Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
For some reason, this seems like something that’s been on my TBR for an eternity, but I only put it on in February. Regardless, this one sounds like a fascinating twist on the YA fantasy genre!
Let’s begin, shall we?
GOODREADS MONDAY (12/7/20)–SHADOW FROST by Coco Ma
IN THE KINGDOM OF AXARIA, a darkness rises. Some call it a monster, laying waste to the villagers and their homes. Some say it is an invulnerable demon summoned from the deepest abysses of the Immortal Realm. Many soldiers from the royal guard are sent out to hunt it down.
Not one has ever returned.
When Asterin Faelenhart, Princess of Axaria and heir to the throne, discovers that she may hold the key to defeating the mysterious demon terrorizing her kingdom, she vows not to rest until the beast is slain. With the help of her friends and the powers she wields — though has yet to fully understand — Asterin sets out to complete a single task. The task that countless, trained soldiers have failed.
To kill it.
But as they hunt for the demon, they unearth a plot to assassinate the Princess herself instead. Asterin and her companions begin to wonder how much of their lives have been lies, especially when they realize that the center of the web of deceit might very well be themselves. With no one else to turn to, they are forced to decide just how much they are willing to sacrifice to protect the only world they have ever known.
That is, of course… if the demon doesn’t get to them first.
So why do I want to read this?
Oooh, I should see if this is available at the library…
There’s two aspects that are really jumping out at me here. First off, I do love a good “there’s something monstrous lurking in the shadows, and everyone who has tried to see it hasn’t come back” kind of plot. Sure, it’s been done before, but it’s one of those tropes in both sci-fi and fantasy that I’m absolutely a sucker for. I mean, I’m using it in the WIP I was working on for NaNoWriMo this year…
Second, I LOVE the twist with the assassination plot buried within the search for the demon! That’s a really inventive way to subvert the trope, and I’m SUPER EXCITED to see how Ma executes it. It’s shelved as LGBTQ+ on Goodreads, too, but I can’t seem to find the specific rep. Either way, this sounds like a fantastic fantasy!
Today’s song:
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope this week has treated you well. Just under a month left in this cursed year, we can do it…
It’s definitely been an okay week, considering that awful feeling of having to go back to school after break. I beat my NaNoWriMo goal of 35,000 words on Monday, but after that, I started getting rather unmotivated for that particular WIP, so I think I’ll take a little break from it. I’ve been meaning to go back and edit my sci-fi WIP that I finished in June, so maybe I’ll start on that once I’ve gotten over the finals hump.
And speaking of finals, chances are, I’ll be posting a lot less in the next few weeks. My finals start in two weeks, so I’ll be studying a lot next week, so I doubt I’ll be terribly present or consistent. I’ll be back once Winter Break rolls back around, though. So just a heads up.
On a much lighter note…I’ve gotten out of my reading slump! I ended up DNFing the first book of the week, but after that, I read a whole bunch of great books. I also got to the season finale of Fargo, and I’ve started re-watching it, too. We also put up our Christmas ornaments and decorations, so that’s given everything a cozy, festive air.
Happy Friday, bibliophiles! I suppose that the bibliophile greeting doesn’t *quite* fit for this post, but hey, you probably followed this blog for books, right? Today, we’ve got something a little bit different–but at least I kept my promise, didn’t I? I hinted at doing a review for at least a week prior to today…
At the beginning of quarantine, my brother and my parents had just started binging Fargo. So like so many of us have done with different shows in the last 6 months, I starting doing some serious binge-watching. I’d already been exposed to Noah Hawley’s masterful storytelling through Legion, but Fargo never ceased to wow me. I forgot about it for a few months after finishing up season 3, and then the trailer for season 4 came out in September. I didn’t see it coming, but little did I know that this newest season would be my favorite yet!
Here’s the special thing about Fargo: each season follows a plot that, chances are, you’ve seen before: murder mysteries in small towns, sibling rivalries escalated to astronomical proportions, dysfunctional crime families; this season, in particular, centers around the politics of rivaling Italian and African-American gangs in 1950s Kansas City, and a mortician’s family who unwillingly gets caught up in the action. But every season, without fail, Noah Hawley spins it into something that you’ve never seen before, be it with the characters, the cinematography, and the plot twists (and there’s a LOT of plot twists). Fargo is all about the unexpected, and season 4 brings the factor of the unknown and unseen up to levels that I haven’t seen since…well, I guess that season 3 ending…(no spoilers.)
