although I wasn’t as big of a fan of the campaign aspect of it, I loved the subtle, tender chemistry that Rivera created between her larger cast of characters. A nice, sweet story, but nothing that changed my life.
“Corner Booth” – Leah Johnson (⭐️⭐️⭐️⭐️)
Following in the footsteps of Johnson’s solid rom-coms, “Corner Booth” was the story of two teens meeting after competing with each other for years over a competitive, Scrabble-like spelling app. I loved the definitions scattered throughout, showing Rose’s knack for strategy and etymology, and I loved the buildup of the enemies/rivals-to-lovers romance blossoming between her and Wes. It’s an adorable addition to the anthology, and a standout without a doubt.
“Betty’s Best Craft” – Elise Bryant (⭐️⭐️⭐️.5)
Elise Bryant perfectly captures the chaos of a high school group project, but I find myself wishing that mine had the romance of this story. Another sweet enemies-to-friends/lovers, Bryant wonderfully weaves in the grudge that Betty’s had against Jhamir for years, and takes that buildup into a blossoming friendship—or maybe something more—on a final project for an African American History class. I’ve only read Bryant’s Happily Ever Afters, but “Betty’s Best Craft” felt the same way—a light, sweet, and artsy romance of second chances.
“The Panel Shows the Girl” – Amanda Joy (⭐️⭐️.5)
I really wanted to like this one, and there was one aspect that I really did like—the discussion around disability and accommodations. Amaya’s struggles with trying to get accommodations for her ADHD was one that I knew all too well, and I’m glad to see that perspective represented. That being said, the rest of the story felt clunky to me; the twist about the drawings coming to life felt shoehorned in and poorly executed, and most of the dialogue felt stilted and corny as well. Shame…
“Spirit-Filled” – Jordan Ifueko (⭐️⭐️⭐️⭐️)
I expected nothing less from the author of Raybearer, and “Spirit-Filled” delivered! I loved the discussions around Romilly questioning her faith and the role of women, as well as the suspense built by Romilly’s secret library book locked in the supply closet of her church. Like many of the other short stories in this story, I love how unapologetic it is about questioning authority and systems, and Romilly was a great vehicle for exploring misogyny in some parts of organized religion. Plus, the youth pastor character was appropriately cringey, so that was pretty funny.
“Cole’s Cruise Blues” – Isaac Fitzsimmons (⭐️⭐️⭐️.5)
Although I wasn’t as much of a fan of the writing in this one, it had a wonderful emotional core, and I loved that it featured a trans protagonist! Also, I definitely felt for poor Hailey…man, I feel that 10 year old feel of botching something in front of an audience 😭 I JUST WANNA GIVE THE POOR KID A HUG
“High Strangeness” – Desiree S. Evans (⭐️⭐️⭐️⭐️)
More than ever, this story made me yearn for the experience of stargazing in the middle of nowhere with a goth girlfriend…is that too much to ask?
…please?
“Catalyst Rising” – Tracy Deonn (⭐️⭐️.5)
Unlike some of the other stories, I went into this story with low expectations, and the low expectations were…met. I wasn’t as blown away by Legendborn as everybody else seemed to be, and this story was more of the same. It felt like a very cliched setup for a fantasy chosen one in the real world, and although I liked the inclusion of Petra’s anxiety, the story as a whole just felt so overdone and exaggerated.
“Requiem of Souls” – Terry J. Benton-Walker (⭐️⭐️⭐️.5)
I LOVED the concept of this one, especially the trio of unique ghosts that follow Rocko around, and Rocko using them to get back at those who have wronged him. The musical aspect was a lot of fun as well, and it added some very Tim Burton-like, campy fun to this story. Plus, although being Gen Z has given me a permanent Minecraft association to the word “creeper,” I loved this story’s monstrous Creeper as well.
“Honor Code” – Kwame Mbalia (⭐️⭐️)
The dialogue felt very stilted for me on this one, and beyond that, it felt more like a comprehensive guide to LARPing and not an actual story. If “Honor Code” leaned more on the present day and not so heavily on the multiple flashbacks, it would’ve held so much more water. This one might be my least favorite story in the collection.
