Happy Sunday, bibliophiles! I hope this week has treated you well.
This week’s been another sort-of-slog, what with even more quizzes to study for and homework to get out of the way. I’ve been whittling away at an eight-and-a-half page research paper for AP Lit, and I finished the rough draft, so at least I have that out of the way. We’ve also been training little Ringo, and the fact that I’ve already given him the nickname “menace to society” should say everything about how it’s going. He’s a good boy, though.
here’s another Ringo picture as a treat
I’ve had a string of great books this week, so I’ve got plenty of choices for my review next week! Incidentally, several of them were sequels, so it was nice to have closure for a handful of duologues that I’ve been enjoying. I’ve been going through my library books and some of the books I got from my English teacher’s decluttering, so that’s been lots of fun. I got some more books at the library yesterday; one of them was the first volume of Heartstopper, which I’ve had on hold for almost two years (yep, that’s how long the wait was), so it better be good…
Other than that, I’ve been drawing a little, enjoying the handful of warm days we had this week (of course, we just got dumped with snow again), playing guitar, and catching up on Raised by Wolves (hhHHHEHSAHASHD WHAT).
Also I’m almost to 500 followers?? HOW DID THAT HAPPEN
Happy Tuesday, bibliophiles, and happy Women’s History Month! Can’t believe it’s March already…
I got hooked on the Goddess in the Machine duology back in 2020, and I stuck around for how creative and suspenseful Goddess in the Machine was. Devil in the Device came out last August, but I hadn’t been able to get around to finding it/reading it until last week. It was a little rocky at first, given that I didn’t remember parts of book 1, but once it got going, it was a wild and twist-filled ride!
Now, tread lightly! This review may contain spoilers for book 1, Goddess in the Machine, so if you haven’t read book 1 and intend to do so, proceed with caution.
thought I reviewed book 1 but apparently not oops 😵💫
In hiding underground, Andra grapples with her new identity and the secrets that she has uncovered. The rest of her fellow colonists, still in cryosleep, are relying on her to get off of their dying planet. But the further she gets on her mission, the more Andra realizes that the situation is far more complicated than she could have ever comprehended.
Aboveground in Eerensed, Zhade grapples with ruling the people while in disguise as Maret. His power holds tempting amounts of influence, but his people are in chaos, overrun by rogue Angels and unruly magic. Can he take control of the situation—and find out what became of Andra?
TW/CW: murder, loss of loved ones, blood/gore, substance abuse (alcohol), violence, grief, mind control, mild sexual content/innuendos
wordpress please stop autocorrecting “Zhade” to “Shade” challenge
Even without remembering…oh, at least half of Goddess in the Machine, I enjoyed reading Devil in the Device quite a lot—not quite as strong as book 1, but still endlessly twisty!
Getting into a sequel without a proper re-read or recap is always rocky; that was the case with Devil in the Device, especially the fact that I completely forgot about the weird, future Eerensed dialect of English that Zhade’s POVs were written in. I have mixed feelings on that part in general, but although it read in a very cringy way, it makes sense. I could have done without “certz” and “for true” and all that, but just like those corny Star Wars alien idioms that make no sense without context, they’re a necessary evil.
But once I got my memory jogged of book 1, Devil in the Device was a great sequel! Having the characters split up usually isn’t something I go for in sequels, but since there were only Andra and Zhade to deal with, it worked a lot more smoothly. Their split POVs gave a broader insight onto different parts of the worldbuilding, and beyond that, they created a lot of tension; most of the major revelation on Andra’s end of the line, and having Zhade be completely ignorant of almost all of it created a lot of suspense and buildup.
The fast pace was also a highlight of Devil in the Device, and with the amount of curveballs that Johnson throws throughout the course of the book, it makes for a very tense and exciting read! Secrets, deception, and betrayal all ran rampant through this book, and every page invited a new revelation. There are twists aplenty, but in the case of Devil in the Device, it turned out to be a double-edged sword; most of the twists were mind-boggling and earthshattering (@ Dr. Griffin WHOA CHILL JEEZ), but almost all of them were crammed into the last quarter of the book. All of those twists one after the other bordered on overstuffing, but overall, it had the effect of appropriately amping up the tension.
