Happy Saturday, bibliophiles, and more importantly, HAPPY NEW YEAR! 🎆
This tag’s been *patiently* waiting in a little sticky note on my computer since the beginning of quarantine, so I figured that it would be good to start the year off with a cute book tag. I watched most of Schitt’s Creek in 2019, but I finished up the last season at the very beginning of quarantine, and it’s so consistently funny and feel-good!
MOIRA ROSE: An over-the-top character you can’t help but love
Jax from Heart of Iron steals the show in both books in the duology–no shortage of witty quips and HEAPS of sass. He’s the best.
DAVID ROSE:A book that represents your aesthetic
Tillie Walden’s On a Sunbeamperfectly fits the bill for this prompt–a quiet, atmospheric sort of space opera with an interstellar romance woven in.
ALEXIS ROSE:Best character growth/arc
I recently finished Among the Beasts and Briars (which was PHENOMENAL, by the way), and I loved Fox’s growth throughout the book. I guess being accidentally transformed into a human against one’s will just does that to the brain.
STEVIE BUDD:A book with a favorite ride or die friendship/group
I love all of the chaotic space misfits in Ann Aguirre and Rachel Caine’s Honors trilogy, especially in book 3, Honor Lost. They’re all just so distinct in personality and bounce off each other so well, and they’re all just so sweet together.
TED MULLENS:Favorite book with an animal on the cover
Definitely not my favorite book, per se, but The Storm Crowhas quite a few animals on the cover.
COMMUNITY SERVICE: A book you read for school/buddy read/readathon challenge you had low expectations for but ended up being amazing
I read All Out of Prettyfor my school’s book club a few years ago, and it blew me away! Difficult to read, for sure, but raw and powerful. I’d highly recommend it.
“EWW, DAVID!”: A book you DNF’d because the content was too much for you
I wouldn’t say that Infinity Sonwas “too much” for me, per se, but it was just a steaming mess. I just couldn’t put up with it after about the 25% mark or so.
“LOVE THAT JOURNEY FOR ME”: Best series ender/overall series progression
TRUEL1F3was my absolute favorite of the Lifelike trilogy, and such an explosive end to a trilogy like no other.
“EAT GLASS”: An author/series you broke up with
I got through the first four books in the Shatter Meseries (definitely hit-or-miss, but book four was great), but then Defy Mecame along with all these flat-out RIDICULOUS twists that made no sense at all, so I gave up.
“VERY UNINTERESTED IN THAT OPINON”: A popular opinion that you disagree with
Alright, let me just say it out front: I did NOT enjoy The Cruel Prince.The worldbuilding was great and I liked the little illustrations, but none of the characters were likable. At all. And Jude and Cardan’s relationship is all kinds of toxic. (HOW AND WHY DO SO MANY PEOPLE LIKE HIM?)
I TAG ANYONE WHO WANTS TO PARTICIPATE! And if you haven’t watched Schitt’s Creek yet, I highly recommend it!
That’s it for this book tag! Have a wonderful rest of your day, and take care of yourselves!
Happy Friday, bibliophiles! I suppose that the bibliophile greeting doesn’t *quite* fit for this post, but hey, you probably followed this blog for books, right? Today, we’ve got something a little bit different–but at least I kept my promise, didn’t I? I hinted at doing a review for at least a week prior to today…
At the beginning of quarantine, my brother and my parents had just started binging Fargo. So like so many of us have done with different shows in the last 6 months, I starting doing some serious binge-watching. I’d already been exposed to Noah Hawley’s masterful storytelling through Legion, but Fargo never ceased to wow me. I forgot about it for a few months after finishing up season 3, and then the trailer for season 4 came out in September. I didn’t see it coming, but little did I know that this newest season would be my favorite yet!
