Talking Heads – The Bookish Mutant

Sunday Songs: 12/21/25

Posted on December 21, 2025 by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well. Happy Hanukkah, Happy Winter Solstice, and in advance, Merry (almost) Christmas!

This week: speaking of which, I rarely end up aligning my Sunday Songs graphics to actually include any holiday-specific songs, but it worked out just right this year…you decide if it’s a pre-Christmas miracle.

SUNDAY SONGS: 12/16/25

“Have Yourself a Merry Little Christmas” (cover) – St. Vincent

Yet another song I’ve swiped from a movie I have no interest in seeing…listen, I saw ads for this movie exclusively through Pinterest and I had no idea it existed until these songs came out. At least we’ve got several Christmas classics reimagined by indie greats, even if the movie is an afterthought for me (see: Jeff Tweedy’s cover of “Christmas Must Be Tonight”).

When I first played this song, I was afraid, with the key, that we’d fall into “St. Vincent goes too far out of her vocal range; things get awkward” territory (see: her cover of Toadies’ “Possum Kingdom”). As much as I love her, she…clearly has her limits. But she slipped into this cover of a Christmas classic with relaxed, comforting ease. Though I like covers to deviate some from the original, I feel like the rule can be broken for Christmas songs—they’re holiday standards, and they’re standards for a reason. The soft keyboards and synths generate a cozy, fireplace atmosphere, and Clark’s warm voice adds that special layer of Christmas cheer that makes me feel as though I’m under a warm blanket watching snowflakes gather outside my window. Even though it’s far from the place for her signature shredding (though I’m not sure any Christmas song merits that), I love that she lent her voice to this song.

…AND A BOOK TO GO WITH IT:

Fangirl – Rainbow Rowell – I feel like I rarely read Christmasy books, but this one’s got lots of Christmas cheer.

“Drive My Car” (The Beatles cover) – The Donnas

Speaking of covers that barely deviate from the original…

There’s an element of “if it ain’t broke, don’t fit it” at play, especially since this is none other than The Beatles—there’s no denying that “Drive My Car” is an impeccable pop song, and a very nostalgic one for me as well. The other cover I can think of, by the exclusively-covers side project of Supergrass, The Hotrats, follows the same formula—and I love it. So sure, although it’s a little unadventurous that nothing’s really changed about The Donnas’ version of “Drive My Car,” sometimes covers don’t need all that much change. Some songs came out of the womb (or, in this case, out of the brains of Lennon and McCartney) nearly perfect, and there’s no point in trying to change it. The opposite can be true as well—“Cry Baby Cry” comes off of my favorite Beatles album, and yet I almost love T hrowing Muses’ dreamy take on the song better than the original. (Apologies for the potential Beatlemaniac heresy.) And The Donnas’ cover retains exactly what made the original so fun—it’s catchy, it’s punchy, and the harmonization is as sharp as anything. Brett Anderson (no, not the Suede one) has the exact kind of vocals that “Drive My Car” needs—upfront, with a smooth yet sharp tone that demands to be front and center. You have to be a special kind of vocalist to pull off the iconic “beep beep, beep beep, YEAH!”—and Anderson absolutely is.

…AND A BOOK TO GO WITH IT:

The Monstrous Misses Mai – Van Hoang – “I told that girl I could start right away/When she said, ‘Listen, babe, I got something to say/I got no car and it’s breaking my heart/But I found a driver and that’s a start…'”

“(Nothing But) Flowers” – Talking Heads

Tiny Desk has had a score of heavy-hitters this year, and what better to…kind of cap the year off than David Byrne? With both new material from his latest album, Who is the Sky? and Talking Heads classics, it was truly just a shot of joy to the veins—just the thing I needed to loosen up after getting finals out of the way. For somebody so renowned for having a cagey stage presence, he seemed surprisingly loose. Maybe it’s just come with age or comfort level, but nonetheless, the joy was contagious.

I’ve slowly been picking up Talking Heads hits like ripe fruits on the side of the road. They’re one of those bands that I feel automatically a fan of, even though I only know 10 of their songs tops, just because I’ve become so attached to some of their songs. God knows I’ve got a score of fond memories attached to “Once in a Lifetime.” One of their latter-day hits, “(Nothing But) Flowers” is an upbeat yet almost cynical take on the post-apocalypse. Like many visions of the future, it imagines our polluted, industrial landscape returned to the vegetation, with Pizza Huts and Dairy Queens grown over and plowed away to make room for fields of wildflowers and wheat. Obvious references to the Garden of Eden, the world has become a pastoral haven—and yet, we cannot adjust to this sudden change, and even though our capitalist environment was pretty obviously worse, everybody yearns for that familiarity—”If this is paradise/I wish I had a lawnmower.”