One other aspect that I’ll always appreciate about the Goddess in the Machine duology is its casual diversity—Andra is mixed-race and plus-sized, and there are consistently lots of queer secondary characters. Kiv, one of the secondary characters, is also Deaf, which I loved to see as well! The fact that he’s shown in a happy relationship makes me even happier—more disabled characters in loving relationships, please! (Plus, Kiv and Lilibet are so cute I CAN’T)
All in all, a sequel that wasn’t quite as strong as its predecessor but excelled in the plot twist department. 4 stars!
Devil in the Device is the second and final book in the Goddess in the Machine duology, preceded by Goddess in the Machine.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
February’s been a little chaotic, but again, in comparison to last year, it was a good month. I’m leaving it feeling a little tired, but I’m excited for spring!
GENERAL THOUGHTS:
I’ve had a lot of studying to do this month…feels like I’ve had a quiz or a test every week to every other week. Yeesh. But at least I can say that I’ve done well on all of them, so I suppose there’s that going for me.
As far as reading goes, I started the month out with a week-long slump, but once I found some better books, the month improved so much! I read a lot of great books for Black History Month and discovered some new authors that I’d love to read more of. I ended up re-reading a little, and it felt lovely to immerse myself back into the Pioneer duology.
Writing-wise, I’m nearly done editing my second draft! I got in lots of good editing time and polished up a whole lot of my WIP. I haven’t been able to write much in the past few days, but we’re getting to short stories in my creative writing class, which I’m super excited about!
But by far, the highlight of the month was getting Ringo, our new corgi puppy! He’s 8 weeks old, and he’s just the SWEETEST LITTLE GUY 😭
WHO COULD RESIST THAT FACE
READING AND BLOGGING:
I read 21 books this month! More re-reads than I expected (I forgot to connect my Kindle to the wifi while I was away in Florida so I read some of my old books), but a good bunch for the most part. I read a lot of books for Black History Month as well and discovered some new authors!
I haven’t been able to stop listening to this for WEEKS
WHAT AN ALBUM!
what a haunting, absorbing song…obsessed
not my usual vibe, but I can’t get over how atmospheric this one is!
this album took a second listen to fully grow on me, but there’s no doubt there are some gems—like this one! it grew on me afterwards (I was in a weird mood when I listened to it the first time through). still not the same without Graham Coxon, though.
DID I FOLLOW THROUGH ON MY FEBRUARY GOALS?
Make another Black History month list—I’ve read so many amazing books by Black authors since last February!—did that! See “Some posts I’m proud of”
Review some of the albums that are coming out next month!! (So many!!) rip to Everything Was Beautiful getting pushed back, but both my album reviews from this month can be found under “Some posts I’m proud of”
Actually post some art here, if I get the time…it’s about time
well
uh
oops
GOALS FOR MARCH:
Read at least 20 books
Spend some time with Ringo (of course)
Today’s song:
That’s it for this month in blogging! Have a wonderful rest of your day, and take care of yourselves!
Happy Monday, bibliophiles! I hope this week has treated you well.
I’ve had a bit of a chaotic week; I visited family in Florida over the long weekend, and we got back home on Tuesday—2/22/22 (happy Twosday, everyone!) My routine was all thrown off for the rest of the week, but now I’m settling back down.
I forgot to connect my Kindle to the wifi while I was away, so most of my reading this week was re-reads—the Pioneer duology and Memento, all of which were just as good as they were when I first read them. I got some more books from the library, and I’m looking forward to reading them all! I also had an unexpected book haul because my English teacher was cleaning out his room and was giving out some of his extra books. Got some poetry and Ray Bradbury in there…
I did a lot of editing while I was in Florida, and I’m in the final stages of cleaning up my second draft! I wasn’t able to do much later in the week because of all the homework I had to make up from the week before, but I think I’m making good progress.