Here’s the special thing about Fargo: each season follows a plot that, chances are, you’ve seen before: murder mysteries in small towns, sibling rivalries escalated to astronomical proportions, dysfunctional crime families; this season, in particular, centers around the politics of rivaling Italian and African-American gangs in 1950s Kansas City, and a mortician’s family who unwillingly gets caught up in the action. But every season, without fail, Noah Hawley spins it into something that you’ve never seen before, be it with the characters, the cinematography, and the plot twists (and there’s a LOT of plot twists). Fargo is all about the unexpected, and season 4 brings the factor of the unknown and unseen up to levels that I haven’t seen since…well, I guess that season 3 ending…(no spoilers.)
And maybe I’m biased for this one. October was one of the hardest months I’ve had in quite a while, and Fargo was, without a doubt, one of the things that kept me going through it. As the season came out, my days started to revolve around the Monday nights that would inevitably bring another episode to fuel me with enough dopamine to keep me going through the rest of the week. But I genuinely believe that this show embodies what storytelling should be–what good TV should be, really. And this season has truly cemented Fargo as my favorite show. (And considering that I don’t readily jump for murder mysteries/historical fiction, that’s definitely saying something. That’s just the power of Noah Hawley, folks…)
Now, TREAD LIGHTLY! This review may contain some minor spoilers, but for your benefit, I’ll try to keep it light on them. But even so, be warned…
I…can’t really find anything major that I didn’t like about this season, so consider this review a breakdown of most everything that I loved.
Characters/casting/acting: With every Fargo season, there’s no shortage of complex characters and masterful actors (for previous seasons, see: Martin Freeman, Bokeem Woodbine, Jean Smart, Ewan McGregor, David Thewlis, Mary Elizabeth Winstead, etc.), but season 4 in particular had them in no short supply. I loved all of the (HUGE) main cast and many of the supporting characters, but for one reason or another, this is the first season where I’ve gotten really attached to more than one character. And considering that Fargo is one of those shows that 75%-80% of the main cast is killed off by the time the finale rolls around, it…didn’t go over well with my emotions. But in all seriousness, THESE CHARACTERS!
Let me just digress to talk about my three favorites in this season:
Doctor Senator (Glynn Turman): let’s be honest, what’s not to like? He consistently has some of the best lines/general dialogue in this season, he’s strategic, he’s clever, and he’s instantly likable. I’ll get more in depth on the morally gray theme of the whole season later on in the review, but leave it to Fargo to make us AGGRESSIVELY sympathize with all manner of mobsters and criminals…anyways, this guy’s the best.
Ethelrida Smutny (E’myri Crutchfield): LOVE HER! She’s one of the few characters in this season who’s morally right and seeks to do the right thing, and she is such a lovable character in every way. She’s frequently underestimated by most of the adults in this season, but she shows herself to not only be smart–smarter than them, in some cases–, but compassionate and determined to do the right thing. The world needs more people like Ethelrida.
And last but most definitely not least…
Patrick “Rabbi” Milligan (Ben Whishaw): [SCREAMS AND CRIES INTO THE VOID]
Out of the three I just mentioned, he’s absolutely my favorite. He’s endured so much tragedy and trauma over the course of his life, but all he wants is for Satchel to have a better life. Again, no shortage of clever and insightful lines, and objectively one of those characters that just needs a big hug and a mug of hot chocolate. Just…just trust me on that one. You’ll see.
But as far as characters, it doesn’t stop there. Everybody, from Chris Rock (Loy Cannon) to Jason Schwartzman (Josto Fadda) to Jessie Buckley (Oraetta Mayflower) truly shines in season 4. Each character is distinct, complex, and it was an absolute joy to see all of their stories unfold. (Also, it’s worth it just to see Jason Schwartzman just SNAP…that scene of him just pretending to hold a gun and just go “HAGAGAGAGAGHGHAGSDHAGHGHGH” just lives rent-free in my mind now…)
(Plus…THE GAYS WON 2020, EVERYBODY! Can we just talk about how Zelmare and Swanee INVENTED “be gay, do crime?”)