And maybe I’m biased for this one. October was one of the hardest months I’ve had in quite a while, and Fargo was, without a doubt, one of the things that kept me going through it. As the season came out, my days started to revolve around the Monday nights that would inevitably bring another episode to fuel me with enough dopamine to keep me going through the rest of the week. But I genuinely believe that this show embodies what storytelling should be–what good TV should be, really. And this season has truly cemented Fargo as my favorite show. (And considering that I don’t readily jump for murder mysteries/historical fiction, that’s definitely saying something. That’s just the power of Noah Hawley, folks…)
Now, TREAD LIGHTLY! This review may contain some minor spoilers, but for your benefit, I’ll try to keep it light on them. But even so, be warned…
I…can’t really find anything major that I didn’t like about this season, so consider this review a breakdown of most everything that I loved.
THE GREAT:
Characters/casting/acting: With every Fargo season, there’s no shortage of complex characters and masterful actors (for previous seasons, see: Martin Freeman, Bokeem Woodbine, Jean Smart, Ewan McGregor, David Thewlis, Mary Elizabeth Winstead, etc.), but season 4 in particular had them in no short supply. I loved all of the (HUGE) main cast and many of the supporting characters, but for one reason or another, this is the first season where I’ve gotten really attached to more than one character. And considering that Fargo is one of those shows that 75%-80% of the main cast is killed off by the time the finale rolls around, it…didn’t go over well with my emotions. But in all seriousness, THESE CHARACTERS!
Let me just digress to talk about my three favorites in this season:
Doctor Senator (Glynn Turman): let’s be honest, what’s not to like? He consistently has some of the best lines/general dialogue in this season, he’s strategic, he’s clever, and he’s instantly likable. I’ll get more in depth on the morally gray theme of the whole season later on in the review, but leave it to Fargo to make us AGGRESSIVELY sympathize with all manner of mobsters and criminals…anyways, this guy’s the best.
“I am Ethelrida Pearl Smutny. And I am one of a kind.”
Ethelrida Smutny (E’myri Crutchfield): LOVE HER! She’s one of the few characters in this season who’s morally right and seeks to do the right thing, and she is such a lovable character in every way. She’s frequently underestimated by most of the adults in this season, but she shows herself to not only be smart–smarter than them, in some cases–, but compassionate and determined to do the right thing. The world needs more people like Ethelrida.
And last but most definitely not least…
“If I don’t come back, I’m dead or in jail. Do your lessons.”
Patrick “Rabbi” Milligan (Ben Whishaw): [SCREAMS AND CRIES INTO THE VOID]
Out of the three I just mentioned, he’s absolutely my favorite. He’s endured so much tragedy and trauma over the course of his life, but all he wants is for Satchel to have a better life. Again, no shortage of clever and insightful lines, and objectively one of those characters that just needs a big hug and a mug of hot chocolate. Just…just trust me on that one. You’ll see.
But as far as characters, it doesn’t stop there. Everybody, from Chris Rock (Loy Cannon) to Jason Schwartzman (Josto Fadda) to Jessie Buckley (Oraetta Mayflower) truly shines in season 4. Each character is distinct, complex, and it was an absolute joy to see all of their stories unfold. (Also, it’s worth it just to see Jason Schwartzman just SNAP…that scene of him just pretending to hold a gun and just go “HAGAGAGAGAGHGHAGSDHAGHGHGH” just lives rent-free in my mind now…)
(Plus…THE GAYS WON 2020, EVERYBODY! Can we just talk about how Zelmare and Swanee INVENTED “be gay, do crime?”)
[intense sapphic happiness ensues]
Whew, that went on for a while. BUT WAIT–THERE’S MORE, BECAUSE THIS SHOW IS VERY NEARLY FLAWLESS:
Score and soundtrack: At this point, I think it’s just impossible for Jeff Russo to ever make a bad score for a movie or a TV show. Besides all of the remixes of the music from previous seasons, I loved all of the new songs. I particularly liked Odis (Jack Huston)’s theme (somehow it almost sounds like a car alarm? But in a good way) and the Legion-y song with the shootout with Zelmare and Swanee at the train station. And I loved all of the other songs that were slipped in. No spoilers for the context of the Johnny Cash song in the finale, but when I tell you that I SOBBED…
Timely themes: One of the main complaints I’ve seen about this season is that it’s “too woke,” (🙄) which I think is utterly idiotic. This season’s set in 1950, but it’s more timely than ever–there’s discussions of race, police brutality, immigration, and what it means to be an American. And it’s all handled quite well, I think. One thing I’ve always appreciated about the show as a whole is how it depicts the American police system–for the first three seasons, there’s usually 1-2 cops that actually know what they’re doing, but they’re frequently dismissed by a largely unbelieving and sexist police force. This season is the first where we have both of our main cops as largely corrupt, but we still sympathize with one of them (PTSD relating to WWII). Most of the characters are morally gray as well (I mean, most of the main cast are members of separate gangs), and that contrast was also well-done.