Other than that, I’ve just been bundling up for the freezing weather (nothing like coming from 87 degree weather to 0 degree weather amirite), listening to Think Tank (great stuff!), and eating leftover Valentine’s Day cookies. And we have a new addition to the family—meet our corgi puppy Ringo!
Sorry that I went M.I.A. for a bit there. I was visiting family in Florida over President’s Day weekend, and I just had zero energy once I got back. But now I’m here, writing a post that I’ve been excited to write for a few weeks!
You know what I think about a lot? The time my old English teacher though my Spoon shirt was a Morrissey shirt 😭
Spoon is one of those bands that have been a consistent presence in my life. I heard their songs on car rides, and car rides turned to concerts, and concerts turned to albums. For me, they’re one of the few bands I know who are better live than listening remotely—they bring such an exuberance and energy onstage, and their talents as musicians is apparent with every song they play.
So I was so excited to hear that they’d be releasing a new album in 2022! Prior to this, I’d never listened to a full album of theirs (although Gimme Fiction has been on my list for quite some time), but listening to Lucifer on the Sofa was such a bright, energizing experience. It’s only February, but this is already on my list of favorite albums of the year. (Though it’ll have some competition when Everything Was Beautiful comes out…am I getting too hasty?)
Let’s begin this review, shall we?
LUCIFER ON THE SOFA – SPOON ALBUM REVIEW
TRACK 1: “Held” (Smog cover) – 8.5/10
Starting an album off with a cover is a bold move, but at this point, Spoon can do no wrong. And this is a fantastic cover—if I didn’t know that it was a cover, I 100% would’ve thought that this was fully their song. I might even like it better than the original! The steady drumbeat and the melody that feels like it rolls over you create an atmosphere that sets up the whole album for instant success. Needless to say, I have not been able to stop listening to this!
But following the leader gonna turn you off the religion…
Spoon, “The Hardest Cut”
This was the first single to come out of this album, and it reminded me of why I love Spoon. The guitars are what shine the most—”The Hardest Cut” doesn’t hesitate to dive into Spoon’s heavier side, and the guitars are the main driving force behind it. At the same time, it’s a relentlessly steady and catchy song, making this song proof of Spoon’s versatility.
TRACK 3: “The Devil and Mister Jones” – 8.5/10
For any album, there are some songs that you know will grab you way before you listen to them, just because of how hooking the title is. I don’t know what it is about the name “The Devil and Mister Jones” that caught my eye, but either way, it’s an undoubted highlight of this album. Catchy and bright-sounding, it has a timeless feel to it, like it could have just as easily come out of the 2010’s or even the 2000’s. LOVE it.
TRACK 4: “Wild” – 8.5/10
I was reminded every measure
Of riding trade winds, buried treasure…
Spoon, “Wild”
This one was the second single that was released, and another absolute earworm! The instrumentation is phenomenal, Britt Daniel’s voice stands out in the best way possible, and the beat makes it impossible for you not to nod your head. Instant classic.
TRACK 5: “My Babe” – 7.5/10
“My Babe” was the final single to be released from Lucifer on the Sofa, and although it’s my least favorite of the three, it’s still a perfect head-nodding, shoulder-swaying kind of song. However, there’s something about the lyrics that feels off-kilter. Not so much the message, but the way they sound, if that makes sense? I’m not sure. Not as strong as the others, but that’s a high bar—”My Babe” is still a good one.
TRACK 6: “Feels Alright” – 8/10
Standing here by myself,
A photograph with no correction
From me or anybody else…
Spoon, “Feels Alright”
Here’s another one that feels distinctly timeless. There’s an a quality to it that makes it feel ageless. For all we know, it could be from today, from the 2010’s, the 2000’s…even the future, who knows what Spoon will be doing five or ten years from now? That aside, it’s such a strong song! I especially love the piano/keyboard work on this one.