Whew, that went on for a while. BUT WAIT–THERE’S MORE, BECAUSE THIS SHOW IS VERY NEARLY FLAWLESS:
Score and soundtrack: At this point, I think it’s just impossible for Jeff Russo to ever make a bad score for a movie or a TV show. Besides all of the remixes of the music from previous seasons, I loved all of the new songs. I particularly liked Odis (Jack Huston)’s theme (somehow it almost sounds like a car alarm? But in a good way) and the Legion-y song with the shootout with Zelmare and Swanee at the train station. And I loved all of the other songs that were slipped in. No spoilers for the context of the Johnny Cash song in the finale, but when I tell you that I SOBBED…
Timely themes: One of the main complaints I’ve seen about this season is that it’s “too woke,” (🙄) which I think is utterly idiotic. This season’s set in 1950, but it’s more timely than ever–there’s discussions of race, police brutality, immigration, and what it means to be an American. And it’s all handled quite well, I think. One thing I’ve always appreciated about the show as a whole is how it depicts the American police system–for the first three seasons, there’s usually 1-2 cops that actually know what they’re doing, but they’re frequently dismissed by a largely unbelieving and sexist police force. This season is the first where we have both of our main cops as largely corrupt, but we still sympathize with one of them (PTSD relating to WWII). Most of the characters are morally gray as well (I mean, most of the main cast are members of separate gangs), and that contrast was also well-done.
That classic, Noah Hawley weirdness: in every season, there’s at least one episode or plot point that’s highly out of the ordinary, and lucky for us, we got that in the form of episode 9. Besides having a whole episode of Rabbi and Satchel after not seeing them for two episodes, there’s an amazing Wizard of Oz theme with the whole episode. I’ll shamelessly admit to thinking about it for a solid WEEK.
All the Coen Brothers references, of course: Treehorn? The Raising Arizona screaming? Everything that I missed? LOADS OF FUN.
All in all, this was a masterful show from start to finish. My favorite season out of the four, by far, although I love them all. I’m already rewatching the whole season over again…
MY RATING: ★★★★★
TW/CW: Graphic violence (mostly gunshot wounds, but there’s some parts that definitely made me queasy), racism, xenophobia, police brutality, some brief racist/homophobic/ablelist slurs, poisoning, loss of loved ones, alcoholism/substance abuse
EDIT: Whoooooooa, apparently this is my 500th post! Dang…😳
That’s it for this TV review! Have a wonderful rest of your day, and take care of yourselves!
Happy Tuesday, bibliophiles, and happy December! I’m so glad that 2020’s almost over…and it definitely feels like December where I am! There’s been snow falling for a good hour or so, and it looks fittingly wintry outside my window.
And I won this year’s NaNoWriMo yesterday! 35,051 of my goal of 35,000! [pats self on the back]
Well, now then, I guess I should get to the review now, right?
This one is another 2020 release (August 18), and I forget exactly how it came on my radar, but I decided to put it on hold because I wanted a nice feminist book in my life. And…well, the good intentions were all there and the representation’s great, but much of the book ended up being a mess, unfortunately.
Raina and Millie have rarely spoken to each other, but they both have one thing in common–a promising senior year that got derailed. For Raina, it’s her boyfriend not only dumping her, but cheating on her, and being ousted as co-president of the Drama Club. For Millie, it’s her being voted out of the all-boys Mock Trial team, and her controlling father growing worse by the day.
After she writes to a romance advice columnist, Raina finds new solace in a knitting circle who specializes in political activism, and soon, she, Millie, and four other girls united to dismantle the patriarchy of their school, piece by piece.
My expectations were average for Six Angry Girls, what with being in the midst of a reading slump that I’ve just now managed to emerge from, but I’m sad to say that this novel only stretched the slump out longer.
Let’s start with what I liked, because I should be at least a little positive here. And there were a few things I did like about this book. The cast of Six Angry Girls is a lot more diverse than most contemporary feminist YA I’ve come across–in the main cast of six, we have several sapphic characters (including Millie), a sapphic asexual character, two POC characters, and a trans character who uses both she/her and they/them pronouns. So props to Kisner for including lots of authentic and casual representation! (Plus, I don’t think I’ve seen any characters–if any at all–who use multiple pronouns, like Izzy does, so that’s always a win!) Kisner also handled the subject of Millie’s abusive father well; those parts were certainly hard to read, but they were handled with aplomb and felt (disturbingly) authentic.