It’s no wonder that Byrne chose this song for this Tiny Desk Concert, nearly 40 years after its initial release: the line “And as things fell apart/Nobody paid much attention” is a little too on the nose considering…everything. And that’s not even considering the overt political messaging in the music video. Even when we’re faced with a world full of broken, corrupt systems, we’ve become so used to living with the horrors that we might flounder when faced with something better. I hesitate to say that it’s fully cynical, since the vision Byrne and co. conjure is certainly akin to paradise, and yet the song ends with the cry of “I can’t get used to this lifestyle!” I suppose it’s less a condemnation of us and more of a condemnation of how capitalism has groomed us into thinking that it’s the Best Possible Lifestyle! while actively plowing us into the ground. It’s a testament to capitalist propaganda, for sure, to think that our hellscape of five McDonald’s in a two-mile radius and factories belching out chemicals into the air is better than idyllic fields of flowers and breathable air.

But it is, after all, propaganda: words, systems, all created by human hands. Human hands can dismantle it right over again and build something better. To quote Ursula K. Le Guin, “We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings.” Like the flowers, I believe that we can overrun what was once Pizza Huts and factories and make do with what springs from the ashes.

…AND A BOOK TO GO WITH IT:

A Psalm for the Wild-Built – Becky Chambers – “This used to be real estate/Now it’s only fields and trees/Where, where is the town?/Now, it’s nothing but flowers…”

“If I Was Ever Lonely” – Sharp Pins

The lingering feeling I get with this song is that it has to be indicative of something. Something’s catching on. It could just be limited to Kai Slater, but I swear it’s proof that either Elephant 6, Jim Noir, or just weirdo, offbeat, ’60s-inspired indie is on the rise again. Radio DDR was released earlier this year, but if you hadn’t told me that this was Sharp Pins, I would’ve been fooled if you’d told me that this was a leaked Olivia Tremor Control demo from 1998. Either way you hear it, “If I Was Ever Lonely” is cloaked in pure, jangle-pop fun—there’s a very Brian Wilson-esque swing to it that makes you nod your head instantly. With the lo-fi production and the literal dizziness in the lyrics, listening to “If I Was Ever Lonely” strangely feels like staring into the sun. It’s not out of any sense of pain, but more of a carefree feeling of being so head-over-heels that everything is sunny and blurry at the edges.

…AND A BOOK TO GO WITH IT:

Just Your Local Bisexual Disaster – Andrea Mosqueda – “Watching from the back seat of your car/Wondering how far you can take it when I’m so lonely/Dancing in the ballroom hall/Seeing how far I can take it before I’m over you, girl…”

“One Evening” – Feist

So I’ve found the second-most popular Feist song beginning with the word “one,” it seems. (All thanks to a good friend, by the way—thank you!!) I’ve heard scattered Feist songs here and there—“1234” was a childhood staple, and I discovered “Undiscovered First” through Legion, one of many, many songs from Noah Hawley’s playlist that I desperately need to steal, or at least have a look at. The glimpses I’ve gotten are disparate, but from what I can tell, that means that Feist has range, or is at least fairly exploratory in her style. There’s the indie pop of “1234,” the anxious build of “Undiscovered First” or “A Commotion,” and “One Evening,” which has a softer, more loungey feel to it. The entire production is soft and sly in places, a song composed out of stolen glances from across the bar and accidental brushings of the hands of strangers. With soft-sung harmonies, it’s such a tightly-woven groove in such an unassuming song—beneath the softness, it boasts an airtight, deeply catchy composition.

…AND A BOOK TO GO WITH IT:

The Invisible Life of Addie LaRue – V.E. Schwab – “When we started/Both brokenhearted/Not believing/It could begin and end in one evening…”

Since this post consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Sunday Songs

Sunday Songs: 9/29/24

Posted on September 29, 2024 by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles! I hope this week has treated you well.

This week: high school throwbacks, off-kilter oddities, and a few too many people trying to explore each other’s minds than I’m comfortable with. Cool it, Charles Xavier…

Enjoy this week’s songs!

SUNDAY SONGS: 9/29/24:

“Piano Fire” (feat. P.J. Harvey) – Sparklehorse

It’s a Wonderful Life is one of those albums that took me a bafflingly long time to listen to. I know, I know, I did it to myself, but the fact that I didn’t pick it up when I was 15 and irreparably mired in Good Morning Spider astonishes me. It’s probably owed to the fact that I was also even more irreparably mired in OK Computer, which tends to overshadow things a tad bit. Looking back, maybe it was for the best that I wasn’t on an all-Sparklehorse diet at that age. I already looked pathetic scuffing my snow boots through the hall while blasting “Maria’s Little Elbows” through my earbuds between classes. I was 15, guys. It was 100% that serious, trust me.

What I can say is that I think I would have felt the same way about It’s a Wonderful Life at 15 as I do now—it’s a triumph of an album. Scattering through surreal urgency and subdued melancholy, it has every kind of Sparklehorse you’d like—along with a smattering of collaborators. It’s almost funny how different said collaborators are (take Nina Persson’s delicate backing vocals on “Gold Day” and then Tom Waits growling like a hulking ogre on “Dog Door”), but the power of Sparklehorse has always lain in the disparate elements Mark Linkous cobbles together. Like some kind of American Gepetto, he constructs all of his songs into tiny figures made of warped wood and bird bones, and what totters to life creaks with every step. They’re quaint creatures with acorns for heads and cigarettes and toothpicks for legs, but there’s no other way to love them save for exactly as they are.

