It’s February again, and in the U.S., February is Black History Month! For the past few years, I’ve been making an effort to diversify my reading and read books from a variety of BIPOC authors all year round, but during this month, I like to take the time to uplift Black voices and authors. It’s crucial to open yourself up to new perspectives and insights, and all it takes is picking up a new book. (But as always, read books from BIPOC authors all year round!)
I made a list of YA reads from Black authors last year (you can find it here!), but I wanted to do it again since I’ve read so many amazing books since last year. So let’s begin, shall we?
THE BOOKISH MUTANT’S YA READS FOR BLACK HISTORY MONTH (2022 EDITION)
I’ll start this list off with a recent read from an author who is quickly climbing up the ranks of my favorites! Although this wasn’t quite as good as The Sound of Stars, The Kindred was such a sweet, feel-good sci-fi romance!
The Cost of Knowing is immensely powerful; through the perspective of a teen with the power to see the future of everything that he touches, Morris tackles a multitude of important topics, from mental health to police brutality to grief.
GENRES: short stories, fantasy, paranormal, sci-fi, LGBTQ+
MY RATING: ⭐️⭐️⭐️⭐️
A Phoenix Must First Burn is a beautiful anthology of short stories of all genres that depict the Black experience—particularly Black women and nonbinary people. There’s only one short story that I didn’t like as much, but all the rest are fascinating in their own right. My favorite was Amerie’s When Life Hands You a Lemon Fruitbomb.
I don’t read a lot of alternate history or historical fiction books, but The Good Luck Girls was a fantastic read! If you’re a fan of demons, ghosts, patriarchy-smashing, and sisterhood, this is the book for you.
GENRES: contemporary, realistic fiction, novels in verse, LGBTQ+
MY RATING: ⭐️⭐️⭐️⭐️
Again—novels in verse aren’t my usual choice for reading, but The Black Flamingo is a must-read! A beautiful coming-of-age story about growing up mixed-race and gay and discovering drag.
Set in the same world as A Song Below Water, A Chorus Rises explores Naema’s side of the story. Not a lot of authors write separate books from the point of view of the story’s antagonist, and this book was testament to the fact that not everything is black and white—there are several sides to every story.
Every Body Looking, Candice Iloh
GENRES: contemporary, realistic fiction, novels in verse
MY RATING: ⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️
Raw and honest, Every Body Looking is a poetic coming-of-age story of growing up as a woman, growing up Black, and growing up as the daughter of an immigrant. It’s a rough ride, but it packs a punch.
When You Were Everything is the perfect book for anyone who has had a close friendship deteriorate. It’s messy, it’s raw, it’s painful, but above all, it felt so real and wonderfully genuine.
I don’t go for mysteries most of the time, but Ace of Spades was the dictionary definition of edge-of-your-seat suspenseful. All at once a nail-biting mystery and a commentary on systemic racism, this is one you can’t let pass you by.
I guess I’ve bookended this list with feel-good reads…I don’t see a problem with that. You Should See Me in a Crown is a fun and tender LGBTQ+ romance about two candidates for prom queen falling for each other!
Tell me what you think! Have you read any of these books, and if so, what did you think of them? What are your favorite YA books by Black authors? Let me know in the comments!
Today’s song:
That’s it for this list! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope this week has treated you well.
It’s been a bit of a long week for me—very cold, filled with studying, and topped off with a reading slump. But, miracle of miracles, our school district called a snow day on Wednesday AND a 2-hour delay the next day! Freezing as it was (and it got well below freezing in the middle of the week), it was so nice to sleep in.
As far as my reading, I’ve been in a bit of a slump. I ended up having three 2-star reads in a row, so most of the week was a bit of slog. Fortunately, The Grief Keeper seems to have temporarily broken me out, and I’m excited for the books I got at the library yesterday.
Writing-wise, I’ve been getting deep into the weeds of editing, with…varying degrees of success. I’m in the process of both cutting out and resurrecting scenes, which involves trawling through my almost 600-page first draft (OOPS), so that’s been a bit of a struggle. All in the name of making things more coherent.