TRACK 7: “On the Radio” – 8.5/10
(I just realized that the animation for the official audios just zooms in on the album cover’s face…IT’S SO CURSED)
(WHY IS IT LOOKING AT ME LIKE THAT)
“On the Radio” distinctly feels like the last few singles pre-Lucifer—something about the key, the fast tempo, the overall tightness of the whole song that makes me remember hearing “No Bullets Spent” for the first time. The guitars feel so full and rich, and the effects layered over them only adds to the effect. Another winner!
TRACK 8: “Astral Jacket” – 8.5/10
“Astral Jacket” is where Lucifer slows down—just in tempo, certainly not in quality. This song, along with “Satellite,” remind me of how well Spoon can convey tenderness through music; there’s an atmosphere around it that feels like a tired hug on a warm night. Simply lovely.
TRACK 9: “Satellite” – 8.5/10
Continuing the soft, tender atmosphere that “Astral Jacket” started, “Satellite” creates a floating-in-space atmosphere that fills up my heart. It reminds me most of “The Delicate Place,” my favorite Spoon song; the melody goes up and down, but it’s consistent in its warmth.
TRACK 10: “Lucifer on the Sofa” – 8/10
And I’m chasing every thought
And I’m walking over water,
Thinking about what I lost…
Spoon, “Lucifer on the Sofa”
For Spoon, my focus is usually the music over the lyrics, but for “Lucifer on the Sofa,” it’s both. I love all the descriptions in this one, from ash on lips to winter skies. There’s a consistency to the music as well—the saxophones are a strange addition, but it works perfectly for the smoky feel of this song. Not my favorite of this album, but a great little closer.
I averaged out the scores for each track, and it came out to a solid 8.3! Feels just right for the album; I haven’t listened to enough full Spoon albums to say where it ranks on the list, but it’s a success regardless. I remember periods of my life in terms of albums, and Lucifer on the Sofa will surely be among the ranks of albums I remember this year by. Can’t wait to see them again this May!
Since this is an album review post, consider the entire album today’s song.
That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!
As soon as I found out about Cold the Night, Fast the Wolves, I immediately put it on hold at the library. The premise of a sci-fi survival story with racing wolves and vengeful gangsters hooked me in no time. However, what I found inside was a different story: too much exposition, too little story.
Sena Korhosen vowed to never involve herself in sled racing after it claimed the lives of both her mothers. But when her pickpocketing habit gets her in trouble with a prominent crime syndicate, she’s forced to flee. Along with the head gangster’s prizefighting wolf, Iska, Sean bands up with a team of scientists who can get her off of the frozen planet of Tundra—but at the cost of her helping them win the sled race that killed her moms. Trapped in the frozen wilderness, Sena faces a choice: brave the woods and the beasts within them, or risk a fate worse than death?
TW/CW: violence, gore, blood, past death of parents, animal cruelty, animal death, animal attacks
This is what I get for getting my hopes up for every YA sci-fi book I come across…
It’s such a shame, though; the premise hooked me with no effort, but Cold the Night, Fast the Wolves ended up being a disappointment through and through.
For Cold the Night, Fast the Wolves, its best aspect was simultaneously its worst aspect. That aspect was the worldbuilding. I’ll start out with why most of it worked: with each page, it was clear that there was so much time put into making all of the dominoes fall in the right place. Everything from the social cleavages to Tundar’s fauna to the intricacies of the sled race were so thoughtfully written with a clear intent on making an immersive world—which Meg Long succeeded in.
However, said worldbuilding was lumped into so much of the first half of this novel that it felt more exposition than story. The plot didn’t pick up until about halfway through. I expected more of a through-and-through survival story, but Cold the Night, Fast the Wolves lingered more in civilization than it did out in the frozen wilderness that it promised. What wasn’t exposition was most often just descriptions of animal attacks, and that combination wasn’t ideal.