Those he chooses to collaborate with feel much the same way. P.J. Harvey, of all people, was a left-field choice when I first heard about her featuring on “Piano Fire.” The only Sparklehorse song I could conceive being able to contain the kind of raw fury she exudes was “Pig,” and that had already come and gone by the time It’s a Wonderful Life came out. “Piano Fire,” however, is one of the most upbeat tracks on the album; you feel a racing urgency to it, immediately sprinting down an overcast beach the minute the first guitar chords kick in. Or maybe it’s the searing heat of airport tarmac that you’re sprinting across the minute you hear the opening line: “I got sunburnt waiting for the jets to land.” Sunburnt describes “Piano Fire” surprisingly well; it has the texture of an old photograph left out in the sun too long, all of the colors now bleached to unnatural, pale shades. Linkous almost takes a backseat on his own song, never raising his voice when he dishes out surreal vignettes of “Fiery pianos wash up on a foggy coast/Squeaky old organs have given up the ghost/Fire them up and kill the piano birds.” But that urgency is why P.J. Harvey is so perfect for this song; once the chorus kicks in, her soaring voice provides the jet fuel for this creaky old jet to careen off the runway and into a sky littered with the strangest birds you’ve ever seen.

…AND A BOOK TO GO WITH IT:

Love in the Time of Global Warming – Francesca Lia Block – Block’s bizarre, dreamlike prose certainly fits with the surreal imagery that Linkous employs in this song—and the majority of his catalogue.

“Gigantic” – Pixies

In almost two and a half years of making these Sunday Songs graphics…this is the first time I’ve double-dipped. It was bound to happen eventually, not just because my music taste is finite, but because this song has lingered with me from a young age. I faintly remember being around five or six and hearing this song in my dad’s old car, driving in fading light down the road back to my house, and hearing the iconic chorus: “Gigantic, gigantic/Gigantic, a big big love.”

I’ve often talked about how simplicity in lyrics can convey more than the most complex songs in some cases, and if you need further proof, look no further than “Gigantic.” Most of that work is done by the immense, never-fading talent of Kim Deal, who sells every metric ounce of explosive love in this song; with every cry of “A big big love,” you get it—there’s no other words that can adequately describe the kind of secretive, all-consuming romance that swirls through every pluck of the bass. That opening bass riff is the shy, cracking open of a bedroom window when the parents are asleep, an invitation with a blushing, anticipatory smile. What follows never fails to knock me off my feet. I say “knock” and not sweep or lift me off my feet precisely because that’s what it feels like, as though the ground has opened up beneath you, and you’re falling headfirst into the unknown—contained in a kiss that consumes every cell of your body.

…AND A BOOK TO GO WITH IT:

The Kindred – Alechia Dow – all-consuming, explosive, and intergalactic love.

“Take Me To The River” – Al Green

I’m sure Al Green is a perfectly nice guy, but…that album cover and title is not it, man…”Al Green Explores Your Mind?” Can he…can he not?

The fact that they were just naming albums anything back in the day aside…how did I not know about this song for so long? I’ve loved the Talking Heads cover for years, but somehow, it never dawned on me to look it up and discover that it was a cover. There’s something to be said for the phenomenon of white artists’ covers of songs by Black artists overshadowing the originals, but this isn’t quite the case—from the looks of it, between the amount of times that this song has been covered (most recently by Lorde for a Talking Heads tribute album, oddly enough) and the royalties from [checks notes] those animatronic wall fish, it’s cemented itself as an enduring classic of soul. I’m sure Al Green isn’t complaining about the latter though, given that he’s gotten the most royalties from the fish cover. Yet no matter the strange journey that “Take Me To The River” has taken, none of it has overshadowed how deliciously groovy it is. It’s endured for five decades in counting precisely because it wastes no time in getting straight into its slinky, infectious funk. Green’s voice flies from slick to howling in seconds and recovers in record time, all in time with the blasts of an impeccable horn section. 50 years, and you can’t not bop your head. I’m still not jazzed about Al Green exploring my mind, but I can’t deny that he worked some undeniable, immortal magic with this one.

…AND A BOOK TO GO WITH IT:

The Final Revival of Opal & Nev – Dawnie Walton – though the musical genres differ, the atmosphere and climate of the ’70s runs through both.

“Secretarial” – A.C. Newman

I’ve had a turnaround. I’ll be honest—even though I’ve liked several New Pornographers songs since I was young, “Secretarial” has always bugged me for some reason. I never hated it, but it was always one of those songs where, over the years, I developed a reflex of just skipping it whenever it came on shuffle. I didn’t question it for a while. Many years have passed, and for once, I didn’t skip…and here we are.