Other than that, I’ve just been drawing a bit, practicing guitar, watching the new season of Raised By Wolves (interesting start??), listening to the new Lucy Dacus single (SO GOOD) and the new Mitski album (hit or miss…expect a review soon), and hovering around the fireplace to warm up.
My school district called a very rare snow day today, so I had the day off!! I’ve still had quizzes to study for, but it was so nice to sleep in and spend the day in pajamas. So here I am, still in my pajamas.
This tag is an original from Becca @ Book It With Becca. (If you don’t follow her already, check out her blog, it’s great!) I’m the president of my high school’s book club, so this is the perfect tag for me!
RULES:
Answer the tag (prompts below) on the platform of your choice (blog, booktube, twitter, anything goes!): If you’re part of a book club, yourself, you can answer with the books you’ve read with them — or you can freestyle it with whatever book fits the question! Or with a specific character from a book who matches the prompt. Really, however you want to do it!
Link to the original post and give me a pingback or comment below, so I can see your answers.
Tag friends! They can be fellow book club members or simply bookish friends who make your day a little brighter.
The most important rule: Have fun!
I’m going to try and use books that I’ve read in my school book club for this tag…let’s see how it goes…
Let’s begin, shall we?
📖THE BOOK CLUB BOOK TAG📖
THE FEARLESS READER—reads everything, constantly, and probably started the book club, not realizing how much work it would be to keep everyone on-track
THE ACADEMIC—tries to elevate the conversation and suggest Serious Books but is always stymied by the rest of the group (generally doesn’t mind)
Technically, I didn’t get to discuss this one (since my school is pretty big, we have two lunch periods, and we have book club during lunch) since it was in the lunch I wasn’t in, but I read it anyway since I’d been meaning to read it for a while. I think The Picture of Dorian Gray is the only “classic” book I’ve read for book club in all 4 years of high school.
THE JOYRIDER—never knows what book the club is reading but happily shouts encouragement and brings refreshments
Once & Futureis very much a joyride—across time and across space!
THE AGENT OF CHAOS—just what it sounds like: enjoys stirring things up and dropping chaos bombs before disappearing in a cloud of smoke
On some level, every single main character from Six of Crowsis an agent of chaos; the same can be said for all the twists within Kaz’s heists. (Is there a Wylan pun in here somewhere too?)
THE MOM—is very concerned with the emotional and physical health of the rest of the group and of the characters in the books
Whew, this was a hard prompt…
I settled on The Hazel Woodfor this one because of its emotional, introspective nature; even though it’s steeped in magical realism, there are lots of themes of looking inward as opposed to the outward fantasy.
THE LOVABLE GHOUL— Mostly harmless but likes to stand in the corner muttering — we pretend it’s normal
An Ember in the Asheswas the first book that I ever read for my book club, but it didn’t really do anything. My experience was that it was entertaining, but rather forgettable. Not bad, but not life-changing either.
+ anyone else who wants to participate! If you see this tag and want to do it, I’d love to see your answers! (Show Becca some love!) If I tagged you and you’ve already done it/don’t want to do it, no worries!
Today’s song:
NEW LUCY DACUS SINGLE AAAAAAA
That’s it for this book tag! Have a wonderful rest of your day, and take care of yourselves!
Happy Tuesday, bibliophiles, Happy beginning of Black History Month, and happy Lunar New Year! 🐅 My, today’s a momentous occasion…
I’ve been a fan of Amie Kaufman’s for years, and at this point, I’ll read almost anything that she writes. I discovered The Other Side of the Sky during a really tough time in my life, and reading it and immersing myself in her and Spooner’s world made the pain just that much more bearable. I preordered book 2 last year, and it came in the mail recently! Although it was a bit of a slow start, Beyond the End of the World was a jaw-dropping conclusion to a creative duology!
Now, tread lightly! This review may contain spoilers for book 1, The Other Side of the Sky! If you haven’t read book 1 and intend on doing so, I’d suggest that you skip this review just in case.
Nimh and North have switched places, and only a miracle can get them back where they each belong—and solve the conflict brewing Below.