The other curse from the worldbuilding was the naming of certain things. There was already a degree of suspension of disbelief implied, but naming a frozen planet Tundar (tundra) and giving the animals names like rënedeer (reindeer) made Meg Long’s world all the less plausible. With all of the thought that was clearly put into this book, I feel really bad saying this, but the names just felt…plain lazy. I’m not saying that the names have to be perfect, but they shouldn’t be that derivative of what they’re based on.
With all of that mess piled on, I found it hard to get attached to any of the characters. Sena’s personality got on my nerves from the get-go, and since most of the other characters were introduced around the 1/3-1/2 mark, they came off as having little to no personality. Sena never quite developed, either, and a lot of her actions seemed to have unrealistic motivations, given her past. Add an all-too-easily-defeated villain to the mix, and you’ve got yourself a batch of very halfhearted characters.
All in all, a sci-fi novel with a bold premise that was unfortunately bogged down by too much of a good thing—great worldbuilding, but half a book’s worth of exposition to show it. 2 stars.
Cold the Night, Fast the Wolves is a standalone, and is Meg Long’s debut novel.
Today’s song:
HELP I CAN’T STOP LISTENING TO THIS I LOVE IT SO MUCH
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope this week has treated you well.
This week has generally been quiet; reading poetry in my English classes, studying for far too many quizzes and tests for my liking, and enjoying four relatively sunny days before we got snowed on again. Just low-key, and I like it that way.
I broke out of my brief reading slump, and I really liked most of what I read! I’ve been continuing to focus on books by Black authors this month for Black history month, and I’ve been finding lots of sequels to books that I’ve been eager to read (Redemptor, Adulthood Rites, etc.). I also got to stop by the comics shop, so I got some single-issues to read as well.
In the writing department, I’ve gotten more serious about the editing process; I’ve gotten into the weeds of re-reading and doing a more comprehensive edit, and I’ve been working on resurrecting a few brief scenes. I’m getting better at snipping out some of these continuity errors, but I got [ahem] sidetracked by deciding my one human character’s birthday, so 🥴
Other than that, I’ve just been studying, listening to Portishead, Mitski, and the new Spoon album, and watching Raised by Wolves. We’re also getting a new puppy soon, and we got to visit the litter yesterday!! THEY WERE SO CUTE 😭 We’ll be taking one home in a few weeks, and I will most definitely post a picture when we get him!
2022 is shaping up to be a year full of highly anticipated albums—Spiritualized, girlpool, Spoon (THIS FRIDAY AAAH), and so many others. Mitski’s Laurel Hell was the first of these; I’ve been a fan of Mitski since around 2019 after hearing “Washing Machine Heart” on the radio. Since then, I’ve delved more into her catalogue, but I’d say that 75% of what I’ve heard of hers, I’ve liked—hit or miss, but mostly hits. Bury Me at Makeout Creek was a near perfect album for me, but I haven’t listened to any of her other albums in their entirety.
So when I heard that Mitski was coming out with a new album, I was excited to take another dive into her catalogue. What I got, however, was an album that simultaneously stayed true to her past and branched out in new directions—with varying degrees of success.
Let’s begin, shall we?
LAUREL HELL – MITSKI ALBUM REVIEW
TRACK 1: “Valentine, Texas” – 7/10
“Valentine, Texas” is a sparse and eerie album opener. It slowly creeps along with only faint synths and Mitski’s breathy vocals, but eventually sprawls out into bright piano chords and a steady drumbeat. For me, it’s the musical equivalent of wading through pitch-black water—a beautifully atmospheric song and a great start to this album!
TRACK 2: “Working for the Knife” – 8/10
The fact that “Working for the Knife” was the first single released for Laurel Hell is a blessing and a curse—a blessing that it’s such a fantastic song, and a curse in that…well, it’s the highlight of the album for me, and it got released before everything else and raised my expectations. Nevertheless, this is classic Mitski at her best, with steady instrumentals and raw, biting lyricism aplenty.