A.C. Newman—and most of The New Pornographers’ catalogue, by extension—has this songwriting style that’s just so distinctive in a way that I can’t put my finger on. Even if you separated his or Neko Case’s voice from the lyrics, I could hear a line like “So come on, let the sun in/We’ve been gunning for promotion/Postering the slogans on the roadsigns.” and immediately go “yup, A.C. Newman wrote that.” What makes it so distinct has bugged me for years, and to this day, I can’t fully put my finger on it. The closest I can say is that their specific diction has an inherently off-kilter quality to it. Newman is never overly verbose, but the way he arranges words is always slightly askew. His lyrics dwell in the thin limbo between obtuse poetry and sense, situated in a place where you can decently get the metaphor he’s going for, but instinctually, you know that those syllables just don’t go together neatly. “Secretarial,” like another other Newman product, might as well be a puzzle, in that sense, but one that was put together wrong with the pieces that only look like they should fit together, but stick and slide against each other. I’ve never been great with time signatures, but this one is angular enough to match the slanted lyrics. Even if you don’t know the guy, you can’t deny that it takes some serious talent to not just think of but pull off “Lady, it’s secretarial” as a hook.

…AND A BOOK TO GO WITH IT:

Lagoon – Nnedi Okorafor – I’ve used this book more than once, but it was right there…

“One day you blew across the water/After racing through the countdown/Spewing ancient wisdom like your friend/The revelation had come and they were looking for me…”

“Henry” – Soccer Mommy

Oh, early Soccer Mommy…oh, “Henry.” This one sure soundtracked many a one-earbud-in free draw in art class my sophomore year. I think it was in the fall that I found this song as well; it carries a distinct smell of wet leaves and wood chips in the pumpkin patch. Cheesy as the title of this album, the self-released For Young Hearts, is, it’s not like it’s a lie. Here’s to many more high schoolers listening to this in art class.

It seems that “Driver” has put a pin in this tradition, but “Henry” is part of a long lineage of Soccer Mommy songs about the seduction of Bad Boys™️ (see also: “Death By Chocolate”). Of course, the natural conclusion was that the ultimate bad boy was to be conquered in “lucy,” that being…the devil himself. (God, I need to stop. I sound like a youth pastor.) But here in 2016, “Henry” chronicled the kind of guy who hung out behind the high school, smoking cigarettes in a leather jacket, and giving you a wicked smile as you passed. Sophie Allison’s younger voice, along with the plucky instrumentation (cannot get enough of that bass), makes you feel like you’re following a mischievous wood sprite through sunlit woods. Light and lovesick, it captures that heady, teenage love drug that makes every step stumble: “‘Cause Henry has a laugh like fire/And it’s spreading through the streets and burning on telephone wires/I don’t know just what it is/But he’s driving all the good girls bad with that evil smile of his.” Soccer Mommy’s had that golden, indie touch all along—”Henry” remains a classic to me.

…AND A BOOK TO GO WITH IT:

Carry On (Simon Snow, #1) – Rainbow Rowell – “I don’t know/Just what it is/But he’s driving all the good girls bad with that evil smile of his…”

Since this song consists entirely of songs, consider all of them to be today’s song.

That’s it for this week’s Sunday Songs! Have a wonderful rest of your day, and take care of yourselves!

Book Review Tuesday

Book Review Tuesday (9/24/24) – Some Girls Do

Posted on September 24, 2024 by madeline @ The Bookish Mutant

Happy Tuesday, bibliophiles!

More importantly, Happy Bisexual Visibility Day…one day late! 🩷💜💙 I figured I would center a bisexual story for this week, and between my readings for school, I’ve been trying to squeeze in some books for this occasion and for Latinx Heritage Month as well. I’ve read a handful of Jennifer Dugan’s other novels, and I can always count on her for a solid queer YA romance. Some Girls Do wasn’t her best work, but when it hit the right notes, it was appropriately sweet.

Enjoy this week’s review!

Some Girls Do – Jennifer Dugan

Ruby Torino is intent on keeping her head down until she graduates high school. Even though she’s sick of competing in beauty pageants to appease her mother, she knows that it’s the only way out—the next one’s prize is a scholarship to a community college. There, she can be openly bisexual and not have to please her parents. But when Morgan Matthews, an out-and-proud athlete who was kicked out of her Catholic school after they found out she was a lesbian, transfers to Ruby’s school, her world is turned upside down. Against all odds, the girls end up falling for each other. But Ruby can’t risk coming out—and Morgan can’t seem to let it go.

TW/CW: homophobia, biphobia, verbal and emotional abuse, pressure to come out

Some Girls Do wasn’t a perfect romance, but it was about imperfect people, and for half of the main cast, it worked out. It didn’t blow me away, but it was a solid read for Bisexual Visibility Week!

