Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
I put this one on my TBR almost exactly a year ago, and it looks like a fascinating twist on your typical space opera! And if it’s described as being perfect for fans of Star Wars…well, I’ve been led astray by that line maybe one too many times, but I love Star Wars, so I don’t think I’ll stop any time soon.
Let’s begin, shall we?
GOODREADS MONDAY (8/23/21) – EVERY SKY A GRAVE by Jay Posey
Mankind has spread out and conquered the galaxy by mastering the fundamental language of the universe. With the right training, the right application of words, truth itself can be rearranged. Language is literally power.
Peace reigns now. Order reigns.
For if a planet deviates too far from what the authorities plan, an agent is sent out to correct that. To quietly and with great skill, end that world.
One such agent is Elyth – a true believer.
But on a clandestine mission to stop an uprising before it can truly begin, Elyth comes to realise she hasn’t been told the whole truth herself. There’s so much she doesn’t know. How can there be people whose truth is different to that of the authorities?
Elyth’s faith in the powers that be is shaken just when she needs it most. While on her mission, a dark and unknown presence makes itself known at the edges of the galaxy – and it cannot be controlled, for nobody knows its name…
So why do I want to read this?
Ooh, the fundamental language of the universe? I’m certainly interested.
All of us sci-fi readers have seen all sorts of intergalactic tyrannies come and go in literature, but I haven’t seen one quite like the one that Every Sky a Grave promises – I’m super interested to see where Posey takes the concept of this fundamental language of the universe and its reality bending powers, as well as the powers controlling it.
Also, Every Sky a Grave is such an eye-catching title! I bet it’s the kind where somewhere along the 75% mark, it’ll appear somewhere in a quote and I’ll have that “oh…OH! They did that! They did The Thing!™️” moment. Hey, it’s the little things in life.
Today’s song:
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
Happy Tuesday, bibliophiles! Wow, already the last day of summer for me…I go back to school tomorrow, bright and early…oh, joy. At least I’ll be able to see my friends again.
Anyways, here’s one of my library holds from this week that I enjoyed immensely! I found out about it after reading (and loving) the Wayfarers series. I put it on hold and forgot that I had, and it unexpectedly came in the library last week! And I’m so glad that it did – A Psalm for the Wild-Built was just the kind of book I needed: heartwarming, gentle and philosophical.
Sibling Dex is tired of their quiet life as a monk in the city. Insistent on bringing spice into their life, they leave for the rural parts of town to become a tea monk, giving out tea and consolation to those who need it most. But something is still missing, so they take their tea cart into the uncharted woods.
There, they come upon Mosscap, a robot living in the woods who is eager to know about humans and their ways. Robots are the stuff of legends in Sibling Dex’s world; centuries before, they migrated to the woods, never to be seen again, leaving humans to their own devices. Knowing nothing about each other, Dex and Mosscap embark on a journey through uncharted territory, seeking answers – and finding more than they expected.
TW/CW: honestly? I’ve got nothing here, there’s nothing terribly violent, tragic, or graphic in any way here. It’s a gentle book, and honestly? We need more books like this
Okay, this book had no right to be JUST WHAT I NEEDED. I’d already fallen in love with Becky Chambers’ penchant for making sci-fi tender and human in the Wayfarers series, but A Psalm for the Wild-Built was truly the book equivalent of a warm hug.
Everything about this book made me all soft and warm inside. Chambers’ writing made for a beautiful, atmospheric world, filled with lush plant life, factories grown over with vines, and quirky robots wandering the woods. My mind tended to wander back to the Redwoods and Sequoias while picturing the setting – lots of tall trees, bright greenery, and all sorts of little creatures in every nook and cranny. The worldbuilding was spectacular – I was instantly immersed in the world of Dex and Mosscap, and the fact that it was all squeezed into less than 200 pages was even more impressive. It truly felt like a lived-in world, one that I wouldn’t hesitate to grab a tea cart and take a ride through the woods in.
And the characters? I now have an aggressive need to give both Mosscap and Dex hugs. Sibling Dex’s struggles with dissatisfaction and restlessness were all too relatable, and I loved their journey over the course of the novel. And Mosscap? Mosscap was just all kinds of delightful. From the cover, I pictured a shrunk-down sort of Iron Giant with the voice of C3-PO for it. It was such a cheery, eager, and curious character, and it was the perfect match for Dex’s more introspective tendencies. They made the sweetest pair, and I loved exploring Becky Chambers’ world with them.