Nimh and Inshara, the cultist bent on usurping her, are stranded in Alciel, Prince North’s domain in the clouds. But when Nimh wakes up, she realizes that Inshara has contacted the Queen and convinced her that she is Nimh. Below, Prince North is on the brink of discovering a secret that may upend all that Nimh and her people stand for. With the odds stacked against them both, their only chance is to reunite, but the hidden secrets Below may mean chaos for both North and Nimh.
TW/CW: train crash, frightening situations, descriptions of blood, murder
Every sequel that has a recap of what happened in the previous book is already great by my standards. But in all seriousness, Beyond the End of the World was a sequel that delivered a satisfying end to a uniquely inventive duology!
My only problem with Beyond is the first 100 or so pages; it moves a little slowly for the first quarter, and even though I love Amie Kaufman’s (and I guess Meagan Spooner’s, by proxy, even though I haven’t read any of her solo books) writing, I found myself losing interested. But once the inciting incident—Nimh’s in particular—is set into motion, Beyond’s pace accelerates to the perfect speed.
I loved the prospect of North and Nimh being trapped in worlds completely alien to them, but what made it so tense and well-executed was the introduction of conflict. Once the aftermath of book 1 fades off, Kaufman and Spooner did a fantastic job of setting up obstacles for each of them to overcome. Not only that, but these obstacles had fascinating ramifications that had such a jaw-dropping impact on the last quarter of the book.
I’m not usually one for twists thrown into the last book in the series not long before it ends, but the revelation at the end of Beyond was enough to put a giddy, baffled grin on my face. DANG. Without spoiling anything, I’m still reeling from it just thinking about it. Part of what made it so great was its implications on the worldbuilding—once this domino is set in motion, it tears down everything about Nimh’s world that you thought you knew. So well done, and so well-built-up over the course of two books!
I have one slight problem with said twist. One of the aspects of this duology that I loved so much was the fact that it’s the only “magic vs. technology” book that I’ve read that actually works. The twist, however well-executed that it was, did kind of throw a wrench in the whole concept. Again, no spoilers, but the fact that this is the direction that the twist meant that the “magic vs. technology” part was almost rendered moot. I still hold that this twist was incredibly well-written, but it’s a bit of a disappointment on the themes front.
Of course, it was wonderful to be back in Kaufman and Spooner’s shiny world of goddesses and floating cities. Although I’m more partial to Nimh than North, it was great to see them both again, and it was even sweeter to see them reunite. I didn’t feel a whole lot for the side characters, but given how wonderfully written most everything else, I could let that slide. Plus, cats. I would do anything to pet the Bindle cat.
Overall, a stunning and tense conclusion to one of the most creative series that I’ve come across in the past few years. 4 stars!
Beyond the End of the World is the conclusion to the Other Side of the Sky duology, preceded by The Other Side of the Sky. Amie Kaufman and Meagan Spooner have also written the Starbound trilogy (These Broken Stars, This Shattered World, and This Fractured Light) and the Unearthed duology (Unearthed and Undying) together.
Today’s song:
besides being on of my favorite TV on the Radio songs, this music video just cracks me up every time
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
2022. It’s gonna be a momentous year for me—I’m graduating high school and starting college, after all! January’s been both fun and stressful, but I’d say it’s been a good start to this year so far.
GENERAL THOUGHTS:
Better than last January, certainly, but that’s a pretty low standard. I blame precalc.
After a barely snowy December, it’s finally felt like winter here. A little…too much so. I like snow, generally, but after the first few I start to get sick of the ice on the roads and waking up at 6 AM in the freezing cold. But that’s Colorado. At least the snow looks beautiful on the mountains.
My last semester of high school…I still haven’t managed to grasp it. But either way, it started out smoothly, and it’s gradually begun to feel more like…well, School. Lots of tests and quizzes to study for, which I’m not thrilled about, but I’m finally in a creative writing class, and I’m really enjoying it! I’ve gotten to write a lot of interesting poetry, and I feel a lot less nervous about reading it out loud now. I ended up stressing out about college a lot this month, but now that there’s more certainty in the future, I feel a lot better. And I think I’ll be very happy with where I’m going.