That classic, Noah Hawley weirdness: in every season, there’s at least one episode or plot point that’s highly out of the ordinary, and lucky for us, we got that in the form of episode 9. Besides having a whole episode of Rabbi and Satchel after not seeing them for two episodes, there’s an amazing Wizard of Oz theme with the whole episode. I’ll shamelessly admit to thinking about it for a solid WEEK.
All the Coen Brothers references, of course: Treehorn? The Raising Arizona screaming? Everything that I missed? LOADS OF FUN.
“Ya like pie?”
All in all, this was a masterful show from start to finish. My favorite season out of the four, by far, although I love them all. I’m already rewatching the whole season over again…
MY RATING: ★★★★★
TW/CW: Graphic violence (mostly gunshot wounds, but there’s some parts that definitely made me queasy), racism, xenophobia, police brutality, some brief racist/homophobic/ablelist slurs, poisoning, loss of loved ones, alcoholism/substance abuse
EDIT: Whoooooooa, apparently this is my 500th post! Dang…😳
Today’s song:
I haven’t heard this song in so long…the memories…😭
That’s it for this TV review! Have a wonderful rest of your day, and take care of yourselves!
Due to all the academic craziness that went on in October and November, I laid off on requesting any eARCs. But now that everything’s calmed down a little bit (right before it picks back up…please have mercy on my soul, future finals…), I requested a few more. This one came in recently, so I read it on my Kindle. And while it certainly had its flaws, Mortal Remains was a darkly funny paranormal tale!
High schooler Lily McCrae’s worked for the family business since she’s been old enough to work–she’s part of her family’s funeral home. She loves her job, but the funeral home may be going under. What’s more, her social life (if you could call it that) is disappearing quickly–her brother Evan is too busy polishing up his college applications, and Mallory, her only friend, has elected to spend time with a different crowd. Her only solace is in her clients–but they’re all corpses.
Lily’s life is further upended when a neighbor’s house is destroyed in an explosion, seemingly killing all inhabitants inside. But in the rubble, she discovers a bunker, and inside of that bunker is a boy. His name is Adam Lassiter, and he seems to have little memory of his past life.
Thing is, the Adam that used to live in the destroyed house went missing years ago. As Lily spends more time with him, she realizes that she may have opened herself into a complicated supernatural conspiracy with Adam at the center. And she might just be falling for Adam…
🥺Because it would be criminal of me to not put these two GIFs together…
Thank you to Edelweiss+ and Sterling Children’s Books for sending me this eARC in exchange for an honest review!
Again, here we have an eARC that would have been the perfect read for October…
Mortal Remains was darkly funny at best and a bit sloppy at worst, but overall, it was a decent paranormal read.
Let’s start off with the good. The strongest aspect of Mortal Remains, for me at least, was the characters. Lily was a charmingly quirky protagonist, and the perfect character to drive the story. She had a very distinct voice and personality, and I loved all of her little mannerisms and attitudes towards working at the funeral home. Bits of her backstory (namely, the bullying she suffered in her early years of high school and the names she got called) weren’t terribly authentic, but I was able to brush that part aside. (I mean, what kind of high school bully calls somebody “Ghoul girl?”) However, I will say that Lily escaped the dreaded “Not Like Other Girls” trope; she was definitely a bit degrading of Mallory and the more “basic” crowd, but she reconciled it near the end of the book, which I appreciated. So we definitely dodged a bullet in that respect.
The synopsis on Edelweiss+ compared Mortal Remains to Edward Scissorhands (one of my favorite movies), and the comparison definitely showed through in Adam. Maybe a little…too much. Adam was charming to a point, but other than his backstory, I found him a tad bit bland. I liked his little outbursts in Latin, though. For me, at least, the twist about his origins and his backstory were a tad bit too similar to Edward Scissorhands, but it was different enough that it wasn’t plagiarism. The romantic subplot between him and Lily felt veeeeeeeeeeery forced, though. That really wasn’t necessary. Not that I don’t mind a romantic subplot every once in a while, but this one didn’t work for me. (Plus, there’s no way you can ever come close to Edward and Kim.)
The writing and plot were decent; it definitely feels like a YA debut, but that’s not necessarily a bad thing–it’s a good first try. There were sizable chunks between the 40-60% mark (I read this one on my Kindle) that felt like filler, and really didn’t contribute much to the story. The plot moved quickly, which was both a blessing and a curse; it lended itself to a story that kept me fairly hooked, but Fraser had the tendency to gloss over and understate some of the more climactic moments. There were definitely portions that could have been cut out (368 pages, so not too bad), but for the most part, it was somewhat compelling.