Unfortunately, it all went downhill from here…
First off, let’s talk about the writing. My main issue is that none of the teenagers read like authentic teenagers, and it mainly came down to the dialogue. Other than “I’m” and “I’ve,” there were almost no contractions to be found. Anywhere. As a result, the dialogue felt clunky and inauthentic. Additionally, many of the plot points that were built up for most of the books were rushed, and events that had been alluded to for a good chunk of the book were resolved in two pages or left, so I often found myself lost and thinking “wait, that already happened? That quickly?”
There’s also the issue of a main cast of six. Normally, I’m all for casts of this size–IF every single character is used equally. Millie and Raina were the only characters who narrated, but other than Grace, most of the characters were just…there. Izzy, Veronica, and Nikita didn’t seem to serve much of a purpose, other than diversity and positions in the mock trials. We had zero character development for any of them, and we have only the faintest idea of their personalities. Grace has slightly more of a purpose, at least, but I think that’s in part because she was in a relationship with Millie by the 75% mark.
But my main criticism of Six Angry Girls comes down to the depiction of feminism. I LOVE how Kisner tried to portray all of the feminism, patriarchy-smashing, and nonviolent protesting, but it all seemed…somewhat shallow. There were a variety of issues covered (sexism, homophobia, transphobia, etc.), but neither of them were discussed beyond the surface level, giving it an almost shallow appearance. The mock trial and knitting plots felt loosely tied together, and almost entirely unrelated, and I found myself wondering why the two plots existed. Raina’s and Millie’s stories could have frankly worked as two separate books, and that would have made for a lot less confusion.
And the motives behind most everything seemed to be revenge, which I really didn’t like as it related to feminism. For me, feminism is about seeing injustices and inequality within a community, and fighting back against it. Sure, some of it is about getting back at the oppressor, but ultimately, it’s about creating an equal playing field. In Six Angry Girls, most of the motivations behind all of the plot points were centered around revenge–against Brandon (Raina’s cheating ex), against the Drama Club, and against the Mock Trial team. I’m sure Kisner’s intentions were good, but having the feminist aspects of the book being portrayed as more of a revenge plot than anything else didn’t sit well with me.
All in all, a light and diverse feminist YA that suffered from stilted dialogue, characters without purposes, and a depiction of feminism that was full of holes. 2.5 stars.
Six Angry Girls is a standalone, but Adrienne Kisner is also the author of two other novels, Dear Rachel Maddow and The Confusion of Laurel Graham.
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I haven’t done a TBR clean-out session since August, so now that I have some extra time on my hands, I figured that I’d clear off the cobwebs. I picked one of the older shelves on my TBR (somehow, it’s from early 2019, and it’s 16/72 shelves), so we’ll see how it all goes down…
1. Go to your Goodreads To-Read shelf
2. Order on ascending date added.
3. Take the first 5 (or 10 if you’re feeling adventurous) books.
The pirate crew of the Lady Luck lives by many rules, but chief among them is this: they do not allow men on board.
That’s a rule that quartermaster Grace Porter is willing to break when a shipwrecked young nobleman offers her information of an omniscient map, stolen from his warship by an enemy vessel. Until now, the map was only the stuff of legend… but with its help, Grace may finally be able to hunt down the Mordgris, the sea monsters who stole her mother away from her.
Unfortunately, some members of her crew have other plans…
To find the map and face the Mordgris, Grace will have to confront her past, put the Luck between warring nations, and uncover treachery aboard the ship. And ultimately, her revenge and the destruction of the Mordgris will come at a hefty price: the betrayal of her crew.
Grace promised them they wouldn’t regret this.
She just isn’t sure that she won’t.
Hmm…I like most of the premise (because who would say no to an all-girl crew of pirates?), but I’m smelling an unfortunate romantic subplot between Grace and this…[ahem] “shipwrecked young nobleman…” Not that I’m against romantic subplots, per se, but this one seems shoehorned in to appease the teen audience.