I wasn’t a fan of both members of the couple (more on that later), but Ruby was such an excellently complicated protagonist! All of her life, she’s been in a volatile position, what with her mother, who had her when she was a teenager, pressuring her into competing in beauty pageants to fulfill the dream she never got to live out herself. Between that and her abusive, homophobic father, she’s learned to guard herself, making her outward personality prickly and unapproachable, even as she blends in with the popular crowd. She’s far from a perfect person, and yet I found myself rooting for her in a way that I couldn’t bring myself to root for Morgan; Ruby’s struggles were tangible and her victories hard-won, and the biggest aspect that kept me reading Some Girls Do was the desire to see her dreams fulfilled.

I find that there’s a limbo that a good amount of queer media doesn’t talk about in terms of environments that people can grow up in. The hometown of Ruby and Morgan is in an in-between place: on paper, it’s mildly liberal and accepting, but there’s still a stigma around queer people. The high school has a pride club, but its members fear holding hands in the hallways. Some of Morgan’s friends act supportive, yet turn up their noses at the idea of the pride club. It’s a dynamic that I haven’t seen explored in queer media often, and Dugan did such a wonderful job in both portraying it and shedding a light on it. Like Ruby and Morgan’s relationship, it’s uncertain what the next day will bring, but there are pockets of unconditional shelter and safety if you look hard enough.

With that out of the way…Morgan. I was not a fan of her. To Dugan’s credit, it’s shown pretty clearly where she’s coming from; by being out, she’s had to risk everything, and is adamant that those who wronged her are proven wrong. But in being so out and proud, she comes off as callous and selfish in all of the wrong ways. When she and Ruby are trying to make it work, she continually pressures Ruby to come out, seemingly oblivious to the very real consequences that could befall her if her parents found out that she was bisexual. Even in her staunch “warrior defending the LGBTQ+ community” stance, she somehow completely forgot that not everyone has the privilege to be openly queer. There was some reconciliation of her attitude and said privilege towards the last part of the book, but in the end, it felt like too little too late.

In concept, Ruby and Morgan’s relationship was cute; once they got into a good rhythm, they had moments of quiet, tender bonding and sweet banter in equal measure. Yet despite Dugan’s efforts to make it work, the way that Morgan was written made it so that it never fully landed. It felt as though no matter how hard they fell for each other, Morgan would never accept that Ruby wasn’t comfortable with public being her girlfriend; even though there were moments at the Pride Club meant for Morgan to learn the error of her ways, she continued to pressure Ruby to do things that weren’t just uncomfortable but unsafe for her. If you took all of that out of the equation, they had some solid chemistry. But Morgan’s unwillingness to accept that Ruby had to stay closeted for her safety made the foundations of what could have been a good romance fold. Encouraging your partner to put her safety in jeopardy is decidedly not romantic.

All in all, a sapphic romance starring some girls that were thoughtfully written and easy to root for, but some girls that were too selfish to even try to like. 3.5 stars!

Some Girls Do is a standalone, but Jennifer Dugan is also the author of several other novels for YA and Adult audiences, including Hot Dog Girl, Melt With You, Verona Comics, The Last Girls Standing, Love at First Set, and many more.

Today’s song:

I’m SO glad my shuffle brought this one out of the depths, I forgot how much I loved it :.)

That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!

Weekly Updates

Weekly Update: August 31–September 6, 2020

Posted on September 6, 2020September 13, 2020 by madeline @ The Bookish Mutant

Happy Sunday, bibliophiles!

With the second week of school now under my belt, I’ve started to get used the schedule. Of course, our school has the option of either hybrid (online and in-person) or 100% online, and everybody’s going to hybrid next week, so the schedule’s changing yet again…whee…

But this week has been alright. I have now inherited the role of the president of my school’s book club (!!!), so I’ve been trying to rope all of my bookish friends into joining now that all of the seniors have graduated. There’s a strange kind of power in moderating a google classroom…

My reading week hasn’t been *as* productive, but I went through my whole birthday book haul (I loved TRUEL1F3, but it just took me a while to read), and I loved them all! Expect lots of reviews soon 🙂 The same has been true of writing–I’ve been struggling with stretching out the plot a bit, but we’re nearly at 300 pages, so I suppose that’s a plus. I also went back to the library in-person for the first time, finished Devs [loud screaming], started Raised by Wolves, and later today, I’m going to the movies for the first time since February! (Safely, of course) I can’t wait to see Tenet!

WHAT I READ THIS WEEK:

The Burning Kingdoms (The Smoke Thieves, #3)–Sally Green (⭐️⭐️⭐️⭐️.5)

A Song Below Water–Bethany C. Morrow (⭐️⭐️⭐️.75, rounded up to ⭐️⭐️⭐️⭐️)

Amazon.com: A Song Below Water: A Novel (9781250315328): Morrow, Bethany C.: Books

TRUEL1F3 (Lifelike, #3)–Jay Kristoff (⭐️⭐️⭐️⭐️⭐️)

TRUEL1F3 (Truelife) by Jay Kristoff: 9781524714000 | PenguinRandomHouse.com: Books

POSTS AND SUCH:

SONGS:

CURRENTLY READING/TO READ NEXT WEEK:

