I’ve been a fan of A.R. Capetta for a while, but I’ve never gotten around to reading their debut. I’ll read any promising space opera that I come across, and judging from how fantastic Once & Future was, I’m hoping this novel will be more of the same.
Let’s begin, shall we?
GOODREADS MONDAY (11/15/21) – ENTANGLED by A.R. Capetta
Alone was the note Cade knew best. It was the root of all her chords.
Seventeen-year-old Cade is a fierce survivor, solo in the universe with her cherry-red guitar. Or so she thought. Her world shakes apart when a hologram named Mr. Niven tells her she was created in a lab in the year 3112, then entangled at a subatomic level with a boy named Xan.
Cade’s quest to locate Xan joins her with an array of outlaws—her first friends—on a galaxy-spanning adventure. And once Cade discovers the wild joy of real connection, there’s no turning back.
So why do I want to read this?
I’m already a sucker for space opera, but guitars? A cherry-red guitar, to be exact? [aggressively slams credit card on the table]
I’ve read nearly everything of A.R. Capetta’s, so that’s already a motivation for me to read Entangled. Their prose is consistently hooking, and their LGBTQ+ representation never fails. Once & Future is their only other sci-fi book, so I’m hoping that reading Entangled will give me a glimpse of how they’ve grown in the genre since then.
Even if it wasn’t A.R. Capetta, I would have 100% been on board! We’ve got a whole host of factors that are simultaneously drawing me in—aliens, outlaws, galaxy-spanning quests…what’s not to love? Plus, I already adore the concept of Cade as this reluctant, wandering traveler who just wants to play guitar. I feel you, Cade, I feel you.
The reviews on this one are leaning on the mediocre side (3.54 at present), but at this point, I’m undeterred. Most of the complaints have been about the flimsy science, which, well…I know when a piece of media is just sticking “quantum” onto every other word to make them sound smart, but I also deliberately didn’t take a physics class, so it shouldn’t be a major issue. As for the execution (the other major complaint)…well, I guess I’ll see for myself.
Today’s song:
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
wHEW okay so I just submitted my college applications I need a minute
So, what do my college applications and this week’s review have in common? My feelings after finishing both of them can be described accurately with the image above.
I’ve been a fan of Marie Lu’s for years now, and I loved Skyhunter, so I immediately jumped at the chance to preorder book two. I got to read it recently, and I can say with certainty that Marie Lu has made another riveting success!
Now, TREAD LIGHTLY! This review contains spoilers for book 1, Skyhunter! If you haven’t read book 1 and intend to, I suggest you skip through this review.
my copies of Skyhunter and Steelstriker feat. a cool filter
Mara has fallen. The Federation’s colonization sweeps through what was once the last stronghold of freedom, and at its forefront, the young Premier wreaks havoc, fighting to uncover an ancient artifact that could give his empire unimaginable power.
Talin has been captured for the Skyhunter initiative, melded with wings and great power against her will. But her connection to the Premier presents her with a unique perspective that could help her allies win the war. Meanwhile, Red and the rest of the Strikers are intent on breaking her out, but a plot against the Federation could mean the difference between victory and utter chaos.
TW/CW: torture, human experimentation, graphic violence, public executions, murder (attempted and executed), colonization
Let it be known that I was reading the last part of Steelstriker while getting my hair dyed, and that right as I hit THAT CLIMAX, the lady dyeing my hair came in and I had to hold it together long enough for her to rinse my hair out. This is the havoc that Marie Lu has wrought upon my heart.
But it was 100% worth it.
Skyhunter is a very special book to me. Not only was it written by one of my favorite authors, it helped me through what was easily one of the toughest times in my life. When I was weighed down with grief and stress, Skyhunter taught me to maintain hope, even in the darkest of times. Now, here I am one year later, and Steelstriker means just the same to me—a bleak, dystopian world, but with underlying currents of hope and resistance.
Just as with book 1, I can picture the imagery of Steelstriker like it was footage from a TV show. Marie Lu’s writing kept me hooked from page one, and I only found myself putting it down for…well, basic necessities. (And getting my hair rinsed off.) I felt just as invested in Talin and Red’s story as I did last year.
Standing next to Skyhunter, one aspect that set Steelstriker apart was the rich political intrigue. Within the action there are threads of unrest, manifesting in secret plots and uprisings aplenty. Every single plot point had a satisfying domino effect through the rest of the novel, and the constant twists that resulted kept me guessing until the epilogue. Marie Lu’s balance of sci-fi action and realistic dissent and secret plots made for a book that sucked me in for its entire length.
And the characters! Coming back to Red, Talin, and the rest of the striker gang felt like reuniting with old friends. I had a soft spot for Red in book 1, and he was just as well-developed, complex, and outright lovable as ever. Talin’s internal struggle with being a Skyhunter never ceased to tug my heartstrings, and her perspective balanced outside intensity with introspective development. And the two of them together!! I mentioned in my review of Skyhunter that I thought they would work in either a platonic or romantic relationship, and having them be in love was so, so, SO sweet. They’re just perfect for each other. GAAH.
All of it culminated to a climax that threw my heart down the Grand Canyon and an epilogue that pulled it back up. Marie Lu certainly knows how to toy with my feelings [coughcough THE MIDNIGHT STAR cough cough].