The massive labyrinth was built to protect Zadie Kalver’s isolated desert town. Unfortunately, living in the maze’s shadow makes her feel anything but safe. Even without its enchanted deathtraps and illusions, a mysterious killer named Dex lurks in its corridors, terrorizing anyone in his path.
But when Zadie’s best friend vanishes into the labyrinth-and everyone mysteriously forgets he exists- completing the maze becomes her only hope of saving him. In desperation, Zadie bribes the only person who knows the safe path through-Dex-into forming a tenuous alliance.
Navigating a deadly garden, a lethal blood-filled hourglass, and other traps-with an untrustworthy murderer for her guide-Zadie’s one wrong step from certain death. But with time running out before her friend (and secret crush) is lost forever, Zadie must reach the exit and find him. If Dex and the labyrinth don’t kill her first.
Well, I sort of like the labyrinth aspect, but other than that, there isn’t much about this one that seems different from a good 50% of the dystopian YA that’s emerged from the last decade…
Fatima lives in the city of Noor, a thriving stop along the Silk Road. There the music of myriad languages fills the air, and people of all faiths weave their lives together. However, the city bears scars of its recent past, when the chaotic tribe of Shayateen djinn slaughtered its entire population — except for Fatima and two other humans. Now ruled by a new maharajah, Noor is protected from the Shayateen by the Ifrit, djinn of order and reason, and by their commander, Zulfikar.
But when one of the most potent of the Ifrit dies, Fatima is changed in ways she cannot fathom, ways that scare even those who love her. Oud in hand, Fatima is drawn into the intrigues of the maharajah and his sister, the affairs of Zulfikar and the djinn, and the dangers of a magical battlefield.
Nafiza Azad weaves an immersive tale of magic and the importance of names; fiercely independent women; and, perhaps most importantly, the work for harmony within a city of a thousand cultures and cadences.
Wait…Silk Road? [VERY RECENT AP WORLD FLASHBACKS INTENSIFY]
Most of the time, I don’t readily reach for historical fiction, but The Candle in the Flame sounds like a fascinating blend of that and fantasy! Plus, that cover is gorgeous…
When genderqueer fourteen-year-old Z Chilworth wakes from death after a car crash that killed their parents and sisters, they have to adjust quickly to their new status as a zombie. Always a talented witch, Z can now barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with Mrs. Dunnigan, an elderly witch, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered in an apparent werewolf attack, the town of Salem, Oregon, becomes even more hostile to monsters, and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed.
Ooh…zombies, witches, AND genderqueer representation? SIGN ME UP!
In Kyrkarta, magic—known as maz—was once a freely available natural resource. Then an earthquake released a magical plague, killing thousands and opening the door for a greedy corporation to make maz a commodity that’s tightly controlled—and, of course, outrageously expensive.
Which is why Diz and her three best friends run a highly lucrative, highly illegal maz siphoning gig on the side. Their next job is supposed to be their last heist ever.
But when their plan turns up a powerful new strain of maz that (literally) blows up in their faces, they’re driven to unravel a conspiracy at the very center of the spellplague—and possibly save the world.
Okay, the main reason I put this one on my TBR was because of how good The Disasters was. But even with that aside, I LOVE the sound of this one–magical heists featuring a bunch of chaotic misfits? OF COURSE I want to read it! It has a lowish rating on Goodreads at the moment (3.55), but that’s not stopping me. Plus, that cover…
Lost to time, Tuck Morgan and his crew have slept in stasis aboard the USS John Muir for centuries. Their ship harbors a chunk of Earth, which unbeknownst to them, is the last hope for the failing human race.
Laura Cruz is a shipraider searching the galaxy for the history that was scattered to the stars. Once her family locates the John Muir and its precious cargo, they are certain human civilization is saved.
When Tuck’s and Laura’s worlds collide―literally―the two teens must outwit their enemies, evade brutal monsters that kill with sound, and work together to save the John Muir . . . and the whole human race.