Editing the WIP has been on and off, but I’ve gone through the first initial read-through! Now that I’ve identified what needs to be done, I just need to tweak things here and there. I’ve been trying for years to be more open about sharing parts of my story with friends and family, and I’m getting closer, but I’m hoping sharing the story itself will be the next step. Kind of needs to be, anyway, if I want to get it published someday…
Other than that, I spent some time with family, got comics, went skiing for the first time since early 2020 (or was it 2019?), I got to see Danny Elfman live (which was AMAZING!!), watched the first two episodes of The Book of Boba Fett then timed out, re-watched Edward Scissorhands and Felt A Great Many Things, watched The House, and got around to drawing a little more.
I’ve also been getting more into X-Men lately—well, more than usual, at any rate. They’ve been special to me for years, but I haven’t been this much into them since…probably this time three years ago, freshman year. I think reading the newer comics has spurred it on again. There’s something oddly sacred about reconnecting with that part of my past self, of knowing that what gave her joy still gives me joy now. To know that I’ve grown so much since then.
I realized that I’ve never really explained where my blog name comes from—the “Mutant” part of “The Bookish Mutant” is a reference to the X-Men.
well said, Kurt. well said.
READING AND BLOGGING:
I read 21 books this month! I put my Goodreads challenge at 200 books because I’m anticipating a hectic year, what with moving into college and all that. Either way, I’m surprised—and glad—to have gotten around to reading this much, however hit-or-miss this batch was.
this is the only audio of this song that I could find on YouTube for some reason?? anyways I love it & my creative writing teacher put the album cover as the header for his google classroom and it’s awesome
new spoon woo woo woo!!
new Mitski will be in our hands so soon!!! can’t wait!!
one of those songs I heard as a kid but only remembered a tiny bit of
at this point, the score for Edward Scissorhands is easily one of my favorite film scores of all time
a hit-or-miss album overall for me, but the highlights of it were incredible
DID I FOLLOW THROUGH ON MY JANUARY GOALS?
Colorado January hours
Set a reasonable Goodreads goal: yep, 200. Now that I’ve gotten through challenges where I’ve read 250-300 books (I still don’t know how I managed the 300 that one time…), I set it lower knowing that this year will be hectic, what with graduating high school and going off to college in the fall. (!!!!)
Start 2022 on a good note! I saw Danny Elfman live, for god’s sakes. If that’s not starting 2022 on a good note, then I don’t know what is.
FEBRUARY GOALS:
shamelessly whipping out this gif every year
Make another Black History month list—I’ve read so many amazing books by Black authors since last February!
Review some of the albums that are coming out next month!! (So many!!)
Actually post some art here, if I get the time…it’s about time
Today’s song:
That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope this week has treated you well.
It’s been an alright week, I suppose. Lots of snow and ice, but no two-hour delay like last week (??). I’ve had lots of quizzes lately and I have lots of quizzes in the foreseeable future, which I’m not thrilled about, but that’s school.
I had another mixed bag of books this week, but I found a few that I had a lot of fun with! I got Beyond the End of the World in the mail too, and it was so much fun to reconnect with that world. I’ve been gathering some books by Black authors for Black History Month starting on Tuesday, so I’m excited to get into those as well!! I also got to make a Black History Month display in the teen section of my local library, which was a lot of fun.
I haven’t been writing a whole lot this week, but I’ve been having a lot of fun writing some weird poetry in my creative writing class at school. We’ll see where next week takes me.
Other than that, I’ve just been drawing when I can, bundling up for the snow, watching The House on Netflix (THE ANIMATION), and playing guitar. Alright start to 2022, I think.
I made a post a few months back discussing a handful of sci-fi tropes that I’ve seen in books—here it is, if you’d like to have a look! When I wrote it, I knew I’d be writing several more similar posts; the world of sci-fi literature is so diverse in its content, so there’s no shortage of tropes, however specific, that I can discuss. Some of these tropes are broader and others are fairly minute, but I think they’ll be a lot of fun to discuss.