It’s bittersweet for me to think that the Skyhunter duology is coming to a close. But Steelstriker was a sequel that was just as heartbreaking, intense, and wholly special as its predecessor. Thank you, Marie Lu, from the bottom of my heart. 4.5 stars!
Steelstriker is the final book in the Skyhunter duology, preceded by Skyhunter. Marie Lu is also the author of the Young Elites trilogy (The Young Elites, The Rose Society, and The Midnight Star), The Kingdom of Back, the Legend series (Legend, Prodigy, Champion, and Rebel), and the Warcross series (Warcross and Wildcard.)
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I haven’t done a recommendations post/something other than a book tag or a review in a while, so I figured it would be fun to mix things up a little bit.
Yeah, yeah. I get it. This is a very specific post. But these are the kind of books I love, and I know other people love them too, so I thought I would put this out into the world.
The found family trope is easily one of my favorites in media as a whole; usually, it involves a character, often an outsider, who meets a series of strangers, often outsiders as well, on whatever journey they are on, and these strangers become a family to them. Often, these characters have very different personalities, but their differences are what make them stronger. They come to accept each other no matter what, growing closer than they ever could have imagined. As someone who has been more than a little bit of an outsider over the course of my life, the trope has resonated with me a quite lot; I’m glad now to have found friends that love me for being as weird as I am, and I love them for being weird too. And for those of you who are in the place where I used to be, I promise: someday, you’ll find people who love you and celebrate you for who you are.
In my opinion, sci-fi is the most entertaining genre to see the found family trope in action. Sci-fi has a tendency to throw all of the characters into a life-changing adventure, and if the execution is right, their relationships deepen along the way, making for a tight-knit group of what I love to call “chaotic space misfits.”
Now, the books I’m putting on this list aren’t exclusively space-centric sci-fi. I’ve included a few books from other sci-fi branches, but all have similar found family themes. It’s mostly YA, but I have a few Adult and MG books on the list as well.
So let’s dive in, shall we?
THE BOOKISH MUTANT’S FOUND FAMILY SCI-FI RECOMMENDATIONS
Fast-paced and full of heart, Victories Greater Than Death is a perfect fit for longtime sci-fi fans and readers that are new to the genre! The relationships in this novel are so sweet, and I’m excited to see how they develop in the sequel!
Two YA sci-fi books with purple covers with beautiful and VERY powerful space girls on them? In one post? It’s more likely than you think.
Aurora Rising is, in my opinion, the textbook-perfect example of the found family trope, and both the platonic and romantic relationships within it never fail to make me feel soft and happy inside.
The Disasters is the perfect book for you if you’re a fan of Guardians of the Galaxy-esque characters and banter. This one has action, drama, and misadventures in space aplenty!
Nothing like taking down giant, overpowered robots to bond a couple of people together…
The bonds between all of the characters in Gearbreakers truly shone, and the balance of soft levity, dystopian grit, and brutality were so well-handled!
Continuing on the dystopian train, here’s an action-packed book from one of of my favorite authors! Amidst all of the horror and desolation in Skyhunter’s ravaged world, the relationships between Talin, Red, and the rest of their ragtag gang of Strikers brings hope to a bleak novel. I read it almost a year ago, and it was just the thing that I needed to get through a rough patch in my life.
Looking back, The Search for WondLa wasn’t just my gateway into sci-fi literature—it was probably my gateway to the found family trope as well. This was my favorite series from late elementary school through middle school, and even when I look back through it, I love it just as much as I did when I was younger. Middle school Madeline would be elated to hear that I still highly recommend it; an intricately crafted piece of sci-fi, filled with an immersive world, unique characters, and beautiful illustrations.
Spaceships are often the perfect vehicle for interstellar bonding (and anything interstellar, really), but have you considered…sentient, intelligent spaceships? What’s more fun than having your own spaceship join the found family?
Honor Among Thieves, with its diverse and chaotic cast of characters and intergalactic intrigue, is sure to both capture your heart and keep you on the edge of your seat!
I said earlier that the found family trope often involves the characters bonding over some life-changing adventure, but it isn’t always—and never has to be—the case. It seems to me that Becky Chambers has pioneered the “soft sci-fi” novel, one that’s set in a future universe filled with aliens and strange politics, but there are no cosmic, fate-of-the-world wars or over-the-top conflict. It’s more slice-of-life, but in space. (Oh, look at me and all my hyphens…) Which I love.
The relationships of the crew of the Wayfarer made my heart so happy, and I bet they’ll make you just as happy too!
The main cast, along with the rest of the crew of the Dossier are the sweetest, messiest found family, whether they’re human, robot, or alien. If you love retellings, lost chosen ones, and plenty of banter, Heart of Iron is the book for you!
Larklight, from my memory, is imaginative, kooky, and perfect if you’re a fan of steampunk. Never a dull moment if there are pirate ships and floating houses in space, right? Plus, all sorts of odd creatures…
Turning back into dystopian sci-fi, LIFEL1K3 is another fantastic example of a novel that finds the smallest bits of hope in the bleakest (and I mean BLEAKEST) of times. This series HURT me, truth be told, but Jay Kristoff is the master of writing friendships that you want to root for with all your heart.
TELL ME WHAT YOU THINK! What are your favorite books with the found family trope? Have any sci-fi recommendations for me? Tell me in the comments!
