Posted in Mini Reviews

MINI REVIEWS | Birthday Books (Gifts + What I Blew my Paycheck On)

Happy Tuesday, bibliophiles!

It might still be a week or so before I completely return to some semblance of my normal schedule, but I’m starting to get to the point where I know where I’m going and what I’m doing. And as much as I hate the constant home football games we’ve been having, at least it means that my already quiet floor is even quieter, so I can get my homework done in a serene environment—and write these reviews as well!

Since my birthday last month, I’ve taken all of the books I got—ones that I bought on my birthday and gifts from family—back to my dorm, where I slowly (yes, slowly, settling into college is weird) devoured them over the course of several weeks. I’m happy to say that it was a fantastic batch—not every one was the best book I’ve ever read, but it’s chiefly in the 4-star range. I got a 5-star book out of these as well! And now they sit proudly on my little dorm bookshelf, ready to be reviewed.

Let’s begin, shall we?

THE BOOKISH MUTANT’S BIRTHDAY MINI REVIEWS

Verse, Chorus, Monster! – Graham Coxon

from Goodreads:

Verse, Chorus, Monster! is the memoir of iconic British musician and Blur co-founder Graham Coxon, charting a life of music, fame, addiction and art. Before the noise and clamour of the Britpop era, Coxon was a shy Army kid tempering his anxiety through painting and a growing love of music. As he honed his artistic skill at school, his band with school friend Damon Albarn, fellow student Alex James, and a drummer called Dave Rowntree began to get noticed. But there are things they don’t tell you before you get famous. There are monsters out there. And some may even be lurking inside yourself.

TW/CW: substance abuse/addiction, themes of mental health issues

I’ve been trying to branch out into more nonfiction over the past few years, but even if I wasn’t, I would have picked this up eventually either way. My Blur awakening back in 2021 made sure of that. So of course I was excited to see that Graham Coxon was coming out with a memoir—he’s always struck me as such a sensitive, creative person, and Verse, Chorus, Monster! fortunately cemented that, for the most part!

I always have a lingering fear that celebrity memoirs will somehow ruin my image of them, but with this one, I still hold that Graham Coxon seems like such a deeply insightful and sensitive soul. This glimpse into his mind was all at once raw and touching; the frequent sections about his struggles with anxiety and alcoholism were difficult to read, but I’m so glad to have verbal confirmation that he’s been getting better as of late, and that he’s starting to work on himself in that respect. Beyond that, there’s just so much about this memoir that was immediately endearing. The insight into one of the main creative forces behind one of my favorite bands (and a fantastic solo artist in his own right) was fascinating to hear from the front lines, and I loved the pieces we got of his creative process—opening the book with the spark of inspiration that lead to the hook of my favorite song (“Tender”) was the quickest possible way to win me over. And it’s easy for memoirs to have a sense of humility that’s manufactured, but Coxon’s personality really did come off as genuinely humble.

All in all, an excellent memoir by a truly admirable creative force—and a refreshingly humble one. 4 stars!

This is How You Lose the Time War – Amal El-Mohtar and Max Gladstone

from Goodreads:

In the ashes of a dying world, Red finds a letter marked “Burn before reading.”

So begins an unlikely correspondence between two rival agents in a war that stretches through the vast reaches of time and space.

Red belongs to the Agency, a post-singularity technotopia. Blue belongs to Garden, a single vast consciousness embedded in all organic matter. Their pasts are bloody and their futures mutually exclusive. They have nothing in common—save that they’re the best, and they’re alone.

Now what began as a battlefield boast grows into a dangerous game, one both Red and Blue are determined to win. Because winning’s that you do in war. Isn’t it?

A tour de force collaboration from two powerhouse writers that spans the whole of time and space.

TW/CW: blood, violence, murder, self-harm, descriptions of bodies/corpses, torture, poisoning, war

Hoowhee, brother. This one was good.

Time War had floated on the edges of my radar for years ever since it came out, but I ultimately decided to pick it up on the recommendations of one of my professors and one of my best friends. And their high praise—and the high praise of so many others—was more than well-deserved.

For such a short novella, Time War packs a truly unforgettable gut punch, vibrant and rich with emotion. Who knew that these two characters identified only by colors would consume so much of my days when I read this? I can’t praise this book enough. The prose is beyond rich, truly enchanting and expansive, fitting for the cosmic scale that this story is set in. It has an almost gothic sensibility to it, even with the firmly sci-fi trappings—what’s more romantic, dramatic, and emotional than two lovers reaching for each other across the vastness of space and time itself? But even with this grand scale, This is How You Lose the Time War is one of the most deeply human stories that I’ve read in ages. It taps into that innate desire to love and be loved, or even to just have someone to talk to as the world around you is collapsing. In spite of the grand, cosmic conflict and multiple universes colliding, nothing can come in the way of our desire for love and connection. It’s one of those stories where plot details—names and how this time-spanning war started—mean nothing in the face of the deep resonance of the characters.

Hold me. I need a minute…

What else is there to say? Go read this, what are you even doing? 5 stars!

A Memory Called Empire – Arkady Martine

from Goodreads:

Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn’t an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court.

Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan’s unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation.

TW/CW: themes of colonialism/imperialism, murder/attempted murder, violence

College isn’t all sunshine and rainbows, but man, it’s fun sometimes. I got an A on a literary theory assignment where I compared this book to an essay we read in class. I love being an English major.

If the fact that I used A Memory Called Empire for a literary theory assignment doesn’t make you think that there’s a ton of great stuff to chew on in this book, I’m not sure how else to convince you. It’s fantastic space opera, but it errs more on the side of a political thriller—a common enough combination these days, but one that was so well-executed in this case. Reckoning with the history of colonialism in science fiction has been on the rise—and for a very good reason—but A Memory Called Empire had such an interesting take on it. This is the first of these kinds of novels that I’ve seen tackle the seduction of colonialism; along with the actual murder mystery afoot, Mahit Dzmare is also being pulled—both physically and mentally—into the clutches of the reigning Teixcalaanli Empire, and is being groomed into the ruling culture as she tries to stay afloat and protect her space station from imminent colonization. The character work is nothing short of excellent, the worldbuilding is top-notch, and the suspense is palpable from start to finish. It’s all a treat.

This book has gotten quite a lot of hype over the years, but it really is all that—alluring, suspenseful, and nothing short of insightful. 4 stars!

The World of Edena – Mœbius

from Goodreads:

Stel and Atan are interstellar investigators trying to find a lost space station and its crew. When they discover the mythical paradise planet Edena, their lives are changed forever. The long out-of-print Edena Cycle from Moebius gets a deluxe hardcover treatment! Moebius’s World of Edena story arc comprises five chapters–Upon a Star, Gardens of Edena, The Goddess, Stel, and Sra–which are all collected here.

TW/CW: nudity, mild sci-fi action

I’ve been meaning to get into Mœbius for years now; ever since I reactivated my pinterest and went on a deep dive of sci-fi art, I’ve been drawn to the enigmatic, meticulous, and downright wondrous quality of his art. (I feel like it would’ve happened eventually—turns out that he was a major influence on Tony DiTerlizzi, and especially his inking style in the Search for WondLa trilogy, which has shaped me beyond repair.) I started here with Edena, and I put it on my birthday list.