So let’s dive in, shall we?
SCI-FI TROPES: PART 2
MYSTERIOUS, TELEKINETIC WOMEN
had to include her bc she was the blueprint for this trope…probably
Here’s an interesting one to tackle. I see this one almost exclusively in space operas, but the basic premise is usually as follows: a woman, usually younger than the rest of the main cast, is either gifted with or born with unexplainable and unparalleled telekinesis. This power usually means that she’s the main decider in ✨the fate of the universe✨. These powers of hers often result in mind-bending displays of grandeur, including but not limited to: killing enemies in disturbing ways, crumpling spaceships like soda cans, and bending space and time itself.
Often, these powers come along with an intense emotional burden; at the heart of it, there’s a quintessential “why me?” dilemma with respect to her powers. Inner conflict is all part of the package with godly telekinesis, which often results in this character losing her mind and/or lashing out at other members of the cast. And, well…given that it’s either a “puppet of an all-powerful cosmic entity” or “being devoured from the inside by space energy” situation, it’s understandable.
What sometimes rubs me the wrong way about this trope—although I’m all for cosmic women tearing apart the fabric of the universe (who isn’t?)—is the fact that most of these women have a lack of agency. Which, given that a lot of the characters thatcome to mind are written by men, is more than a little concerning. Even with all of this awe-inspiring power, these women are often portrayed as helpless. Many of their breakdowns about the burden of their power are often reduced to “oh, she’s just a women being overly emotional, typical.”
Which brings me to why I appreciate a particular instance of this trope—Auri from Aurora Rising. She may still be frightened of her own power, but she takes control of the situation—she takes it upon herself to master her powers, break away from the path that the Eshvaren have set for her, and ultimately save the galaxy. She has agency, and, yes, that’s the bare minimum, but she’s written with a significant amount of sway over her abilities as the books go on.
This trope can be poignant and powerful if used right, but if misused, it can lead to a lot of reductive stereotypes.
IF THE ALIENS AREN’T BASICALLY HUMANS, THEY’RE JUST ANTHROPOMORPHIZED ANIMALS
this is far from the most dramatic example, but Bossk is the only one I can find a gif of
I get it. Creature design is hard—how do you create an alien that’s simultaneously familiar enough for a reader to project onto (if that’s the goal) but also weird enough to pass as “alien?”
In my last post, I talked about the trope of aliens that just looked like humans. That’s the ultimate alien design deal-breaker for me, unless there’s a good explanation for it. But in my opinion, the next level down is just making your aliens intelligent versions of animals with no other changes. Like the human-alien trope, it just feels like lazy design. It’s not that basing your alien design off of a certain animal is bad—on some level, most alien design is just that. The lazy part is just making an upright version of an already existing animal and changing nothing beyond that. (Plus, if it’s mammalian, you’re just…making intergalactic furries? Uh…)
One of the worst examples that I can recall is from The Stars Now Unclaimed, which I DNF’d. Not only was their an alien species that were just upright wolves, the species itself was called a Wulf. I KID YOU NOT. At that point, it’s almost…self-aware of how lazy it is? Or it seems that way, at any rate. But you just…don’t do that. Under any circumstances.
While we’re on the topic of creature design, here’s another trope that I’ve found several times. Lots of alien species in literature—most intended to be menacing, but not all—have been based on spiders, or described as spiders or spider-like.
One aspect of basing an alien design off of an animal is to still try and make it as alien as possible, and one way to do that is to base it off of an animal that many already consider “alien” or “scary.”These are often invertebrates—cephalopods, jellyfish, insects, and arachnids—spiders. By creating a creature with elements that are already unnerving to a lot of people, you’ve achieved the effect of making it alien without making it totally unfamiliar.