Today’s song:
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
This novel came on my radar a few months ago, and I just had to put it on my TBR–what could go wrong with giant robots, aliens, and patriarchy-smashing? What more could a reader want, really? I preordered it, and I’m glad to say that it didn’t disappoint–and it got me out of a week-and-a-half-long reading slump too!
my copy ft. a nice filter and some more red and orange books
Hordes of aliens are invading Huaxia. Their last hope lies in the Chrysalises, supersized robots piloted by the best young boys that the country has to offer–and powered by girls, who inevitably die from the exertion.
It’s not a dream that most of the girls of Huaxia would entertain. But for 18-year-old Zetian, there’s more to the job than certain death. There’s a chance of revenge, specifically for her older sister, who was sacrificed by a Chrysalis pilot. Her murder successful murder plot garners her the rare title of Iron Widow, a role reversal where she pilots the Chrysalis and can only sacrifice boys. With her newfound title, Zetian has one more mission–tear the misogynist foundations of Huaxia’s army to shreds.
TW/CW: misogyny, rape, graphic violence, death, past loss of loved one, alcoholism/substance abuse, withdrawal, torture
I’m ashamed that we didn’t think of this solution earlier…DESTROY THE PATRIARCHY WITH ROBOTS
After a long slump, Iron Widow was just what I needed. Even if I’d been on a string of amazing books beforehand, though, this book would have been just as much of a wild ride as it was when I read it. Unapologetically feminist and action-packed, Iron Widow is sure to please sci-fi fans and those new to the genre.
The feminist aspect of Iron Widow is what stood out the most for me. Throughout, there’s unapologetic commentary on the harshest treatment of women in society, from the constraints of the gender binary to rape and institutionalized misogyny. Sure, we have hordes of aliens attacking the country in droves, but the rampant sexism and misogynist violence is the real antagonist here. Xiran Jay Zhao did an excellent job of showing all the facets of misogyny–and then having a character like Zetian tear them down little by little.
Zetian was the perfect protagonist for Iron Widow, and she’s a near textbook-perfect example of a flawed but sympathizable character. She’s ruthless, she’s fierce, she’s fiery, but what’s more important than her traits is why she became the way she did. It’s a perfect example of how oppression can shape a person’s character–Zetian might not have been so blindsided by revenge and filled with self-doubt were it not for the ingrained misogyny of Huaxia’s culture. Her character was such a well-crafted exploration of this theme.
On top of that, Zetian’s character made for the perfect catalyst to drive the plot forward! There was no shortage of drama or action that she either caused or that came in her wake, rocketing an already action-packed novel at a fast but consistently entertaining pace. The combination of Zetian and military drama, robots, and aliens made for a novel that never slowed down–in the best way possible.
Another aspect that Zhao handled well was the balance of plot elements. There’s more than a few heavy topics discussed in this book (see the TW/CW at the top), but they depicted their realness while also reveling in the more fantastical plot elements. I hesitate to call the latter “levity,” but there wasn’t an imbalance of either of those sections of the novel.
Now, I’m a little torn on the worldbuilding. For the most part, I loved it, especially the Chrysalises. Each one was based off of a creature from Chinese-inspired mythology, and I was so excited to see all of them come to life. Zhao also did a great job explaining the whole qi system without info dumping–there were just the right amount of evenly-spaced tidbits of information that I wasn’t deluged with anything, but by the time that these elements came in, I was able to go “oh, right, I understand how that works.” I just wish the same care was put into the Hundun aliens! Although I can’t wait to see how the twist with them is resolved in the next book, all of the details about them were so vague that I could hardly picture them.
Also, a big selling point about Iron Widow was that there was a love triangle solved by polyamory. I was so excited to see it come into play, but…it never seemed to happen? Maybe I missed something (is it just going to be slow-burn?), but I swear there was only some romantic undertones with both Li Shimin and Yizhi and the three of them haven’t been together for a very long time. Again, maybe I missed something, but I was a little disappointed by that. Maybe it’ll appear in book 2…
All in all, a raw and unapologetically feminist piece of YA sci-fi. 4 stars!
Iron Widow is Xiran Jay Zhao’s debut novel and the first in the Iron Widow series. The series will be continued by an as-of-yet untitled sequel set for release in 2022.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Last week, before my trip, I trawled the Kindle library for books to read to tide me over until I could get to the books I bought. I’d had it on hold at the library for a bit, but I realized that it was available on the ebook library, so I checked it out immediately. I was initially excited for it, but I had no idea what I was truly in for; The Darkness Outside Us is more than just a thriller or a sci-fi romance – it’s a heartrending and harrowing exploration of love and grief on a cosmic scale.
After waking up from a strange, deep sleep, Ambrose finds himself on a spaceship with a critical mission – rescuing his older sister, Minerva, who is trapped on a base on Titan. His ship, the Coordinated Endeavor, holds infinite mysteries – it has the voice of his mother, robots with minds of their own, and secrets hidden in every corner. But the most enigmatic of all is Kodiak, his isolated shipmate from a rival country on Earth. Kodiak is bent on keeping distance between them, but when the mission’s true nature becomes clearer, their only choice is to work together.
TW/CW: grief, loss of loved ones, violence, descriptions of illness, death
What can I say other than the fact that I’m truly in awe of this book?
The Darkness Outside Us started out like any other sci-fi thriller. We find Ambrose waking up and slowly realizing his surroundings, and figuring out that things about the Coordinated Endeavor are not what they seem. We witness his developing romance with Kodiak, and all the puzzle pieces seem to come together.