Four Dead Queens–Astrid Scholte

Amazon.com: Four Dead Queens (9780525513926): Scholte, Astrid: Books

The Black Kids–Christina Hammonds Reed

The Black Kids | Book by Christina Hammonds Reed | Official Publisher Page | Simon & Schuster

The Good Neighbors, vol. 1: Kin–Holly Black and Ted Naifeh

The Good Neighbors: Black, Holly, Naifeh, Ted: 9780439855655: Amazon.com: Books

Raybearer–Jordan Ifueko

Amazon.com: Raybearer (9781419739828): Ifueko, Jordan: Books

The Spaceship Next Door–Gene Doucette

Amazon.com: The Spaceship Next Door (9781328567468): Doucette, Gene: Books

The Infinite Noise–Lauren Shippen

Amazon.com: The Infinite Noise: A Bright Sessions Novel (The Bright Sessions Book 1) eBook: Shippen, Lauren: Kindle Store

Today’s song:

That’s it for this week in blogging! Have a wonderful rest of your day, and take care of yourselves!

ARC Reviews, Books

eARC Review: Lyrics and Curses

Posted on June 15, 2020June 15, 2020 by madeline @ The Bookish Mutant

Happy Monday, bibliophiles!

Music references. I’ve grown up in a family of music nerds, and it’s been a passion of mine for almost my whole life–almost as fervent as my love of books. So you can imagine my joy to find a paranormal romance eARC that promised lots of them. But though I liked that aspect of the novel, most of it didn’t click with me.

Enjoy this eARC review!

Lyrics & Curses (Cursed Hearts, #1) by Candace Robinson

Lyrics and Curses (Cursed Hearts, #1)–Candace Robinson

1985. Lark Espinoza longs for an escape–from her stepmother, her popular sister, and her town where nothing seems to happen. But when a mysterious, cloaked stranger appears in her workplace, she knows something’s amiss–but even more so when she realizes that no one else can seem to see him.

It turns out she isn’t the only one. Auden Ellis, the boy Lark shares notes filled with song lyrics with, has also had an unexplainable experience–out of nowhere, he sees a stranger playing a flute that nobody can see–except for him and Lark. Auden and Lark sense that there’s a link between these unexplainable events–but would could they possibly mean?

Sesame Street Idk GIF - Find & Share on GIPHY

Thank you to Edelweiss+ and Filles Vertes Publishing for giving me this eARC in exchange for an honest review!

For a while, I was teetering between a 3 star and a 2 star rating. The second half of the book pushed it towards the 2 star end, sadly. The Goodreads blurb pegs it as Pretty in Pink meets Stranger Things–both of which I love–but Lyrics and Curses felt weak in most respects. (Also, I…really don’t see the Pretty in Pink part? Maybe that’s just me, but…)

Let’s start off with what I liked. I loved Auden and Lark’s friendship/almost relationship, even though the latter felt forced and rushed towards the end of the novel. Their shared bonding over music was something I related to, and plus, they (I mean, I guess I should be saying Candace Robinson) had great taste. Jumping off of that, I LOVED the music references–David Bowie, Talking Heads, Siouxsie and the Banshees, Depeche Mode, Queen, all the good stuff. There’s a clear love of all things 80’s, and it really shines through in Lyrics and Curses.

Legion Review: 9 Moments from the Premiere to Admire, Recap + ...

But that’s where the good aspects ended for me. Speaking of said music references…I loved them, but most of the time, much of the 80’s references felt more like namedropping, like the author was just sprinkling them in to say “OH, and DID I MENTION that this is the 80’S?!? Would you look at THAT!!! 80’S!!!!!!1!!!” The more that were piled on, the more tired and forced the setting of the novel felt. Don’t get me wrong–I’m a big fan of most 80’s content as well, but some of the references only ended up dragging the novel down, and making the historic setting less genuine.

Aside from that, the plot generally felt weak. The paranormal aspect was barely touched on until the second half of the book, and even then, it felt like there weren’t any high stakes for the characters–at least until…maybe the last 90% of the book? I wasn’t invested in Lark and Auden’s journey, and the paranormal aspect was only mildly gripping. As a result, the last half of the book felt incredibly rushed, and I ended up skimming the last 75% or so. After Lark and Auden realize the source of these paranormal occurrences, the book got *slightly* more interesting, but by that time, the book was nearly over, and there wasn’t too much time to touch on it further. I suppose that’s what a sequel is for, but I still felt that most of the beginning could have been cut out, and the paranormal aspects of the plot been expanded upon more.

All in all, a novel that showcases a nostalgic love of music and the 1980’s, but fails to deliver on most other aspects. 2 stars.

Joaquin Phoenix Reaction GIF - Find & Share on GIPHY — Me 50% of the way through trying to decide if I’d give this 3 or 2 stars

Expected release date: November 10, 2020

Since I’ve already posted once today, check out today’s Goodreads Monday for today’s song. (Not 80’s, sorry…)

That’s it for this eARC review! Have a wonderful rest of your day, and take care of yourselves!