“Drive Time” – Lamar Giles (⭐️⭐️⭐️)
Although it wasn’t the most well-written of the collection, I loved the multiple POVs and the nonstop action of “Drive Time.” The writing was more than a little cheesy, but unlike some of the other stories, it felt cheesy for the right reasons—this story is essentially if a botched driver’s test turned into something like Fast & Furious, after all. I appreciate the art of well-placed cheese.
“Wolf Tracks” – Roseanne A. Brown (⭐️⭐️⭐️⭐️)
Nothing beats werewolves tearing a racist troll to shreds (literally, in this sense), does it? I was super excited to read Brown’s addition to the story, and she delivers every bit of it with humor, heart, and grounding emotion that balances levity with more grounded themes.
“The Hero’s Journey” – Tochi Onyebuchi (⭐️⭐️⭐️.5)
I wasn’t expecting to like this one as much after how disappointing Beasts Made of Night was, but “The Hero’s Journey” perfectly captured writer’s block in a way that I’ve never seen in a short story—or any novel that I can think of. I didn’t expect to be called out with the [INSERT CHARACTER NAME IN BRACKETS], but here we are. Happens to the best of us.
“Abyss” – Amerie (⭐️⭐️⭐️⭐️)
I was super impressed by Amerie’s short story in A Phoenix Must First Burn, and her story here was a perfect sendoff for Cool. Awkward. Black. Her character work and descriptions are once again fantastic, and for once, she can make a lack of quotation marks in dialogue an understandable stylistic choice that still makes the story flow. The latter is something that usually gets on my nerves, but Amerie used it greatly to her advantage in “Abyss.”
I averaged out my ratings for each story, and they came out to about a 3.5! I’d say that’s accurate—it was a mixed bag, but there were unexpected gems from both authors that I love and authors that I didn’t like as much previously. Not every one shone, but there were enough fantastic ones in there to make this a wonderful experience. And my ratings aside, I loved the diversity of both the characters and the genres of each story—it’s a very unique collection. 3.5 stars!
Cool. Awkward. Black. is an anthology, and if you click this Goodreads link, you can see all of the previous works of the many authors featured in this collection.
Today’s song:
GAH this has been stuck in my head for a week straight it’s so good
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Tuesday, bibliophiles, and happy Valentine’s Day! I’ve got no plans other than eating cookies, but I’m all for spreading the love. 💗
Son of the Storm has been on my radar for…about 6 months? A year? I’m not sure, but either way, I’m glad I picked it up. Usually, long, epic fantasy books like this make me lose interest, but Suyi Davies Okungbowa has written a tale that had me hooked almost all the way through.
Danso is well on the way to becoming a renowned scholar, but despite the path set before him, he seeks more in life than what his university can teach him. He knows that the city of Bassa has sinister secrets woven into its history, walling itself away from the rest of the world and making every immigrant swear to secrecy. Danso’s bravado catches up with him when he discovers Lilong—and along with her, a type of magic that he never knew existed. A magic that bonds to him, and a magic that could determine his fate and the fates of Bassa itself.
These days, it’s rare for an epic fantasy over 500 pages to keep my attention; to pull it off, you have to not only have great worldbuilding, but you have to buoy it with some kind of action and character building, and more often than not, many will lean on one to propel the page count. I was hoping that Son of the Storm wouldn’t fall into that trap, but to my relief, it gave us all of those elements and more, making for a compelling fantasy that hooked me on the rest of the series!
It’s clear to me that so much care was put into the characters of Son of the Storm, but Danso stood out the most to me. He’s refreshingly fleshed out—he’s lovably cocky, he’s determined, and he can talk his way out of any situation. Beyond that, there was so much nuance to him that made the plot all the more compelling; the wrongs within Bassa had a personal connection to his own family history, and that drove him to discover more about the outside world. It’s a low bar, I know, but I’m so used to epic fantasy having issues that are only tangentially related to their protagonists, and giving Danso a more personal, tangible connection to the plot made the story all the more interesting to read.
And that’s in no small part thanks to Okungbowa’s fantastic writing! His prose hit the perfect balance of fantastical and grounded, making the human aspect of the story shine through. The moments of humor are balanced with moments of meditation on systemic issues and personal biases, and there wasn’t a moment that I thought that either were too much or too little. Although the plot did have brief moments of lulling, Okungbowa easily revived the suspense and action to keep the story moving in ways that made sense and were integral to the journeys of each character. In my experience, it’s difficult to keep up that pace for over 500 pages; usually, something gets lost in the worldbuilding or somewhere else, but Son of the Storm was, for the most part, consistently action-packed.