But why spiders in particular? Most of the spider-aliens that I’ve seen at the forefront of sci-fi stories are meant to be menacing. I suppose there’s already a latent metaphor of spiders catching unsuspecting prey in their webs, if menacing is the route the author intends to go on. If these characters are meant to be antagonistic, spiders are the perfect combination—not only do they look alien to us, but they’re also a commonly feared animal. They’re also involved in a lot of insidious metaphors, creatures known for ensnaring their prey in webs. I can speak to the “commonly feared” part myself—I’m fine with really small ones (jumping spiders and such—they’re cute), but big spiders? No way. I blame the wolf spider that I found in my room when I was five. (WHY DO THEY RUN SO FAST AAAAAA)
As far as aliens with animal basis, I think spider-aliens are effective. Even if they do fall into the “animals with no changes other than intelligence” trope, at least they’re not completely bipedal and upright—eight legs! But already, they’re so wildly different from us—the perfect starting point for an interesting alien.
Are none of your characters particularly funny? Have they not gotten the chance to banter properly? Are they all on a spaceship? I’ve got a trope for you, then…
This is the exact flip side of one of the tropes I mentioned in my first post—unhinged AI. Often times in space opera books with large cast, there is a character that’s some sort of machine: a droid, a ship’s AI, et cetera. But their main role, apart from providing convenient solutions to hacking-relation problems, is to lighten the mood.
So why machines? I’m not entirely sure myself, but I have a theory. Part of it may be to avoid risk—sometimes it’s too dangerous to have a character whose only personality trait is to be “sassy” or “the funny one,” so putting this personality onto an AI of some kind reduces the possibility of a one-dimensional flesh-and-blood character. AI are often reduced to minimal personality traits, as often, they’re designed for a particular task. Unless they have a short character arc where they have an epiphany of some kind about breaking free of their programming, they’re usually helpful vessels of humor in an otherwise hardened and dry-humored crew.
What’s more about this trope is how often it shows up—pick up any space-opera in the bookstore or the library, and there’s a good 75% chance that there’s a minor Sassy AI™️ character. I hesitate to say that it’s tried and true, but it’s certainly difficult to screw up. The problem is that most of them have the same sense of humor—sass, “oh, you humans are so stupid haha” condescension, and making jokes at inopportune times. (There’s also the inevitable running joke of the flesh-and-blood characters telling said AI character to shut up.) I appreciate good AI comic relief, but it’s become a formula, almost to the point where what I once thought was hilarious now makes me feel almost nothing.
So give your AI something unique—glitches, specific quirks, something, anything that will set it apart from 50% of other machines on the shelf.
As of last week, it had been ages since I’ve read anything by Philip Reeve. I’d gotten through the whole Larklight trilogy in middle school and loved it, and I read Fever Crumb as well and wasn’t as much of a fan. I forgot about him for a while, until I got a recommendation from Sabrina (thank you!) about another series of his—the Railhead series. I decided to pick it up, and I ended up liking it—after reading this, I definitely want to see how the rest of the story goes!
In the distant future, it isn’t spaceships that transport humanity across the stars—it’s a massive network of trains. The Great Network spans across the entire galaxy, and one line can take you anywhere that you so choose. It’s the perfect place for Zen Starling, a young thief who makes a living from the goods he steals from passenger cars. But when he attracts the attention of the mysterious Raven, Zen finds himself entrenched in a royal conspiracy. Soon, his own identity as a nobody from the streets is called into question, and his success on Raven’s mission may determine the rest of his career.
TW/CW: violence (fairly mild), descriptions of killing animals/dead animals, fire, fear
It’s been about 5 years since I’ve read anything by Philip Reeve; I loved the Larklight trilogy but didn’t have the same luck with Fever Crumb, so he was generally hit-or-miss for me. But ultimately, I’m glad I picked Railhead up! It was the perfect antidote after reading something as heavy as Anthem; fun, light-hearted, and fast-paced. (Thanks again for the rec, Sabrina!)
The worldbuilding of Railhead made the whole book. It’s the kind of intricate worldbuilding that I aspire to have in my own writing; no stone is left unturned in terms of the little details that make the Great Network so genuine-feeling and fleshed out. Best of all, none of it is delivered in info-dumps; pieces of information are spaced out and don’t distract from the overall story. There was so much love put into every little nook and cranny of Reeve’s world, from the trains to the android history to the graffiti on the walls. I especially loved the Hive Monks—the concept behind them was so inventive! I wished we’d seen more of Uncle Bugs and the others.