Through it all, there’s consistent themes of dealing with dissatisfaction and the meaning of life itself. Like I said – A Psalm for the Wild-Built me told me exactly what I needed to hear, and that is that any time you feel dissatisfied, think of how miraculous life itself is – the existence of the universe and consciousness is such a marvel, why not treat it that way? Which, in a world where we’re all fed up and cagey from staying home and living out day after day in constant repetition, is a crucial message for us. I’ll be doing my best to take it to heart.
All in all, easily the sweetest sci-fi/fantasy novel I’ve ever read, equal parts journeying into the unknown and musing on the nature of life itself. 4.5 stars!
A Psalm for the Wild-Built is the first novel in Becky Chambers’ Monk & Robot series, continuing with the forthcoming A Prayer for the Crown-Shy, slated for release in 2022. Chambers is also the author of the Wayfarers series (The Long Way to a Small, Angry Planet, A Closed and Common Orbit, Record of a Spaceborn Few, and The Galaxy, and the Ground Within) and the novella To Be Taught, If Fortunate.
Today’s song:
UGH THE GUITAR IN THIS SONG…this album is magic
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Last week, before my trip, I trawled the Kindle library for books to read to tide me over until I could get to the books I bought. I’d had it on hold at the library for a bit, but I realized that it was available on the ebook library, so I checked it out immediately. I was initially excited for it, but I had no idea what I was truly in for; The Darkness Outside Us is more than just a thriller or a sci-fi romance – it’s a heartrending and harrowing exploration of love and grief on a cosmic scale.
After waking up from a strange, deep sleep, Ambrose finds himself on a spaceship with a critical mission – rescuing his older sister, Minerva, who is trapped on a base on Titan. His ship, the Coordinated Endeavor, holds infinite mysteries – it has the voice of his mother, robots with minds of their own, and secrets hidden in every corner. But the most enigmatic of all is Kodiak, his isolated shipmate from a rival country on Earth. Kodiak is bent on keeping distance between them, but when the mission’s true nature becomes clearer, their only choice is to work together.
TW/CW: grief, loss of loved ones, violence, descriptions of illness, death
What can I say other than the fact that I’m truly in awe of this book?
The Darkness Outside Us started out like any other sci-fi thriller. We find Ambrose waking up and slowly realizing his surroundings, and figuring out that things about the Coordinated Endeavor are not what they seem. We witness his developing romance with Kodiak, and all the puzzle pieces seem to come together.
But trust me. Once you hit the halfway mark of the book, you may think you’ve predicted all the plots twists (I thought I did…), BUT YOU WON’T. Just as quickly as everything seems to go disastrously wrong, the real plot starts to come together. I don’t want to spoil anything for this novel, but it’s hard to say anything about what happens next without revealing the last half of the plot, but I’ll try my best. It’s better if you go in blind about this one.
For the first half of the book, I thought that I’d give it a 3-3.5 star rating; the characters were decent, the queer enemies-to-lovers romance was well-done, and the mounting tension was well-written. But the further I got on, the surer I became of my 5-star rating. The Darkness Outside Us is far more than what it was marketed as; yes, there’s romance, and yes, there’s a mystery to be solved in ✨space✨, but there is truly so much more than meets the eye. It’s not every day that I truly feel like a novel is a work of art, but this one was. It’s a testament to life itself, appreciating every minute of it while you still can, and the power of love that binds us and shapes us.
We don’t get enough sci-fi/fantasy novels that delve into these core human emotions quite like The Darkness Outside Us did. And if I’m being honest, I think sci-fi can sometimes be an even better vehicle to explore these kinds of themes. With the dizzyingly cosmic scale that this novel takes place over, there’s a unique opportunity to show the transcendental power that love can span over many years. There’s a bleakness to everything, and most of the last half was heartbreaking to read, what with all the grains of hope that were spread throughout being overturned and crushed in seconds, but Schrefer leaves us with a hopeful ending that nearly brought me to tears.
I’ve said several times that part of what makes a good sci-fi is that it makes you think. The Darkness Outside Us fits the bill in every sense of the word. I had…well [ahem] several existential crises over the course of the last half, but in all seriousness, this novel is deeply introspective and philosophical. It’s all about reckoning with our past choices and the choices of others, of breaking free of cycles that have controlled you for millennia (literally), and the enduring power of love and the complicated nature of relationships. I ended up staying up a *little bit later* than I intended to because I just HAD to see what happened, but all that time, I had the space to ruminate about life. Needless to say, this one had me staring at the ceiling and pondering the meaning of life until I fell asleep, despite my attempts to distract myself.