But trust me. Once you hit the halfway mark of the book, you may think you’ve predicted all the plots twists (I thought I did…), BUT YOU WON’T. Just as quickly as everything seems to go disastrously wrong, the real plot starts to come together. I don’t want to spoil anything for this novel, but it’s hard to say anything about what happens next without revealing the last half of the plot, but I’ll try my best. It’s better if you go in blind about this one.
For the first half of the book, I thought that I’d give it a 3-3.5 star rating; the characters were decent, the queer enemies-to-lovers romance was well-done, and the mounting tension was well-written. But the further I got on, the surer I became of my 5-star rating. The Darkness Outside Us is far more than what it was marketed as; yes, there’s romance, and yes, there’s a mystery to be solved in ✨space✨, but there is truly so much more than meets the eye. It’s not every day that I truly feel like a novel is a work of art, but this one was. It’s a testament to life itself, appreciating every minute of it while you still can, and the power of love that binds us and shapes us.
We don’t get enough sci-fi/fantasy novels that delve into these core human emotions quite like The Darkness Outside Us did. And if I’m being honest, I think sci-fi can sometimes be an even better vehicle to explore these kinds of themes. With the dizzyingly cosmic scale that this novel takes place over, there’s a unique opportunity to show the transcendental power that love can span over many years. There’s a bleakness to everything, and most of the last half was heartbreaking to read, what with all the grains of hope that were spread throughout being overturned and crushed in seconds, but Schrefer leaves us with a hopeful ending that nearly brought me to tears.
I’ve said several times that part of what makes a good sci-fi is that it makes you think. The Darkness Outside Us fits the bill in every sense of the word. I had…well [ahem] several existential crises over the course of the last half, but in all seriousness, this novel is deeply introspective and philosophical. It’s all about reckoning with our past choices and the choices of others, of breaking free of cycles that have controlled you for millennia (literally), and the enduring power of love and the complicated nature of relationships. I ended up staying up a *little bit later* than I intended to because I just HAD to see what happened, but all that time, I had the space to ruminate about life. Needless to say, this one had me staring at the ceiling and pondering the meaning of life until I fell asleep, despite my attempts to distract myself.
The Darkness Outside Us is a standalone, but Eliot Schrefer is also the author of the Ape Quarter (Endangered, Threatened, Rescued, and Orphaned), The School for Dangerous Girls, The Deadly Sister, Glamorous Disasters, and many more novels for young adults and children.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
For the most part, I really enjoyed reading Off Planet, the first book in Aileen Erin’s Aunare Chronicles; I read it on vacation, and I loved the fast-paced action. So on a whim (and because it was pretty cheap), I bought book 2 on my Kindle and read it between library hauls.
But…
[heavy sigh]
Oh god, I can’t believe that these books are from the same series…Off Balance took everything that I didn’t like about book 1 and made it the main focus of the plot, making for a mess of a sequel that I had neither the will nor the patience to finish.
(find my mini-review of book 1, Off Planet, here!)
On the run from Earth and SpaceTech, Amihanna di Aetes flees to the other half of her heritage, the powerful, spacefaring Aunare. Even surrounded by the riches of her father’s estate, her life is one of constant fear – fear of Spacetech, and fear of the aliens who look at her like vermin for her half-human heritage. But as tensions within the royal family begin to rise surrounding her, she must think on her feet to make it out alive.
TW/CW: discrimination, trauma-related nightmares, frightening situations, violence, bombing, 10+ year age gap between protagonist and love interest*
*yeah, you heard me right…see the fourth paragraph for me freaking out about that
DNF at 68%
Oh god…where do I begin with this one? It pains me to write DNF reviews these days. Really. It’s so rare for my ratings for a series to drop this much…I gave Off Planet a solid 3.5 stars, and here we have Off Balance with a measly 1…I feel pretty bad about it, but YIKES.
I really wanted to like Off Balance. I really did. But it just kept getting more and more frustrating with every page, and with around 500 pages, there came a point where I couldn’t take any more of it. It’s like everything that I didn’t care about in book 1 was emphasized, and then made 10 times worse…
First off, let me talk about the Aunare for a second. I was excited to see what their culture and physiology and such was like, but…there were hardly any differences from humans. I tried to brush off the fact that Lorne looked like an ordinary human in book 1, but, alas, here we have the “aliens that look exactly like humans but with ✨pretty eye colors✨ and they’re all ✨ridiculously attractive✨” trope. And they glow this time. Oh, joy. Furthermore, other than some of the food and the whole glowing business, all of the culture that we got was just…wild parties in ballrooms and messy stuff with the royal family? If nobody had told me that this was a space opera, I could have passed this off as a fully human cast. All those parties got mind-numbing eventually, which…maybe that was the point? I don’t even know…
And then there’s the issue of Lorne. I don’t judge love interests by whether or not I’m attracted to them, which, I’ll admit, doesn’t happen a whole lot to me in books. He already put me off a bit because of my association of his name from Lorne Malvo from Fargo (oops), buthe was just all kinds of frustrating in this book. He was just such a startlingly bland character – there was nothing that distinguished him from any other YA love interest. And the whole thing with him and Amihanna…I just felt…nothing? I wasn’t invested in their relationship in any way, and all of the lines that were supposed to be tender or heartwarming just made me roll my eyes. And…IS NOBODY GONNA TALK ABOUT THE FACT THAT THERE’S AN 11-YEAR AGE GAP BETWEEN HIM AND AMIHANNA?