Even though Lily is supposed to be 18, Mortal Remains still reads like a novel on the younger teen spectrum of YA. And that’s not a bad thing at all–other than some dark elements, some mild swearing, and some violence, I really think this would be a great book for an 11-12 year old to get introduced to YA. The plot’s not too complicated, but it’s a bit more mature than your average children’s or MG book. So this would be suitable for a fairly wide age range, which I can’t necessarily say for a lot of YA books that I’ve read.
Overall, a darkly humorous paranormal YA that lacked in certain plot aspects and a believable romance, but boasted a unique heroine and a simultaneously lighthearted and spooky atmosphere. 3 stars!
Expected publication date: February 2, 2021
Today’s song:
That’s it for this eARC review! Have a wonderful rest of your day, and take care of yourselves!
Happy Tuesday, bibliophiles, and happy December! I’m so glad that 2020’s almost over…and it definitely feels like December where I am! There’s been snow falling for a good hour or so, and it looks fittingly wintry outside my window.
And I won this year’s NaNoWriMo yesterday! 35,051 of my goal of 35,000! [pats self on the back]
Well, now then, I guess I should get to the review now, right?
This one is another 2020 release (August 18), and I forget exactly how it came on my radar, but I decided to put it on hold because I wanted a nice feminist book in my life. And…well, the good intentions were all there and the representation’s great, but much of the book ended up being a mess, unfortunately.
Raina and Millie have rarely spoken to each other, but they both have one thing in common–a promising senior year that got derailed. For Raina, it’s her boyfriend not only dumping her, but cheating on her, and being ousted as co-president of the Drama Club. For Millie, it’s her being voted out of the all-boys Mock Trial team, and her controlling father growing worse by the day.
After she writes to a romance advice columnist, Raina finds new solace in a knitting circle who specializes in political activism, and soon, she, Millie, and four other girls united to dismantle the patriarchy of their school, piece by piece.
My expectations were average for Six Angry Girls, what with being in the midst of a reading slump that I’ve just now managed to emerge from, but I’m sad to say that this novel only stretched the slump out longer.
Let’s start with what I liked, because I should be at least a little positive here. And there were a few things I did like about this book. The cast of Six Angry Girls is a lot more diverse than most contemporary feminist YA I’ve come across–in the main cast of six, we have several sapphic characters (including Millie), a sapphic asexual character, two POC characters, and a trans character who uses both she/her and they/them pronouns. So props to Kisner for including lots of authentic and casual representation! (Plus, I don’t think I’ve seen any characters–if any at all–who use multiple pronouns, like Izzy does, so that’s always a win!) Kisner also handled the subject of Millie’s abusive father well; those parts were certainly hard to read, but they were handled with aplomb and felt (disturbingly) authentic.
Unfortunately, it all went downhill from here…
First off, let’s talk about the writing. My main issue is that none of the teenagers read like authentic teenagers, and it mainly came down to the dialogue. Other than “I’m” and “I’ve,” there were almost no contractions to be found. Anywhere. As a result, the dialogue felt clunky and inauthentic. Additionally, many of the plot points that were built up for most of the books were rushed, and events that had been alluded to for a good chunk of the book were resolved in two pages or left, so I often found myself lost and thinking “wait, that already happened? That quickly?”
There’s also the issue of a main cast of six. Normally, I’m all for casts of this size–IF every single character is used equally. Millie and Raina were the only characters who narrated, but other than Grace, most of the characters were just…there. Izzy, Veronica, and Nikita didn’t seem to serve much of a purpose, other than diversity and positions in the mock trials. We had zero character development for any of them, and we have only the faintest idea of their personalities. Grace has slightly more of a purpose, at least, but I think that’s in part because she was in a relationship with Millie by the 75% mark.
But my main criticism of Six Angry Girls comes down to the depiction of feminism. I LOVE how Kisner tried to portray all of the feminism, patriarchy-smashing, and nonviolent protesting, but it all seemed…somewhat shallow. There were a variety of issues covered (sexism, homophobia, transphobia, etc.), but neither of them were discussed beyond the surface level, giving it an almost shallow appearance. The mock trial and knitting plots felt loosely tied together, and almost entirely unrelated, and I found myself wondering why the two plots existed. Raina’s and Millie’s stories could have frankly worked as two separate books, and that would have made for a lot less confusion.
And the motives behind most everything seemed to be revenge, which I really didn’t like as it related to feminism. For me, feminism is about seeing injustices and inequality within a community, and fighting back against it. Sure, some of it is about getting back at the oppressor, but ultimately, it’s about creating an equal playing field. In Six Angry Girls, most of the motivations behind all of the plot points were centered around revenge–against Brandon (Raina’s cheating ex), against the Drama Club, and against the Mock Trial team. I’m sure Kisner’s intentions were good, but having the feminist aspects of the book being portrayed as more of a revenge plot than anything else didn’t sit well with me.