The Darkness Outside Us is a standalone, but Eliot Schrefer is also the author of the Ape Quarter (Endangered, Threatened, Rescued, and Orphaned), The School for Dangerous Girls, The Deadly Sister, Glamorous Disasters, and many more novels for young adults and children.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Happy Monday, bibliophiles! I’m finally back from Florida, and it’s so good to be back home. However, it was more than jarring watching the plane go through a layer of wildfire smoke to land…CLIMATE CHANGE IS VERY VERY REAL, FOLKS
[ahem] anyways, Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
I don’t usually put graphic novels in these posts, but I figured this one would be a nice change. Retrograde Orbit seems like a very unique comic, with a sci-fi aesthetic blended with themes of home and relationships!
Let’s begin, shall we?
GOODREADS MONDAY (8/9/21) – RETROGRADE ORBIT by Kristyna Baczynski
At the outer edge of the solar system, on the mining planet Tisa, Flint and her mother live in the colony of Swift Springs. Displaced by a nuclear event, Flint’s family settled in Swift Springs two generations ago to become miners. Soon Flint will be old enough to begin her apprenticeship at the refinery. But is the home that her family has built for her enough, or will a mysterious, irradiated planet pull her away from them? By following in their footsteps and leaving to forge a new path, is she betraying her family, or honouring their legacy? Exploring notions of home and the desire to leave it, Kristyna Baczynski’s first graphic novel is a story of relationships, of time and of the motion of the universe.
So why do I want to read this?
art by Kristyna Baczynski
When I looked up images of some of the comics panels, I was immediately reminded of Tillie Walden – the monochrome color scheme with colors that shift from act to act, and the simultaneously cartoonish and intricate style of the illustrations. I’m not sure if I like how Flint and all the other aliens design-wise, but I do like Baczynski’s art style.
Beyond that, this sounds like just my kind of quiet sci-fi! We don’t often get sci-fi novels that deal with the softer, more mundane aspects of life; more than not, it’s all big explosions and high drama. Quiet sci-fi and fantasy is something that I really wish would be done more, because even though they’re set on different worlds, it can sometimes be even more impactful to explore everyday things through the eyes of something or someone completely imaginary. Retrograde Orbit looks like it promises a lot of that – a coming-of-age exploration of independence, family, and leaving things behind. I’m on board!
art by Kristyna Baczynski
Today’s song:
wh…why is Damon wearing that hat…why…
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
I’m always on the hunt for good YA sci-fi, and this one sounds incredible! I forget where I first heard about it, but everything about it hooked me – inspired by Chinese history, giant sentient machines, and a polyamorous relationship! September can’t come soon enough…
Let’s begin, shall we?
GOODREADS MONDAY (7/5/21) – IRON WIDOW by Xiran Jay Zhao
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn’t matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it’s to assassinate the ace male pilot responsible for her sister’s death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.
To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.
So why do I want to read this?
Okay, WHOA. I haven’t seen a premise like this in YA before…
I LOVE all of the different aspects that are coming together in this novel; according to the author, all of the characters are inspired by figures in Chinese history, and they’re all integrated into an entirely new sci-fi world. I can already tell that I’m gonna love Zetian as a protagonist – strong-willed, independent, and willing to fight for her sister’s honor.
And PATRIARCHY SMASHING! MY FAVORITE! There seems to be a thread of fighting against misogynist institutions in Iron Widow, and I’m 100% here for it. Plus, it’s super cool that instead of having a traditional love triangle, there’s a polyamorous relationship – instead of Zetian having to choose between her love interests, she’s in a relationship with both of them, and the love interests are boyfriends as well! Even though we’ve been making great leaps in LGBTQ+ representation in YA, it’s not often that I see any kind of polyamorous rep, so I think it’s amazing that Xiran Jay Zhao is putting out a novel with that kind of rep.
All in all, sign me up for the patriarchy-smashing, the sci-fi vibes, and the LGBTQ+ rep!
Today’s song:
Alright I just started listening to this whole album…I’m about halfway through and it’s GREAT
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
I’ve been trying to think of more original posts to do, and I figured that this one would be something really fun to explore. I’ve seen a lot of posts talking about tropes, but genre-specific ones are always interesting to think about/discuss, and in much of the YA book fandom, I feel like sci-fi doesn’t get as much love. So I decided to look at six tropes that are specific to sci-fi (for the most part). Sci-fi is my favorite genre, so I got super excited thinking about all of these different tropes, and some (mostly) YA books that use them in different ways.
So let’s begin, shall we?
WARNING: This post may contain some book spoilers (Aurora Cycle & Dare Mighty Things series), so read at your own risk!
🛸SCI-FI TROPES🛸
CRYOSLEEP, BUT FOR WAY TOO LONG
Ellen Ripley – and Aliens in particular – probably set the blueprint for this one, but as the trope gets more popular, authors have started to push the limits on this one, which I think is a really cool move.