WHY IS NOBODY ADDRESSING THIS??
WHY?
ALL KINDS OF CREEPY. AND NOBODY SEEMS TO BE BATTING AN EYE. WHY?
[waves hands around] okay, okay. Lemme cool off a minute.
Okay. Now that I’ve gotten that off my chest…
Other than that, the plot just seemed to be completely absent. It was an endless cycle of Amihanna doing some training, drama with the royal family, drama with Dylan, drama with Lorne…just drama. If I didn’t know any better, I would have thought that this was a book from an entirely different series than the first book. I’m still so puzzled as to how we got from such an action-packed first book to…whatever this was.
In the end, I just couldn’t stand to read another page. The plot started to pick up a little, but by that point, I’d lost all will to read Off Balance. So it was a DNF for me.
All in all, a bitter, messy disappointment of a sequel that lacked in everything that made Off Planet a reasonably compelling read. Off Planet is still worth a read, but…maybe just stop at book 1. 1, sad little star.
Off Balance is the second book in the Aunare Chronicles, preceded by Off Planet and succeeded by In Command (#2.5, a novella) and On Mission (#3).
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I’d been wanting to read Gearbreakers for a while, and coincidentally, the last time I went to my favorite bookstore was the day that it came out, so I grabbed a copy. I got a little scared from some of the reviews, but in the end, it was all worth it – a stunning debut that balanced a bleak atmosphere with tender romance!
Eris Shinandai’s world is one of brutality – under the oppressive thumb of Godolia, poor towns like hers are constantly being snuffed out by the Windups, giant robots with immense firepower and cunning pilots. But Eris has a special occupation – she’s a Gearbreaker, specially trained to destroy the Windups from the inside.
But when a botched operation ends in her arrest, she meets Sona Steelcrest, a disillusioned Windup pilot with a few secrets of her own. Sona knows the oppression of Godolia firsthand, and she’s willing to help Eris take them down. Their uneasy alliance takes them back to the Gearbreakers, and into a dangerous new world of conspiracies.
TW/CW: loss of parents/family (past), graphic sci-fi violence, death, gore, torture, blood
Oh man, I aspire to have a debut novel as good as this one! Gearbreakers does what most YA dystopian novels fail to do – balance light and darkness in a smart way, and fill the bleak spaces with warm hope and tenderness.
My favorite aspect by far was the found family aspect. The dynamic with Eris and the rest of her Gearbreakers crew was so sweet – Eris was a bit more of a hotheaded, stubborn character, but she was like a mom to all of the other Gearbreakers, and the love they all had for each other was so sweet. The relationship between Eris and Jenny, her older sister, was also so lovely – plenty of banter, but still a deep care for each other. Adding Sona to the mix created an interesting dynamic as well – there was a lot of mistrust for her from the other Gearbreakers, but Sona’s character development really shone in those moments as she tried to advocate for herself.
And coming off of that – CAN WE TALK ABOUT ERIS AND SONA? Their (budding) romance was more of a slow-burn one, but I enjoyed every minute of it. Their personalities were so glaringly different, but as they grew closer to each other, they meshed so well together. Without spoiling anything, I’m interested to see where it goes next – I’m hoping it’ll end smoothly…
The action in this book was also phenomenal! Again, Zoe Hana Mikuta does a stellar job of balancing levity with intense action, and it didn’t feel too comic-relief-y or too cynically dark. There’s nothing like destroying giant robots to get the action more fun, and there’s loads of that, and a whole lot of well-written fight scenes and explosions. The found-family dynamic of the Gearbreakers worked so well with these scenes – everybody all crammed in their jeep (do they specify what kind of car it was? I forget, I just imagined it as a beat-up jeep…) on their way to do some Robot Destruction™️ made for some great banter and amazing chemistry between the characters.
(And I recently heard that somebody’s already gotten the rights to Gearbreakers for a movie?? Which – WHOA, that was quick, and I’m a little worried, but that would make a GREAT movie. The more I read, the more I thought of how well a bunch of Gorillaz songs would be in the soundtrack…IMAGINE “19-2000” PLAYING THE FIRST TIME ERIS AND HER CREW GO DESTROY THE WINDUPS…)
Overall, the worldbuilding was good, but it was definitely the area where the novel had a few pitfalls. There was a lot of care put into the different kinds of Windups, how they worked, and the culture and training surrounding Sona and the other Windup pilots at the academy, which I loved! I just wish the same care was put into some of the history around the rise of Godolia, and where it was situated – there’s a little background, but not quite enough to make a fully-fleshed world. Most of the history we get is from the Tragic Backstories™️ of some of the characters, which I don’t really mind, but I wish the worldbuilding was as well-written as, say, the romance or the fight scenes.
In short, a fantastic sci-fi debut that balanced light and dark like very few other authors can. 4.5 stars!
Gearbreakers is the first in a series, and is also Zoe Hana Mikuta’s debut novel. The sequel, Godslayers, is set to release in June 2022.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
I got to take a trip to my favorite bookstore last week, and this was one of the books that I picked up. I’d been meaning to read it for years after loving M.K. England’s debut, The Disasters, and I finally got to buy it and reading! And despite the average ratings, England’s second novel is a genre-bending success!
my copy ft. a cool filter and some crystals, stones, and my bismuth
Kyrkata is a place where futuristic technology and magic – known as maz – live in harmony, but after a magical plague wracks the population, the maz supply is depleted. Corporations now hold maz with a tight fist, racking up the prices while the people who need it most turn to crime in order to get it.