TRACK 3: “Stay Soft” – 6/10
Open up your heart
Like the gates of Hell…
Mitski, “Stay Soft”
What Laurel Hell has revealed to me is that Mitski has begun to lean in the direction of poppier material. After the success of songs like “Washing Machine Heart” and “Nobody,” her songs have become more synth-dominated and upbeat (…well, musically upbeat) while still retaining their signature lyrical vulnerability. “Stay Soft” is just that, but for me, it didn’t reach the level of the latter two songs; the lyrics are some of Mitski’s best, but musically, it feels…strangely weak. Restrained, almost. Mixed feelings.
TRACK 4: “Everyone” – 8/10
And I left my door open to the dark,
I said, ‘Come in, come in, whatever you are,’
But it didn’t want me yet…
Mitski, “Everyone”
Although this isn’t *quite* as strong as “Working for the Knife,” it’s doubtlessly one of my favorites from this album. Like “Valentine, Texas,” its instrumentals are sparse, but it’s just as powerful and moving a ballad as any of her previous works. The imagery the lyrics evoke are especially strong, almost like dark fairytales in their sensibilities.
TRACK 5: “Heat Lightning” – 7.5/10
Sleeping eyelid of the sky
Flutters in a dream…
Mitski, “Heat Lightning”
By now, everyone’s made this comparison, but “Heat Lightning” REEKS of The Velvet Underground’s “Venus in Furs”—and it’s great. There’s a feeling of quiet helplessness to it, a reluctant lament accented by pianos and synths. It adds to the feeling I’m getting from most of the album—a distinctly nighttime atmosphere, nighttime in a forest clearing with a lake.
TRACK 6: “The Only Heartbreaker” – 6/10
Out of the four pre-released singles for Laurel Hell, “The Only Heartbreaker” was my least favorite. It was still enjoyable and catchy, but the synths felt bland to me. The fact that it was only co-written by Mitski detracted from it as well; Mitski is her best when the lyrics are all hers, and for a Mitski song, these lyrics bordered on simplistic. Not that simplistic lyricism is all bad, but for an artist like Mitski, it’s uncharacteristic. Still a decent pop song, though.
TRACK 7: “Love Me More” – 8/10
Out of all of the more pop-oriented songs on Laurel Hell, “Love Me More” is my favorite. Unlike with songs like “Stay Soft” or “Should’ve Been Me,” Mitski throws off all restraints on her vocals, letting her beautiful voice soar along with the synth notes that seem to climb with the lyrics. It’s the happy medium between what Mitski once was and what she seems to be aiming to be—vulnerable, but infectiously catchy.
TRACK 8: “There’s Nothing Left For You” – 6.5/10
Like “Valentine, Texas” and “Everyone,” “There’s Nothing Left For You” shows the quieter, somber side of Laurel Hell with soft vocals and bare-bones instrumentals. Although I still like it, it doesn’t pack the same punch as the latter two songs I mentioned—it does have a “kicking in” moment, but it’s in the middle of the song, and fades away to the same as the first third once the song ends. It’s still good, make no mistake, but not quite as powerful.
TRACK 9: “Should’ve Been Me” – 5/10
“Should’ve Been Me” is where Mitski’s pop direion steers into mixed-feelings territory for me. Strangely, although songs like “Nobody” worked with upbeat music and not-so-upbeat lyricism, the musical pep of “Should’ve Been Me” seems far too peppy for the message it attempts to put out. Part of why it doesn’t succeed is where it sits in the album—right next to one of its quietest moments. The transition from “There’s Nothing Left For You” to this makes for a jarring listening experience—and not in a good way.
TRACK 10: “I Guess” – 7/10
“I Guess” should have been the album’s closer. A haunting refrain soundtracked by strains of muffled pianos, Mitski’s vocals reach their fullest potential in this second-to-last track. The production only adds to the “swimming in a lake at night” atmosphere—it’s a beautiful song.