I still hold that he may be one of my favorite artists. His style is so ethereally captivating, and I found many a piece that I’ve used for my desktop wallpaper in the past few years inside Edena. His landscapes are instantly transporting, and there’s not a single character design lacking in whimsical charm. The story itself…slightly less so? It’s like a sci-fi Yellow Submarine, but if the script was due in an hour and he’d forgotten all about it until then. Given the circumstances, it’s understandable; Edena apparently started out as a car ad (???), and then it took on a life of its own, completely unplanned. There’s inconsistencies aplenty with both the story and the art, but for the most part, it was just so wild that I enjoyed the ride. If it gives you some idea of what happens, Mœbius pulls the classic “IT WAS ALL A DREAM” move that ends up resolving (if you can call it that) the whole mess. It’s nuts. But there were so many pockets that I wished we could have explored more. There were some super interesting gender themes going on—I wish we got to know why Stel and Atan were on their gender-neutral hormone supplements, for a lack of a better word, but the resulting transformation into their Adam and Eve roles (hence the name) was so fascinating, especially since this only came out in the late eighties or so. (Of course, Atan/Atana effectively becomes a damsel in distress post-transformation, but that’s a whole other can of worms. Ouch.)

In short, The World of Edena was beautiful, if not a bit of a mess. Luckily, the mess was endearing, for the most part, or at least fun. 3.75 stars, rounded up to 4!

Firekeeper’s Daughter – Angeline Boulley

from Goodreads:

As a biracial, unenrolled tribal member and the product of a scandal, Daunis Fontaine has never quite fit in—both in her hometown and on the nearby Ojibwe reservation. When her family is struck by tragedy, Daunis puts her dreams on hold to care for her fragile mother. The only bright spot is meeting Jamie, the charming new recruit on her brother’s hockey team.

After Daunis witnesses a shocking murder that thrusts her into a criminal investigation, she agrees to go undercover. But the deceptions—and deaths—keep piling up and soon the threat strikes too close to home. How far will she go to protect her community if it means tearing apart the only world she’s ever known?

TW/CW: racism, murder, sexual harassment and assault, misogyny, rape, death, gun violence, descriptions of injury, substance abuse

Originally, I put off reading this book because a) I’m not usually much of a YA mystery/thriller person, and b) the mountain of hype was certainly intimidating. I ended up reading Warrior Girl Unearthed because the plot fascinated me more from the start, and I loved it so much that I ended up buying Firekeeper’s Daughter after all. And, once again, I’ve been struck with the luck of hyped books being all worth the hype.

Every part of Firekeeper’s Daughter is excellent, from the effortless way that Angeline Boulley weaves a scene and setting together to the never-ending suspense that kept me guessing for page after page, twist after twist. Making a setting as tangible and populated as hers was is no easy feat—and it suited every other aspect of this book in every conceivable way. You can’t have a corrupt, hidden history of a town without the town itself. The sense of community—and the rifts driven into it—were some of the best I’ve seen in YA fiction in quite a while. Part of that wouldn’t have been possible without Boulley’s equally excellent character work; Just like their community, every character feels nothing short of authentic and multilayered. This all made the twists so much more effective—with such layered characters, I learned to expect the unexpected. And even with the ongoing expansion of diversity in YA as a whole, I feel like I haven’t seen as many novels centering Native American or Indigenous characters and stories, so I’m glad that this book exists in that sense as well. (Shoutout to Darcie Little Badger and Moniquill Blackgoose as well!) And Daunis is mixed-race as well! Yay!!!

If you’re questioning whether or not Firekeeper’s Daughter is worth the never-ending hype: trust me, it’s worth a read. 4 stars!

Ammonite – Nicola Griffith

from Goodreads:

Change or die. These are the only options available on the planet Jeep. Centuries earlier, a deadly virus shattered the original colony, killing the men and forever altering the few surviving women. Now, generations after the colony has lost touch with the rest of humanity, a company arrives to exploit Jeep–and its forces find themselves fighting for their lives. Terrified of spreading the virus, the company abandons its employees, leaving them afraid and isolated from the natives. In the face of this crisis, anthropologist Marghe Taishan arrives to test a new vaccine. As she risks death to uncover the women’s biological secret, she finds that she, too, is changing–and realizes that not only has she found a home on Jeep, but that she alone carries the seeds of its destruction. . .

TW/CW: death, violence, animal death, gore

I picked this one up after how much I loved So Lucky, also by Griffith. Thing is, I had no idea that a) this book was written almost 30 years before So Lucky (although this cover should’ve tipped me off to that), and b) that, even with the genre difference, that this would be a very different kind of book. At this point, nothing tops So Lucky for me, but Ammonite was still a fascinating book in its own right.

If you’re going into this book expecting what most would consider traditional science fiction, you’ll be sorely disappointed. Most of it follows Marghe, who is tasked with delivering a vaccine to an isolated colony of women whose community was decimated by a mysterious illness that wiped out all of the men. At its heart, Ammonite is firmly a survival story; it’s a story of the wilderness, of venturing into the unknown, and adapting to the world around you. There are moments of suspense, moments of tenderness, and moments of absolute fear. Another reviewer described it as “Dune but gay,” and other than the more traditionally sci-fi elements of the former, the comparison was spot-on. Ammonite also has the fact that it’s much slimmer than Dune going for it, but given how long Dune is, that’s not saying much. But I think what has seemed to make this book so groundbreaking is its take on gender dynamics. The cast is entirely women, but when all of the men are taken by the illness, the remaining women don’t automatically form a pacifist, hippie commune; there are flawed women, there are good-hearted women, there are warlike women, and everything in between. This banishing of broad generalizations about gender, I think, is what makes Ammonite feel so ahead of its time.

Sidenote: this was written in the nineties, so Nicola Griffith had to have known about goth people…right? Just saying, calling the barely-described alien megafauna “goths” made me envision a giant, towering version of Robert Smith, not, y’know, whatever she wanted us to picture.

All in all, a very unique take on sci-fi and survival with some groundbreaking gender dynamics that have held up for the past 30 years. 3.5 stars!

Abe Sapien, vol. 4: The Shape of Things to Come – Mike Mignola

from Goodreads:

A mutated Abe Sapien fights carnivorous monsters crawling out of the desert sand, a fortified militia that’s walled Phoenix off from the rest of the world, and a vicious zombie swarm, while a mad necromancer rises over the monster-infested ruins of Seattle. Collects issues #6-#7 and #9-#11 of the series.

TW/CW: gore, blood, violence, racism, body horror

I haven’t caught up on the actual Abe Sapien series since…[checks notes], eight grade, I think. Jesus. I just remembered flying to New York when I was about 14 and reading the first volume. But even then, I think I subconsciously chose a good place to pick up with it, since there’s a pretty clear gulf between the first three and vol. 4—before and after Abe gets mutated, shot, and quits the B.P.R.D. Just another day at the office for the guy, y’know?