Enter Diz, Remi, Jaesin, and Ania. For two years, they’ve run an illegal maz-siphoning operation. But with college on the horizon, their next heist has to be their last. When their “last job ever” results in a deadly new strain of maz, the four teens must stop a dangerous secret from coming to the surface – and get to the bottom of a corporate conspiracy that may mean the end of their world.
TW/CW: descriptions of illness, loss of loved ones (off-page), violence, near-death situations
Ok. Hear me out.
So if all of the strains of maz have the suffix -az at the end of them (ex. firaz, magnaz), would that mean that Gorillaz would be a valid name for a strain of maz? Guess they’d have to call it maz-19-2000 instead of maz-15…
…okay, I’ll shut up now. I’m just making myself giggle at this point
the Gang™️ after the maz-15 incident
[ahem] anyways
It’s really such a shame that this book isn’t getting the recognition it deserves. This is what a genre-bending novel should be – it’s a seamless blend of sci-fi and fantasy, with enough worldbuilding to make both of them work! And Spellhacker has everything – heists, found family vibes, weird creatures, exploding magic, and casual queerness!
What stood out most for me was the tender found-family dynamic in this novel. All four of the main characters – especially Diz, our protagonist – are delightfully real and as messy as they come, but they just felt so genuine. They all had their lovely little quirks, and they all bounced so sweetly off of each other. The love between them (both platonic and romantic, I might say) brimmed off the page, and it made my heart so happy. Through thick and thin, they were all there for each other. Spellhacker reminded me of why the found family trope is easily my favorite trope!
And if there’s one thing better than found family, it’s a casually queer and diverse found family! Diz is queer, Remi (her love interest) is nonbinary, and there’s several wlw and mlm couples! (Or, to quote M.K. England themself, “elderly science husbands.”) There’s also a lot of POC-coded characters present, and the diversity truly shines in this novel.
And beyond that, Spellhacker is SO. MUCH. FUN. If any of you here are fans of Six of Crows or The Gilded Wolves, YOU’RE GONNA EAT THIS BOOK UP. It’s fast-paced, high-stakes, and full of disguises, hacking, chase-scenes, and breakneck action. From the moment the crew botched their last heist, the novel takes off, not letting go until the final page. But even with all that, England still allowed the crew moments to be tender, allowing for a lot of sweet scenes and character interactions. It’s the perfect balance of action and softness.
I have…mixed feelings about the worldbuilding, though. For the most part, I thought it was great; there was clearly a lot of care put into the types of maz and how society controlled them, and the various underground operations to siphon it. Kyrkata’s implied to be a world completely different from ours, but there were references to things that were very Earth-specific (I can’t remember them off the top of my head), and several of the characters had very Earth-sounding last names, which threw me off a little. But overall, the things I found were fairly nit-picky, so the worldbuilding was solid overall.
There was also something unexpected hidden in Spellhacker that I loved – England wove the usage of the maz into a metaphor for climate change, and the relationship that corporations have with the environment. Without spoiling anything, there’s themes of greed and destroying the environment in the name of making money, and I love how Diz and the others combatted that. We all love seeing corporations getting their comeuppance, don’t we?
All in all, a fast-paced novel that seamlessly blends sci-fi and fantasy to make an action-packed bundle of exploding fun. 4.5 stars!
okay I KNOW I need to stop with the Rabbi Milligan gifs, but Diz says something almost exactly like this line and it made me so giddy ksdjhfskjdfh
Spellhacker is a standalone, and M.K. England’s second novel. They are also the author of The Disasters and a forthcoming middle grade novel called Ultimate Gaming Showdown, scheduled for release in 2022.
Today’s song:
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
I’m always on the hunt for good YA sci-fi, and this one sounds incredible! I forget where I first heard about it, but everything about it hooked me – inspired by Chinese history, giant sentient machines, and a polyamorous relationship! September can’t come soon enough…
Let’s begin, shall we?
GOODREADS MONDAY (7/5/21) – IRON WIDOW by Xiran Jay Zhao
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn’t matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it’s to assassinate the ace male pilot responsible for her sister’s death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.
To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.
So why do I want to read this?
Okay, WHOA. I haven’t seen a premise like this in YA before…
I LOVE all of the different aspects that are coming together in this novel; according to the author, all of the characters are inspired by figures in Chinese history, and they’re all integrated into an entirely new sci-fi world. I can already tell that I’m gonna love Zetian as a protagonist – strong-willed, independent, and willing to fight for her sister’s honor.
And PATRIARCHY SMASHING! MY FAVORITE! There seems to be a thread of fighting against misogynist institutions in Iron Widow, and I’m 100% here for it. Plus, it’s super cool that instead of having a traditional love triangle, there’s a polyamorous relationship – instead of Zetian having to choose between her love interests, she’s in a relationship with both of them, and the love interests are boyfriends as well! Even though we’ve been making great leaps in LGBTQ+ representation in YA, it’s not often that I see any kind of polyamorous rep, so I think it’s amazing that Xiran Jay Zhao is putting out a novel with that kind of rep.
All in all, sign me up for the patriarchy-smashing, the sci-fi vibes, and the LGBTQ+ rep!