Aside from the fact that they basically stole the first part of the tagline from Alien, I’m totally on board with this kind of sci-fi thriller!
In Saskia’s world, bones are the source of all power. They tell the future, reveal the past, and expose secrets in the present. Each village has a designated seer who performs readings for the townsfolk, and in Midwood, the Bone Charmer is Saskia’s mother.
On the day of her kenning—a special bone reading that determines the apprenticeships of all seventeen-year-olds—Saskia’s worst fears come true. She receives an assignment to train as a Bone Charmer, like her mother, and even worse, a match-making reading that pairs her with Bram—a boy who has suspicious tattoos that hint of violence.
Saskia knows her mother saw multiple paths for her, yet chose one she knew Saskia wouldn’t want. Their argument leads to a fracture in one of the bones. Broken bones are always bad luck, but this particular set of bones have been infused with extra magic, and so the break has devastating consequences—Saskia’s future has split as well. Now she will live her two potential paths simultaneously. Only one future can survive. And Saskia’s life is in danger in both.
In the abstract, deriving magic from bones sounds like an inventive idea–and if well-executed, it’s a lot of fun. But it’s been done several times before, and I can’t seem to find where The Bone Charmer has its original twists on it…
Ashton Hamid knows everything about gaming. His D&D battles are epic; the video game tournaments he organizes, multi-day tests of endurance with players around the world. Real life, however, is a different matter. So when he and his best friend—outspoken “A” student (and social outcast) Vale Shumway—head out on a camping trip to Waterton Lakes National Park with their Phys. Ed. class, Ash figures it’ll be two days of bug bites, bad food, and inside jokes.
Instead, the two friends find themselves in a fight for survival.
An unexpected October snowstorm separates Ash and Vale from the rest of their class. By the time the teens realize they’ve missed the trail, they have wandered deep into the Canadian Rockies. Lost in the wilderness and hunted by deadly predators, their only hope is to work together. But with Vale’s limited supplies and Ash’s inexperience, can the best friends stay alive long enough to find their way back to civilization?
I think the only reason I picked this one up was because of the aro-ace rep (Vale). I don’t read much survival fiction, but I feel like the characters would get on my nerves too. Meh.
Cottonwood Hollow, Kansas, is a strange place. For the past century, every girl has been born with a special talent, like the ability to Fix any object, Heal any wound, or Find what is missing.
Best friends Rome, Lux, and Mercy all have similar talents, but to them, their abilities often feel like a curse. Rome may be able to Fix anything she touches, but that won’t help her mom pay rent or make it any easier to confide in Lux and Mercy about what’s going on at home. And Rome isn’t the only one. Lux has been hiding bigger, more dangerous secrets.
As Rome struggles to keep her friendships close, she discovers the truth about life in Cottonwood Hollow—that friends are stronger than curses, that trust is worth the risk, and sometimes, what you’ve been looking for has been under your feet the whole time.
Well…I like the cover, but I don’t think the magical realism part of this is quite strong enough…it’s just not compelling to me anymore.
VERDICT: LET GO
Cons? Same results as last time. Pros? Last time was my most successful TBR clean-out yet! I was able to weed out a lot of books, and I found some that I kept that I need to check out at the library soon. Good job, self!
Why yes, I HAVE been thinking about the new episode of Fargo all week, why do you ask?
That’s it for this Down the TBR Hole! Have a wonderful rest of your day, and take care of yourselves!
Hey bibliophiles! Thanksgiving break is here, and that means I’m back to posting semi-regularly!
Luckily, after the absolute dumpster fire that October was, November really picked up for me! I’ve started getting my grades up, Biden won the election (!!!!!), and my general mood and mental health have just gotten a lot better.
But before I begin, I’ll just start off with this: I’ll probably start being a little bit more fluid with my posting. I’ll still stick to weekly updates and reviews and such, but depending on how I am that week, I might not do Top 5 Saturdays as much. We’ll see how December goes, anyway. School’s 100% remote now, and everything’s starting to close down again here in Colorado, so I’m fairly certain of another lockdown.