It’s most often the protagonist that this happens to – our hero, on the eve of something great, is put into cryosleep for an interplanetary mission, only for something to go terribly awry and stay in cryosleep for longer than they were supposed to. Ripley got an accidental 50 years, Auri from Aurora Risinggot 200 years, and Andra from Goddess in the Machinegot a whopping 1,000 years.
This trope presents two main advantages for writing: a vehicle for exploring the novel’s world through fresh eyes, and internal conflict within the character. If your cryosleep character is completely unfamiliar with the world, seeing it through their eyes gives the reader a more in-depth look at the world than they’d get with a character that’s already familiar with it. They’ll inevitably notice more things and fixate on different things than another character might, which gives the reader more insight about what’s unique about the world that the author has crafted.
As for the internal conflict piece, this part’s always touched on, but in most of the novels I’ve read with it, it’s a lot more shallow than you’d think. There’s the existential crisis that inevitably occurs when the character realizes that everything they know and love is all but gone, but beyond the first few chapters from their POV, they get over it…relatively quickly? It seems like the kind of trauma that would leave lasting psychological scars, and probably physical health repercussions as well. I’ve yet to read any book that explores all that in depth, but it seems like the perfect setup for a sci-fi novel.
So this one’s a trope that can make for a lot of creative choices, but often has a lot of untapped potential.
GOTTEN INTO A SITUATION YOU CAN’T GET OUT OF? TIME TRAVEL!
“Time travel!”
Apparently this one is a lot more common than I thought, but I’ve only started to see it in YA more recently. (Well, there’s Avengers: Endgame, but it took me a while to realize how common of a trope it is…)
This trope has the possibility of ENDLESS freaky hijinks whilst traversing through time. Sometimes it’s just pushing the events of the past so that everything lines up a little bit nicer, and sometimes it’s rocketing back to another time period entirely. It usually happens only with the last book in a trilogy or duology, just so everyone can fix the mess they got into in the first books.
I have mixed feelings on this one; one the one hand, there’s never a dull moment – time travel jokes, fitting VERY badly into a different time period, and very high stakes, most of all. If the first books have followed a similar formula, it might be good to try for something else to end the series with a bang.
On the other, though, something about it almost feels…lazy to me. Often, this trope arises from The Gang™️ getting a situation so bad that there may not be a feasible way out of it, but…maybe they could? If done wrong, it can feel like lazy writing – an easy way out, and one that provides instant comic relief. And often, the means of said time travel are vague, and often reduced to technobabble from The Smart Character™️, which, hey, I don’t know much about the science of it either, but maybe at least put a little time into it?
So this one’s a double-edged sword: instant plot, or lazy writing? The choice is yours!
*this one doesn’t come out until November [screams] but we know that time travel will play a big part in this one, so…
ALIENS THAT BASICALLY JUST LOOK LIKE HUMANS (BUT WITH A FEW MINOR DIFFERENCES)
I know Jean Grey isn’t an alien, but most of the aliens mentioned below have similar powers to her, so…
Most of the other tropes I’m going to be discussing in this post are ones that I like on some level, but…this one gets on my nerves. For the most part.
Far too many times, I’ve fallen into the trap of picking up a sci-fi book that promises aliens, only to discover that the aliens just look like humans, but with either a) unusual eye colors, b) some sort of powers, or c) a combination of both. And of course, they have to be ✨ridiculously attractive✨ as well. 🙄
Now, I completely get making your aliens humanoid (hey, I’m doing it with some of my aliens for my sci-fi WIP), but there’s a certain point where it feels a bit lazy. Unless there’s some way you can back it up, it seems weird to me that in this entire universe, the only other intelligent beings, by some cosmic chance, are similar to us in almost every way.
But I’ve seen some authors use it to their advantage – in particular, One Giant Leap(the sequel to Dare Mighty Things) does this especially well. The main alien civilization there look exactly like humans, but it’s because of genetic modifications performed so that they could survive on Earth. See? That’s actually a really good way of turning the trope on its head, and doing so in a practical way!
For the most part, this trope never ceases to bug me, but there’s a few ways to turn it on its head.
BREAKING: Michael Fassbender Sustains Fatal Back Injuries from Carrying all of the Alien Prequels
For me, at least, this trope is the most fun – and it presents some of the scariest and most formidable antagonists in sci-fi.
Villainous AI are some of the most fascinating characters to explore – they have unmatched power, in some cases, and whether they’re a pre-installed ship AI or an android, it’s always interesting to hear their perspective on all of us puny mortals.