TRACK 11: “That’s Our Lamp” – 5/10
It’s a shame that this is what closes off this album—the worst song, in my opinion. “That’s Our Lamp” is a strange attempt to create an 80’s-esque pop song, but although the music reaches some crescendos, it’s another instance where it feels as though Mitski is restraining herself vocally. The combination makes for a jarring song and a disappointing album closer.
I averaged out all of the song ratings, and it came out to about a 6.7. That feels accurate for the album—I would still consider it an alright album, but there were songs that dragged it down too much. However, there were some hidden gems in the mix, and those are ones I’ll be sure to treasure. I don’t regret listening to the album, but it wasn’t Mitski’s best.
Since this post is an album review, consider this whole post today’s song.
That’s it for this album review! Have a wonderful rest of your day, and take care of yourselves!
I’ve realized that Nnedi Okorafor is an author that I end up coming back to frequently—I’ve piled a whole lot of her books on my TBR over the years, and I’m almost never disappointed by what I read, whether it’s Remote Control or Lagoon. She’s an incredible sci-fi and Afrofuturism author, so I jumped at the chance to read Noor. I picked it up last week, and although it had some flaws, it was an endearing and immersive novel!
Originally, AO’s name stood for Anwuli Okwudili. But she prefers the name Artificial Organism; over the years, she has gained several prosthetics and synthetic organs due to a birth defect and a car crash in her teenage years. AO is proud of the person she is, but the rest of the world is not so kind—especially when she’s caught in the middle of a violent conflict. While on the run, she meets DNA, a herdsman and a fugitive who is willing to aid in her escape. But the desert is full of dangers—the biggest of all the infamous Red Eye, said to swallow all who enter it.
TW/CW: murder, violence, ableism (internalized & treatment of protagonist), catcalling
[looks at this cover] why did I ever question that I like girls
Since I started on the Akata Witch series way back in middle school, Nnedi Okorafor has always been an author that I come back to. Her worlds are consistently filled with rich detail and endearing characters, and Noor was no exception. Okorafor’s newest novel is filled with cutting commentary, immersive worldbuilding, and no shortage of unique characters!
Nnedi Okorafor has a writing style that I adore; her worldbuilding and characters are stellar as they are, but she has such a way with words that everything that I mentioned practically jumps off the page. Her metaphors are often humorous and highly specific, and in Noor‘s case, they served to flesh out the characters and world even more so. Her writing never fails to impress, and Noor is another testament to the fact.
Okorafor’s characters are always endearing, but the protagonists of Noor especially shone! AO was such a unique and complex character; her backstory was more in-depth than a lot of protagonists that I can think of, and the intricacies of her history and personality were delved into without steering towards info-dumps. She and DNA had great chemistry along their journey; they bounced well off of each other both in terms of banter and personality. Even the side characters were given so much care, from the Oz-like Baba Sola to DNA’s cows.
As much as I loved all of these elements, there were a few facets that brought Noor down in some places. I have mixed feelings about how AO’s disability was portrayed; while it was clearly depicted that AO is proud of being disabled (and it’s so cool to see a Black disabled character!), there’s a lot of internalized ableism that goes unaddressed. In particular, the way that AO describes herself as “broken” and “crippled” rubbed me the wrong way. I may not have a physical disability, but the latter of the two has been known as outdated language for quite some time, and beyond that, it seems a little contrary to the part of the blurb about AO embracing herself. It’s…a good start, but it’s got some holes.
In addition, Noor had a lot to say, but it suffered from trying to cram commentary on so many different topics in a relatively short span—only 224 pages for my hardcover copy. All of the commentary was fantastic—corporate greed, environmentalism, the Western world’s misguided belief that all of Africa is “poor” and “diseased,” and how society treats disabled people are just a few of them. Problem is, while all of these are mentioned, there is so little room in the plot for them that they ended up being underdeveloped snippets. 224 pages was enough to sustain the plot, but the commentary, which was clearly meant to be the forefront, was forgotten in the dust, for the most part.