All in all, a light and diverse feminist YA that suffered from stilted dialogue, characters without purposes, and a depiction of feminism that was full of holes. 2.5 stars.
Six Angry Girls is a standalone, but Adrienne Kisner is also the author of two other novels, Dear Rachel Maddow and The Confusion of Laurel Graham.
Today’s song:
GAAAH…I’ve been listening to this one since I finished the season finale of Fargo last night…when I tell you that this scene made me SOB…(YOU CAN GUARANTEE A REVIEW ON MY END OF THIS SEASON OF FARGO THIS WEEK!)
That’s it for this week’s Book Review Tuesday! Have a wonderful rest of your day, and take care of yourselves!
Goodreads Monday is a weekly meme created by Lauren’s Page Turners. All you have to do to participate is pick a book from your Goodreads TBR, and explain why you want to read it.
This week’s pick is another 2021 release that came on my radar via Edelweiss. I was excited from the start, but the cover made me want to read it even more!
Let’s begin, shall we?
GOODREADS MONDAY (11/30/20)–VICTORIES GREATER THAN DEATH by Charlie Jane Anders
A thrilling adventure set against an intergalactic war with international bestselling author Charlie Jane Anders at the helm in her YA debut—think Star Wars meets Doctor Who, and buckle your seatbelts
Tina has always known her destiny is outside the norm—after all, she is the human clone of the most brilliant alien commander in all the galaxies (even if the rest of the world is still deciding whether aliens exist). But she is tired of waiting for her life to begin.
And then it does—and maybe Tina should have been more prepared. At least she has a crew around her that she can trust—and her best friend at her side. Now, they just have to save the world.
So why do I want to read this?
When I first found out about Victories, it didn’t have a cover…and now that it’s out, lemme just say…ISN’T IT THE DICTIONARY DEFINITION OF GORGEOUS? The faint star details on the sidelines, the beautiful shade of purple in the hair and the eyes, the art style, the…everything…
But beyond that, this sounds like an amazing premise! I’m always searching for quality YA sci-fi and space opera, and this looks like it might just satisfy. I love the concept of Tina being the clone of an infamous alien warlord, and that could certainly open up tons of interesting possibilities as far as the plot goes. (I’m just hoping said aliens aren’t…y’know, unnaturally attractive humans with unconventional eye colors. Just…stop…) And it’s shelved as LGBTQ+ on Goodreads, so that’s always a plus!
Chances are, this is going to be my first experience of Charlie Jane Anders’ writing, and I think this is her YA debut, too. (I also have The City in the Middle of the Night on my TBR). I always see her on the list of authors/artists/creators who almost always comes to the Denver Pop Culture Con (formerly Denver Comic Con), which is the closest thing I have to a local Comic Con, so it’d be cool if I enjoyed her books AND got to meet her in the next few years! Fingers crossed…I might just have to preorder this one sometime soon.
Victories Greater than Death comes out in April 2021, so I’ll see you all then…
Today’s song:
Jeff Tweedy: master musician and songwriter, purveyor of many mildly cursed music videos
That’s it for this week’s Goodreads Monday! Have a wonderful rest of your day, and take care of yourselves!
Happy Sunday, bibliophiles! I hope this week has treated everybody well. Only one month left in 2020…we can do it…
My Thanksgiving Break was this week, and luckily, only one of my teachers assigned homework, and I was able to get it done last weekend, so that was really nice. I had a lot of time to relax–I picked my Radiohead puzzle back up (I hit a wall with it in October, so I figured that now would be a good time to resume it), and watched Annihilation (AAAAAAAAH), I’m Thinking of Ending Things (excuse me while I internally write a 17-page essay on that one), and the newest episode of Fargo. Thanksgiving dinner was delicious, even though we didn’t have anyone over. And we just got our Christmas tree yesterday, and it smells so nice…🥺
And NaNoWriMo’s almost over! It feels like it’s gone by so fast…but hey, I’m on track to finish my 35,000 words very soon!
I’ve had a bit of a reading slump this week, though…after Clap When You Land, I’ve had a mostly disappointing library haul. So chances are, my Book Review Tuesday next week will *probably* be a bit of rant review…sigh…
But hey, I finished my 2020 Goodreads Reading Challenge! 250 books!
I haven’t done a TBR clean-out session since August, so now that I have some extra time on my hands, I figured that I’d clear off the cobwebs. I picked one of the older shelves on my TBR (somehow, it’s from early 2019, and it’s 16/72 shelves), so we’ll see how it all goes down…
The Rules
1. Go to your Goodreads To-Read shelf
2. Order on ascending date added.
3. Take the first 5 (or 10 if you’re feeling adventurous) books.
The pirate crew of the Lady Luck lives by many rules, but chief among them is this: they do not allow men on board.