Music

Me and Music Tag

Posted on May 29, 2020July 8, 2020 by madeline @ The Bookish Mutant

Happy Friday, everyone!

I know I’m *primarily* a book blog, but most of what I post outside of bookish content is music related, as apart from being a bibliophile, I’m a major music nerd as well. I found this tag over at Margaret @ Weird Zeal , and the tag was created by Sophie @ Me & Ink.

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Rules

Link back to original so she can see your answers and listen to the tunes
For every prompt you choose to do, name 1-5 songs (you can use my graphics)
Have fun and play your music LOUD

Let’s begin, shall we? (I skipped a prompt or two because I couldn’t find anything for some of them, but here we go…)

Ooh, lots to choose from…

“Beautiful Freak”–Eels: Aside from the Hellboy II nostalgia, I want this to play at my wedding. VERY badly.

“It’s Oh So Quiet”–Björk: Nostalgia! NOSTALGIA!

“Ladies and Gentlemen We Are Floating in Space”–Spiritualized: I mean, what more could you add to a song other than a choir singing “Can’t Help Falling in Love”?

“Shove It (feat. Spank Rock)”–Santigold: AAAAAAAAA

“Idioteque”–Radiohead: I just listened to all of Kid A the other day…OH MAN…

“Antmusic”–Adam & The Ants: CLASSIC.

“While My Guitar Gently Weeps (cover)”–Regina Spektor (from “Kubo and the Two Strings”): There’s no way that anyone could come close to the mastery of The Beatles, but this cover always gives me chills.

“Cop Car”–Mitski (from “The Turning”): Honestly, I couldn’t care less about this movie, but man, they got some great artists to do the soundtrack…

“The Moon Song”–Ezra Koenig & Karen O. (from “Her“): Again, another movie that I haven’t even seen, but this song brings back such good memories.

“I Think You’re Alright (Jay Som cover)”–Soccer Mommy: This song has the sweetest vibes…

“No Surprises”–Radiohead: [ahem] Excluding the subject matter, this one always makes me feel at peace.

“Scott Street”–Phoebe Bridgers: Again, depressing subject matter, but beautiful.

“Kooks”–David Bowie: I think one of my first memories is of being in the car as a baby and hearing the tail end of this song play.

“Strange Love”–Karen O.: This was my favorite song for a while… 😭 It’s from one of my favorite childhood movies (Frankenweenie), and the lyric video TOOK ME BACK…

“Bad Believer”–St. Vincent: Unfortunately, I associate this song with middle school, but hey, it’s an awesome song.

“Declare Independence”–Björk: If I actually took the time to listen to music while I “worked out,” this would be the perfect song.

(Also, I saw a video of her playing this live and saying something along the lines of “here’s a quiet little song to help you go to sleep :)” and then they just started BLARING THIS)

“Oh! You Pretty Things”–David Bowie: This one always motivates me to write. Also, it’s basically the theme song for the X-Men. Just saying.

Hmmm, I listen to a fair amount of older music, so let’s see…

“Blowin’ in the Wind”-–Bob Dylan: This one’s another one that I remember fondly from my childhood 🙂

“I’m So Tired”–The Beatles: I love most of The Beatles’ work, but this one is criminally underrated.

“Sympathy for the Devil”–The Rolling Stones: On an unrelated note, my brother and I tried slowing this one down in iMovie as a joke, and Mick Jagger sounded ABSOLUTELY CURSED IN THE BEGINNING

IT WAS GREAT

Oh boy, I listen to a LOT of depressing music…I’ve been thinking about making a post about it, but we’ll see…

“No Conclusion”–of Montreal: PLEASE, I AM BEGGING YOU, ONLY LISTEN TO THIS ONE IF YOU’RE IN A GOOD MOOD. 10 SOLID MINUTES OF DEPRESSION.

“Class of 2013”–Mitski: mAAAAAAAAAAAAAAAAAAAA

“Street Spirit (Fade Out)”–Radiohead: I mean, most of their catalog is incredibly depressing, but this is one of their saddest, in my opinion.

“Dedicated to the One I Love”–The Mamas & The Papas: I’m quite a few decades late on this bandwagon, but a friend of mine recommended this one to me, and I adore it.

“Rabbit Habits”–Man Man: Another one that I had on repeat a week or two ago…

“Cool Waves”–Spiritualized: I went on a huge Spiritualized kick about two weeks ago, and I haven’t completely recovered…

“Impostor Syndrome”–Sidney Gish: All of her songs are so well-written…

“Nervous Young Inhumans”–Car Seat Headrest: [screams] “EARLIER IN THE SONG I USED THE TERM ‘GALVANISTIC’…”

“Anytime”–Snail Mail: Some of the most well-written sadness I’ve ever come across.

“Lazarus”–David Bowie: The day that David Bowie died, I remember my dad driving my brother and I to school in silence as this song played.

“Day Go By”–Karen O.: I listened to this whole album while I was in Canada last year, and I remember listening to this one in a hotel in Drumheller.