Today’s song:
Alright I just started listening to this whole album…I’m about halfway through and it’s GREAT
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
I’ve been trying to think of more original posts to do, and I figured that this one would be something really fun to explore. I’ve seen a lot of posts talking about tropes, but genre-specific ones are always interesting to think about/discuss, and in much of the YA book fandom, I feel like sci-fi doesn’t get as much love. So I decided to look at six tropes that are specific to sci-fi (for the most part). Sci-fi is my favorite genre, so I got super excited thinking about all of these different tropes, and some (mostly) YA books that use them in different ways.
So let’s begin, shall we?
WARNING: This post may contain some book spoilers (Aurora Cycle & Dare Mighty Things series), so read at your own risk!
🛸SCI-FI TROPES🛸
CRYOSLEEP, BUT FOR WAY TOO LONG
Ellen Ripley – and Aliens in particular – probably set the blueprint for this one, but as the trope gets more popular, authors have started to push the limits on this one, which I think is a really cool move.
It’s most often the protagonist that this happens to – our hero, on the eve of something great, is put into cryosleep for an interplanetary mission, only for something to go terribly awry and stay in cryosleep for longer than they were supposed to. Ripley got an accidental 50 years, Auri from Aurora Risinggot 200 years, and Andra from Goddess in the Machinegot a whopping 1,000 years.
This trope presents two main advantages for writing: a vehicle for exploring the novel’s world through fresh eyes, and internal conflict within the character. If your cryosleep character is completely unfamiliar with the world, seeing it through their eyes gives the reader a more in-depth look at the world than they’d get with a character that’s already familiar with it. They’ll inevitably notice more things and fixate on different things than another character might, which gives the reader more insight about what’s unique about the world that the author has crafted.
As for the internal conflict piece, this part’s always touched on, but in most of the novels I’ve read with it, it’s a lot more shallow than you’d think. There’s the existential crisis that inevitably occurs when the character realizes that everything they know and love is all but gone, but beyond the first few chapters from their POV, they get over it…relatively quickly? It seems like the kind of trauma that would leave lasting psychological scars, and probably physical health repercussions as well. I’ve yet to read any book that explores all that in depth, but it seems like the perfect setup for a sci-fi novel.
So this one’s a trope that can make for a lot of creative choices, but often has a lot of untapped potential.
GOTTEN INTO A SITUATION YOU CAN’T GET OUT OF? TIME TRAVEL!
“Time travel!”
Apparently this one is a lot more common than I thought, but I’ve only started to see it in YA more recently. (Well, there’s Avengers: Endgame, but it took me a while to realize how common of a trope it is…)
This trope has the possibility of ENDLESS freaky hijinks whilst traversing through time. Sometimes it’s just pushing the events of the past so that everything lines up a little bit nicer, and sometimes it’s rocketing back to another time period entirely. It usually happens only with the last book in a trilogy or duology, just so everyone can fix the mess they got into in the first books.
I have mixed feelings on this one; one the one hand, there’s never a dull moment – time travel jokes, fitting VERY badly into a different time period, and very high stakes, most of all. If the first books have followed a similar formula, it might be good to try for something else to end the series with a bang.
On the other, though, something about it almost feels…lazy to me. Often, this trope arises from The Gang™️ getting a situation so bad that there may not be a feasible way out of it, but…maybe they could? If done wrong, it can feel like lazy writing – an easy way out, and one that provides instant comic relief. And often, the means of said time travel are vague, and often reduced to technobabble from The Smart Character™️, which, hey, I don’t know much about the science of it either, but maybe at least put a little time into it?
So this one’s a double-edged sword: instant plot, or lazy writing? The choice is yours!
*this one doesn’t come out until November [screams] but we know that time travel will play a big part in this one, so…
ALIENS THAT BASICALLY JUST LOOK LIKE HUMANS (BUT WITH A FEW MINOR DIFFERENCES)
I know Jean Grey isn’t an alien, but most of the aliens mentioned below have similar powers to her, so…
Most of the other tropes I’m going to be discussing in this post are ones that I like on some level, but…this one gets on my nerves. For the most part.
Far too many times, I’ve fallen into the trap of picking up a sci-fi book that promises aliens, only to discover that the aliens just look like humans, but with either a) unusual eye colors, b) some sort of powers, or c) a combination of both. And of course, they have to be ✨ridiculously attractive✨ as well. 🙄
Now, I completely get making your aliens humanoid (hey, I’m doing it with some of my aliens for my sci-fi WIP), but there’s a certain point where it feels a bit lazy. Unless there’s some way you can back it up, it seems weird to me that in this entire universe, the only other intelligent beings, by some cosmic chance, are similar to us in almost every way.
But I’ve seen some authors use it to their advantage – in particular, One Giant Leap(the sequel to Dare Mighty Things) does this especially well. The main alien civilization there look exactly like humans, but it’s because of genetic modifications performed so that they could survive on Earth. See? That’s actually a really good way of turning the trope on its head, and doing so in a practical way!
For the most part, this trope never ceases to bug me, but there’s a few ways to turn it on its head.
BREAKING: Michael Fassbender Sustains Fatal Back Injuries from Carrying all of the Alien Prequels
For me, at least, this trope is the most fun – and it presents some of the scariest and most formidable antagonists in sci-fi.