That’s a rule that quartermaster Grace Porter is willing to break when a shipwrecked young nobleman offers her information of an omniscient map, stolen from his warship by an enemy vessel. Until now, the map was only the stuff of legend… but with its help, Grace may finally be able to hunt down the Mordgris, the sea monsters who stole her mother away from her.
Unfortunately, some members of her crew have other plans…
To find the map and face the Mordgris, Grace will have to confront her past, put the Luck between warring nations, and uncover treachery aboard the ship. And ultimately, her revenge and the destruction of the Mordgris will come at a hefty price: the betrayal of her crew.
Grace promised them they wouldn’t regret this.
She just isn’t sure that she won’t.
Hmm…I like most of the premise (because who would say no to an all-girl crew of pirates?), but I’m smelling an unfortunate romantic subplot between Grace and this…[ahem] “shipwrecked young nobleman…” Not that I’m against romantic subplots, per se, but this one seems shoehorned in to appease the teen audience.
The massive labyrinth was built to protect Zadie Kalver’s isolated desert town. Unfortunately, living in the maze’s shadow makes her feel anything but safe. Even without its enchanted deathtraps and illusions, a mysterious killer named Dex lurks in its corridors, terrorizing anyone in his path.
But when Zadie’s best friend vanishes into the labyrinth-and everyone mysteriously forgets he exists- completing the maze becomes her only hope of saving him. In desperation, Zadie bribes the only person who knows the safe path through-Dex-into forming a tenuous alliance.
Navigating a deadly garden, a lethal blood-filled hourglass, and other traps-with an untrustworthy murderer for her guide-Zadie’s one wrong step from certain death. But with time running out before her friend (and secret crush) is lost forever, Zadie must reach the exit and find him. If Dex and the labyrinth don’t kill her first.
Well, I sort of like the labyrinth aspect, but other than that, there isn’t much about this one that seems different from a good 50% of the dystopian YA that’s emerged from the last decade…
Fatima lives in the city of Noor, a thriving stop along the Silk Road. There the music of myriad languages fills the air, and people of all faiths weave their lives together. However, the city bears scars of its recent past, when the chaotic tribe of Shayateen djinn slaughtered its entire population — except for Fatima and two other humans. Now ruled by a new maharajah, Noor is protected from the Shayateen by the Ifrit, djinn of order and reason, and by their commander, Zulfikar.
But when one of the most potent of the Ifrit dies, Fatima is changed in ways she cannot fathom, ways that scare even those who love her. Oud in hand, Fatima is drawn into the intrigues of the maharajah and his sister, the affairs of Zulfikar and the djinn, and the dangers of a magical battlefield.
Nafiza Azad weaves an immersive tale of magic and the importance of names; fiercely independent women; and, perhaps most importantly, the work for harmony within a city of a thousand cultures and cadences.
Wait…Silk Road? [VERY RECENT AP WORLD FLASHBACKS INTENSIFY]
Most of the time, I don’t readily reach for historical fiction, but The Candle in the Flame sounds like a fascinating blend of that and fantasy! Plus, that cover is gorgeous…
When genderqueer fourteen-year-old Z Chilworth wakes from death after a car crash that killed their parents and sisters, they have to adjust quickly to their new status as a zombie. Always a talented witch, Z can now barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with Mrs. Dunnigan, an elderly witch, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered in an apparent werewolf attack, the town of Salem, Oregon, becomes even more hostile to monsters, and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed.
Ooh…zombies, witches, AND genderqueer representation? SIGN ME UP!
In Kyrkarta, magic—known as maz—was once a freely available natural resource. Then an earthquake released a magical plague, killing thousands and opening the door for a greedy corporation to make maz a commodity that’s tightly controlled—and, of course, outrageously expensive.
Which is why Diz and her three best friends run a highly lucrative, highly illegal maz siphoning gig on the side. Their next job is supposed to be their last heist ever.
But when their plan turns up a powerful new strain of maz that (literally) blows up in their faces, they’re driven to unravel a conspiracy at the very center of the spellplague—and possibly save the world.
No pressure.
Okay, the main reason I put this one on my TBR was because of how good The Disasters was. But even with that aside, I LOVE the sound of this one–magical heists featuring a bunch of chaotic misfits? OF COURSE I want to read it! It has a lowish rating on Goodreads at the moment (3.55), but that’s not stopping me. Plus, that cover…
Lost to time, Tuck Morgan and his crew have slept in stasis aboard the USS John Muir for centuries. Their ship harbors a chunk of Earth, which unbeknownst to them, is the last hope for the failing human race.