As far as characters go, I didn’t get attached to many of them, but they were at least decently flushed out. Zen himself didn’t have many traits that would distinguish him from the average middle grade/YA protagonist, and having him get saddled with this trilogy’s equivalent of the chosen one trope didn’t exactly help his case. He was simply…alright for me. I felt the same way towards most of the other characters; they were distinct enough to not be trope-y, but not distinct enough to be rememberable. I did like Nova, though. She was my favorite out of the main cast—I liked her backstory a lot, and her being an android (or a “moto,” as is the lingo in Zen Starling’s world) added a unique layer to her story.
The plot itself was a little lacking for me, but its fast pace saved it. At its worst, the plot seemed to [Robert Plant voice] ramble on without any clear direction, but at its best, it was loads of fun. You do get the sense that you’re clinging to the top of a speeding train, the way the events move—it’s very fast-paced, and given both the setting and the premise, it’s perfect!
I wasn’t as invested in the main plot, but I tended to gravitate more towards the side plots, the short anecdotes that fleshed out Railhead’s world even more. The fact that I got more excited about seeing giant manta ray creatures and looking at the insides of futuristic trains than the actual should probably say something about the book itself, but those parts gave me joy, and that’s that. Again—it’s the tiny details that made Railhead as entertaining as it was.
All in all, a romp through a futuristic world at breakneck speed that shone in its detailed worldbuilding. I’m on board with continuing the rest of the series! 3.75 stars, rounded up to 4!
Railhead is the first book in the Railhead trilogy, and it is followed by Black Light Express (#2) and Station Zero (#3). Philip Reeve is also the author of the Larklight trilogy (Larklight, Starcross, and Mothstorm), the Mortal Engines quartet (Mortal Engines, Predator’s Gold, Infernal Devices, and A Darkling Plain), the Fever Crumb series (Fever Crumb, A Web of Air, and Scrivener’s Moon), and several other series for young adults and children.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope this week has treated you well.
How is it that this week still felt so tiring even when I had a day off and a two-hour delay?
It’s been an alright week, though. Very cold. We got two snows in the span of two days, and it feels very much like January right now. Of course, my art teacher made us go on a walk to collect reference pictures…in 20 degree weather on a slippery path. I suppose I did get a good picture of the lake with a thin ice sign.
It’s been a slightly slower reading week, but I got through all of my library books and liked a good portion of them! Anthem was a rough ride, but most of the other books managed to lift me up a little. I haven’t been able to edit my WIP as much this week, but I finished my initial read through! Now I just need to run through and fix all the continuity errors (that I can catch) and flesh out some things that need to be fleshed out.
Other than that, I’ve just been drawing some X-Men characters (I should really post some of my art here at some point…I’ve been saying that for at least two years and haven’t done anything oof), studying, learning “Trimm Trabb” on guitar, and trying to stay warm. I also re-watched Edward Scissorhands last night, and needless to say, Felt Things
I went on a kick of Noah Hawley’s books in the first half of 2021, and I managed to read all of them. I’d already been exposed to his writing through Fargo and Legion (my two favorite shows), and my experience of his books ranged from just good to masterful. So naturally, I was excited to hear that he had a new book coming our way in 2022! I preordered it and read it last week, and…well, it was hard to read. Great writing, as always, but god, it was heavy.
my copy ft. my bookshelf (including the other two Noah Hawley books I own) & a cool filter
Our world is in shambles. The political chasm between the American people is widening more with each day, the oceans are rising, and now, teenagers are committing suicide by the thousands each day.
One such teenager was Claire Oliver, the daughter of a reviled pharmaceutical mogul. After her death by an overdose, her parents send Simon, her younger brother, to a rehab center in Chicago to make sense of her passing. There, he meets a strange figure who only goes by The Prophet. The Prophet’s enigmatic visions lead Simon and his fellow patients out of the rehab center and on the road to a shadowy man known only as the Wizard, whose downfall may be their only means of salvation.