Given that humans trust AI a bit *too* much in most sci-fi novels, they often have a fearsome amount of power at their disposal. AI installed inside of a ship? Access to all the security footage, navigation, communications, and controls of the ship. They know their crew up and down, and have the possibility to play everybody’s weaknesses against each other. They have the power to sabotage anything and everything, and more often than not, they do. WITHOUT HESITATION. A corrupt AI often harbors a hatred or jealousy of human beings, and if it’s not that motivating them, it’s some sort of technologically-stemmed god complex, which is always terrifying to watch play out. (Lookin’ right at you, David…) It’s even more of an interesting development if their moral compass shifts over the course of the series – if there’s one thing I’ve learned from sci-fi, it’s that benevolent robot overlords never stay benevolent for very long.
Corrupt AI as antagonists are often more compelling than human or alien ones (for me, at least) partly because so much is left up to the imagination about the inner workings of their minds. We’ve never developed any kind of artificial intelligence that’s become intelligent enough to have devious tendencies like many sci-fi villains, so a lot of it is the author’s personal choice. There are endless possibilities – but more often than not, they’re all terrifying.
And even if they aren’t main antagonists, the addition of a slight unstable AI as a character is always amusing; for all of its flaws, I loved Gregorovich’s existential musings in To Sleep in a Sea of Stars, and his character added some much-needed flavor to the rest of the cast.
TL;DR: There’s nothing more terrifying than a villain that knows everything about everything, and uses that power for its own gain at whatever the cost.
HIGH-STAKES COMPETITIONS TO GO TO SPACE…WITH SOME SERIOUS ULTERIOR MOTIVES
Scared to send your experienced, highly intelligent scientists to space? Send some teenagers instead!
This one tends to crop up the most in YA, as it’s primed for a book that has a primarily teenage cast. The ones I’ve read do tend to follow a formula, but for the most part, it’s one that’s actually a lot of fun!
The worldbuilding/motives behind it are always a little bit messy (again: sending teenagers into space! What could possibly go wrong?), but often times, you just have to hang in there; it’s a given that whatever program is funding the competition is doing something astronomically shady. (No pun intended.) Part of the fun with this trope is the mystery of it; slowly but surely, the competition starts dropping like flies, and things go very wrong very quickly.
More on the mystery aspect – the mystery that often occurs in these types of novels is very slow-burn, building on itself before the heartstopping reveal at the end (often a cliffhanger). From program superiors lying to scheming androids to deaths under mysterious circumstances, there are endless possibilities for many, many things to go wrong. Add in the not-so-friendly rivalries between the competitors (also scheming, along with everybody else), and you’ve got the perfect recipe for a nail-biting sci-fi mystery.
And once/if they get to space? Everything gets way worse. There’s bound to be aliens, but whether they’re intelligent or just parasitic, things are bound to go way, way south. But there’s never a dull moment – there’s no shortage of suspense, and our protagonist is often at a loss as to how to escape their situation.
Plus, for reasons I’ve yet to figure out, these ones always tend to have the most clever pop culture references. (See: all of the Radiohead songs in the Final Six duology)
EXPLORING OTHER PLANETS GOES VERY, VERY WRONG (Or, “Don’t do intergalactic colonialism, kids”)
Here’s another common – but by no means overdone – trope that’s always open to endless possibilities!
Because our planet was never enough, apparently (or if we destroyed it…probably), there’s a whole host of sci-fi stories that are set on entirely new planets, with the sole goal of making them a new home for humankind. But just like with our planet, it’s always unpredictable, whether you’re dealing with a foreign contagion, carnivorous wildlife, or superiors who aren’t what they seem.
I’m always a nerd for creature design in sci-fi, and life on other worlds presents all sort of possibilities for creatures lurking in the bushes. Whether it’s flora or fauna, exploring these sci-fi worlds along with the characters is an adventure, especially if the author is particularly creative. Of course, most of the wildlife ends up being carnivorous, or malicious on some level, so there’s all sorts of danger lurking.
But beyond that, this trope is often a great commentary on colonialism. Human history is rife with frightening periods of raping and pillaging land that wasn’t ours to begin with at the cost of those who originally lived there; telling the same story on alien planets serves as a particularly potent comment on the malicious tendency of our species to overstep and overstay our welcome. Books like A Conspiracy of Starsand The Pioneer explore what happens when humanity comes in contact with intelligent life and unlawfully sets foot on their land; both of them do an amazing job of exploring the intricacies of the political implications, as well as the tense conflict that results. I think sci-fi as a genre is one of the best mediums for raising commentary on this kind of thing. Exploring new frontiers in space is bound to happen once we get the technology, but we must always ask ourselves if it’s the right thing to do. Just because we can doesn’t necessarily mean that we should. (Let’s be real: I would be SO excited if we found evidence of life elsewhere in the universe, but…let’s not have a repeat of all of human history, okay?)