Laura Cruz is a shipraider searching the galaxy for the history that was scattered to the stars. Once her family locates the John Muir and its precious cargo, they are certain human civilization is saved.
When Tuck’s and Laura’s worlds collide―literally―the two teens must outwit their enemies, evade brutal monsters that kill with sound, and work together to save the John Muir . . . and the whole human race.
Aside from the fact that they basically stole the first part of the tagline from Alien, I’m totally on board with this kind of sci-fi thriller!
Britta is the bubbly drama queen. She needs to get away—and a peaceful cabin in the woods sounds like the perfect escape.
Meredith is the overachiever. She’s spent her entire life preparing for college, but at what cost? Now she’s wondering if that’s all there is.
Kate is the reluctant socialite. She’s searching for a reason to begin again after fleeing her small Georgia town—and a shameful family secret.
Spider is the quiet intellectual. She’s struggling with pain that has isolated her from her peers for much of her life.
When these four very different young women stay together for a month in the mountains, they discover that sometimes getting away from it all can only bring you back to who you really are.
Eh…I feel like I’ve seen similar stories several times, and this one just isn’t grabbing me…
In Saskia’s world, bones are the source of all power. They tell the future, reveal the past, and expose secrets in the present. Each village has a designated seer who performs readings for the townsfolk, and in Midwood, the Bone Charmer is Saskia’s mother.
On the day of her kenning—a special bone reading that determines the apprenticeships of all seventeen-year-olds—Saskia’s worst fears come true. She receives an assignment to train as a Bone Charmer, like her mother, and even worse, a match-making reading that pairs her with Bram—a boy who has suspicious tattoos that hint of violence.
Saskia knows her mother saw multiple paths for her, yet chose one she knew Saskia wouldn’t want. Their argument leads to a fracture in one of the bones. Broken bones are always bad luck, but this particular set of bones have been infused with extra magic, and so the break has devastating consequences—Saskia’s future has split as well. Now she will live her two potential paths simultaneously. Only one future can survive. And Saskia’s life is in danger in both.
In the abstract, deriving magic from bones sounds like an inventive idea–and if well-executed, it’s a lot of fun. But it’s been done several times before, and I can’t seem to find where The Bone Charmer has its original twists on it…
Ashton Hamid knows everything about gaming. His D&D battles are epic; the video game tournaments he organizes, multi-day tests of endurance with players around the world. Real life, however, is a different matter. So when he and his best friend—outspoken “A” student (and social outcast) Vale Shumway—head out on a camping trip to Waterton Lakes National Park with their Phys. Ed. class, Ash figures it’ll be two days of bug bites, bad food, and inside jokes.
Instead, the two friends find themselves in a fight for survival.
An unexpected October snowstorm separates Ash and Vale from the rest of their class. By the time the teens realize they’ve missed the trail, they have wandered deep into the Canadian Rockies. Lost in the wilderness and hunted by deadly predators, their only hope is to work together. But with Vale’s limited supplies and Ash’s inexperience, can the best friends stay alive long enough to find their way back to civilization?
I think the only reason I picked this one up was because of the aro-ace rep (Vale). I don’t read much survival fiction, but I feel like the characters would get on my nerves too. Meh.
Cottonwood Hollow, Kansas, is a strange place. For the past century, every girl has been born with a special talent, like the ability to Fix any object, Heal any wound, or Find what is missing.
Best friends Rome, Lux, and Mercy all have similar talents, but to them, their abilities often feel like a curse. Rome may be able to Fix anything she touches, but that won’t help her mom pay rent or make it any easier to confide in Lux and Mercy about what’s going on at home. And Rome isn’t the only one. Lux has been hiding bigger, more dangerous secrets.
As Rome struggles to keep her friendships close, she discovers the truth about life in Cottonwood Hollow—that friends are stronger than curses, that trust is worth the risk, and sometimes, what you’ve been looking for has been under your feet the whole time.
Well…I like the cover, but I don’t think the magical realism part of this is quite strong enough…it’s just not compelling to me anymore.
VERDICT: LET GO
RESULTS:
KEPT: 4
LET GO:6
Cons? Same results as last time. Pros? Last time was my most successful TBR clean-out yet! I was able to weed out a lot of books, and I found some that I kept that I need to check out at the library soon. Good job, self!
Today’s song:
Why yes, I HAVE been thinking about the new episode of Fargo all week, why do you ask?
That’s it for this Down the TBR Hole! Have a wonderful rest of your day, and take care of yourselves!
Happy Thursday, bibliophiles, and for those of us celebrating, happy Thanksgiving! I’m extraordinarily thankful for all of you for your endless support, and I’m grateful that we’ve gotten through this year together.