Villainous AI are some of the most fascinating characters to explore – they have unmatched power, in some cases, and whether they’re a pre-installed ship AI or an android, it’s always interesting to hear their perspective on all of us puny mortals.
Given that humans trust AI a bit *too* much in most sci-fi novels, they often have a fearsome amount of power at their disposal. AI installed inside of a ship? Access to all the security footage, navigation, communications, and controls of the ship. They know their crew up and down, and have the possibility to play everybody’s weaknesses against each other. They have the power to sabotage anything and everything, and more often than not, they do. WITHOUT HESITATION. A corrupt AI often harbors a hatred or jealousy of human beings, and if it’s not that motivating them, it’s some sort of technologically-stemmed god complex, which is always terrifying to watch play out. (Lookin’ right at you, David…) It’s even more of an interesting development if their moral compass shifts over the course of the series – if there’s one thing I’ve learned from sci-fi, it’s that benevolent robot overlords never stay benevolent for very long.
Corrupt AI as antagonists are often more compelling than human or alien ones (for me, at least) partly because so much is left up to the imagination about the inner workings of their minds. We’ve never developed any kind of artificial intelligence that’s become intelligent enough to have devious tendencies like many sci-fi villains, so a lot of it is the author’s personal choice. There are endless possibilities – but more often than not, they’re all terrifying.
And even if they aren’t main antagonists, the addition of a slight unstable AI as a character is always amusing; for all of its flaws, I loved Gregorovich’s existential musings in To Sleep in a Sea of Stars, and his character added some much-needed flavor to the rest of the cast.
TL;DR: There’s nothing more terrifying than a villain that knows everything about everything, and uses that power for its own gain at whatever the cost.
HIGH-STAKES COMPETITIONS TO GO TO SPACE…WITH SOME SERIOUS ULTERIOR MOTIVES
Scared to send your experienced, highly intelligent scientists to space? Send some teenagers instead!
This one tends to crop up the most in YA, as it’s primed for a book that has a primarily teenage cast. The ones I’ve read do tend to follow a formula, but for the most part, it’s one that’s actually a lot of fun!
The worldbuilding/motives behind it are always a little bit messy (again: sending teenagers into space! What could possibly go wrong?), but often times, you just have to hang in there; it’s a given that whatever program is funding the competition is doing something astronomically shady. (No pun intended.) Part of the fun with this trope is the mystery of it; slowly but surely, the competition starts dropping like flies, and things go very wrong very quickly.
More on the mystery aspect – the mystery that often occurs in these types of novels is very slow-burn, building on itself before the heartstopping reveal at the end (often a cliffhanger). From program superiors lying to scheming androids to deaths under mysterious circumstances, there are endless possibilities for many, many things to go wrong. Add in the not-so-friendly rivalries between the competitors (also scheming, along with everybody else), and you’ve got the perfect recipe for a nail-biting sci-fi mystery.
And once/if they get to space? Everything gets way worse. There’s bound to be aliens, but whether they’re intelligent or just parasitic, things are bound to go way, way south. But there’s never a dull moment – there’s no shortage of suspense, and our protagonist is often at a loss as to how to escape their situation.
Plus, for reasons I’ve yet to figure out, these ones always tend to have the most clever pop culture references. (See: all of the Radiohead songs in the Final Six duology)
EXPLORING OTHER PLANETS GOES VERY, VERY WRONG (Or, “Don’t do intergalactic colonialism, kids”)
Here’s another common – but by no means overdone – trope that’s always open to endless possibilities!
Because our planet was never enough, apparently (or if we destroyed it…probably), there’s a whole host of sci-fi stories that are set on entirely new planets, with the sole goal of making them a new home for humankind. But just like with our planet, it’s always unpredictable, whether you’re dealing with a foreign contagion, carnivorous wildlife, or superiors who aren’t what they seem.
I’m always a nerd for creature design in sci-fi, and life on other worlds presents all sort of possibilities for creatures lurking in the bushes. Whether it’s flora or fauna, exploring these sci-fi worlds along with the characters is an adventure, especially if the author is particularly creative. Of course, most of the wildlife ends up being carnivorous, or malicious on some level, so there’s all sorts of danger lurking.
But beyond that, this trope is often a great commentary on colonialism. Human history is rife with frightening periods of raping and pillaging land that wasn’t ours to begin with at the cost of those who originally lived there; telling the same story on alien planets serves as a particularly potent comment on the malicious tendency of our species to overstep and overstay our welcome. Books like A Conspiracy of Starsand The Pioneer explore what happens when humanity comes in contact with intelligent life and unlawfully sets foot on their land; both of them do an amazing job of exploring the intricacies of the political implications, as well as the tense conflict that results. I think sci-fi as a genre is one of the best mediums for raising commentary on this kind of thing. Exploring new frontiers in space is bound to happen once we get the technology, but we must always ask ourselves if it’s the right thing to do. Just because we can doesn’t necessarily mean that we should. (Let’s be real: I would be SO excited if we found evidence of life elsewhere in the universe, but…let’s not have a repeat of all of human history, okay?)
TELL ME WHAT YOU THINK! What are your favorite/least favorite tropes in sci-fi? Have you read any of the books I listed, and what were your thoughts? This’ll probably be one of several posts on the subject, so I can’t wait to hear your thoughts!
Today’s song:
That’s it for this post! Have a wonderful rest of your day, and take care of yourselves!
The Bookish Mutant 