Suffice to say, I was somewhat disappointed by this volume. It was still enjoyable, and even though I was never the biggest fan of Fiumara’s art, the more stylized look suits Abe’s stretched-out, mutated form. Other than that, there wasn’t a whole lot here that I found terribly memorable. Abe goes through the exact same arc as Hellboy upon leaving the B.P.R.D., but it never seems to culminate in much development on his end. Plot-wise, it’s the same ol’, I’m afraid—Abe goes into a random, apocalypse-ravaged town in the middle of nowhere, and, surprise surprise, it’s time to fight some zombies and witness a copious amount of fungus-related body horror. Somehow, the latter works better when it’s the whole B.P.R.D. trying to deal with it—the group dynamic is what makes B.P.R.D. consistently shine, and as much as I love Abe, I’m not sure if he could carry a story like that when it’s the same format they’ve been using on and off for several years. Abe is one of my favorite Mignolaverse characters, and it’s such a shame that he’s never gotten to shine as much in his solo comics. And judging from the reviews on the later volumes, it seems like the quality tanked until we got the band back together for The Devil You Know. Shame.

All in all, an entetraining trade, but one that ultimately did a disservice to one of the Mignolaverse’s most beloved characters. 3.25 stars.

Today’s song:

I swear, this has to be some of Mitski’s best work in YEARS

That’s it for this batch of mini reviews! Have a wonderful rest of your day, and take care of yourselves!

Posted in Sunday Songs

Sunday Songs: 7/30/23

Happy Sunday, bibliophiles!

I only just found out that today is Kate Bush’s birthday, and sadly, I don’t have any of her music on this week’s batch for the occasion. But it’s just been announced that Mitski is getting ready to play with our emotions again this September, so I guess we’d better buckle up…

Enjoy this week’s songs!

SUNDAY SONGS: 7/30/23

“I Just Threw Out The Love Of My Dreams” – Weezer

Listen. LISTEN. I didn’t intend to weeze you all without warning, I promise. Blame Snail Mail for this one. Get weez’d.

Weezer (The Blue Album) was one of those random albums that I happened to listen to on a whim sometime during the summer of 2020. And, yes, despite the abundant memes and the general smelly incel vibe of most of the male portion of the fandom, Weezer can write a good song. Key word there is a good song. The Blue Album is basically the same song 10 times over, but it’s a good song. I’m not gonna sit here and act like “Buddy Holly” isn’t one of the catchiest tunes that the 90’s ever conceived of. But it wasn’t enough for me to go deeper into their discography, and everything that Pitchfork/Stereogum posts about Rivers “I won’t rest ’till I drop and the crowd goes YEET” Cuomo and co. hasn’t exactly encouraged me. And yet…Weezer with a woman singing? Such a simple change made me feel like I’d ascended into some whole new dimension. Look. I don’t have a CLUE how this song has had the chokehold that it’s had on me for the past two weeks. Never in my life would I have anticipated enjoying a Weezer song nearly as much as I have with this track. But I’m enjoying it wholeheartedly.

“I Just Threw Out The Love Of My Dreams” (if that isn’t the weeziest Weezer song title to ever weeze) has apparently been making a comeback; I must’ve missed it trending on TikTok last year for whatever reason, but either way, Weezer have been bringing it back for their most recent tour, calling on the likes of Snail Mail and Momma to fill in for the female vocals, originally sung by Rachel Haden. It’s a b-side, originally from a scrapped rock opera (again, exactly the kind of thing you’d expect Rivers Cuomo to do) titled Songs from the Black Hole, that only saw the light of day once they came out with the deluxe edition of Pinkteron, which was partially cobbled together from Black Hole; Haden, shamefully, wasn’t paid for her phenomenal vocals on this song, but given its recent spike in popularity, I would hope that she’s getting the last laugh now. There’s really a special magic to this song: it’s got just the right amount of glimmering, space-tinged power pop to make me smile with every listen. The texture of it really does recall some kind of shiny, retro space opera world, with bright red starships and glittering cities on faraway planets. Rachel Haden has a voice that truly soars—it’s already a feat to keep her range so high for most of the song, but once she reaches the second chorus, her voice really seems to burst like a rocket hitting light speed, all at once sweet and rich—perfect for the tone of this contagiously catchy lament. And of course, it’s that perfect earworm length, just over two and a half minutes long, making it impossible to not listen to it on repeat. (Needless to say, my Apple Music Replay is gonna be a wreck this year…)

“the way things go” – beabadoobee

beabadoobee has always been someone on the edges of my periphery; she seems somewhat adjacent to a good amount of the music I listen to (Soccer Mommy, boygenius, Beach Bunny, etc.), but I’ve only ever heard snippets of her music. They were all good snippets, but none of them fully convinced me to listen to her music. That is, until I came upon this video of her first time performing “the way things go” in its infancy last year, a clip taken from her Instagram live:

You know me. This video was perfect sadgirl bait. But something about the combination of the original key and the hypnotic melody made for a song that latched itself to me in the times that I thought I’d forgotten about it. Plus…okay, her expressions are just adorable. I love her already.

Part of me is still partial to the original key, but seeing the shift to the more mature, healed version that finally saw the light of day about a week and a half ago has been such a treat, even from me, pretty much a beabadoobee virgin. Setting aside the fact that the first beabadoobee song to catch my eye seems to be one of her only breakup songs (ouch), “the way things go” is such an immaculately curated song; even if we hadn’t seen several iterations of it shift over the months, it would still be the delicate slice of melancholy-but-hopeful meticulous craft that it is. Everything about it sounds lush and richly-layered, with Bea Kristi’s original guitar twisting through all manner of other instruments (strings, flutes…maybe even a bit of mandolin?) like vines up an old stone wall. Kristi’s voice is as feather-light as the tutus on the music video’s ballerinas, even more endearing than the candid video; even though the change from “the love you said you had, it never showed” to “sometimes showed” is, on the surface less powerful than the original (the inverse of Will Toledo changing “filling out forms from a working printer” to “busted printer” on “Something Soon”?), it’s more evident of personal healing, and that should always be prioritized over emotional “depth” just because it’s sadder. As Kristi says, “I’m happy now, I ought to let you know.”

(sidenote: does anyone have a good place to start w listening to beabadoobee? I think I’m convinced now…)

“Caroline” – Arlo Parks

I talked a bit about Arlo Parks’ more recent music last week, and that was about when I started dipping my toes into her music. I’m still not sure about albums at this point, given my ridiculously Sisyphean album bucket list, but I had a vague recollection of hearing about this song and “Eugene,” both some of her more popular songs, and both of them names, as you could probably tell. And like “Pegasus (feat. Phoebe Bridgers),” both of them went STRAIGHT to the library playlist. I’ve already made many a memory of straightening shelves to the tune of Parks singing “Caroline, I swear to god I tried/I swear to god I tried.”

“Caroline” has an undeniable rhythm. It’s the perfect kind of mid-tempo song: fast enough to nod your head to, but slow enough that it draws you in like honey. Filming parts of the music video in a swimming pool was the perfect choice; the bright blue of the chlorinated water and its gentle, cool flow match this song perfectly. It steadily ripples along, anchored by its hypnotic, immediately hooking drums and the flitting guitar notes that fade into it. I still hold that Arlo Parks has one of the more unique singing voices that I can think of—it has a strange, mercurial quality of being both high and rich, light and thick. And without a doubt, it’s a voice that has no trouble telling a story. In this case, that story is of watching a couple fighting in public. Parks’ fly-on-the-wall approach to framing “Caroline” makes for no shortage of fleshed-out imagery, from the man’s spilled coffee to the necklace that the woman throws into his face. It’s got all the instrumentation of a catchy, indie pop tune, with just the amount of storytelling I like.