I have *way too many* book tags that I’ve been tagged in/want to do piling up, but I figured that I’d go ahead and do this one because there’s not much time left until it’s winter. Thank you so much to Bertie @ Luminosity Library for tagging me! I’m not sure who created this tag, so if you know, please let me know, and I’ll credit them!
Let’s begin, shall we?
🍁FALL TIME, COZY TIME BOOK TAG🍁
CRUNCHING LEAVES: The world is full of color! Chose a book with red/orange/yellow on the cover.
I love all of the vibrant colors and patterns on the cover of Raybearer, and I’m glad to say that this fantasy did not disappoint!
COZY SWEATER: It’s finally cool enough for warm and fuzzy clothing!What book gives you the warm fuzzies?
Pumpkinheadsnever fails to give me all the feel-good vibes whenever I’m feeling down. It’s a perfect read for this time of year, too!
FALL STORM: The wind is howling and the rain is pounding. Choose a book that you would like to read on a stormy day.
The Bone Houseshas no shortage of immaculate spooky vibes–perfect for reading when the light is low and the rain is pattering against the windows.
COOL, CRISP AIR: Makes you breathe freely–What’s the coolest character you’d like to trade places with?
As much of a disappointment that the rest of this series turned out to be, I would LOVE to trade places with Irene from The Invisible Library. I can’t think of a dream job that’d be better than hopping through strange dimensions to retrieve rare books.
HOT APPLE CIDER–Warm autumn drink–what under hyped book do you want to see become the next biggest, hottest thing?
It’s so sad to see how little recognition The Pioneergets in the world of YA sci-fi–for me, it’s what sci-fi should be, at its core–inventive, thoughtful, timely, and riveting. If you haven’t given this duology a try, I implore you to do so!
COATS, SCARVES, AND MITTENS: The weather has turned cold, and it’s time to cover up! What’s a book cover you don’t like?
It kind of pains me to say this, since Prince of Shadowswas decent and I miss Rachel Caine (😭), but I was kind of embarrassed reading this one out in public…
PUMPKIN SPICE: Time for some Starbucks! What’s your favorite fall comfort food?
If we’re talking Starbucks, I LOVE salted caramel mochas! They’re just the perfect blend of chocolate and caramel…I could go on for days…
Other than that, I’d say anything that’s on the Thanksgiving table–biscuits, cranberry sauce, pumpkin pie…man, I can’t wait to eat tonight…
WARM, COZY BONFIRE: Spread the cozy warmth! Who do you tag?
Ever since I read and adored On a Sunbeam back in August, I’ve had all the Tillie Walden I can get my hands on put on my holds or for later shelf at the library. I figured I needed some more Walden in my life for Thanksgiving Break, so I checked this one out. Even though it only clocks in at about 68 pages, I love this part is filled with so much raw emotion and heart.
my library copy, ft. an interesting filter and some gingerbread tea ☕️
Two girls, unnamed in a rural town, realize that they have a shared love of music. They gravitate towards each other, and slowly but surely, their friendship develops into something more. But when their relationship begins to crack, they drift apart–but it may be the thing that brought them together that might mend their relationship once more.
art by Tillie Walden. This quote hit me really hard.
Now that I’ve read four of Walden’s graphic novels, I can say with certainty that there hasn’t been a single miss in her catalogue so far. I love this part is no exception–it’s not every day that so much authentic love and emotion can fit perfectly in the span of only 68 pages.
Walden’s art is always stunning; normally, I usually don’t gravitate towards styles that are more simplistic, but she proves time and again that facial detail isn’t always necessary to convey a wide range of emotion. Her use of color was what stood out to me most in I love this part. Most of the graphic novel is rendered in black and white, but splashed with purple. What stood out about it, though, was that the purple was almost symbolic; in the times that the girls were in love, the purple was present, and when they fell out of love, it disappeared, fading to black and white. But even in the black and white panels, there were still hints of purple, if you looked closely–hinting their love never truly died.
Beyond that, I love this part maps out every aspect of falling in love–the joy, the fear, the heartbreak, the yearning. It’s the kind of book that makes you mourn relationships you’ve never even had, but in the best way possible. It’s raw, it’s honest, and it’s vulnerable, but it also brims with hope and love. And at the center of it all, to have a multiracial, sapphic couple in the starring roles? True beauty.
My only complaint? It was too short.
All in all, a triumphant and vulnerable tale of queer joy, love, and heartbreak that resonated on levels that I didn’t even know were possible. Five stars!
I love this part is a standalone, but Tillie Walden has several other graphic novels out, including On a Sunbeam, Are You Listening?, A City Inside, The End of Summer, and her graphic memoir, Spinning.
The Bookish Mutant 