TELL ME WHAT YOU THINK! What are your favorite/least favorite tropes in sci-fi? Have you read any of the books I listed, and what were your thoughts? This’ll probably be one of several posts on the subject, so I can’t wait to hear your thoughts!
Today’s song:
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
I meant to post this earlier in the month, but, alas, school. But hey – March isn’t over yet, is it? And here in the U.S., March is Women’s History Month! So for the occasion, I’ve compiled a list of some of my favorite YA novels with feminist themes not just for March, but for all year round, because we should all be uplifting the voices of women every day of every year.
I mean, how could the premise of an Arthurian retelling where the reincarnation of King Arthur is a POC, pansexual woman not hook you? Plus, lots of dismantling imperialism, sword fights, and an almost entirely queer cast.
Can I rant for a minute? I loved this book to death, but the Netflix adaptation of it looks AWFUL. I watched the trailer, and it looks like it COMPLETELY misconstrued the message of the book. The movie makes feminism look like a joke; in the book, Viv was already conscious of the toxic environment of her high school, but in the movie, they (unintentionally?) painted feminism as something that was “trendy” or “what the kids are into.” (In the beginning of the trailer, Viv magically has this feminist awakening from seeing her mom’s old Riot Grrl pictures…) Also in the trailer, she only starts to notice the rampant sexism in her high school AFTER SOMEBODY TELLS HER…
Okay, I know this has been shelved as both adult and YA, but…hey, Rory’s 15 for most of the book, so I think I can slip it in this post. Plus, what’s not to love about disobedient, patriarchy-smashing princesses in space?
Claire Legrand was a hit-or-miss author for me up until I read this one, but Sawkill Girls is such a powerful novel, both in its paranormal intensity and its resonant themes of sisterhood.
As disappointing as the sequel was, Girls of Paper and Fire still remains a book that stunned me like no other. A powerful tale of rebelling against oppression and corruption – and some lovely forbidden romance!
A super twisty and inventive novel with plenty of morally grey characters and secret societies. Plus, it raises some great points about vigilante justice. And there’s nothing better than getting back at misogynists and rapists, right?
Every time I look back at this book, I think something along the lines of “man, I’m so glad I bought this.” Secret libraries, alien invasion, quality music references, cross-country road trips, and more than a little bit of resistance. Very nearly flawless!
A beautiful romance set against the backdrop of protest and resisting homophobia in 1977 San Francisco. There’s lovely representation for both lesbian and bisexual characters, and it’s such a tender and resonant read!
TELL ME WHAT YOU THINK! Have you read any of these novels, and if so, did you like them? What are your favorite feminist YA reads?
And while I’m at it, might I direct you all to the Women’s History Book Tag? It was created by Margaret @ Weird Zeal, and I had such a blast doing it last March, and I figured I should direct it to your attention. 🙂
Today’s song:
The way this song reminds me of the very beginning of quarantine now –
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
I haven’t done an eARC review in a little bit, and it was nice to see this one pop up after I’d forgotten about requesting it. It was a quick read for me, but although there was clearly a lot of care put into the worldbuilding, much of The Brighter the Stars fell flat for me.
At only twelve, Jake Saunders witnessed the murder of his uncle by Romalor, the tyrant of a distant world. His death shaped him for years, eventually leading him to the Legion, the intergalactic military. For years, he has sought revenge, but only now does he have the chance to avenge his uncle. But when Diane, an ambassador to Earth and a close friend to Jake, is captured, he must find a way to rescue her–and right the wrongs of the murderous Romalor.
TW/CW: violence, loss of a loved one
Thank you to Edelweiss+ and CamCat Publishing for sending me this eARC in exchange for an honest review!
Wait, so we’ve got a protagonist who witnessed the murder of his Uncle Ben in his formative years? Wait a minute…[PETER PARKER INTENSIFIES]
(Kidding, kidding…)
I always feel pretty bad giving more indie books low ratings. It’s hard to put yourself out there, and especially since this one has hardly any reviews or ratings on Goodreads as of now, it did pain me a little bit to give The Brighter the Stars a lower rating. But hey, I’m supposed to give an honest review here, and to be honest, this novel really wasn’t my cup of tea, even though I’m a huge fan of sci-fi.
Let’s start off with the positives. What stood out most to me about The Brighter the Stars was the worldbuilding; the author clearly put a lot of work into making a fleshed-out, intricate world, and for the most part, he succeeded. Although there were several instances where I felt like the information was being info-dumped, the futuristic world that Prosek crafted was one that felt very lived-in.