“Amen” – Gruff Rhys

In my on-and-off, two year Super Furry Animals kick, I hadn’t even thought to look into Gruff Rhys’ solo career. That’ll come later for me, of course, but again, as always, my dad came through with two of his newest songs, and even though I don’t know a single thing about the soundtrack that they’re from, I’m 100% hooked.

Taken from the soundtrack of the 2022 movie The Almond and The Seahorse (fun name, for sure), “Amen” would be begging for some kind of movie scene if it wasn’t already on this album. Without the context of hearing the rest of Rhys’ solo career, it’s hard to say exactly where the sonic shift from Super Furry Animals to just him happened; whether or not it’s just more suited to the tone of the movie (which would make sense, given that the inciting incident appears to be the main character having a traumatic brain injury) is up in the air, but either way, there’s a more stripped-down quality to “Amen.” Super Furry Animals, for me, were defined by making wacky, experimental, and purely fun (Welsh) Britpop records, sometimes delving into EDM-adjacent insanity (“No Sympathy”) and longer, emotional tracks (“Run! Christian, Run!”), often on the same album (Rings Around the World, #9 on my top 10 favorite albums). They could do grandeur, they could do silliness, they could do political statements. And even though the weirdness is what usually what endears me to Gruff Rhys, “Amen” presents that grandeur without as much of the weirdness, but with no emotional weight lost along the way. Accompanied by strings and Rhys’ gently rasping voice, the piano is the real star of this song; when the instrumentals almost fade to silence at 0:43, only to give way to Rhys’ plea of “I can give you more” and his steady, descending piano chords, I can’t help but feel as though something monumental is shifting around me. I feel like somebody’s pulling at the folds of a dress I’m wearing, and those piano chords turn it from a simple thing into a flowing, layered wedding gown. It’s a song that takes you by the hand and spins you around, and to get that feeling with every listen is such a joy. We really need to appreciate the genius of Gruff Rhys more.

“Bug Like an Angel” – Mitski

As if this year wasn’t already rife with exciting new music, we’ve got new music due from Mitski in September, only a year and a half after her last album! Granted, I feel like her last album (Laurel Hell) was hit or miss, but I’ve gotten to the point where I can expect for most of her music to be compelling, at the very least. And with a title like The Land Is Inhospitable and So Are We, at least something’s bound to be compelling about this new record.

“Bug Like an Angel” certainly is, in its own, quietly captivating way. This title, like the album title (there’s a fair amount of interesting titles on this record…”Buffalo Replaced” is certainly memorable), immediately grabbed me, and from there, Mitski sucked me into another hypnotically haunting song. Most of the song is just her accompanied by an acoustic guitar and the same audio effects that she seems to have been using for most of her careers, but it’s a tricksy. Just as you turn the volume up to hear it better, she hits you with the thrumming, cavernous hum of her voice against a 17-member gospel choir. And as many have noted, “Bug Like an Angel” really does have a hymnal feel, with or without of Mitski’s choral garb in the music video, as well as the track’s final refrain: “I try to remember/The wrath of the devil/Was also given him by God.” There’s no real chorus, but after each verse ends, the choir takes up a chant of the verse’s final (or close to final) words in repetition, voices abruptly rising in volume as Mitski commands them. She has always been commanding—with her combination of lyricism and the power in her voice, it’s hard not to take up the chant of one of her songs or another. So here I am, knowing that I only really liked half of Laurel Hell, returning to the gut feeling of knowing that Mitski has at least a few more gorgeous tracks up her sleeve. I’m certainly saving this one for safekeeping.

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Sunday Songs

Sunday Songs: 1/22/23

Happy Sunday, everyone! I hope this week has treated you well.

1/22/23? The month and the day add up to the year? You would think that would be somewhat auspicious. I wouldn’t know. I also saw a bunny on my walk to the dining hall this morning, so hopefully that should be some kind of Year of the Rabbit good luck. Happy Lunar New Year to all those who celebrate.

I’m back at school, and this week, I’ve already experienced a snow day on the second day of school and one of my professors saying that the whole class kinda “looked like the Mitski fan demographic” whenever somebody mentioned her and we all freaked out. He’s not wrong. Hello, LGBTQ community…

Anyways, we’re breaking away from the maroonish color scheme to bring you something more wintry this week. Fitting for the way-too-cold-for-my-liking temperatures we’re having over here.

Enjoy this week’s songs!

SUNDAY SONGS: 1/22/23

“Undo” – Björk

Vespertine is undoubtedly a winter album. Not in the “it’s January and everything looks dead” kind of way (which is entirely fair in this weather, honestly), but more in a way that recalls a cozy night in a warm house, snuggled up to the fireplace while watching a blizzard come down outside your window, knowing that your windows will be coated with frost by the time morning comes. There’s a resonant warmth that comes through with every track—which should be expected, with how much this album deals with the tender side of love. “Undo” seems to wrap you in an electronic embrace, combining an airy string section and a choir with skittering synths that recall a more hopeful “Kid A.” (puts said playlist transition in my metaphorical back pocket) At her very best, Björk can sweep me off my feet in an instant (see “Bachelorette”), but “Undo” is more of a gentle embrace, the slow wrapping of a scarf around your shoulders as you venture out into the cold.

“Grot” – St. Vincent

And speaking of songs that sweep me off my feet…

I’ve already talked about how much I appreciate different elements of a song coming together to form a seamless final product, but sometimes, the opposite can be just as powerful. “Grot” is all soft curves and razor-sharp edges with no in-between; the song open’s with a loop of Annie Clark’s delicate harmonizations, and by the next measure, industrial noise makes the song explode. Against the backdrop of her once light vocals, Annie Clark’s voice becomes commanding, biting in both its quality and lyricism—”Power doesn’t care what you want/power just wants to watch.” But just as quickly, the noise gradually fades away, the original loop circling back into focus as a string section gives it a more gentle backdrop, until all that’s left is the beginning of the song. “Grot” is proof of Annie Clark’s sheer power as a musician, and although she’s been my musical hero for years, this song makes me long for some future where she embraces the noisiness more. Not to say that everything else (excluding the utter betrayal that was MASSEDUCTION) that she’s done is near-flawless, but I want to see this side of her more.

“Really Really Light” – The New Pornographers

never forget the time The New Pornographers made kid’s merch

The news broke not long ago that The New Pornographers will be releasing a new album, Continue as a Guest (if there was ever a more New Pornographers-y name) at the end of March, with this song as the lead single. It feels like a welcome return to soul and form after their last album; In the Morse Code of Brake Lights was enjoyable, but ultimately, not exactly memorable. “Really Really Light,” however, glides along much like the ice skater in the music video, featherlike and brimming with brightness. It almost bubbles at the edges, the harmonies of A.C. Newman and Neko Case weaving together to make a song that feels lighter than air. Hopefully the rest of Continue as a Guest won’t disappoint—if it’s anything like this song, I think it’ll be a great album. I’ll hold out hope.