Back to the characters, however, is where my major problem came in: the multiple POV structure. Normally, I’m a sucker for multiple POVs when they’re done well, giving the reader a chance to see the story through the eyes of several, fleshed-out characters. It’s clear that Okungbowa loves his characters, but maybe he loved them…a little too much. During the last half of the book, we got the POVs of a few side characters that only had relevance in a certain section of the book, taking away the spotlight from the development of the main characters, such as Danso, Lilong, and Zaq. A lot of the time, these characters’ voices didn’t even come through, making the fact that the chapter is from their POV nearly pointless. Having the POVs consistently switch between Danso, Lilong, Zaq, and maybe Esheme would have made the story flow so much better, and it would have made sense to focus on their development rather than a passing side character.
All in all, an action-packed piece of fantasy with lovable characters and a plot that kept me guessing. 4 stars!
Son of the Storm is the first in the Nameless Republic series, followed by Warrior of the Wind, which is slated for release in November of this year. Suyi Davies Okungbowa is also the author of David Mogo Godhunter and several other short stories.
Today’s song:
listened to this album (Leisure) yesterday, and it was a lot of fun!! this one’s a standout
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
February has just rolled around, and in the U.S., the month of February is Black History Month! Ever since I’ve started interacting more with the book blogging community, I’ve been working on reading more diversely, and making posts like these to encourage others to do the same—reading from a single, homogenous perspective is effectively reading in a bubble, when part of what makes reading so special is its ability to give you an easily accessible insight into the perspectives of others.
But this year, the theme of Black History Month is Black Resistance. I’ve been thinking a lot lately about how that relates to YA; a good portion YA literature is inherently tied to resistance and anti-authority sentiments. And yes, part of that may be teenagers rebelling against their parents, but it also instills so much power into its impressionable teen audience: even though you’re young, you have the power to change the world. Now that YA has become more diverse in recent years, it has shown that resistance is even more tangible. That tyrannical, dystopian government that the protagonist must defeat can be translated into real-word terms: systemic racism, police brutality, and so much more. Teaching teenagers (and everybody else, for that matter) that they have that power to change the world is such an important thing, because they will grow up knowing that they can enact the same changes as the characters they read about.
That being said, I have been shifting to read more adult books in the past few years, and I’d be remiss if I didn’t talk about some of the amazing books by adult Black authors as well. I’m too lazy to change the graphic, but I’m also going to include some adult-oriented books in here as well.
So with that, here are some of the YA and adult books by Black authors I’ve read in the past year. If you’d like to see my posts from previous years, click below:
Tiffany D. Jackson has a talent for building suspense, but this is the first time I’ve seen her do a full-blown horror novel—and it was exceptionally chilling!
YA mermaid novels have historically been disappointing for me, but Skin of the Sea gave me hope that a good one is possible—and there can be so many creative twists and perspectives put on it!
Normally, I wouldn’t double up on authors, but Nnedi Okorafor really deserves it here—I still need to finish this series, but it’s so charming and inventive!
TELL ME WHAT YOU THINK! What are some of your favorite books by Black authors that you’ve read recently? Tell me in the comments!
Today’s song:
somehow I didn’t know that this song existed until a few days ago, and I haven’t been able to stop listening to it since
That’s it for this year’s list of Black History Month recommendations! Have a wonderful rest of your day, and take care of yourselves!
I hate to end the month on a negative note review-wise, but I just wasn’t a fan of this novel. I’ve been following Adiba Jaigidar’s books for a little while, and for the most part (still don’t see why Hani and Ishu still gets that much hype), she does well with writing diverse YA romances. I was excited to see her take on a different genre, but to my disappointment, A Million to One read as a half-baked, flimsy excuse for a heist.
For my review of Hani and Ishu’s Guide to Fake Dating, click here!