I also liked the dynamic between Jake, Cal and Diane. They had great chemistry together as a trio, and even though Jake’s and Cal’s personalities/voices were almost indistinguishable, I liked Diane’s character.
What bothered me most about The Brighter the Stars was the writing. It was often very choppy, with long clumps of sentences that were almost the exact same length. Within at least half of the paragraphs, most of the sentences seemed to start with the same word(s); this, combined with the lack of variation for the sentence length, made for a novel that didn’t really flow. I can usually just scan the pages if the sentences have differing lengths, but even the action sequences failed to flow. Additionally, the descriptions leaned quite a lot on telling instead of showing–there’s a whole lot of “was,” “[they] felt,” “[they] knew,” etc., which also contributed to the lack of fluidity throughout the story.
There’s an interesting combination as far as genres go; The Brighter the Stars is pretty hardcore sci-fi, but there’s some clear Western influences on it. (I really don’t know much about Westerns, so take this all with a grain of salt. I guess The Mandalorian was pretty Western-inspired, soooo…) There were quite a few nods to the latter throughout, and I did kind of like the desert/saloon planet, but plot-wise, it still felt quite flat. It was fast-paced, but everything felt far too easy for Jake (ex. beating the supposedly “unbeatable” fighter in the arena, another plot point that I won’t spoil). Now, I’m all for good triumphing over evil in the end, but there seemed to be little to no struggle for Jake to get over the obstacles in his path. He was definitely more of a Gary Stu-type protagonist, which…mmm, nope.
Overall, a sci-fi that clearly took time to create a fleshed-out world, but suffered from dry, choppy writing and unrealistically skilled protagonist. 2 stars.
Release date: November 10, 2020
Today’s song:
That’s it for this eARC review! Have a wonderful rest of your day, and take care of yourselves!
Happy Friday, bibliophiles! I’m off a bit earlier than usual because of my school’s asynchronous Friday schedule, so I figured I’d do a nice little book tag. 🙂
I found this tag over at Whispering Stories. I don’t know who originally created the tag, so if anybody knows, please don’t hesitate to tell me and I’ll credit them! It looked super cute, so I figured I’d give it a go.
Let’s begin, shall we?
📚THE BOOKISH BLOG TAG📚
What are 1-3 of yourfavorite books of all time?
I’d have to go with Frankenstein, Aurora Rising, and Heart of Iron. In no particular order…kind of? I love them all, but I suppose they have varying degrees of sentimental value/specific memories attached to them…
What are 1-3 of your favorite authors of all time?
Oooh, that’s hard…Amie Kaufman, Jay Kristoff, and Ashley Poston, maybe? I’d put Mary Shelley on there too, but I’ve only read Frankenstein…
Who is your favorite female character from a book?
Again, such a hard pick…but I love Auri from Aurora Rising! Since the book came out, her character has spoken to me on so many levels, the most prominent of which being the fact that you don’t have to be brave to change the world.
Who is your favorite male character in a book?
Jeez, that’s super hard too…
Just one? Again? I suppose I’d have to go with Jax from Heart of Iron, maybe.
What’s your favorite fictional world?
The entire Grishaverse is so detailed and beautiful, just the kind of fictional universe that I’d want to get lost in. (Maybe. Probably not. Definitely not the Unsea.)
What book has your favorite cover?
For me, it’s impossible to pick a single favorite book cover. I have an entire shelf on Goodreads of books with covers that I like, so I just had to trawl through that…
I eventually settled on Skyhunterfor this prompt, though. The colors are just so beautiful, and even the inside of the hardback edition I have is gorgeous!
What’s your favorite book-to-movie adaptation?
Fantastic Mr. Fox, without question! Even though I myself abide by the general “the book is always better than the movie” adage, this is one of the few book-to-movie adaptations that’s even better than the source material. That’s just the magic of Wes Anderson, I guess.
If you could make any book into a movie, which would it be?
Illuminaewould make a super tense movie! Now that I’ve seen the Alien/Aliens movies, this novel gives off similar vibes, so I feel like it would be a good fit for the big screen.
What was your favorite childhood book?
The Search for WondLatrilogy shaped me as a person in so many ways…it made me fall in love with sci-fi literature, and it made me want to be an author. So for that, I’ll forever be in Tony DiTerlizzi’s debt.
Fantasy or sci-fi? (Or neither?)
putting this in here because Prometheus has the most immaculate sci-fi vibes
Sci-fi, of course! Can’t say no to having strange adventures while hurtling through space. Plus, aliens are pretty cool, if I do say so myself.