“Nobody” – Black Belt Eagle Scout

Another album coming out soon, this time from an artists with what’s absolutely one of the best band names of all time. After the sleepy, restrained melodies of Katherine Paul’s sophomore album, At the Party With My Brown Friends, the past few singles off of the upcoming The Land, The Water, The Sky have been a partial return to form—one that I’m absolutely excited for. The three singles off of the album thus far—“Don’t Give Up,” “My Blood Runs Through This Land,” and this—have reintroduced some fantastic guitars, making for a driving, uplifting sound that gives her sound all of the power it deserves. “Nobody” in particular is a nearly 5-minute chunk of alternative greatness, filled with soaring guitars and Paul’s voice, simultaneously airy and full of power and purpose. Lyrically, it deals with Paul’s relationship with Native American representation, especially in the music industry, making the chorus all the more powerful. “Nobody sang it for me/Like I wanna sing it to you.” Amen.

“(Joe Gets Kicked Out of School for Using) Drugs With Friends [But Says This Isn’t a Problem]” – Car Seat Headrest

This title: hilarious in concept, cumbersome when you’re trying to squeeze increasingly tiny text into a small box. Thanks a bunch, Will. What a guy.

“Drugs With Friends” was an unexpected blast from the past on my shuffle not too long ago, and I am all the better for it. Teens of Denial remains one of my favorite albums of all time, and the second this song started playing, I was transported back to the summer before high school, painting teal over the hot pink walls of my room and devouring Heart of Iron in a hotel room on vacation in Chicago. I often end up overlooking this song just because of how earthshatteringly wonderful tracks like “Cosmic Hero,” “Fill In the Blank,” and “Drunk Drivers/Killer Whales” are, but it boasts just as much merit as any other song on the album. Leave it to Will Toledo to turn a tale of feeling monumentally miserable at a party (and making a series of questionable, acid-induced decisions all the while) into an instantly catchy indie song that would be impossible not to jump up and down to at a concert. Even in more irreverent songs like this, Toledo’s voice has a healing quality to it (and no, I’m not saying that because I had a massive crush on him in 8th grade…okay, maybe I am), moving like honey through the cacophony of guitars and noise. What an album, really.

Anyways, I really hope Will Toledo’s doing okay these days. Long COVID is no joke. I miss Car Seat Headrest.

Since this whole post consists of all songs, consider all 5 to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Posted in Book Review Tuesday

Book Review Tuesday (5/17/22) – Gallant

Happy Tuesday, bibliophiles!

I’ve only started reading V.E. Schwab’s books since last year, when I read the Shades of Magic trilogy and loved it (for the most part). Since then, I’ve had most of her other books on my TBR, including this one. It unexpectedly came on hold at the library recently (originally I was probably at…#43 on the waitlist or something💀), and so I jumped at the chance to read it. What I got was a lush and atmospheric fairytale and an ultimately satisfying read!

Enjoy this week’s review!

Gallant – V.E. Schwab

Olivia Prior knows little about her past. All the clues she has are in her dead mother’s journal, which seems to chronicle her descent into indescribable madness. After graduating from the Merilance School for Girls, Olivia has nowhere to go, until she is invited by letter to Gallant, the Prior family home. She is met with hostility by her estranged, distant relatives, but soon discovers a dark secret: every place in the world has its shadow, but the shadow at Gallant may be larger and more unpredictable than any of the Prior family could have expected.

TW/CW: animal death, ableist language (outdated), blood, murder, loss of loved ones, violence

Strange, dark, and atmospheric, Gallant is a lovely gem of a modern, Gothic fairytale. It’s only my third or fourth (though I remember next to nothing about This Savage Song) foray into Schwab’s writing, but it’s enough to almost put her at auto-buy/checkout status for me!

Where Gallant excels is the atmosphere surrounding it. Even though the supernatural aspect of the book isn’t explicitly shown until the last third or so, there was a consistent air of darkness that hung around it. Every description, from Olivia’s experience at the Merilance School to the mystery of the Gallant house, was filled with dark and creeping prose. It called to mind so many pieces of media that I love—I know Coraline (and Neil Gaiman in general) and Guillermo del Toro have been common comparisons, but they absolutely fit the bill. Reminded me a lot of Courtney Crumrin too.

But what created this atmosphere was all V.E. Schwab’s writing. She has such a unique way with words, and her specialty with crafting immersive settings is much of what made Gallant a success for me. Everything from Olivia’s mother’s descent into madness to the supernatural occurrences converging into Olivia and her cousins was described in such an artful, deliberate way that I could almost feel the dark atmosphere like misty fog on my skin. It’s hard to think of a writing style as unique and layered as V.E. Schwab’s.

However, I still had some complaints. From reading the Shades of Magic trilogy, I felt like the plot itself was what dragged some of the books down. The same was true for Gallant; although the setting, characters, and general premise were set up and well-executed, the plot itself felt nebulous at best, clinging to the singular plot thread of Olivia moving from the girl’s school into her mysterious family home. Everything sped up in the last third of the book or so, and the elements of that section were some of the most interesting—I wanted more!

Additionally, I would’ve liked to know when the book takes place in the first place—there wasn’t a concrete establishment of that. From bits of the worldbuilding and some of the language (particularly the outdated language that surrounded Olivia’s mutism), it was implied that it could’ve been anywhere from the 1800s to the early 1900s. Not necessarily essential, but it made some aspects confusing. (Same problem I had with Encanto—no way I would’ve known that it was set in the 50’s if I hadn’t googled it.)

All in all, a dark and immersive fairytale from an author that I’d love to read more from. 4 stars!

Gallant is a standalone, but V.E. Schwab is also the author of several other book series, including the Shades of Magic trilogy, the Villains trilogy, and The Invisible Life of Addie LaRue.

Today’s song:

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: February 7-13, 2022

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week has generally been quiet; reading poetry in my English classes, studying for far too many quizzes and tests for my liking, and enjoying four relatively sunny days before we got snowed on again. Just low-key, and I like it that way.

I broke out of my brief reading slump, and I really liked most of what I read! I’ve been continuing to focus on books by Black authors this month for Black history month, and I’ve been finding lots of sequels to books that I’ve been eager to read (Redemptor, Adulthood Rites, etc.). I also got to stop by the comics shop, so I got some single-issues to read as well.

In the writing department, I’ve gotten more serious about the editing process; I’ve gotten into the weeds of re-reading and doing a more comprehensive edit, and I’ve been working on resurrecting a few brief scenes. I’m getting better at snipping out some of these continuity errors, but I got [ahem] sidetracked by deciding my one human character’s birthday, so 🥴

writing drawing gif | WiffleGif

Other than that, I’ve just been studying, listening to Portishead, Mitski, and the new Spoon album, and watching Raised by Wolves. We’re also getting a new puppy soon, and we got to visit the litter yesterday!! THEY WERE SO CUTE 😭 We’ll be taking one home in a few weeks, and I will most definitely post a picture when we get him!