And so this post is for all of the notable novels I read in hiatus, as well as some movies and TV I’ve been enjoying. (Of course, the time I take a break is when I get all the 5-star books…)
Let’s begin, shall we?
WHAT I ENJOYED WHILE I STEPPED INTO THE VOID FOR A FEW WEEKS
It’s been three years since ICE raids and phone calls from Mexico and an ill-fated walk across the Sonoran. Three years since Sia Martinez’s mom disappeared. Sia wants to move on, but it’s hard in her tiny Arizona town where people refer to her mom’s deportation as “an unfortunate incident.”
Sia knows that her mom must be dead, but every new moon Sia drives into the desert and lights San Anthony and la Guadalupe candles to guide her mom home.
Then one night, under a million stars, Sia’s life and the world as we know it cracks wide open. Because a blue-lit spacecraft crashes in front of Sia’s car…and it’s carrying her mom, who’s very much alive.
As Sia races to save her mom from armed-quite-possibly-alien soldiers, she uncovers secrets as profound as they are dangerous in this stunning and inventive exploration of first love, family, immigration, and our vast, limitless universe.
WOW. I was excited to read this one, but I didn’t expect it to pack as much of a punch as it did. This is the prime example of a genre-bending novel–all of the sci-fi, contemporary, and magical realism elements blended seamlessly, and even if I separated the different parts, I enjoyed each little cog in the machine just as much as the other. I found myself rooting for Sia at every step of the way, and her journey and struggle were so heartfelt and painful. Add in some #ownvoices representation and no shortage of timely themes, and you get this novel–unexpected, seamless, and nothing short of a joy to read.
Dove “Birdie” Randolph works hard to be the perfect daughter and follow the path her parents have laid out for her: She quit playing her beloved soccer, she keeps her nose buried in textbooks, and she’s on track to finish high school at the top of her class. But then Birdie falls hard for Booker, a sweet boy with a troubled past…whom she knows her parents will never approve of.
When her estranged aunt Carlene returns to Chicago and moves into the family’s apartment above their hair salon, Birdie notices the tension building at home. Carlene is sweet, friendly, and open-minded–she’s also spent decades in and out of treatment facilities for addiction. As Birdie becomes closer to both Booker and Carlene, she yearns to spread her wings. But when long-buried secrets rise to the surface, everything she’s known to be true is turned upside down.
This one was on my TBR for almost two years, and I’m so glad I picked it up now! The Revolution of Birdie Randolph was one of those rare books that manages to discuss a myriad of issues, but in a way that doesn’t make any of them sound preachy. The struggles of all the characters felt refreshingly real and dealt with in a way that serves to raise conversations. Everything about this novel felt so authentic, which brought me immeasurable joy.
And at the same time, tackling all these issues, Colbert didn’t make it overly heavy–there’s certainly parts that are hard to read, but I didn’t leave it feeling sick to my stomach. At times, it even felt like a slice-of-life story, but I enjoyed that 100%. There’s POC and LGBTQ+ representation aplenty too! All in all, a beautiful and diverse piece of contemporary fiction.
This chance encounter sends them on a journey through West Texas, where strange things follow them wherever they go. The landscape morphs into an unsettling world, a mysterious cat joins them, and they are haunted by a group of threatening men. To stay safe, Bea and Lou must trust each other as they are driven to confront buried truths. The two women share their stories of loss and heartbreak—and a startling revelation about sexual assault—culminating in an exquisite example of human connection.
At this point, every time I read something by Tillie Walden, I’m guaranteed to rate it in the 4.5-5 star range, and Are You Listening? is no exception. A family friend recommended this one to me a few months back, and it wasn’t available at my library at the time, so I ended up reading On a Sunbeam and Spinning beforehand.
I ate this one up in the span of a few hours, and I enjoyed every panel of every page. It’s a story of bonding in the toughest of situations, of sticking together no matter what, of trust. Walden’s artwork is as stunning as ever, turning an unexpected road trip through rural Texas into a strange, desolate, and trippy landscape where nothing is as it seems. And we have two queer women at the wheel–what’s not to love? And a CAT! A CAT!