“Exit Music (for a Film)”–Radiohead: I discovered OK Computer last year, and I remember being curled up at the entrance of the cafeteria, reading a collection of Tennyson’s poems while blasting this through my headphones. (Yes, I am That Kid™️)

“Hunky Dory”–David Bowie: My favorite album of all time, hands down. Perfection.

“Twin Fantasy”–Car Seat Headrest: WHAT AN ALBUM…OH MAN…

“OK Computer”–Radiohead: See above. Pure genius.

Hmm, let’s see…

“Once in a Lifetime”–Talking Heads: …just watch the video. You’ll see what I mean.

“Life on Mars?”–David Bowie: This was my halloween costume last year…

“It’s Oh So Quiet”–Björk: Sorry to repeat a song, but this video always cheers me up 🙂

I TAG ANY OF MY FELLOW MUSIC NERDS WHO WANT TO PARTICIPATE!

Since this tag is all about music, consider this entire tag today’s song…

That’s it for this tag! Hope you enjoyed this dip into the weirdness that is my taste in music…

Have a wonderful rest of your day, and take care of yourselves!

Books, Goodreads Monday

Goodreads Monday (4/20/20)–Uglies

Posted on April 20, 2020 by madeline @ The Bookish Mutant

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Happy Monday, bibliophiles!

Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.

This one’s been on my TBR for quite a long time, and it seems like a classic YA dystopia, right when the subgenre was just getting started. It should be entertaining, if nothing else.

Let’s begin, shall we?

GOODREADS MONDAY (4/20/20)–UGLIES by Scott Westerfeld

Uglies by Scott Westerfeld | Scholastic

Blurb from Goodreads:

Tally is about to turn sixteen, and she can’t wait. In just a few weeks she’ll have the operation that will turn her from a repellent ugly into a stunning pretty. And as a pretty, she’ll be catapulted into a high-tech paradise where her only job is to have fun.

But Tally’s new friend Shay isn’t sure she wants to become a pretty. When Shay runs away, Tally learns about a whole new side of the pretty world– and it isn’t very pretty. The authorities offer Tally a choice: find her friend and turn her in, or never turn pretty at all. Tally’s choice will change her world forever…

So why do I want to read this?

I’m not super compelled by this one, but hey–classic YA dystopia. I think Uglies came along even before The Hunger Games and Divergent and such, so it might even be one of the series that kickstarted the subgenre. Now, I see the kind of plot everywhere, but it’ll be interesting to see where it all seemed to sprout from. If anything, it’ll be entertaining–nothing super meaty or anything, lots of thinly veiled metaphors and whatnot. My expectations are lowish, but I think Uglies could be fun. It was probably pretty groundbreaking for its time, as with the aforementioned titles.

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I think Uglies, along with the other three books, are available on the Kindle library, so I might have something to binge after the other few books I have lined up to read. I dunno.

Today’s song:

That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!

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Goodreads Monday

Goodreads Monday (3/9/20)–Kiss Me in New York

Posted on March 9, 2020 by madeline @ The Bookish Mutant

goodreads monday header.jpeg

Happy Monday, bibliophiles!

Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.

I don’t give realistic fiction as much love on here, so I figured that I’d change things up a little bit this week. I’d forgotten about this one’s existence, and it seems like a light, fluffy holiday read. I mean, it’s a Christmasy book, but nobody really cares that it’s March, right? Right?

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Let’s begin, shall we?

GOODREADS MONDAY (3/9/20)–KISS ME IN NEW YORK by Catherine Rider

Image result for kiss me in new york book

Blurb from Goodreads:

It’s Christmas Eve at JFK in NYC.

Charlotte is a British student, waiting for a flight home after the worst semester of her life. Anthony is a native New Yorker, surprising his girlfriend at the airport after three months apart. Charlotte has just been dumped, and Anthony is about to be dumped, right in the middle of the holiday crowd.

Charlotte’s flight is canceled when a blizzard blows in, and Anthony can’t bear to go home. So, they set out into the city together, clutching a book Charlotte picks up in the airport gift shop: Ten Easy Steps for Getting Over Your Ex. For this one night, they’ll focus on healing their broken hearts … together.

Step-by-step, the two struggle to put the past behind them. But the snow is so enchanting, and the holiday lights are so beguiling, that soon their shared misery gives way to something else. Soon, they’re not only over their exes — they’re falling for each other.

Then a subway ride splits them up by mistake. Will they reunite before Charlotte’s flight leaves New York forever?

So why do I want to read this?

I’ll have to save this one for when I’m actually in the Christmas spirit, but it seems like a super cute holiday romance, something to bring a little light, love, and levity into my life. And even though I’m opposed to the trope of girls discovering themselves with the “necessary” aid of a man, this doesn’t quite seem to be the case. Plus, the “ten easy steps for getting over your ex” seems pretty funny, if you ask me.

Today’s song:

This one’s been stuck in my head for…almost a week straight? Classic.

That just about wraps up this week’s Goodreads Monday! Stay tuned for more content later in the week! Have a wonderful rest of your day, and take care of yourselves!

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