WHAT I READ THIS WEEK:

Noor – Nnedi Okorafor (⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️)

Amazon.com: Noor: 9780756416096: Okorafor, Nnedi: Books

Redemptor (Raybearer, #2) – Jordan Ifueko (⭐️⭐️⭐️⭐️)

Amazon.com: Redemptor (Raybearer Book 2): 9781419739842: Ifueko, Jordan:  Books

Cold the Night, Fast the Wolves – Meg Long (⭐️⭐️)

Amazon.com: Cold the Night, Fast the Wolves: A Novel: 9781250785060: Long,  Meg: Books

White Smoke – Tiffany D. Jackson (⭐️⭐️⭐️.5)

White Smoke by Tiffany D. Jackson

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK

(fairly sparse this week since I wasn’t able to volunteer at the library, but here’s what’s on the agenda for now)

Adulthood Rites (Xenogenesis, #2) – Octavia E. Butler

Amazon.com: Adulthood Rites (The Xenogenesis Trilogy Book 2) eBook : Butler,  Octavia E.: Kindle Store

The Road – Cormac McCarthy (for school)

The Road (Oprah's Book Club): Cormac McCarthy: 9780307387899: Amazon.com:  Books

Today’s song:

SUCH A GOOD ALBUM DANG I’ll try to review it soon

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Music

Laurel Hell – Mitski album review

Happy Wednesday, bibliophiles!

2022 is shaping up to be a year full of highly anticipated albums—Spiritualized, girlpool, Spoon (THIS FRIDAY AAAH), and so many others. Mitski’s Laurel Hell was the first of these; I’ve been a fan of Mitski since around 2019 after hearing “Washing Machine Heart” on the radio. Since then, I’ve delved more into her catalogue, but I’d say that 75% of what I’ve heard of hers, I’ve liked—hit or miss, but mostly hits. Bury Me at Makeout Creek was a near perfect album for me, but I haven’t listened to any of her other albums in their entirety.

So when I heard that Mitski was coming out with a new album, I was excited to take another dive into her catalogue. What I got, however, was an album that simultaneously stayed true to her past and branched out in new directions—with varying degrees of success.

Let’s begin, shall we?

Mitski: Laurel Hell Album Review | Pitchfork

LAUREL HELL – MITSKI ALBUM REVIEW

TRACK 1: “Valentine, Texas” – 7/10

“Valentine, Texas” is a sparse and eerie album opener. It slowly creeps along with only faint synths and Mitski’s breathy vocals, but eventually sprawls out into bright piano chords and a steady drumbeat. For me, it’s the musical equivalent of wading through pitch-black water—a beautifully atmospheric song and a great start to this album!

TRACK 2: “Working for the Knife” – 8/10

The fact that “Working for the Knife” was the first single released for Laurel Hell is a blessing and a curse—a blessing that it’s such a fantastic song, and a curse in that…well, it’s the highlight of the album for me, and it got released before everything else and raised my expectations. Nevertheless, this is classic Mitski at her best, with steady instrumentals and raw, biting lyricism aplenty.

TRACK 3: “Stay Soft” – 6/10

Open up your heart

Like the gates of Hell…

Mitski, “Stay Soft”

What Laurel Hell has revealed to me is that Mitski has begun to lean in the direction of poppier material. After the success of songs like “Washing Machine Heart” and “Nobody,” her songs have become more synth-dominated and upbeat (…well, musically upbeat) while still retaining their signature lyrical vulnerability. “Stay Soft” is just that, but for me, it didn’t reach the level of the latter two songs; the lyrics are some of Mitski’s best, but musically, it feels…strangely weak. Restrained, almost. Mixed feelings.

TRACK 4: “Everyone” – 8/10

And I left my door open to the dark,

I said, ‘Come in, come in, whatever you are,’

But it didn’t want me yet…

Mitski, “Everyone”

Although this isn’t *quite* as strong as “Working for the Knife,” it’s doubtlessly one of my favorites from this album. Like “Valentine, Texas,” its instrumentals are sparse, but it’s just as powerful and moving a ballad as any of her previous works. The imagery the lyrics evoke are especially strong, almost like dark fairytales in their sensibilities.

TRACK 5: “Heat Lightning” – 7.5/10

Sleeping eyelid of the sky

Flutters in a dream…

Mitski, “Heat Lightning”

By now, everyone’s made this comparison, but “Heat Lightning” REEKS of The Velvet Underground’s “Venus in Furs”—and it’s great. There’s a feeling of quiet helplessness to it, a reluctant lament accented by pianos and synths. It adds to the feeling I’m getting from most of the album—a distinctly nighttime atmosphere, nighttime in a forest clearing with a lake.

TRACK 6: “The Only Heartbreaker” – 6/10

Out of the four pre-released singles for Laurel Hell, “The Only Heartbreaker” was my least favorite. It was still enjoyable and catchy, but the synths felt bland to me. The fact that it was only co-written by Mitski detracted from it as well; Mitski is her best when the lyrics are all hers, and for a Mitski song, these lyrics bordered on simplistic. Not that simplistic lyricism is all bad, but for an artist like Mitski, it’s uncharacteristic. Still a decent pop song, though.

TRACK 7: “Love Me More” – 8/10

Out of all of the more pop-oriented songs on Laurel Hell, “Love Me More” is my favorite. Unlike with songs like “Stay Soft” or “Should’ve Been Me,” Mitski throws off all restraints on her vocals, letting her beautiful voice soar along with the synth notes that seem to climb with the lyrics. It’s the happy medium between what Mitski once was and what she seems to be aiming to be—vulnerable, but infectiously catchy.

TRACK 8: “There’s Nothing Left For You” – 6.5/10

Like “Valentine, Texas” and “Everyone,” “There’s Nothing Left For You” shows the quieter, somber side of Laurel Hell with soft vocals and bare-bones instrumentals. Although I still like it, it doesn’t pack the same punch as the latter two songs I mentioned—it does have a “kicking in” moment, but it’s in the middle of the song, and fades away to the same as the first third once the song ends. It’s still good, make no mistake, but not quite as powerful.

TRACK 9: “Should’ve Been Me” – 5/10

“Should’ve Been Me” is where Mitski’s pop direion steers into mixed-feelings territory for me. Strangely, although songs like “Nobody” worked with upbeat music and not-so-upbeat lyricism, the musical pep of “Should’ve Been Me” seems far too peppy for the message it attempts to put out. Part of why it doesn’t succeed is where it sits in the album—right next to one of its quietest moments. The transition from “There’s Nothing Left For You” to this makes for a jarring listening experience—and not in a good way.

TRACK 10: “I Guess” – 7/10

“I Guess” should have been the album’s closer. A haunting refrain soundtracked by strains of muffled pianos, Mitski’s vocals reach their fullest potential in this second-to-last track. The production only adds to the “swimming in a lake at night” atmosphere—it’s a beautiful song.

TRACK 11: “That’s Our Lamp” – 5/10

It’s a shame that this is what closes off this album—the worst song, in my opinion. “That’s Our Lamp” is a strange attempt to create an 80’s-esque pop song, but although the music reaches some crescendos, it’s another instance where it feels as though Mitski is restraining herself vocally. The combination makes for a jarring song and a disappointing album closer.

Mitski's 'Laurel Hell' confronts the wild complexity of feeling : NPR

I averaged out all of the song ratings, and it came out to about a 6.7. That feels accurate for the album—I would still consider it an alright album, but there were songs that dragged it down too much. However, there were some hidden gems in the mix, and those are ones I’ll be sure to treasure. I don’t regret listening to the album, but it wasn’t Mitski’s best.

Review: Mitski - Laurel Hell | RANGE

Since this post is an album review, consider this whole post today’s song.

That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: January 31 – February 6, 2022

Happy Sunday, bibliophiles! I hope this week has treated you well.