Alyssa Farshot has spent her whole life trying to outrun her family legacy. Her mother sacrificed everything to bring peace to the quadrant, and her uncle has successfully ruled as emperor for decades. But the last thing Alyssa wants is to follow in their footsteps as the next in line for the throne. Why would she choose to be trapped in a palace when she could be having wild adventures exploring a thousand-and-one planets in her own ship?
But when Alyssa’s uncle becomes gravely ill, his dying wish surprises the entire galaxy. Instead of naming her as his successor, he calls for a crownchase, the first in seven centuries. Representatives from each of the empire’s prime families—including Alyssa—are thrown into a race to find the royal seal, which has been hidden somewhere in the empire. The first to find the seal wins the throne.
Alyssa’s experience as an explorer makes her the favorite to win the crown she never wanted. And though she doesn’t want to be empress, her duty to her uncle compels her to participate in this one last epic adventure. But when the chase turns deadly, it’s clear that more than just the fate of the empire is at stake. Alyssa is on her most important quest yet—and only time will tell if she’ll survive it.
“Perfect for fans of Aurora Rising” [SLAMS THE WANT-TO-READ BUTTON]
This was one of my most anticipated reads for the second half of the year, and I was…a little bit disappointed, not gonna lie. It wasn’t bad, per se–I liked it, but it left me wanting a little more.
There’s no doubt that it was super fast paced and threw me right into the action–a blessing and a curse; a blessing because it kept me reading for a while, on the edge of my seat, and a curse because…we’re given very little information about the world(s) we’re in. I liked the banter between Alyssa, Hell Monkey, and the others, and they had decent chemistry. (Also, there’s quite a lot of LGBTQ+ characters, including Alyssa herself–I’m not sure if she’s bi, pan, or another identity, but she’s definitely shown to like several genders! Woohoo!)
The breakneck speed definitely had me forgetting where everybody was, why x and y was so important, etc. But for a debut novel, I’d say that this is a solid start on Coffindaffer’s part! Not my favorite, but I think I’ll tag along to see what book 2 holds.
MY RATING: ⭐️⭐️⭐️.5
Fargo: Year 4 (2020)
Yep, it’s settled: Fargo is officially my favorite show. Noah Hawley is a true mastermind of storytelling, and every ounce of his creativity truly shines through in this season. I’ve always loved his characters, but this is the first season where I’ve really gotten attached to some of them (which, given the rate at which characters are killed off in this show, is…not good…). Episode 9 (East/West) is, hands down, my favorite of the season so far–the characterizations of Rabbi and Satchel, all the weird Wizard of Oz references…I haven’t been so invested in a show in such a long time. There’s only two episodes left in this season, so you can expect a review in a few weeks’ time…
Alien: Covenant (2017)
David: GUESS WHO’S BACK
Prometheus is definitely one of my favorite movies now, but Covenant wasn’t quite as good. I still enjoyed it though, don’t get me wrong–I love some good, old fashioned sci-fi action, and the twists were so well-executed (though the big one was a tad predictable…I still loved it, though. No spoilers.). I didn’t get attached to any of the characters, but I still adored David, and the creepy little workshop he had going. Everything felt a little rushed, but with where the movie ended, I’m excited to see what else Ridley Scott’s going to pull out of his hat.
Blood Simple (1984)
My family’s Fargo kick has made me put a whole bunch of Coen Brothers on my list. We watched this one last night, and…WHOA. I ASPIRE TO HAVE A DEBUT AS GOOD AS THIS. Sure, it took a while to pick up, but it had that signature tension that makes you get invested in so many of their films. Also, even though I’ve never been to Texas, it definitely captured that weird vibe you get when you’re in the South at night, and you’re super tired, and there’s all this humidity and weird ambience floating around…
So that’s what I’ve been up to while I was gone. As always, thanks for stopping by! Have a wonderful rest of your day, and take care of yourselves!