But all in all, a highly creative work from a sci-fi author who never misses. 3.75 stars, rounded up to 4!
Noor is a standalone, but Nnedi Okorafor is also the author of Remote Control, Lagoon, the Nsibidi Scripts (Akata Witch, Akata Warrior, and Akata Woman), the Binti trilogy (Binti, Home, and The Night Masquerade), and several other books for teens and adults.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
It’s February again, and in the U.S., February is Black History Month! For the past few years, I’ve been making an effort to diversify my reading and read books from a variety of BIPOC authors all year round, but during this month, I like to take the time to uplift Black voices and authors. It’s crucial to open yourself up to new perspectives and insights, and all it takes is picking up a new book. (But as always, read books from BIPOC authors all year round!)
I made a list of YA reads from Black authors last year (you can find it here!), but I wanted to do it again since I’ve read so many amazing books since last year. So let’s begin, shall we?
THE BOOKISH MUTANT’S YA READS FOR BLACK HISTORY MONTH (2022 EDITION)
I’ll start this list off with a recent read from an author who is quickly climbing up the ranks of my favorites! Although this wasn’t quite as good as The Sound of Stars, The Kindred was such a sweet, feel-good sci-fi romance!
The Cost of Knowing is immensely powerful; through the perspective of a teen with the power to see the future of everything that he touches, Morris tackles a multitude of important topics, from mental health to police brutality to grief.
GENRES: short stories, fantasy, paranormal, sci-fi, LGBTQ+
MY RATING: ⭐️⭐️⭐️⭐️
A Phoenix Must First Burn is a beautiful anthology of short stories of all genres that depict the Black experience—particularly Black women and nonbinary people. There’s only one short story that I didn’t like as much, but all the rest are fascinating in their own right. My favorite was Amerie’s When Life Hands You a Lemon Fruitbomb.
I don’t read a lot of alternate history or historical fiction books, but The Good Luck Girls was a fantastic read! If you’re a fan of demons, ghosts, patriarchy-smashing, and sisterhood, this is the book for you.
GENRES: contemporary, realistic fiction, novels in verse, LGBTQ+
MY RATING: ⭐️⭐️⭐️⭐️
Again—novels in verse aren’t my usual choice for reading, but The Black Flamingo is a must-read! A beautiful coming-of-age story about growing up mixed-race and gay and discovering drag.
Set in the same world as A Song Below Water, A Chorus Rises explores Naema’s side of the story. Not a lot of authors write separate books from the point of view of the story’s antagonist, and this book was testament to the fact that not everything is black and white—there are several sides to every story.
Every Body Looking, Candice Iloh
GENRES: contemporary, realistic fiction, novels in verse
MY RATING: ⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️
Raw and honest, Every Body Looking is a poetic coming-of-age story of growing up as a woman, growing up Black, and growing up as the daughter of an immigrant. It’s a rough ride, but it packs a punch.
When You Were Everything is the perfect book for anyone who has had a close friendship deteriorate. It’s messy, it’s raw, it’s painful, but above all, it felt so real and wonderfully genuine.
I don’t go for mysteries most of the time, but Ace of Spades was the dictionary definition of edge-of-your-seat suspenseful. All at once a nail-biting mystery and a commentary on systemic racism, this is one you can’t let pass you by.
I guess I’ve bookended this list with feel-good reads…I don’t see a problem with that. You Should See Me in a Crown is a fun and tender LGBTQ+ romance about two candidates for prom queen falling for each other!
Tell me what you think! Have you read any of these books, and if so, what did you think of them? What are your favorite YA books by Black authors? Let me know in the comments!
Today’s song:
That’s it for this list! Have a wonderful rest of your day, and take care of yourselves!