It’s been a bit of a long week for me—very cold, filled with studying, and topped off with a reading slump. But, miracle of miracles, our school district called a snow day on Wednesday AND a 2-hour delay the next day! Freezing as it was (and it got well below freezing in the middle of the week), it was so nice to sleep in.

As far as my reading, I’ve been in a bit of a slump. I ended up having three 2-star reads in a row, so most of the week was a bit of slog. Fortunately, The Grief Keeper seems to have temporarily broken me out, and I’m excited for the books I got at the library yesterday.

Writing-wise, I’ve been getting deep into the weeds of editing, with…varying degrees of success. I’m in the process of both cutting out and resurrecting scenes, which involves trawling through my almost 600-page first draft (OOPS), so that’s been a bit of a struggle. All in the name of making things more coherent.

Other than that, I’ve just been drawing a bit, practicing guitar, watching the new season of Raised By Wolves (interesting start??), listening to the new Lucy Dacus single (SO GOOD) and the new Mitski album (hit or miss…expect a review soon), and hovering around the fireplace to warm up.

hearts&magic

WHAT I READ THIS WEEK:

Binti (Binti, #1) – Nnedi Okorafor (⭐️⭐️⭐️.5)

Binti (Binti, 1): Okorafor, Nnedi: 9780765385253: Amazon.com: Books

Master of Poisons – Andrea Hairston (⭐️⭐️)

Master of Poisons by Andrea Hairston

This Is Our Story – Ashley Elston (⭐️⭐️)

Amazon.com: This is Our Story: 9781484730898: Elston, Ashley: Books

Odd One Out – Nic Stone (⭐️⭐️)

Amazon.com: Odd One Out: 9781101939536: Stone, Nic: Books

The Grief Keeper – Alexandra Villasante (⭐️⭐️⭐️⭐️)

Amazon.com: The Grief Keeper: 9780525514022: Villasante, Alexandra: Books

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK:

Redemptor (Raybearer, #2) – Jordan Ifueko

Amazon.com: Redemptor (Raybearer Book 2): 9781419739842: Ifueko, Jordan:  Books

Noor – Nnedi Okorafor

Noor by Nnedi Okorafor: 9780756416096 | PenguinRandomHouse.com: Books

Cold the Night, Fast the Wolves – Meg Long

Amazon.com: Cold the Night, Fast the Wolves: A Novel: 9781250785060: Long,  Meg: Books

White Smoke – Tiffany D. Jackson

Amazon.com: White Smoke: 9780063029095: Jackson, Tiffany D: Books

Today’s song:

I CAN’T STOP LISTENING TO THIS

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Monthly Wrap-Ups

January 2022 Wrap-Up 🚡

Happy Monday, bibliophiles!

2022. It’s gonna be a momentous year for me—I’m graduating high school and starting college, after all! January’s been both fun and stressful, but I’d say it’s been a good start to this year so far.

GENERAL THOUGHTS:

Edward & Kim - Edward Scissorhands Fan Art (22305845) - Fanpop

Better than last January, certainly, but that’s a pretty low standard. I blame precalc.

After a barely snowy December, it’s finally felt like winter here. A little…too much so. I like snow, generally, but after the first few I start to get sick of the ice on the roads and waking up at 6 AM in the freezing cold. But that’s Colorado. At least the snow looks beautiful on the mountains.

My last semester of high school…I still haven’t managed to grasp it. But either way, it started out smoothly, and it’s gradually begun to feel more like…well, School. Lots of tests and quizzes to study for, which I’m not thrilled about, but I’m finally in a creative writing class, and I’m really enjoying it! I’ve gotten to write a lot of interesting poetry, and I feel a lot less nervous about reading it out loud now. I ended up stressing out about college a lot this month, but now that there’s more certainty in the future, I feel a lot better. And I think I’ll be very happy with where I’m going.

Editing the WIP has been on and off, but I’ve gone through the first initial read-through! Now that I’ve identified what needs to be done, I just need to tweak things here and there. I’ve been trying for years to be more open about sharing parts of my story with friends and family, and I’m getting closer, but I’m hoping sharing the story itself will be the next step. Kind of needs to be, anyway, if I want to get it published someday…

Other than that, I spent some time with family, got comics, went skiing for the first time since early 2020 (or was it 2019?), I got to see Danny Elfman live (which was AMAZING!!), watched the first two episodes of The Book of Boba Fett then timed out, re-watched Edward Scissorhands and Felt A Great Many Things, watched The House, and got around to drawing a little more.

I’ve also been getting more into X-Men lately—well, more than usual, at any rate. They’ve been special to me for years, but I haven’t been this much into them since…probably this time three years ago, freshman year. I think reading the newer comics has spurred it on again. There’s something oddly sacred about reconnecting with that part of my past self, of knowing that what gave her joy still gives me joy now. To know that I’ve grown so much since then.

I realized that I’ve never really explained where my blog name comes from—the “Mutant” part of “The Bookish Mutant” is a reference to the X-Men.

X men night call movie quotes GIF - Find on GIFER
well said, Kurt. well said.

READING AND BLOGGING:

I read 21 books this month! I put my Goodreads challenge at 200 books because I’m anticipating a hectic year, what with moving into college and all that. Either way, I’m surprised—and glad—to have gotten around to reading this much, however hit-or-miss this batch was.

1 – 1.75 stars:

Amazon.com: Sisters of the Snake: 9780062985590: Nanua, Sasha, Nanua,  Sarena: Books
Sisters of the Snake

2 – 2.75 stars:

I'm Not Missing by Carrie Fountain
I’m Not Missing

3 – 3.75 stars:

Amazon.com: Railhead: 9781630790486: Reeve, Philip: Books
Railhead

4 – 4.75 stars:

Amazon.com: Beyond the End of the World: 9780062893369: Kaufman, Amie,  Spooner, Meagan: Books
Beyond the End of the World

FAVORITE BOOK OF THE MONTH: Who’s Afraid of Virginia Woolf?4.5 stars

Who's Afraid of Virginia Woolf?: Albee, Edward: 0071162004991: Amazon.com:  Books
Who’s Afraid of Virginia Woolf?

SOME POSTS I’M PROUD OF:

POSTS I ENJOYED FROM OTHER WONDERFUL PEOPLE:

SONGS/ALBUMS I’VE ENJOYED:

this is the only audio of this song that I could find on YouTube for some reason?? anyways I love it & my creative writing teacher put the album cover as the header for his google classroom and it’s awesome
new spoon woo woo woo!!
new Mitski will be in our hands so soon!!! can’t wait!!
one of those songs I heard as a kid but only remembered a tiny bit of
at this point, the score for Edward Scissorhands is easily one of my favorite film scores of all time
a hit-or-miss album overall for me, but the highlights of it were incredible

DID I FOLLOW THROUGH ON MY JANUARY GOALS?

Blade runner GIFs - Get the best gif on GIFER
Colorado January hours
  • Set a reasonable Goodreads goal: yep, 200. Now that I’ve gotten through challenges where I’ve read 250-300 books (I still don’t know how I managed the 300 that one time…), I set it lower knowing that this year will be hectic, what with graduating high school and going off to college in the fall. (!!!!)
  • Start 2022 on a good note! I saw Danny Elfman live, for god’s sakes. If that’s not starting 2022 on a good note, then I don’t know what is.