Josefa, Emilie, Hinnah, and Violeta: four girls from radically different backgrounds, thrown together on the RMS Titanic. Their mission: to steal a copy of the Rubaiyat, embedded with jewels and worth a fortune. With all of their skills combined, the girls are confident that they can swipe the priceless book once and for all. But the Titanic is filled with distractions, romance, and all sorts of obstacles, and the job may be easier said than done. Add in the recent revelation that the Titanic is sinking, and the four realize that they may be in over their heads…
TW/CW: drowning, mentions of parental abuse, loss of loved ones, abandonment
Yikes. I think I’m gonna have to break up with Adiba Jaigirdar after this one. I loved The Henna Wars,Hani and Ishu’s Guide to Fake Dating was decent but nothing earth-shattering, and now A Million to One was just plain disappointing. Her books have just gotten progressively worse for me? I really appreciate that she’s branching out from romance, but it really seems like she bit off more than she could chew.
Before I get to all my gripes, I will say that I loved, as with all of Jaigirdar’s novels, the amount of diversity. It’s historical fiction, but we have Black, Pakistani, and Croatian characters, a sapphic romance, and all but one of the main characters are immigrants, which is always fantastic to see. The thing about A Million to One was that everything came down to the execution, and the execution failed miserably.
If I had to sum up A Million to One in brief terms, it feels like Jaigirdar was watching your garden-variety heist movie, fell asleep half an hour in, and then tried to write a book from that memory as soon as she woke up. All of the beats of a typical heist were technically there, but they all but stood around and did nothing. Everything that should have been interesting about this novel—getting the gang together, the Titanic setting, carrying out the heist, the romance—was glossed over in favor of a good 100 pages of dithering in between each major plot point. It was the skeleton of a heist, lacking all of the meat and muscle that would have made it substantial.
For instance: the first few chapters of the novel. These were dedicated to Josefa assembling her crew, which is the kind of beat that I really enjoy in any kind of heist plot. However, all it consisted of was Josefa randomly going up to the rest of the characters with seemingly no explanation and offering them the job, and them either agreeing to it immediately (???), or, if we were lucky, having a paragraph of deliberation before agreeing to it. This could have been a perfect opportunity to develop the characters (especially since they weren’t developed much at all throughout the novel anyway) and introduce their personalities/roles in the heist, but we got absolutely none of that. It wasn’t like A Million to One was so long that this part of the plot needed to be cut down for time—it’s barely over 300 pages. There was no excuse for that.
And for the amount of opportunities that Jaigirdar had to develop these four characters, most of them were shockingly underdeveloped. Other than some insight on the motivations of Violeta and Emilie, all four characters had nearly indistinguishable voices, personalities, and no reason for being on the mission other than a vague role. We got a bit of a tragic backstory for Hinnah, at least, but a tragic backstory with nothing else to go off of does not a well-developed character make. In addition, we only got a vague idea of what the characters’ roles were—the actress, the thief, the acrobat, and the forger—often with no context. For instance: Violeta was supposed to be an actress, but we got no idea of her background, her training, and how she got to be so good. For a novel that seemed to market the diversity and individuality of the crew, it would’ve been leagues better if I had been able to tell who was who without the chapter titles.
The majority of the novel ended up being a bunch of meaningless dithering about on the Titanic, which was intended to…build up the suspense, I supposed, but it felt like far too many pages of The Gang running around the ship, chatting with a boy or two, trying to throw the guards off their trail, and making no progress whatsoever. There was supposed to be a romance somewhere hidden in there, but it ended up being my problem with Hani and Ishu, amplified: two characters just got thrown together with zero prior chemistry, insinuation, or anything that would suggest love. It got to the point where any movement in the novel was indistinguishable, and by the time I finally got around to the actual heist, any semblance of suspense or action had vanished. The only thing that managed to partially grab my attention was the fact that the Titanic had started to sink, but by then, the only aspect that somewhat grabbed my attention was that half of the main cast died. If major character deaths are the only thing that are keeping your reader interested, then something is very wrong with your plot.
All in all, a break from form for Adiba Jaigirdar, but one that ended in a half-baked, borderline boring disaster. 2 stars.
A Million to One is a standalone, but Adiba Jaigirdar is also the author of The Henna Wars, Hani and Ishu’s Guide to Fake Dating, and the forthcoming The Dos and Donuts of Love.
I’ve already posted once today, but have another song anyway:
such a lovely cover 😭
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
The Bookish Mutant 