Would you look at that…for once, I actually have a post that isn’t a meme, an update, or a book tag…
I’ve been planning for this one a little bit, and I’m excited to get into it! If you’ve been following this blog for a while, you know how much I love sci-fi. So for this post, I decided to go semi-in-depth on my favorite subgenre of science fiction and dole out some recommendations of mine.
Let’s begin, shall we?
So first off, what is space opera anyway?
In all forms of media, space opera is a subgenre of science fiction. It tends to focus less on the heavy science/physics of the universe it’s in, and more on aspects such as plot and characters. There’s often adventures at a breakneck pace, intergalactic war or conflict, strange planets/other locations, and drama between a set of characters. A lot of space opera media that I’ve consumed tends to throw in a ragtag bunch of characters with nothing in common together, and then throws them into an adventure of epic proportions. (Commonly referred to in many of my posts and reviews as “[chaotic] space misfits.”) More often than not, there’s some light elements of fantasy, sometimes as placeholders to explain the workings of the universe. And, as you probably can figure out, it’s usually set in space or on a distant planet.
Star Wars is often used as the quintessential example of a space opera–dogfights in space, romance, strange worlds, and (amazing) lightsaber duels. (What more could you possibly want?) Although it’s probably not *the original* space opera, it’s influenced a huge chunk of space opera/sci-fi media for the last 40-ish years. Guardians of the Galaxy is another widely-known example of space opera, and from= the world of literature, Dune and Foundation are some of the most well-loved space opera classics.
Sci-fi has only become my favorite book genre in the past…six or seven years; for a while, I was mostly drawn to fantasy, but after reading Tony DiTerlizzi’s Search for WondLa trilogy, there was no going back. And I was raised on a steady diet of Star Wars, so it was bound to happen eventually. There’s a multitude of reasons why I’m drawn to it. Even though fantasy has virtually no limits as far as making up universes goes, there’s just something about about flying through the vast reaches of space and traveling to strange worlds that has always appealed to me. And as someone who’s been something of an outcast for the better part of my life, I’m drawn like a magnet to any kind of found-family tropes. Now, I know full well that it’s not exclusive to space opera, but everything from Star Wars to Aurora Rising has a cast of strange and distinct characters that come to see themselves as a family, and I’ve always loved the theme of finding your tribe of weirdos.
So now, if you say “space opera,” there’s a good chance that I’ll immediately want to read it. (Doesn’t mean I’ll love it–there’s good and bad books in every genre, of course–but I’ll certainly read it.)
Now, I’ve compiled a list of some YA space opera recommendations! Each one is tailored to different types of readers/tastes, because I firmly believe there’s something for everybody, even if sci-fi isn’t normally your thing. So let’s get to it, shall we?
A retelling of the story of Anastasia, this unique duology boasts a diverse and lovable cast of characters, royal intrigue, creepy androids, and some really cool spaceships.
A retelling of Arthurian legend where the reincarnation of King Arthur is a pansexual woman of color and a spell gone wrong made Merlin age backwards…into an awkward, voice-cracky teenager. Super diverse, super feminist, and super fun!
In short, this is what happens when you put Captain America in a spaceship with his sister, his ex, a whole bunch of random students from the bottom of his class, and a girl with a glowing eye that may or may not start an intergalactic war. Hands down, my favorite series of all time.
The worldbuilding and the imagery are beautiful in all three books, but it’s really the unlikely relationship between Noemi and Abel that shines in this one. [🥺 intensifies]
For readers who like plots with high-stakes competitions…
(Would you look at that…another pansexual protagonist!)
I had my expectations a *bit* too high for this one, but it was still a whole lot of fun! A lot of reviewers have pitched it as Aurora Rising meets The Hunger Games, and I’d say that’s pretty spot-on. I’m excited to see what Coffindaffer has up their sleeve for book 2.
This one has elements of both sci-fi and fantasy woven in–royal intrigue on other worlds, and lots of clockwork hearts! Plus, it’s a beautiful queer story; we have a wlw romance, as well as a beautiful aro-ace coming out scene for one of the main characters.
Another space opera retelling of Anastasia, comin’ right up…
Last of Her Name is a truly beautiful novel, with intricate and detailed worldbuilding, tender romance, and no shortage of twists that I couldn’t see coming. I do wish we’d gotten a larger glimpse into this world, but it was still satisfying as one book.
Normally, I’d try to avoid putting two series from the same author(s) in a post like this, but Amie Kaufman and Jay Kristoff are masters of sci-fi, so I kind of *had to.* Composed of interviews, emails, security footage, and more, this is truly a trilogy like no other.
TELL ME WHAT YOU THINK? What are your favorite space opera books? Do you have any space opera recs for us? Tell me in the comments!
Today’s song:
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
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