FEBRUARY GOALS:

Happy Valentine's Day, no one! - GIF on Imgur
shamelessly whipping out this gif every year
  • Make another Black History month list—I’ve read so many amazing books by Black authors since last February!
  • Review some of the albums that are coming out next month!! (So many!!)
  • Actually post some art here, if I get the time…it’s about time

Today’s song:

That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!

Posted in Weekly Updates

Weekly Update: January 10-16, 2021

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week was my first week back to school, and it hasn’t been all that bad in that respect. Homework is still light at the moment, so I’m enjoying my last vestiges of time where I come home without anything I need to do.

Reading-wise, it’s been a mixed bag. I’ve been going through a combination of my preorders, my library haul, and my comics from last Friday. I had a lot of time to read this week, but my ratings have been all across the board, so…yep. It’s all over the place.

I’ve been getting back into editing my WIP, and I managed to knock out a few of the most important scenes last night! I’m nearly done with the initial run-through, but I need to go through it again (probably several times) for consistency issues and things I want to add in or subtract, so we’ll see how it goes from here.

Other than that, I’ve just been playing Minecraft, drawing when I can, listening to a whole bunch of new singles (Spoon! Mitski! Guerilla Toss! SPIRITUALIZED!!) and playing guitar. I also went to see Danny Elfman perform with the Colorado Symphony on Friday night!! Absolutely magical. I count myself pretty lucky to have seen Danny Elfman live twice in one year.

Snapchat all your friends at schools with warm weather. | Nightmare before  christmas, Christmas animated gif, Jack skellington gif

WHAT I READ THIS WEEK:

The Kindred – Alechia Dow (⭐️⭐️⭐️⭐️)

The Kindred by Alechia Dow

I’m Not Missing – Carrie Fountain (⭐️⭐️.5)

I'm Not Missing by Carrie Fountain

The Fallen (The Outside, #2) – Ada Hoffmann (⭐️⭐️⭐️)

The Fallen: Hoffmann, Ada: 9780857668684: Amazon.com: Books

Fireborne (The Aurelian Cycle, #1) – Rosaria Munda (⭐️⭐️⭐️⭐️)

Fireborne (The Aurelian Cycle, #1) by Rosaria Munda

Lightless – C.A. Higgins (DNF – ⭐️)

Lightless (Lightless, #1) by C.A. Higgins

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK:

Anthem – Noah Hawley

Anthem: Hawley, Noah: 9781538711514: Amazon.com: Books

Railhead – Philip Reeve (thanks for the rec, Sabrina!)

Amazon.com: Railhead: 9781630790486: Reeve, Philip: Books

Batman: Nightwalker – Marie Lu (adapted by Stuart Moore, illustrated by Chris Wildgoose)

Amazon.com: Batman: Nightwalker (The Graphic Novel): 9781401280048: Moore,  Stuart, Lu, Marie, Wildgoose, Chris: Books

The Cost of Knowing – Brittney Morris

Amazon.com: The Cost of Knowing: 9781534445451: Morris, Brittney: Books

Not Your Sidekick – C.B. Lee

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Posted in Book Review Tuesday, Books

Book Review Tuesday (8/11/20)–Honor Lost (The Honors, #3)

Happy Tuesday, bibliophiles! I hope you’re all having a lovely week, and that you and your loved ones are safe and healthy.

Those who’ve managed to stick around this blog for a while know how much I’ve loved The Honors trilogy. The world of YA sci-fi–particularly space opera–is a small one, and it’s hard to come by one that has the perfect mix of elements that make for a thrilling joyride through the universe. So you can imagine how excited I was to finally get my hands on the final book in the trilogy (and it wasn’t just because I could finally talk about it with my school librarian, who read it before I did 🤣). And I’m happy to announce that Honor Lost did not disappoint!

WARNING: This review contains spoilers for the two previous books, Honor Among Thieves and Honor Bound, so tread lightly if you have not read them and intend to!

Enjoy this week’s review!

Amazon.com: Honor Lost (Honors) (9780062571052): Caine, Rachel ...

Honor Lost (The Honors, #3)–Ann Aguirre and Rachel Caine

My library copy, feat. some more quality sci-fi

Anything that you can imagine in the universe, Zara Cole has likely fought against it. Be it human crime bosses, vengeful Leviathans, or gangs of power-hungry aliens, she, Nadim, Bea, and the rest of their ragtag crew have faced it down. But now, they may have gotten into a war that they can’t escape from.

Lifekiller, an interstellar entity bent on devouring all worlds that fall in its path, is on the hunt. And Zara and her crew are at the top of its Most Wanted list. Can her newfound family defeat this world-swallowing entity–or will they fall prey to it?

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Finishing a series is always bittersweet. There’s a satisfaction of knowing what happens to our beloved heroes, but it’s always followed by the lingering feeling like you’re saying goodbye to a friend. And now that the Honors trilogy has come to a close, I can say with certainty that it will always have a special place in my heart. Aguirre and Caine pull out all the stops to make a blazing firework of a final installment.

You all know how much of a sucker I am for the found family trope, and Honor Lost has made the sweetest, most tender, and lovable gang of space misfits! Besides the original crew of Zara, Nadim, and Bea, we also get to see more of Chao-Xing (absolutely iconic), Starcurrent (MY PRECIOUS CHILD), Xyll (objectively deserves better), Suncross and the rest of his crew (“Cheers, I’ll drink to that, bro”), and all the rest. They each had such distinct personalities and impeccable chemistry, making for a cast of characters that made me feel every feel in the universe.

Now, CAN WE TALK ABOUT ZARA AND BEA? At this point, I think they’re one of my favorite couples in YA sci-fi. Period. Not only do we have a sapphic, multiracial relationship, they bounce so well off of each other, and they have the most caring and beautiful relationship. I just…[happy queer tears]

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Going off of that…this is one of the only aspects I wasn’t a fan of in the novel, but how Nadim factored into the relationship. Let me make myself clear–I’m 100% fine with polyamory, but what makes this kind of odd to me is the fact that one party is…well, y’know, a sentient alien spaceship. A spaceship. There’s obviously a connection between the three of them, but I felt like it could have worked just as well if Nadim’s role was purely platonic. Then again, you’re talking to someone who’s favorite movie is The Shape of Water (and yes, I did think that *the scene* was plenty weird, but it didn’t take away from the film for me), so take that as you will. Like the aforementioned film, though, this didn’t take away from my rating of the novel, mostly because I have a major soft spot for Nadim. Gotta love him.

Even though the Lifekiller is your standard, world-devouring, overpowered sci-fi villain, Aguirre and Caine made it work–he lurks more at the edges of the novel, not truly showing up in full until the climax. Add in some past grudges from Zara, and there’s plenty of heart-pounding conflict to carry the final installment. Through it all, there’s resonant and timely themes of acceptance, family, and individuality, making for a beautiful sendoff for an unforgettable trilogy.

Overall, a thrilling and heartstring-tugging end to a sci-fi trilogy that is not to be missed. 5 stars!

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Will I include an X-Men gif in every post I make this week? Stay tuned to find out!

Honor Lost is the final book in the Honors trilogy, preceded by Honor Among Thieves (book 1) and Honor Bound (book 2). Both Ann Aguirre and Rachel Caine have other works in several genres besides this trilogy.

Today’s song:

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!