TW/CW: suicide (overdosing, hanging, jumping from bridges, etc.), racism, descriptions of rape/sexual assault, graphic violence, anti-semitism, climate change, brief descriptions of genitalia, blood
Anthem, in its essence, is Noah Hawley’s megaphone for existential dread. But given the times, it’s understandable.
Let me be crystal-clear about this: it’s a bad idea to read this book if you’re not in a good headspace. A lot of what Anthem deals with is a worst-case scenario of the future: near anarchy, the political divisions of the U.S. with the volume turned up even more so, mass suicide, climate change, and every other bit of dystopia you can possibly imagine. This is Hawley’s vision of the worst that could possibly be, and he does it well. What’s really scary about it, though, is that some parts were almost plausible. I’m not cynical enough to call it realistic, but I’m scared enough to call it partially feasible. It’s scary. enough that Noah Hawley flat out apologizes for the world he created—like the horrific worst case parenting scenario of The Good Father, it’s the most pessimistic outcome on the spectrum, but it’s well-written.
As always, Noah Hawley has a unique way with words that paints the near-future in a number of ways. There’s the main plot, in which a band of disillusioned, teenage rehab patients go on a cross-country road trip based solely on a 14-year-old who claims to have visions from God and encounter everything from gangs of gun-toting clowns to lions. But interspersed within are anecdotes from a wide cast of characters—most of which are unlikeable, as per Noah Hawley standards—that add to the genuinely disturbing feel of the world he’s created.
However, Hawley’s vivid descriptions often gave way to portions of flat-out rambling—about the state of the world, the nature of the darkest parts of the human species, the possibilities of a world like the one of Anthem. This part was what bogged me down the most; as a young person who would theoretically be maturing into this dystopia, it…well, it freaked me out, to put it plainly. I’d been on a stint of finishing books in a day, but this one took me almost four just because I couldn’t swallow all of the statistics and existential doom at once. Even so, at least it was well-written; Hawley’s talent for spinning words and stories, combined with all manner of allusions, made it slightly easier to palate.
Through it all, Hawley presents a strange, pseudo-fantasy quest throughout a changed America, and every bit of it hooked me. Every little detail made for a landscape that felt tangible enough to touch. I’ll have to go back and read some of his other books to see if this is really a hallmark of his, but in Anthem, at least, all of the sensory details were what made the world seem so frighteningly real: the paintings on the side of the van, the music on the car radio, the interior decor of the Wizard’s sadistic mansion. Without them, a book like Anthem might not have succeeded for me—if you’re going to make commentary on what the future might turn out to be, tell us what this future looks like.
Most of my other problems were more nitpicky; some of the dialogue, especially with the teenaged characters, felt at times very unrealistic. (sir, I’m aware that you have gen z kids but I, also a gen z kid, can assure you that nobody, nobody, says “LOL” out loud.) That part was inexcusable. There were some minor threads that weren’t resolved all the way (ex. the whole “these memes are driving our children to suicide” subplot—the meme is explained, but given that it was the first line of the synopsis, I expected it to play a bigger role), and the ending, although it also was explained, felt rushed. There’s hope in the resolution, but the resolution was so glossed over that it couldn’t be felt all the way.
But through it all, one thing was clear to me—this felt like a pandemic book. I don’t mean that in a derogatory way. Anthem just seems like one of the first in a new wave of dystopian novels, books that speak to the fear, chaos, and violence of the past six years. Anthem feels like the kind of book that will be remembered as distinctly “21st century”: post-Trump, amidst the COVID-19 pandemic, and appropriately frightened for what the future might hold not just for America, but for us as a species.
All in all, a frightening vision of the future from one of my favorite literary masterminds, but not quite coherent enough to his best work. 3.75 stars, rounded up to 4!
Anthem is a standalone novel, but Noah Hawley is also the author of Before the Fall, The Punch, The Good Father, Other People’s Weddings, and A Conspiracy of Tall Men. Hawley has also adapted the Coen Brothers’ Fargo and Marvel Comics’ Legion for TV on FX and Marvel Television.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
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The Bookish Mutant 